BuzzSugar

Kirsten Dunst Is All Good While Shopping and Filming

PopSugar — Thu, 26 Jun 2008 16:28:02 -0700

Kirsten Dunst had a busy day yesterday, shooting scenes with Ryan Gosling for their film All Good Things and swapping shades for shopping with a friend in Soho. Kirsten proved she was a bargain hunter while in rehab and she still likes to check out the $5 rack at H&M. Kirsten is getting back into the swing of things and a dash of retail therapy mixed with some Ryan hotness will hopefully keep her in good spirits.

To see more of Kirsten and Ryan just read more

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Pacific Coast News Online and Bauer-Griffin Online

Kirsten and Ryan Are Still Going About Their Good Things

PopSugar — Tue, 27 May 2008 04:01:33 -0700

Ryan Gosling and Kirsten Dunst got into character again as they continued filming All Good Things in NYC on Saturday. While we definitely prefer Ryan's shorter blond hair, Kirsten's long locks and huge grin are helping her look fabulous. The rumors that these two are dating in real life have died down, but now that we're seeing them smiling together on the set, do you think they'd make a cute couple?

More of Ryan and Kirsten, so just read more.

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Pacific Coast News Online

Ryan Gosling Is Always All Hot Things

Molly — Tue, 20 May 2008 15:30:00 -0700

Ryan Gosling waved to the paparazzi and fans on his way to work on All Good Things in NYC yesterday. Thankfully his hair was looking a lot better than the last time we saw him on set, and the same can be said for his costar Kirsten Dunst. While the rumors about an on set romance between the two stars seem to have cooled down, the weather in Manhattan is warming up so we'll have to see if that brings out any more heat between Kirsten and Ryan.

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Splash News Online

We Have a Few Good Things To Say About Kirsten Dunst

PopSugar — Tue, 20 May 2008 07:05:00 -0700

Kirsten Dunst was looking cute and casual on the set of All Good Things in NYC yesterday. It's great to see her looking so fresh faced and pretty with her long blond hair, even if we couldn't get a glimpse at Ryan Gosling this time. Kirsten's going to have a busy Summer of filming before getting ready to promote How to Lose Friends and Alienate People come October, so we're happy that things seem to be back on track for the starlet after her trip to rehab.

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Source and Bauer-Griffin Online

Even Dirty Ryan and Kirsten Are Good Things

Molly — Wed, 23 Apr 2008 11:45:29 -0700

OK, so this isn't Ryan Gosling's hottest look . . . but we still do love seeing him, so we'll take what we can get. He and Kirsten Dunst were looking equally dirty haired on the set of All Good Things in NYC yesterday. The duo are rumored to be getting hot and heavy off the set (or at least dining together from time to time), and we all know how much Ryan loves to date his co-stars. Anything seems like the wrong call after adorable Rachel McAdams, but these two could grow on me as a couple. Just as long as he loses the wig when the cameras stop rolling.

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Flynet

Buzz News Roundup, 4/9

BuzzSugar — Wed, 09 Apr 2008 13:33:17 -0700

I'm devastated by the news about Jeffrey Dean Morgan's split from Mary-Louise Parker, though JDM has some good news to console him: he's been cast alongside Ryan Gosling and Kirsten Dunst in All Good Things, according to Hollywood Reporter.
Variety reports that Robert DeNiro, Drew Barrymore, Kate Beckinsale and Sam Rockwell will star together in the family comedy Everybody's Fine.
Before there's even a High School Musical 3, they're working on a fourth one! Though ComingSoon reports that No. 4 will be another TV movie, not released theatrically.
If you want to be all nerdy-like (I sure did), the Wall Street Journal has posted a downloadable version of the Project Runway lawsuit.
Yet another time I wish I were in Seattle: the Bumbershoot Festival lineup looks fantastic, with Beck, Stone Temple Pilots, Neko Case and M. Ward among the confirmed acts listed in today's Billboard article.
Meet the new Cupid: Bobby Cannivale has been cast in the lead in the Rob Thomas remake, Zap2it reports.
According to Variety, Nim's Island - not Leatherheads - was the No. 2 movie at the box office over the weekend, coming in behind 21.
The Tom Cruise WWII thriller Valkyrie has been pushed back even more, this time from an October 2008 release date to February 13, 2009, writes Hollywood Reporter.
NME reports that Blondie is set to go on tour this summer.

Source

Mad Men, "Shut the Door. Have a Seat": This Week's 5 Maddest Moments

BuzzSugar — Mon, 09 Nov 2009 05:30:53 -0800

Wow. The biggest surprise of the third season finale of Mad Men isn't actually a plot point, but how light and almost exciting it manages to be. For a show that's normally so tense and tightly wound, this week's episode has a quick pace, and at times, a sense of humor. Of course, there is still disappointment and heartache; some of our predictions for the finale come true, but some go sadly unfulfilled.

Without further ado, let's talk about the door that closes and the one that opens this week, and as usual, the finale's five maddest moments, when you read more.

So long, Connie: It's eccentric hotelier Conrad Hilton that breaks the news to Don that rival agency McCann is buying PPL, and Sterling Cooper along with it. Don's plenty irate, as it's Hilton's fault that he was signed into a three-year contract and is thus, trapped. However, Don's bitterness quickly turns to ambition, when he rallies Burt, then Roger, to buy back Sterling Cooper from PPL. Pryce is unhelpful in even supplying the purchase price for the men, quashing the buyback plans, but then another scheme is launched: Pryce fires Don, Roger, and Burt so they can form a new agency.
Draper Dissolution: While an exciting change is happening for Don in his career, back at home a bleak change is coming. Betty informs Don that she's seen a divorce lawyer and advises him to do the same. It's painful watching these two spar, and I wanted so much for them to figure out how to fix it - but the ball is clearly in Don's court and he does nothing to sway Betty to call off the divorce. Sure, he tells her to, and even suggests that she might need psychiatric help. Oh, and he tells her that he gave her everything she wanted materially, insinuating that should be enough. Don may know what his clients want, but in his marriage, he has no idea what Betty wants.
Irreconcilable differences: Don sheepishly tolerates the divorce talk until he's having drinks with Roger, who spills the beans about Betty taking up with Henry Francis (I do have to say, it is rather nice to see these two getting along, acting like buds). This sends a drunken Don home to wake up Betty for a confrontation about her indiscretion, and things get nasty and uncomfortably physical. Again, Don manages to push Betty into even more resolve, and she tells him that she's going to Reno to initiate the divorce. Don and Betty devastate the kids with the news of their separation, and Betty makes good on her threat to go to Reno after Don softens a tiny bit - to tell her that he won't fight her.
Don, at your service: One of my favorite parts of this episode? Seeing Don put through the paces by Pete and Peggy. He's always treated them like underlings, and they finally have the opportunity to assert themselves. Don obliges them both and tells them how valuable they are, but not before Peggy pushes back. Her backbone straightens when she's first told of the new company and assures Don that she's had "other offers." Luckily, Don doesn't take no for an answer, and visits Peggy at home, telling her he'd spend the rest of his life trying to hire her if she turned him down now. It's so touching to see Don put aside his ego to acknowledge these others, and it makes me sad that he can't do something similar for Betty.
Sterling Cooper Draper Pryce: The gang's back together! It's thrilling good fun watching the new company assemble - Roger and Don get the agency's most prized employees one by one, plus my favorite: Joan! She's a necessity to help find all the files and materials in the office, and, they realize, a force that had been holding the company together. Her role in Sterling Cooper Draper Pryce (can you say "Michael Scott Paper Company"? I told you these two shows have a lot in common!) is a given. With everything coming together so perfectly, though, I wondered why Sal isn't also called in. I suppose we have next season to look forward to for that. Speaking of, next Summer can't come fast enough.

It's interesting that the finale also weaves in flashbacks of Don's early childhood, as this season's premiere did. What Don is remembering now, though, is how his father died. The elder Whitman was faced with losing his home, and after breaking free of the cooperative, readies a trip to the city to sell his crop. His spooked horse kicks him in the head, killing him, with the young Don as witness. It's an obvious parallel to Don's circumstances, who's losing his home, as in his marriage; and, losing his home, as in his life's work. Of course, he only manages to take control of one of those.

So what did you think? Did this season wrap up the way you wanted it to? And even though we won't see the Draper family or the worker bees of Sterling Cooper Draper Pryce until the fourth season returns, you can still join the Mad Men group in the community to chat about the show year-round.

Photo courtesy of AMC

Momofuku's David Chang Talks Sabbaticals and San Francisco

YumSugar — Mon, 09 Nov 2009 04:00:48 -0800

We've always been huge fans of New York chef and restaurateur David Chang: He was Sugar's pick for Best Restaurant Chef of 2008. By fusing innovative flavor combinations and haute kitchen techniques with casual dining, the Momofuku overlord revolutionized the restaurant scene in America.

What's most refreshing about Chang, however, are his irreverent demeanor and unapologetic opinions. Even though I'd interviewed him before, when I heard Chang and his co-author, New York Times writer Peter Meehan, were in town promoting their new bible, the Momofuku Cookbook, I couldn't resist chatting with them. His two cents on culinary trends, TV, and Top Chef Masters, after the jump.

The Box: An Inadequate Package to Unwrap

BuzzSugar — Fri, 06 Nov 2009 11:30:56 -0800

I so wanted The Box to be a worthy successor to Donnie Darko, director Richard Kelly's first film and much-appreciated cult fave. Unfortunately, I didn't exactly get my wish.

The Box is a highly stylized, good-looking thriller, from the retro 1976 Virginia setting to the Barbie and Ken looks of leads Cameron Diaz and James Marsden. They play husband and wife Arthur and Norma Lewis, who run into a bit of a financial jam when a strange opportunity conveniently presents itself. A creepy, disfigured man (Frank Langella) offers them a million dollars if they push a button inside a box - but a stranger will die if they do.

Kelly has all the right elements and the creativity to give us a hip, entertaining thriller, but there are a number of blatant missteps that make the movie unsatisfying. To see more about what I mean, just read more.

Kelly puts his stamp on everything, namely the constant eerie atmosphere and the random sinister characters (apparently an old person standing still in the road is his trademark). Though many questioned the casting of Cameron Diaz and her requisite Virginia accent, there was a similar doubt when Drew Barrymore and Patrick Swayze were cast in Darko, and it ended up working. With Diaz, it's not that I would say that she nailed the part, but that the accent and greater aspects of the plot are very campy. And I like campy, but I don't know if that's what the film is going for.

If you're not taking it seriously, the movie is a pretty good time, with some frightening scenes and jumps. There are also many parts that are supposed to be creepy, but they're so labored that they come out as funny. Like, laugh out loud in the theater funny. I wouldn't call that a failure, I'd just invoke the term I used before campy.

The major problem the movie runs into is when it begins exploring these sci-fi and supernatural angles, which end up being red herrings. For instance, much is made of Arthur's job at NASA and Mars, which made me think we were in for a weird, wild sci-fi ride. I was ready to embrace something really out there (I'm a big David Lynch fan, after all), but you don't really get it. There are so many elements that are introduced but never followed to a conclusion, so you're left shrugging your shoulders when the movie ends. It's even more perplexing because the mystery of The Box itself is explained, but you're left with all these details that went nowhere, in retrospect. It's one thing to leave things open-ended, but you have to give the audience something to work with.

Honestly, if you're a Kelly fan, you'll probably find it enjoyable. But if you want complete resolution, I'd wait for the director's cut.

Photos courtesy of Warner Bros.

The Vampire Diaries "162 Candles": The Good, The Bad and The Bloody

BuzzSugar — Fri, 06 Nov 2009 07:30:41 -0800

It's a party on this week's The Vampire Diaries for Stefan's birthday, but it's hardly a cake and merriment fest. Our broody hero finally gets a chance to smile, but of course, it's taken away from him quickly.

Ready to chat about the good, the bad, and the bloody? Watch out for spoilers when you read more.

The Good

Stefan's girl BFF Lexi comes to town to give Stefan a proper 126nd birthday party, and she's a tough-talkin', sexy badass of a vampire. Can you believe that Arielle Kebbel is the same girl who played Lindsay on Gilmore Girls? In the preview, she seemed like a rival for Stefan's affections, but that's not the case at all; she's his (literally) oldest friend and apparently brings out the fun-loving beast in Stefan (hey writers, can we please get some flashback scenes of the good times with Lexi? That would be awesome). She also talks some sense into Elena, encouraging her not to ignore her real feelings for Stefan. Amen. Did you catch that very brief shot of Stefan with his shirt off? Elena could have just seen that and been convinced, but I guess Lexi's soul mate talk works too.
Bad boy Damon proves that he's not softening like I thought he was; his diabolical master plan includes pursuing Caroline's sheriff mother and pretending to help in the vampire hunt. He also engineers the demise of yet another character (more about that in The Bloody rundown), which is heartless and shocking, to say the least.
Bonnie and her awesome Grams make an appearance, apparently having had a sleepover/feather floating lesson. Grams explains that her necklace is her talisman and it chose her, which becomes even more obvious when it also shocks Caroline when she tries to snag it back for Damon. I was disappointed when I thought that was the extent of what we'd see of Bonnie and her witchery this week - until the very end, when Bonnie has a disturbing nightmare featuring her ancestor Emily Bennett and then actually wakes up in the cemetery near the Salvatore family grave. Spooky.

The Bad

Are we supposed to be rooting for Caroline and Matt to get together? I thought it was sweet and all for Matt to take care of Caroline and cuddle her when she's drunk, but I feel like we haven't been given enough to be invested in Matt. Sure, I feel for him losing his sister, but he and Caroline are still side characters to me, so I'm not excited about their pairing quite yet.

The Bloody

I knew something was up when Damon briefly leaves the party and attacks two amorous teens so blatantly; turns out, he pins that attack and all the previous ones on Lexi, supposedly to get the hunting squad off of him and Stefan.
I gasped audibly once again during this episode when the second vampire was killed in as many weeks. Even though Vicki was a more prominent character than Lexi was, I was still completely shocked that Damon stakes her so mercilessly. I really liked her character and loved that for once, someone could overpower Damon. I have a feeling that her little domination of him in the beginning of the episode had something to do with how easily he kills her, but it's still such a horrible thing to do to Stefan. I thought that the small part of Damon that's still human harbors a love for his brother, but I can't believe how deeply he's willing to hurt him.
Heartbroken over the murder of his friend, Stefan tells Elena he has to kill Damon. Which means: vampire fight! But Stefan can't do it; he just sticks the wooden stake in Damon's torso to hurt, but not destroy, him. Well, yeah, he's a star of the show. He can't go anywhere! And Stefan wants to spare him, blah, blah, blah.

From the looks of the preview, I definitely thought this week would just be a filler episode, but it managed to keep up the pace of last week's super intense and amazing "Haunted." A couple more things to think about: Lexi brings up an interesting point - Katherine and Elena look so alike, they could be related. This is a small town with residents whose roots go deep; could they be related? It's an interesting thought. Also, the best way to end an episode is a ghostly Emily Bennett telling Bonnie "It's coming." What's coming? Ack, it's so ominous and exciting, I can't wait to find out what it means! What did you think of this week's episode? And if you want a place to talk more about the show, join Hooked on Vampire Diaries in the Buzz Community!

Photos courtesy of The CW