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TV Tonight: The Paper

BuzzSugar — Mon, 14 Apr 2008 06:30:23 -0700

In high school, I was a class-A newspaper nerd, trolling the halls with a notepad in hand, hoping for a bit of scandal from the drama department or an expose on why Frisbee was no longer allowed in gym class. Even so, I doubt I'd be any match for the kids of The Paper, MTV's newest reality series. The show, which premieres tonight after The Hills, follows a crew of teens at a south Florida high school as they battle to become editor in chief of The Circuit.

I loved the idea when it was first announced, and I admit I've gotten a little thrill every time I've seen the ads for the show - especially when Amanda, the catalyst for much of the bickering on the staff, declares in no uncertain terms that "journalists are the most important people in the world." These kids don't look like out-and-out geeks, but they're not the perfectly polished specimens of The Hills, either. They seem shockingly normal, caught up less in fame and more in the everyday dramas of popularity and personality that were such a big part of the teenage experience for so many of us.

MTV's last foray into a journalism-based series, I'm From Rolling Stone, didn't work out so well - but I have higher hopes for The Paper. After all, very few people can relate to being music journalists, but who can't relate to the awkwardness of high school?

Are you interested in checking out The Paper when it premieres tonight? To check out a preview, just read more.

MTV Plans Reality Show for Teenage Newspaper Nerds

BuzzSugar — Wed, 29 Aug 2007 17:15:07 -0700

Well, this just warms the cockles of my teenage-journalism-nerd heart. MTV is filming a documentary series about a high school newspaper that will air early next year.

The series is set at Cypress Bay High School in Florida, behind the scenes of the award-winning newspaper The Circuit. MTV is filming eight episodes, and lest you non-nerdy types wonder how there will possibly be enough drama to fill eight episodes, I can assure you that high school newspapers have plenty of backstabbing, catfighting and bad-decision-making to go around. Or maybe that was just my high school paper.

Interesting tidbit: MTV is shying away from calling this a "reality series," because they insist they didn't set anything up - they found this group of kids and are filming as-is (though the network did post a casting notice last year). Instead they're calling it a "docu-series." Apparently, we've reached the point where reality TV is officially classified as not real.

Source

FlashForward Breakdown, "Believe"

BuzzSugar — Fri, 20 Nov 2009 11:30:32 -0800

The most central characters of FlashForward take a backseat this week, letting Bryce and Aaron take the spotlight. It's a nice relief from Mark and Demetri's constant agonizing over their own fates (though we still get a dose of that, too).

We learn that Bryce has been keeping a big secret, and Aaron's reunion with his daughter isn't all he had expected it to be. Ready to get into it? Just read more.

I want to believe: We finally get some insight into why Bryce tried to kill himself: he has stage four cancer and has been keeping it a secret from everyone but his therapist. We also get to see his saving grace - in his flashforward, Bryce is laughing and smiling in a restaurant with a pretty Asian woman. Determined to make his fate come true, Bryce takes up Japanese (with Nicole's help) and even heads to Asia when he's supposed to be in Houston testing out a wonder drug. Here's what confuses me: in Bryce's vision, he sees himself saying "you're really here" and he knows it's months into the future. Why does he try to rush fate? I wasn't surprised at all when he and Keiko don't make the connection in Japan (though I did feel a bit disappointed for him). Side note: Nicole is totally falling for Bryce.

Across the pond: Bryce isn't the only one who is featured this week; we get some background info on the (literal) woman of his dreams. Keiko is a young, bright woman living with her parents and working for a robotics firm. Though her life looks perfect on paper, Keiko is bored at work and with her personal life, longing to play her guitar and find her soulmate. She gets a shiny new outlook on life when she sees Bryce in her vision, and we realize that their meeting doesn't take place in Japan after all, but in LA.

Family ties: Aaron is having a hard time adjusting to life with Tracy. Her continual drinking habit causes a fight between them; Aaron can't be around alcohol, and Tracy feels entitled to drink after all she's been through. Tracy storms out and Aaron blames himself for her addiction and her post-war transformation. Mark only makes matters worse when he accuses Aaron of telling Olivia that he was drinking in his flashforward, and Aaron tells Mark he shouldn't be his sponsor anymore. Losing his sponsor can't be good for Mark and his vision.

Other major plot points:

Demetri finally makes strides on figuring out who called him about his murder. The call is traced back to Hong Kong, and though Stan doesn't want Demetri heading overseas, Mark offers to go with him in secret.
The FBI agents discover that suspect zero wears a ring with an alpha symbol on it but aren't sure what to make of it.

Did you like this week's episode, or were you longing for more action? Will Nicole get in the way of Bryce and Keiko?

Mad Men, "Shut the Door. Have a Seat": This Week's 5 Maddest Moments

BuzzSugar — Mon, 09 Nov 2009 05:30:53 -0800

Wow. The biggest surprise of the third season finale of Mad Men isn't actually a plot point, but how light and almost exciting it manages to be. For a show that's normally so tense and tightly wound, this week's episode has a quick pace, and at times, a sense of humor. Of course, there is still disappointment and heartache; some of our predictions for the finale come true, but some go sadly unfulfilled.

Without further ado, let's talk about the door that closes and the one that opens this week, and as usual, the finale's five maddest moments, when you read more.

So long, Connie: It's eccentric hotelier Conrad Hilton that breaks the news to Don that rival agency McCann is buying PPL, and Sterling Cooper along with it. Don's plenty irate, as it's Hilton's fault that he was signed into a three-year contract and is thus, trapped. However, Don's bitterness quickly turns to ambition, when he rallies Burt, then Roger, to buy back Sterling Cooper from PPL. Pryce is unhelpful in even supplying the purchase price for the men, quashing the buyback plans, but then another scheme is launched: Pryce fires Don, Roger, and Burt so they can form a new agency.
Draper Dissolution: While an exciting change is happening for Don in his career, back at home a bleak change is coming. Betty informs Don that she's seen a divorce lawyer and advises him to do the same. It's painful watching these two spar, and I wanted so much for them to figure out how to fix it - but the ball is clearly in Don's court and he does nothing to sway Betty to call off the divorce. Sure, he tells her to, and even suggests that she might need psychiatric help. Oh, and he tells her that he gave her everything she wanted materially, insinuating that should be enough. Don may know what his clients want, but in his marriage, he has no idea what Betty wants.
Irreconcilable differences: Don sheepishly tolerates the divorce talk until he's having drinks with Roger, who spills the beans about Betty taking up with Henry Francis (I do have to say, it is rather nice to see these two getting along, acting like buds). This sends a drunken Don home to wake up Betty for a confrontation about her indiscretion, and things get nasty and uncomfortably physical. Again, Don manages to push Betty into even more resolve, and she tells him that she's going to Reno to initiate the divorce. Don and Betty devastate the kids with the news of their separation, and Betty makes good on her threat to go to Reno after Don softens a tiny bit - to tell her that he won't fight her.
Don, at your service: One of my favorite parts of this episode? Seeing Don put through the paces by Pete and Peggy. He's always treated them like underlings, and they finally have the opportunity to assert themselves. Don obliges them both and tells them how valuable they are, but not before Peggy pushes back. Her backbone straightens when she's first told of the new company and assures Don that she's had "other offers." Luckily, Don doesn't take no for an answer, and visits Peggy at home, telling her he'd spend the rest of his life trying to hire her if she turned him down now. It's so touching to see Don put aside his ego to acknowledge these others, and it makes me sad that he can't do something similar for Betty.
Sterling Cooper Draper Pryce: The gang's back together! It's thrilling good fun watching the new company assemble - Roger and Don get the agency's most prized employees one by one, plus my favorite: Joan! She's a necessity to help find all the files and materials in the office, and, they realize, a force that had been holding the company together. Her role in Sterling Cooper Draper Pryce (can you say "Michael Scott Paper Company"? I told you these two shows have a lot in common!) is a given. With everything coming together so perfectly, though, I wondered why Sal isn't also called in. I suppose we have next season to look forward to for that. Speaking of, next Summer can't come fast enough.

It's interesting that the finale also weaves in flashbacks of Don's early childhood, as this season's premiere did. What Don is remembering now, though, is how his father died. The elder Whitman was faced with losing his home, and after breaking free of the cooperative, readies a trip to the city to sell his crop. His spooked horse kicks him in the head, killing him, with the young Don as witness. It's an obvious parallel to Don's circumstances, who's losing his home, as in his marriage; and, losing his home, as in his life's work. Of course, he only manages to take control of one of those.

So what did you think? Did this season wrap up the way you wanted it to? And even though we won't see the Draper family or the worker bees of Sterling Cooper Draper Pryce until the fourth season returns, you can still join the Mad Men group in the community to chat about the show year-round.

Photo courtesy of AMC

Precious: A Dark Tale With a Hopeful Light

BuzzSugar — Fri, 06 Nov 2009 08:30:00 -0800

When Precious first caused rumblings at Sundance, I thought, "There is no way I'm seeing this film." There are certain things that I find uncomfortable to watch - pregnant teens, abuse, Mariah Carey. But I'm so glad I did. Because despite its drawbacks on paper, Precious provides a big payback to those who watch it. It's one of those few unforgettable films that stays with you days later - for better and for worse.

Based on the novel Push by Sapphire, Precious follows the story of Claireece Precious Jones (Gabourey Sidibe), an overweight high school student who is pregnant for the second time by her father and living with her abusive mother, Mary (Mo'Nique). She struggles at school, because on top of her circumstances, she's also coasted through the system without ever learning how to read. So after the news of her recent pregnancy reaches the administration, she enrolls in a special program to get her GED.

I realize that by now you're probably nixing this one as a weepy, formulaic melodrama, but hear me out. As you may have gleaned from my interviews with its stars, the film is indeed a hopeful story at its heart, so to see what I mean, read more.

Part of the story's positivity is thanks to Precious's new teacher, Ms. Rain (Paula Patton), and an almost unrecognizable Mariah Carey as her social worker, Mrs. Reiss. Both women reach out to Precious and uncover a girl with joy despite her abuse - but the tension at home with her mother continues to climb.

As you might expect, many of the scenes between Precious and her mother are incredibly difficult to watch, but the saving grace is director Lee Daniels. He weaves in daydreams during the most brutal scenes, transforming Precious into a movie star or a popular girl with a good-looking boyfriend. These diversions are how Precious copes, and like her aspirations, you begin to yearn for her happy ending, too.

Newcomer Gabby Sidibe portrays Precious with an understated realism that's remarkably convincing, and Mariah Carey delivers a restrained performance. But the real eye-opener here is Mo'Nique. As Precious's mother, she is raw, always spitting out vile words - and she is easily one of the most bone-chilling villains of the year. Mary truly believes that Precious deserves the hand that hits her due to her own mixed-up past.

After you leave the theater, Precious will have made an impact on you. You will feel uncomfortable in parts, you will cringe, and you may just hate it for putting you through the turmoil. But keep watching, because there is strength and spirit to be found even in the bleak subject matter - and perhaps a few award nods.

The Vampire Diaries "Haunted": The Good, The Bad and The Bloody

BuzzSugar — Fri, 30 Oct 2009 07:30:00 -0700

Sorry for the hyperbole, but I'm pretty sure this week's episode of The Vampire Diaries, "Haunted," is the best one of the season so far. The Halloween setting is perfect for playing out Vicki's vampiric transition, Bonnie's exploration of her mysterious genealogical history, and the exposing of "The Council."

There's plenty to talk about, so let's chat about the good, the bad, and the bloody (spoilers aplenty ahead!) when you read more.

The Good

So much is good this week, but the episode belongs to Vicki, who's having issues turning into a vamp - which also provides us with more exposition on the mythology of The Vampire Diaries as well as Stefan's personal journey as a bloodsucker. However, Vicki isn't long for even the undead world, and her story ends both abruptly and shockingly (more on that later).
I love this show's balance of humor and intrigue, which Damon and The Council storyline provides this week. Damon overhears Tyler's parents, the Lockwoods, discussing the search they're on, just after he's noticed that Logan's murder hasn't shown up in the papers. I loved the tête-à-tête between Damon and Mrs. Lockwood at the restaurant; it doesn't take much booze to get the woman blabbing, and soon Damon knows that she's trying to procure vervain (which I finally googled; apparently it's a variant of verbena) and that she not only knows about the vampires in town, she's hunting them.
I want to know more about Bonnie, and her glamorous, witchy Grams. I still can't believe Whitley is playing someone's grandmother. Aside from having the scoop on the family and being a witch herself, she teaches Occult at the University. How cool is she? Oh, and Bonnie's great-great-great-great grandmother, Emily Bennett? We've seen her before.
I've said it a couple times recently, but I love a good Halloween episode. The costumes are priceless: Vicki goes as a vampire, Tyler's a character from 300, and Mrs. Lockwood channels Daisy Buchanan, someone Damon would certainly recognize.

The Bad

Not much bad to report this week, except for one gripe. Coffee as a vampire's secret to blending in with humans? Pretty silly. "It's the caffeine," Stefan says with a straight face. At least he didn't complain about Starbucks.

The Bloody

The Hunger rules Vicki's life as a vampire, and all she wants to do is feed . . . and see Jeremy and Matt. First she takes a love bite out of Jeremy's lip, and then, in a desperate fight, chomps right into Elena's exposed shoulder (so that's why she needed a sexy costume). Her attack on Elena pushes Stefan to stake her, killing her immediately. I literally gasped, then held my mouth open for a good five minutes as I watched this all play out. I'm still pretty stunned.

Lastly, are we witnessing Damon's evolution? His encounters with Elena this week take a major detour; she lashes out at him for being responsible for Vicki, Jeremy being in danger, and finally, Vicki's death, angering him until he tells her, "You need to leave." This would normally be a threat from Damon, but there's another dimension to it; is the man who insists he'd kill anyone, anytime, telling Elena to go because he wants her to be safe? Is he forming feelings for her? The climax of this really occurs in the final moments, when Elena begs Stefan to erase Jeremy's memory. Explaining that his human-free diet won't allow him to do it correctly, we hear a voice volunteer. "I can do it." It's almost seductive, and Elena lets him - though she doesn't say thank you, on principle, but I felt like she wanted to.

What do you think - were you surprised to see Vicki exit so soon? I was hoping to see more of her development as a vampire, but her death evoked so much more of an emotional reaction from the characters (and me) that I can't imagine it another way. And if you want to talk more about the show, join Hooked on Vampire Diaries in the Buzz Community!

Photos courtesy of The CW

Desperate Housewives Rundown Season 6 Premiere "Nice Is Different Than Good"

BuzzSugar — Mon, 28 Sep 2009 09:30:36 -0700

The season six premiere of Desperate Housewives opens with Mike's much-anticipated wedding and then takes us on a series of flashbacks to the weeks leading up to the big event.

With Edie out of the picture and a new housewife on the block, Mike's marriage isn't the only scandal happening on Wisteria Lane. To chat about the exciting season premiere, just read more.

Susan - She's been avoiding Katherine since she and Mike got back together but is forced to see her when she stops by Bree's house. Hiding behind Lynette, she manages to avoid a confrontation until a delivery man leaves Susan's wedding dress at Katherine's house, leaving her no choice but to go over and pick it up. When Susan stops by, Katherine opens the door wearing the dress - and teases her by cooking red pasta sauce dangerously close to the dress. It's obvious that Katherine is upset about the wedding, but Susan is determined that it be her special day. Susan might have more than Katherine to worry about with Julie back in town being courted by Danny, the new housewife's son.

Bree - Still estranged from Orson and toying with an affair with her divorce lawyer Carl, Bree struggles with her adulterous feelings. When Orson begs her to rethink the divorce and consider counseling, she realizes that "guilt is a small price to pay for happiness" and books a hotel room for a rendezvous with Carl - in clean sheets, of course.

Gaby - Carlos's niece Mariana is living at the house and pushing Gaby's patience. Gaby sees right through Mariana's tricks and tries to keep her teenage ways under control by monitoring what she wears to school and implementing a 10 p.m. curfew. Gaby sees a lot of her teenage self in Mariana and doesn't want her to have to go through the same struggles that she did, so she signs papers to legalize her and Carlos's guardianship over Mariana.

Lynette - Three months pregnant with twins and realizing she'll be 60 years old when they graduate from high school, Lynette is stressed out about the idea of adding two more to the family. In the waiting room at the doctor's office, she scares a young new mom-to-be out of her elation with details about saggy boobs, constant breastfeeding, and absent husbands. Later, she and Tom are together for the first ultrasound, and when she doesn't show any excitement for the babies, Tom confronts her. She breaks down and says she doesn't love the babies liked she loved their other kids. Tom assures her that once she holds them she will, but she doesn't seem too convinced.

Katherine - Crazed from losing Mike, Katherine is a mix of depressed and resentful. She and Susan still haven't spoken since the breakup, and she intends to get a public apology from Susan - at her and Mike's wedding. Susan refuses and locks her in a closet before the ceremony, but she manages to get out and meet them in the aisle after the ceremony. Even after Susan gives in and apologizes in front of the entire church, it's pretty clear that Katherine won't be letting go of her heartbreak, or resentment for Susan, any time soon.

Angie - The mysterious new housewife on the block (spitfire Drea de Matteo) brings her husband Nick and son Danny to Fairview. We see that, obviously, they left some dark past behind when we get a glimpse of some pretty gnarly scars on Angie's back. But Angie won't be the only one stirring things up since Danny seems to have a sordid past too. After he and Julie go on a date and get in a fight and he goes missing after Mike and Susan's wedding, we are left to wonder who mysteriously strangled Julie and escaped the scene.

What did you think of the season premiere? Was there enough crazy and intrigue to keep you watching another season?