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What to Netflix: New DVD Tuesday

BuzzSugar — Tue, 12 Feb 2008 09:30:00 -0800

All of the new DVD releases hit stores (and Netflix) on Tuesdays. So each week in What to Netflix: New DVD Tuesday, I sort through the best of the batch and tell you what to add to your queue. In addition to the titles below you can view the thriller We Own the Night starring Joaquin Phoenix and Mark Wahlberg. Also on DVD today is Romance and Cigarettes, a musical that's definitely not for the High School Musical set.

Gone Baby Gone
For his directorial debut, Ben Affleck brings together a talented ensemble cast that includes his brother Casey Affleck, Morgan Freeman, Ed Harris and Amy Ryan. The film is set in the Affleck brothers' hometown of Boston and is adapted from a novel by the author of another dark Boston tale, Mystic River.

Casey plays Patrick Kenzie, a private detective hired to help bring home a missing 4-year-old girl. In the process, he discovers a complex and disturbing underworld based on the broken dreams of families living in one of the country's toughest neighborhoods.

Relative newcomer Amy Ryan earned herself an Oscar nomination for her portrayal as the little girl's drug addict mother, and our very own Boston native Molly really enjoyed this heart wrenching flick so it's a pretty safe bet for your Netflix queue.

A little depressing? Two more lovey titles are next so read more.

No Reservations
It's often the charming, warmhearted little films like No Reservations that slip off peoples' radars in the summer movie season due to the noise that giant big-name mega-blockbusters make that time of year. If you missed this sweet romance starring Catherine Zeta Jones and Aaron Eckhart I highly recommend warming up some delicious treats and settling in for the night with this movie that I really enjoyed.

Based on the the German film Mostly Martha, the movie follows a hard-hearted top chef, Kate (Zeta Jones) whose sister dies suddenly, leaving Kate's little niece (an adorable Abigail Breslin) now resting in her care. As Kate struggles to adapt to parenthood, she also soon finds herself involved with the new chef in her kitchen (Eckhart). Special features include a Marc Summers visit to the set to talk to the film's stars for an episode on his Food Network Series.

Why Did I Get Married
Tyler Perry sets aside his alter-ego Madea, but preserves his keen ability to create relatable characters in this drama exploring the ins and outs of married life. The movie stars Perry himself, along with Malik Yoba, Sharon Leal, Michael Jai White, Denise Boutte, Lamman Rucker and music hit-makers Janet Jackson and Jill Scott.

Based on one of Perry's plays, Why Did I Get Married? follows a group of married friends that gather in a mountaintop resort to confront their various marital issues. Perry's trademark melodrama and preachiness combined with a more serious subject matter proved to be a very potent mix that really hit home with audiences.

We Own the Night: Hardly New York's Finest

BuzzSugar — Fri, 12 Oct 2007 07:30:00 -0700

I wandered into We Own the Night expecting stellar performances that would rescue an otherwise so-so movie. And though the movie was definitely so-so (really, a few notches below), I can't blame the actors. After all, the script - riddled with clichés and sorely lacking any dramatic tension - didn't give the typically talented performers anything to work with.

Set in late '80s Brooklyn and Queens, We Own the Night stars Joaquin Phoenix as Bobby Green, the manager of a wildly popular mega-club. His real name is Grusinsky, and his dad, Burt (Robert Duvall), and brother Joseph (Mark Wahlberg) are devoted servants of the NYPD. But taking up his mother's maiden name keeps Bobby's background from interfering with his hobbies, such as recreational cocaine use and hanging with his hot girlfriend, Amada (Eva Mendes).

But guess what? Dad and Joseph are investigating a drug ring run by a Russian mobster who frequents Bobby's club, and they want Bobby to help smoke him out. The plot reads vaguely like The Departed, but the similarities end there, so read more

Bobby has no interest in being a rat, until his brother is shot and injured by the mobsters. Then he decides to go undercover to capture the bad guy, and the action unfolds from there.

Unlike The Departed and many other gripping police dramas, We Own the Night is neither gripping nor dramatic. The familial bonds that are supposedly so central to the story are hardly felt, since we learn very little about the characters or their motivations. The plot progresses in a very predictable arc, and for anyone who doesn't find it predictable, there is a lot of obvious foreshadowing to help us along.

Mostly, the movie, though unconventional, is disappointingly dull; it feels like an amateur filmmaker trying to make a serious movie. Thankfully, a few elements rise above mediocrity: Director James Gray does an excellent job of visually capturing the bleak but indulgent mood of the New York drug scene in 1988, and a climactic car-chase scene through the blinding rain is expertly crafted. Otherwise, We Own the Night comes dangerously close to made-for-TV fare.

Photos courtesy of Sony Pictures

Fall Movie Preview: Bad Boys

BuzzSugar — Mon, 27 Aug 2007 08:15:00 -0700

We may not be getting the crisp fall weather just yet, but we are getting previews for tons of movies opening in the fall. In preparation for this autumn and winter at the theaters, I've broken up the lengthy list of upcoming movies into many small themes for my Fall Movie Preview series. This way, you'll be in the know when the chillier months roll around, bringing a whole new crop of new films. Today's list of upcoming titles features some men behaving badly - and some good guys - and all of them looking very nice all the while.

Shoot 'Em Up
If you've been reading Buzz in recent months you know that I've been breathlessly awaiting the release of this movie which stars Clive Owen and Paul Giamatti. Luckily, there's not much more waiting to go since Shoot 'Em Up opens September 7. My Comic-Con correspondent Phasekitty got to see some scenes from the movie while in San Diego and this is what she reported back: "t is some of the most exciting action I've seen in a long time; very similar to the Transporter series, though with a new comedic element. Clive Owen's character is protecting a woman and a child from a hit man (Paul Giamatti), and spends most of the action sequences out-shooting people with one hand and carrying the infant baby in the other." Granted, I will watch Clive Owen do just about anything, so it's all the more enticing when I get to see him kicking butt and saving babies. Check out the awesomely done trailer here.

Are There Too Many Chef Shows on TV?

BuzzSugar — Thu, 19 Nov 2009 15:30:02 -0800

We've already talked about the abundance of dance shows on TV, but there's another genre that seems to be taking over the networks - competitive cooking. NBC just picked up United Plates of America, a new series by the producers of Top Chef which will pit hopeful restaurateurs against each other for the ultimate prize of starting their own chain. The winner gets to open four locations on the night of the finale. That's a pretty cool gift package, but it has me thinking - don't we have enough of this programming on TV already?

The premise does sound more unique than most, but it used to be that the Food Network was the only TV cooking choice with its popular Iron Chef franchise. Since then, other channels have gotten in on the act, too, like Fox's Hell's Kitchen and of course Bravo with Top Chef, Top Chef Masters, Top Chef: Just Desserts . . . need I go on?

Of course, if you're a foodie, you may be excited to have yet another show for your TiVo queue, but I wonder if all of this is overkill. How about you?

Talking New Moon With Kellan Lutz and Ashley Greene

BuzzSugar — Mon, 16 Nov 2009 09:15:50 -0800

Robert Pattinson, Kristen Stewart, and Taylor Lautner may be dominating the promotional circuit right now, but they're not the only cast members with something to say about New Moon. I had the opportunity to chat with costars Kellan Lutz and Ashley Greene, aka Emmett and Alice Cullen, during their recent stopover in SF. They chatted about their characters, the vampire craze, and what it's like to be a "Twilight celebrity." Here are highlights:

On why so many people are crazy for the Twilight Saga:
Ashley: I think this film in particular is highly relatable. There are a lot of situations that people can relate to. The love story - everyone can relate to being in love or being in lust. You add the vampire, and it adds that next level fantasy. Vampires are mysterious and sensual and dangerous and unattainable. And everyone wants what they can't have. I think on another level that this came together at the perfect time. All the elements just fit, the casting was spot on, and we're in a difficult time right now with our economy. That's why you never have a drop in ticket sales because everyone wants an escape, and this movie is very much an escape from reality.
Kellan: It's a good escape but also it deals with so many situations, on so many positive notes. Just looking at it from the vampire coven to the wolf pack. It just deals with everyday issues just on bigger levels, in a way. And you have Bella as the keystone in many situations. You can just all relate from different countries to issues within the United States. It's easily relatable.

To read a lot more about working with three different directors and why they feel so lucky, just read more.

On how their portrayals of the Cullens are similar or different from the books:
Kellan: We got the jobs because we brought something new to it. You can interpret the characters each their own, but I think it's what we did alongside. Just like Kristen said - she's playing Bella but she's putting her Kristen spin on it, just like all of us are. And I think that's what's making it unique. We're still following the cheat sheets that Stephenie created by making the books, and there's Wikipedia. We have a lot of information to go off of. But I hope it's what I did in my audition that set it apart from the other guys trying out.

Ashley: I think it's mannerisms too. People do fall in love with this book, but I think part of it is that they always want more. You can't write out every human mannerism. You can imagine it, but seeing the emotion in someone's eyes and seeing them be affected it - it was kind of easy to give something to it, because we were just being people. We kinda just got lucky.
On how much more of the Cullens we can expect in the remaining movies:
Kellan: Realistically, we stick pretty close to the books. Obviously us Cullens would love to be in the books a lot more, which would mean we'd be in the movies a lot more. Talking New Moon, the scenes that the Cullens - except for Ashley, playing Alice who gets to go to Italy and be a main lead in the movie - us Cullens, we have to stick really close to the books, and the scenes that we're in are really crucial to the story, as you know - the birthday scene, the voting scene. I don't know, it was kind of a tease. Chris Weitz is such an amazing director, and for us, for myself - I only worked about a week on that movie. And it didn't even seem like I really got a taste for what it was.

Ashley: In the third film, you'll see a lot more of the Cullens because it's all of us collaborating and then getting ready to fight this war that's coming up. In the second one, my character got a much larger role because Alice is the Cullen, other than Edward, that really embraces Bella and they end up becoming best friends. In the beginning, you see her throw this huge party for Bella, and then Alice is the one who does, in fact, come back for Bella when everyone else decides to skip town. Alice is responsible for dragging Bella over to Italy, and she and I the whole time are fighting to save my brother's life. And then of course we get held up by the Volturi and stuff like that. My character got to grow a lot, which is really cool. You get to actually see the relationship develop between Bella and Alice, where in the first one you didn't. The first one was very much about the romance and showing the audience why these two people are willing to die for each other.
On working with a different director on each film:
Ashley: Each director is going to be very different. They're artists as well, and I don't think any of them are quite the same. The books, when you read them, all have very, very, different tones. So I think it's highly appropriate that we switch directors each go. The first one is very much a romance and is a very scenic, beautiful film. And Catherine's really, really great at capturing that. She's very high energy and works well in chaos and stuff like that. And it was fantastic because we didn't quite know what we were getting ourselves into, and so it was nice to have her to guide us when we were freaking out a little bit. She was just so high energy, and it was really contagious. We were sad to lose her and move on to the second film, but then we got Chris Weitz and he's the complete opposite! But great as well. He's so giving and caring and collaborative and created this atmosphere that was kind of a safe haven for us. And it was really nice because we didn't know, switching directors, if they were gonna embrace us or if they had a completely different vision than what we created in the first one. It was nice that he was right there on the same page with us. And the second one is a warmer film, even from the color scheme. The first one is very blue tones, and the second one is much richer and warmer and I think he did a great job at capturing that. And we just finished shooting with David Slade, and I think he's highly appropriate as well. He just finished shooting 30 Days of Night and Hard Candy, and they're both very dark, edgy films. And Eclipse is very much that. It's all centered around the anticipation and us getting ready to fight this huge war. We just finished filming, we haven't gotten to see much of it, but I think it's gonna be fantastic. He is, technically, the most advanced director. The angles that he shot and how he knows that tweaking something can affect a whole scene and the lenses. He was really nice to work with.
On coping with the fan effect and being a "Twilight celebrity"
Kellan: That's what blows my mind, 'cause I feel like it's really unearned in a way. The fans are making our careers. Without them, we wouldn't be working and doing the saga. There's so many times that trilogy books become a movie and the first one bombs, and then that's it. And you're always hopeful that you get to do them all. Especially since we're all in love with our characters. I love Emmett Cullen to death, he's my favorite character I've ever played. It's just so cool to have made it this far, and I think we all hope that we get to finish this series and do Breaking Dawn. This is such a blessing, it's every actor's dream to be part of something like this. It's not terribly hard either. We don't shoot halfway around the world; we don't shoot for a year of our lives. I know a lot of us have homes, we have pets, we have family. And it's really nice to shoot on the West Coast, either Portland or Vancouver, and have the chance to fly down if we need to. But it's definitely amazing to be part of something like this. And I don't think any of us knew how crazy it would be and how exhilarating it would turn out to be. Going to the premiere, really just, wow. I don't even remember it because I was really just starstruck by how many fans and signs and cameras. It felt like I was just walking through a strobe light room. It's amazing.

Ashley: I still think we can't really wrap our heads around what's going on and what's happening. We're still in the midst of filming and kept very busy from one film until the next. It's only these brief moments where you sit back and are actually able to take a breath where you go "Whoa. Wow. This is crazy." I mean, the amount of tickets they've already sold for New Moon - I'm pretty sure I can't even get a ticket if I tried to see my film in Jacksonville and it's mind boggling. We're just very lucky. I went into this film thinking "Oh my gosh, I got a job" and the it turned into the biggest break of my life. I think we all feel very blessed to be a part of this.
On how it feels to be part of Twilight fan fiction:
Kellan: It's an escape, in a way. We do live in a trivial time period right now. There's so much depression that it's kinda cool to be a part of something where people use it to be an escape. In a way that's kinda what Stephenie did -she had a dream and just elaborated on it. It became a huge success and it's really encouraging that people are doing the same and just making up this journey.

Ashley: That's why people love it so much I think. You can take it and make what you want of it. Before the demographic was teenage girls, but now it's women of every age and guys are starting to get into it, too. It's because there is that element of fantasy. If you're 8 years old you look at it one way; if you're 80 years old you look at it another. I think it's fantastic that we can draw such a huge crowd. The other thing is - it blows my mind but people are making connections over this film and over this book. there are mothers and daughters and grandmas who can all sit and talk about the same story and all fantasize about it and I think that's a really cool thing. I think it's rare.

To see all of our Twilight and New Moon coverage, check out TwilightSugar!

What to Download: New Music Today

BuzzSugar — Tue, 10 Nov 2009 14:38:24 -0800

T.G.I. Tuesday! I've already sorted through the big DVD releases of the day, but now I have new songs to revive your iPod, Just take a look at these three albums. (And if you want to see your own music reviews featured on Buzz, submit them in the Music Review Group in the community!)

Music mash-up: Seems like everyone is releasing a holiday album lately - remember Bob Dylan's? Now, Tori Amos is trying her hand at the genre with Midwinter Graces. It's a big risk for Amos, who puts her own spin on classic carols. Traditionalists might cry foul when she mashes up "What Child Is This" and "The First Nowell" for "What Child, Nowell" or re-purposes "Silent Night" into a love song, but at least Amos is thinking outside of the box. The quieter songs work best, thanks to Amos's ethereal voice. I recommend "Emmanuel" or "Winter's Carol."

All over the place: Wale references Kanye West in the first track on his big studio debut Attention: Deficit, and the mention is fitting. Wale seems like a Kanye in the making, mixing in sparkly, bragadocious tracks with songs that raise controversial social issues (like "Shades," which tackles racism). He also brings in a long list of collaborators, including Lady Gaga (on the already-released "Chillin'") and Mark Ronson. As a result, the album jumps around like, as the title hints, a kid with ADD. You may recognize Wale from this year's VMAs, and he's undoubtedly one to watch. For now, download "Pretty Girls" and "Diary," which samples from one of my favorite films, Amelie.

See one more release when you read more.

A classic formula: Bon Jovi fans really love Bon Jovi, and on the band's newest release, The Circle, the rockers aren't afraid to deliver exactly what their followers want - even if it feels recycled. "Working For the Man" should appeal to those who enjoy pumping their fists along to songs like "Living on a Prayer," and "When We Were Beautiful" almost feels like a U2 copycat. The guys cover the regular themes there - love, leadership, the highway of life, etc. - so there are no big surprises. Still, as far as guilty pleasure Bon Jovi goes, it doesn't disappoint.

90210 vs. Melrose Place: Which Was More Scandalous?

BuzzSugar — Wed, 04 Nov 2009 09:30:12 -0800

This week's CW drama block may have its share of cool guest stars like N.E.R.D. and Samantha Ronson, but, on the whole, it's a total mess. On the one hand, you've got the unstable girls of 90210 having emotional breakdowns at the drop of a hat; on the other, the Melrose Place residents are busy sneaking around to cover up their crimes. Personally, I was a bit annoyed by all the over-the-topness - especially you, Annie. Oh, and you, Ivy. But hey, at least it gives us a few surprising moments.

Ready to dissect each show and decide which packed more punch? (Warning: major spoilers!) Take a peek at my arguments and then weigh in with your own when you read more.

90210 point: Sasha is officially a nut job. First she tells Dixon that she's pregnant, but when Debbie gets wind of it, she questions Sasha even further to catch her in her baby lies. But the best part? When Debbie says the line, "It starts with you're not pregnant, and it ends with stay away from my son." Oh, snap! Congrats Debbie, you just went up a notch on the list of cool TV moms. Sasha backs off, telling Dixon she had a "miscarriage."
Melrose Place counterpoint: Did David kill Sydney? They sure try to make it seem that way. David tells Ella that he was blackout drunk that night after finding out that Syd was sleeping with his father - and then he has a flashback where he wakes up with blood all over himself and a knife in his hand. I gasped a little over the big reveal, but I'm not entirely convinced that David wasn't set up by someone else.

90210 point: Annie is getting in way over her head with Jasper, and unfortunately, she seems much too insecure to dig herself out. When Navid hears that Jasper is a dealer, he tells Annie and she confronts Jasper about it. Jasper wigs out, making Annie cry and beg forgiveness. Later, we see Jasper selling drugs to someone, so we know the rumors are true. For more on his buyer, keep reading.
Melrose Place counterpoint: Jonah makes out with Kendra, the hot movie producer, literally within the first five minutes of the episode. (That didn't take long.) He stops things from going further, but when he comes clean to Riley, he gets on her case again for her kiss with Auggie. She apologizes profusely, but the damage has already been done. By the end of the episode, I was thinking, Wait, did they actually just break up?! I don't think so, but if you stuck around for next week's promo, things do not look good for the engaged couple.

90210 point: Jen is back, throwing around her prima donna wicked attitude. She walks in on Ryan during his date with the bartender from the previous episode and goes into attack mode with the verbal jabs. ("You look older closer up.") Ryan is actually turned on by her jealousy, and the two become exclusive. But what I can't understand is why, after he knows that she lies, does he actually trust her story about Liam coming on to her? He totally buys it!
Melrose Place counterpoint: Auggie finally gives his a-hole boss Marcello a piece of his mind, er, fists. Marcello passes off one of Auggie's recipes as his own, and then he makes a few lewd comments about Riley - and you know how Auggie feels about Riley. He starts swinging, knocking Marcello out. Back at the apartment later, Violet shows up, and in a moment of what I can only blame on Auggie's emotional distress, the two finally knock boots. I'm guessing this means we'll be seeing Violet's worst kind of crazy very soon (right before she and Auggie say sayonara).

90210 point: Adrianna is inching closer to her previous life of drug use. It starts when she plays a song asking for Navid's forgiveness. (So cheesy!) He turns her down, so she continues sulking in bed, sobbing. Silver and Naomi want her to go to a meeting so she can stay clean, and with due concern - at the end of the episode, we see her buying from none other than Jasper.
Melrose Place counterpoint: Ella's squeaky-clean client, Jessie, is hospitalized with major cocaine in his system, so she begs Lauren to write a fake report citing an allergy as the cause of his stay. Lauren refuses. (Anyone else confused about why Lauren continues to take the high road, despite her side prostitution gig?) Ella then discovers a wad of cash in Lauren's room and realizes her Pretty Woman secret. Of course Lauren denies the accusations, but no matter - Ella decides to let her star take the fall anyway and promises to never question Lauren again.

90210 had way more melodramatic outbursts, but those ladies were so crazy that it kind of turned me off. (You girls give women a bad name. Even Violet seemed normal this week compared to you.) So I'm giving this week to Melrose by default: I was genuinely shocked at David's bloody flashback and the fact that Jonah has suddenly broken out of his perfect-fiance persona. I expect scandal from someone like Auggie or Ella, but from Jonah? Come on!

Do you disagree? Were you actually loving all of the melodrama on 90210?

Don't forget that you can also keep the conversation going over in the 90210 Superfans group in the Buzz Community. Check it out!

Photos courtesy of The CW

So You Think You Can Dance: Who Deserves the Top 20 Spots?

BuzzSugar — Tue, 27 Oct 2009 05:30:14 -0700

It wouldn't be season six of So You Think You Can Dance without an episode stretching things out a liiiittle longer before the competition, but Monday night's special, the one-off "Meet the Top 20," was actually a fun respite between auditions and competition. We were treated to an evening of the dancers performing in their own style, with no voting or judging taking place yet (that'll happen tonight, in the two-hour competition and voting blitz).

But just because no official voting began doesn't mean that we viewers weren't judging ourselves - I relished the opportunity to see everyone in their own style of dancing, because it's a level playing field.

So who did you think proved that they deserve to be in the top 20? I still believe in krumping Russell Ferguson, while I worry for the tappers - a tap show was a nice change of energy for the show, but I don't know how Bianca, Peter, and Phillip will actually fare. You know who really blew my mind? The entire team who danced Mandy Moore's contemporary routine to "Viva La Vida." (Unfortunately, Billy Bell has been sidelined due to illness, so he's one person we won't see go any further.) Who do you think earned their spot all over again?

Photos courtesy of Fox

Glee-ful Highlights and Video From Episode "Mash-Up"

BuzzSugar — Thu, 22 Oct 2009 05:30:00 -0700

The Glee train is chugging right along, and I don't just mean the new episodes. This week we learned that Madonna has given the green light for the show to use her music and the first 13 episodes will be available on DVD in December. Now, on to the good stuff.

This week the tables turned on the glee club's king and queen, as Finn and Quinn learn that they're no longer safe from getting the slushie treatment. Ken tries to make the football guys choose between the team and the club as a retaliation for Will's relationship with Emma, and Sue finds love! For a minute. Oh, and Puck and Rachel team up and Mr. Schue has his own dance dance revolution, so read more.

I was happy that this week's episode is Terri-free but has tons of Emma. Emma singing! Emma dancing! Emma in a wedding dress! I still can't forgive her for agreeing to marry Ken, but she's pret-ty adorable all dolled up staring into Will's eyes. Speaking of which, the tension between them is more palpable than ever. They're almost like the new Jim and Pam.
So, Rachel and Puck? I guess it was only a matter of time, but their little love affair still feels totally random. On the other hand, I guess that's what high school is all about. When Rachel shows a bit of maturity and asks Puck to be friends, Puck pulls a typical jerk move and gives her the cold shoulder. So the real question is - how long before Puck gets Quinn and Rachel gets Finn? Between Emma/Schue and the gleeks, there's just unrequited crushing up the wazoo.
Let's talk about the performances. I know that Mr. Schue is a talented singer and dancer, but I have to admit that I was cringing during "Bust a Move" and almost couldn't watch the "Thong Song." Can't they use those pipes and moves on something a little less embarrassing? Puck's rendition of "Sweet Caroline" is, for lack of a better word, sweet, and I loved Emma's surprise performance of "I Could've Danced All Night."

Need to watch Schue's "Thong Song" serenade again? Check it out!

Emma isn't the only one getting dance lessons, though. Sue swing dancing with Schue is genius. It's by far my favorite moment of the episode, particularly that Sue plays the guy, literally sweeping Will off his feet in the end. Sue finally shows that she's got a mushy side when she falls for the news anchor, but obviously it doesn't last long. However, her lovestruck episode does deliver some memorable moments, like that zoot suit.

Check out a cute behind-the-scenes video of Matthew Morrison and Jane Lynch practicing their dance number:

The episode isn't without a few cheesy after-school special moments, too. Poor Kurt shows Finn the true meaning of friendship, taking a slushie to the face "for the team." Then Finn answers back when he returns to glee with high hopes to pave the way for all the singing, dancing, football players of the future. The week's winning mushy moment goes to the kids happily giving Mr. Schue a slushie facial of his very own.

What'd you think? Should Finn and Quinn just break up already? Will Sue get another shot at love? Did you miss crazy Terri? Don't forget to join the Glee Club in the Buzz Community to keep the conversation going!

Photos courtesy of Fox

90210 vs. Melrose Place: Which Was More Scandalous?

BuzzSugar — Wed, 21 Oct 2009 09:30:45 -0700

Tuesday night's soapy dramas packed several surprises into this week's episodes - 90210 introduces a whole new character to love (or hate) and Sasha drops a bomb on Dixon; while over on Melrose, Riley and Jonah's seemingly perfect relationship is quickly unraveling. But the biggest surprise of all? Ella was nice. I know, crazy stuff.

Ready to pick apart a few plot lines (spoiler alert!) to determine which show was this week's juiciest? Let the battle begin when you read more.

90210 point: Annie steals a car! In her defense, she was talked into doing it by Jasper, because he wants to film the heist for his "movie." (I purposely put movie in airquotes, because who knows if this guy is for real. I don't trust him.)
Melrose Place counterpoint: Lauren finds out that David has been doing some stealing of his own when diamonds spill out of his bag. She makes a deal with him that she won't turn him in, if he stops. Not that Lauren should be doling out moral advice...

90210 point: A new surfer girl named Ivy arrives, and after accidentally hitting Liam's car, the two get competitive on and off land. He cuts her off at a surf contest, and she fakes a cramp to win. (This is also known as foreplay.) Their flirty antics grab Naomi's attention, who answers back by ditching her relationship with Richard - and her chances at college - for his roommate Jamie.
Melrose Place counterpoint: Violet gives the evil eye to anyone who comes near Auggie. When she sees his concern for Riley, she hints to Jonah about their questionable friendship to help break things up. And those sparrows in the complex that Riley and Auggie seem so smitten with? I doubt it's a coincidence that their nest was later smashed. Watch out Riley - my bet is Violet's gunning for you next.

90210 point: Dixon gets frustrated that he can never be seen with Sasha and dumps her. When she shows up later, he thinks that she's making amends, but actually, she's pregnant. This isn't necessarily new teen territory, but pregnant when you're in an underage relationship? Now that's scandalous.
Melrose Place counterpoint: Where do I begin with Jonah and Riley? First Auggie lets it spill that Riley kissed him, then Riley doesn't 'fess up the truth to Jonah, then Jonah grabs a drink with the hot new film exec who's helping him with his script (Step Up's Jenna Dewan!). We all know where this is headed...
90210 point: Debbie is still fuming over Harry calling her Kelly by accident, but matters worsen when Harry plans to have lunch with her and then cancels to comfort Kelly. Deb shows up to Harry's office with some food, and surprise - Kelly is there. Later, he teases Kelly about how Deb thinks she has a crush on him, but when Kelly doesn't respond right away, Harry realizes it's true. Do you think they're going to have an affair?
Melrose Place counterpoint: Riley models for another fashion shoot, and is asked to get topless by the photographer (Jo from the original Melrose!) In an even bigger shocker, Ella stands up for Riley when Jo starts throwing a few verbal punches at her from behind the camera. She even calls Jo a sell out. Awww, Ella, you do care.

I'm going to have to give this week's round to 90210 yet again. The guys from Melrose weren't bringing that much new drama to the table, but how can you compete with an illegal pregnancy and a car-napping? Do you agree, or should the Jonah and Riley storyline earn Melrose more points?

On a side note, is 90210 setting up Silver and Teddy? Looks so, but I hope not!

Don't forget that you can keep talking about these questions and the rest of the episode over in the 90210 Superfans group in the Buzz Community. Check it out!

Photos courtesy of The CW