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Soapbox: Why You Should Watch "Significant Others"

BuzzSugar — Sat, 27 Jan 2007 06:30:44 -0800

We all have TV shows that we champion long after they've been canceled, and one of mine is "Significant Others." Just to be clear, I'm not talking about the Jennifer Garner series of the same name that Fox canceled in 1998. This show, which aired for two seasons on Bravo in 2004 and 2005, featured a cast of unknowns and an almost entirely improvised script about troubled couples in therapy. It's still one of the funniest things I've ever seen on TV.

I've been looking for an excuse to write about it, so I was thrilled to discover all six episodes of the show's first season on DotComedy, NBC's answer to YouTube.

In case you missed it the first time (don't worry, almost everyone did), "Significant Others" focuses on four couples: Ethan and Eleanor, the overgrown indie kids who don't know how to deal when Eleanor gets pregnant; James and Chelsea, who got married after a weekend fling and discover they just piss each other off; Bill and Connie, who are stuck in a passionless marriage and split when Bill starts having an affair with Connie's sister Ginny; and Alex and Devon, whose biggest issue is their belief that they have no issues. It's often awkward, occasionally poignant and totally hilarious, so read more

The fast-paced show flips between scenes of the couples in the therapist's office (the actual therapist is never seen nor heard) and in their daily lives. A friend of mine called it "squirm comedy," and it can be truly uncomfortable when, say, James starts asking random guests at Chelsea's gallery opening how many people they've slept with.

But it's the kind of show that grows on you. Sure, the characters can veer into caricature, but they're funny - I love that Ethan takes his Game Boy to Eleanor's ob/gyn visits, and the second season episode in which Bill first introduces Ginny to his friends and they toast to things like "loyalty and sisterhood" gets me rolling on the floor every time. I wouldn't say "Significant Others" sheds light on what love and marriage are really like these days - for everyone's sake, I hope it doesn't - but it's a pretty good look at the worst-case scenario. And if nothing else, it will definitely clarify what you're not looking for in a mate.

If you get hooked, you can also Netflix the boxed set of both seasons, which came out last year on Valentine's Day (perfect!).

Source and Source

FlashForward Breakdown, "The Gift"

BuzzSugar — Fri, 06 Nov 2009 09:30:48 -0800

On this week's episode of FlashForward, we get some of those big payoffs that Sonya Walger promised. While the main characters' most important relationships grow more tense, the FBI agents learn more about the blue-hand situation, and the end of the episode has two very big twists.

There's plenty of excitement to discuss, so to get into it, just read more.

Call me Al: We don't learn much about Al in the first handful of episodes of the season, but boy do we get an eyeful and an earful this week. Turns out Al's flash-forward is a lot more jarring than just a dead bird - it's followed up with a phone call revealing that a still-mysterious chain of events ends in Al "accidentally" killing a mother of two. Throughout the episode Al seems to have a laid-back, collected demeanor (even when he opts in for a game of Russian roulette), but inside he's a mess. In the end, Al is so overcome with grief about having a death on his hands, that he decides to "change the game" and commits suicide. I have to admit, as heartbreaking as that scene is, I was kind of glad Al went through with it - just to prove that the flash-forwards aren't necessarily the future. Everything is changed now, the paths can be adjusted, and both Mark and Demetri realize this as they head home to their significant others. Now that they believe the visions can be adjusted, I can't wait to see what else they try to do to throw their visions off course.

My blue heaven: Following up on Demetri and Al's scavenger hunt to find the "blue hands," the fun continues this week as the FBI agents discover that the blue hands are actually a "death club," with meetings set up all over the country for people like Demetri who didn't see a flash-forward ("living ghosts"). It kind of reminded me of Fight Club, though Mark defines it as a "book club with bullets." The guys are hilarious in their street clothes headed to the party, though what they find inside is pretty horrific. After a quick game of Russian roulette, the guys enter what can only be defined as a torture den - people who believe they are going to die doing all kinds of creepy things to each other. I have to say, if I was one of those "living ghosts" I think I'd either be trying to do all the fun things I never got to do before - or I'd just want to get it over with. Why anyone would want to be tortured when he or she is already tormented by the idea of their inevitable death is beyond me.

Blast from the past: Aaron gets a visit from Mike, a friend and solider who served at the same time as Aaron's daughter Tracy. Mike passes on a Swiss Army knife to Aaron, a good-luck charm that Tracy wanted her dad to have should anything happen to her. Aaron is overjoyed since the knife also appeared in his vision, though Mike isn't exactly receptive to the notion that Tracy is still alive. He explains to Aaron that he watched Tracy die (though hello! He didn't even check to see if she was breathing), but surprise! Tracy is sitting in Aaron's kitchen at the end of the episode.

Other plot points:

As tensions rise between Demetri and Zoey, Demetri finally admits to Zoey that he didn't have a flash-forward and is going to die. Zoey refuses to accept it, insisting that should could feel Demetri in her vision and that nothing's been decided yet. Demetri seems skeptical about choosing Zoey's side to "hope" for the best, but after Al's suicide, he seems to have warmed up to the idea that he can change his fate.

Like Demetri, Al's death is a wake-up call for Mark. After suffering problems with Olivia (how sad is it when Charlie catches him crying?) he runs home and embraces her sweetly.

Instead of helping out at the church, Nicole lands a gig volunteering at Olivia's hospital. We learn that she speaks Japanese pretty will, and now is helping Bryce try to find the mysterious Japanese woman from his vision. Will this somehow lead to Nicole's scary vision? Is she sticking her nose where it doesn't belong?

What did you think of this week's episode? Do you think other characters will try to "change the game," too?

Where the Wild Things Are: A Passionate Ode to Childhood

BuzzSugar — Fri, 16 Oct 2009 04:30:00 -0700

There's been a bit of a controversy over how to market Spike Jonze's adaptation of Maurice Sendak's classic children's book, Where The Wild Things Are. Is it for kids? Adults? Adult hipsters?

The answer is anyone who wants to feel what it's like to be a child, and not in the fun-loving, no-responsibilities way. As adults, we tend to forget the insecurity and fears we had as kids, which the film's young character Max is in the throes of. There's just enough exposition before the fantasy begins: Max has a single mom (Catherine Keener) and an older sister who has recently outgrown him. His first few acts at home show his innocence and the savage emotions under the surface. He knows it as being "wild."

Where the Wild Things Are isn't a heavy-handed allegory, or an edgy children's movie; it's a loyal tribute to the way kids think and feel. To see what else I thought of the film, just read more.

Max reaches the world of the wild things after throwing a particularly heinous fit, prompting his mother to yell, "You're out of control!" After running away, Max finds himself on a boat that finally brings him to a strange land. This is where the wild things are. The creatures Jonze has created are aesthetic wonders: creepy, hostile, and huggable at once. These aren't Jim Henson's Muppets, but real characters, led by Carol (voiced by James Gandolfini). The rest of the group is comprised of Lauren Ambrose as aloof KW, Catherine O'Hara as prickly Judith, Paul Dano as timid Alexander, Chris Cooper as Douglas, and Forest Whitaker as Ira.

Each creature has a fully realized personality, with flaws and varying temperaments; their faces are so emotive and their dialogue so human that their scenes with Max are as real as those with his mother. This group is not easily classified as friend or foe - they're dysfunctional in their relationships and don't always treat each other well. One of the most successful elements of the movie is the dialogue of the wild things, which is rooted in Max's head.

In many ways, screenwriter Dave Eggers's job was tougher than Spike Jonze's, because it's imperative to remember the way children think. Max's interactions with Carol and his new clan are made up of the kind of things a kid would hear from his parents and peers and then internalize. In fact, in the wild world, Max declares himself king to bring order, and he summons up speeches from the authority figures that he's pulling away from in his real life. Naturally, he's too young to recognize how his subverted position is significant.

Max's relationship with Carol is most telling. As the de facto leader of the group who can't handle sadness, loneliness, or jealousy, he acts out as a mirror of Max while still being his own character. The richness of Carol and the creature cast stays with you; when Max has to say goodbye to his friends, your heart breaks.

Jonze impressed me with his non-conformity; in another movie, Max would have demonstrated the grand lessons he learned from his time on the island, but in this one, he doesn't have to learn anything. He just gets to feel and experience and appreciate his emotionally fragmented new friends. It's devastating as a viewer, especially if you can put yourself back in that childlike place when your feelings were so raw and simple.

Photos courtesy of Warner Bros.

FlashForward Breakdown, "137 Sekunden"

BuzzSugar — Fri, 09 Oct 2009 12:00:46 -0700

This week's episode of FlashForward isn't exactly action-packed, but we do finally meet a few significant others - including Demetri's fiancee, Zoe - and get a bit more character insight and some clues about the blackout. Not to mention the introduction of one creepy former Nazi.

It wasn't my favorite of the first three episodes, but this show is still keeping me on the edge of my seat. Would ABC just pick up the full season already? To break it all down, just read more.

Did Mark and Janis get played?
The focal point of this week's episode is wrapped up in Guyer, a former Nazi who's imprisoned in Germany but sees his flashforward as a bargaining chip for freedom. When Mark hears that he makes an appearance in Guyer's vision, he and Janis soon square off about whether or not his "information" is worth setting a Nazi free. In the end, Guyer's biggest revelation is that the crows seem to have blacked out and died at the same time as the human race did. Janis and Mark are disappointed at first, until Mark realizes that this isn't the first time crows have "blacked out." Last week there was talk of pigeons, now crows. Could the mysterious blackouts be all wrapped up in birds?
Did Zoe really see Demetri in her flashforward?
Yay! This week we finally get to meet Demetri's fiancee, Zoe (Gabrielle Union). Am I the only one who is loving the couples on this show? Mark and Olivia are often very sweet together, but I'm also digging Demetri and Zoe's younger love. When Zoe describes her wedding day flashforward to Demetri, she seems totally confident that he is there - but does she actually see him, or just assume as much? While some of the other visions seem hard to believe given the six-month interim period (Olivia sleeps with a new man, boyfriend-less Janis is already pregnant) - this one takes the cake for me. If Demetri is really murdered, could his fiancee recover and find a new man to wed that quickly? I'm banking on the glimmer of hope that this means Demetri can overturn his fate.
Is Tracy alive or not?
Determined to get to the bottom of the veracity of his flashforward, Aaron pays a visit to his ex-wife, hoping to get her permission to exhume their daughter's body for DNA. We see that Aaron's not the only one who's been deeply impacted by his daughter's death, though Katie still refuses to sign the affidavit. Eventually, Aaron gets around it and has Demetri dig up the body - though the DNA is a match, meaning that Tracy really is dead. So, is Aaron lying or is it possible that his vision may not come true after all? I'm wondering if this could be a sign that some of the flashforwards come true and others don't? Though, I have a feeling that we'll still see Aaron heading to Afghanistan sometime soon.

Other points:

Nicole the babysitter is still MIA (perhaps spending some time in that other life of hers). I'm dying to know what she saw, so hopefully she comes back soon.

Um, isn't Dominic Monaghan supposed to be on the show? Let's add him to the list of people we want to see next week.

If all the crows die in the flashforward, what about the other animals? Is there going to be a tie-in to that kangaroo we saw hopping around?

Is Demetri going to report Jerome Murphy and his bong-hitting ways? I totally would!

So are you still lovin' FlashForward, or are you losing interest? Which of the visions are you most curious about?

Brad and Angelina Treat the Twins to Ice Cream, Rob and Kristen's Hotel Dash, and SNL Brings On the Cameos

Molly — Mon, 05 Oct 2009 15:18:19 -0700

Knox and Vivienne Jolie-Pitt make a public appearance, we take a look at the trend of significant others on Saturday Night Live, and Robert Pattinson and Kristen Stewart's Saturday date night. All that and more - watch PopSugar Rush now!