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What's the Best Movie Romance of 2007?

BuzzSugar — Fri, 07 Dec 2007 05:30:00 -0800

Which of these onscreen romances would you say is the best of 2007?

Movie Preview: Robert Pattinson in Remember Me

BuzzSugar — Thu, 19 Nov 2009 09:41:10 -0800

A little Robert Pattinson overload never hurt anyone, but here's a break from all of his vampire stuff - the official trailer for Remember Me! Yesterday we took a peek at the first stills from the film, but here we get a much better taste for Pattinson's chemistry with Emilie de Ravin in the upcoming drama/romance. Pattinson plays Tyler, a broody but romantic college student who falls for the daughter of a cop (de Ravin). Pierce Brosnan also stars as Tyler's dad, while Chris Cooper plays the police officer who has an issue with Tyler's bad boy antics.

I was a bit skeptical about Pattinson's next film, but I have to admit that the movie looks intriguing despite a few cliches and a bit of cheesiness. It's nice to see Pattinson playing it straight in a more grownup role than the perpetual teenage vampire, and he and de Ravin have a fair amount of sweetness. It's enough to keep his fan base happy, that's for sure.

To see the trailer for yourself and tell me what you think, just read more.

Joel McHale and Ken Jeong Share Details About Community!

BuzzSugar — Thu, 19 Nov 2009 07:00:29 -0800

Community is one of those shows where you know the cast has an awesome time together. So I wasn't all that surprised to hear stars Joel McHale (Jeff) and Ken Jeong (Senor Chang) fawn over one another when they recently sat down with reporters. I've been waiting to see these two cement their friendship on-screen too, and it sounds like I'll get my wish tonight. Both actors shared a few tidbits from the episode, plus thoughts on Chevy Chase, the possible Jeff and Annie romance, and their mutual admiration.

Joel on Jeff and Annie's kiss last week: I haven't seen any scripts where it'll be revisited, because I'll probably be arrested, but believe me it was good times. I mean it's Alison Brie from Mad Men!
Joel on Jeff's relationship with Britta: His first initial reaction was, hey there's a really hot chick. And she has like an endless, you know, she has all the denim jackets that you can find. And so I think that was his first reaction. And then at the complete rejection of him he was like, ah, a challenge. And then as he got to know her, she was so much more than he expected, which was she was a totally grounded cool person...So that intrigued him, and she really is I think the moral compass of the show.

To hear more from Joel and Ken, including what's in store for this week's episode, read more.

Ken on Senor Chang's constant power trip: There is something to be said about being in a room where you have students hanging on every word. And it's definitely, as a teacher I think it's an ego rush, you know. You're definitely feeding off of that. It's really the only time in life you get to have a room where people are hanging on your every word and learning from it, and you have a power to influence.
Ken on tonight's episode: You really get to see why Senor Chang has the chip on his shoulder that he does. And some of that involves love and some of that involves friendship, and you really get to see more of the back story of Chang...And it's the relationship with Joel. Joel is really the guy that sees how [Chang's] character comes to be, and why he's developed all these traits along the way.
Joel on working with Chevy Chase: It's like working with Nolan Ryan. He's older than everybody, he's got the best stories. He has worked way more than any of us, but he still throws it harder than any of us...We have a lot to learn from that guy and it's so weird to be walking around with this kind of icon and legend that, you know, you grew up with.
Joel on Ken: Ken he will invent comedy where there is not comedy. He creates it...He's a damn good performer and you pray to God you get him in your movie or your TV show because it's like having a secret weapon.
Ken on Joel: I'm amazed at how Joel handles everything. He's always just grace under pressure this guy, because we'll be working, you know, on a Wednesday or middle of the week, and then he's got to do the Soup or another show and it's just how he switches gears is effortless. I just marvel at that. I'm like dude, how do you do it?
Ken on Community hitting its stride: I think that my wife has a good theory about sitcoms...They're like fine wine, you give them a little bit of time, and they just keep tasting better and better......The audience gets more familiar with the characters, the writers get more familiar characters, and so do the actors.

Do you like the theory that comedies get better with time? I think Community has gradually improved week after week, don't you agree? (Don't forget to watch tonight!)

Movie Preview: Miley Cyrus in The Last Song

BuzzSugar — Wed, 18 Nov 2009 11:30:56 -0800

Are you ready for your second Nicholas Sparks movie preview in as many months? (Last month's was the romance Dear John.) Here it is: The Last Song stars Miley Cyrus (cue The Soup's "It's Miley!" sound bite) as a girl who's dropped off at the home of her estranged father to spend the Summer. Obviously she doesn't want to be there, obviously she falls for a local boy, and obviously she and her father end up bonding.

You couldn't call me a Miley fan, but I do love Greg Kinnear, who plays her well-meaning father. From the trailer, the movie looks very sweet and very schlocky - which is exactly how Sparks usually does it. Interestingly, Sparks was commissioned to write both the screenplay and novel simultaneously, with Cyrus in mind. While I don't know that I'll be rushing to the theater for this one, it's probably something you'd find me secretly Netflixing later on; I'm kind of a sucker for the addictive cheesiness of a Sparks movie.

Check out the trailer for The Last Song when you read more.

The Last Song comes out on April 2, 2010.

Talking New Moon With Kellan Lutz and Ashley Greene

BuzzSugar — Mon, 16 Nov 2009 09:15:50 -0800

Robert Pattinson, Kristen Stewart, and Taylor Lautner may be dominating the promotional circuit right now, but they're not the only cast members with something to say about New Moon. I had the opportunity to chat with costars Kellan Lutz and Ashley Greene, aka Emmett and Alice Cullen, during their recent stopover in SF. They chatted about their characters, the vampire craze, and what it's like to be a "Twilight celebrity." Here are highlights:

On why so many people are crazy for the Twilight Saga:
Ashley: I think this film in particular is highly relatable. There are a lot of situations that people can relate to. The love story - everyone can relate to being in love or being in lust. You add the vampire, and it adds that next level fantasy. Vampires are mysterious and sensual and dangerous and unattainable. And everyone wants what they can't have. I think on another level that this came together at the perfect time. All the elements just fit, the casting was spot on, and we're in a difficult time right now with our economy. That's why you never have a drop in ticket sales because everyone wants an escape, and this movie is very much an escape from reality.
Kellan: It's a good escape but also it deals with so many situations, on so many positive notes. Just looking at it from the vampire coven to the wolf pack. It just deals with everyday issues just on bigger levels, in a way. And you have Bella as the keystone in many situations. You can just all relate from different countries to issues within the United States. It's easily relatable.

To read a lot more about working with three different directors and why they feel so lucky, just read more.

On how their portrayals of the Cullens are similar or different from the books:
Kellan: We got the jobs because we brought something new to it. You can interpret the characters each their own, but I think it's what we did alongside. Just like Kristen said - she's playing Bella but she's putting her Kristen spin on it, just like all of us are. And I think that's what's making it unique. We're still following the cheat sheets that Stephenie created by making the books, and there's Wikipedia. We have a lot of information to go off of. But I hope it's what I did in my audition that set it apart from the other guys trying out.

Ashley: I think it's mannerisms too. People do fall in love with this book, but I think part of it is that they always want more. You can't write out every human mannerism. You can imagine it, but seeing the emotion in someone's eyes and seeing them be affected it - it was kind of easy to give something to it, because we were just being people. We kinda just got lucky.
On how much more of the Cullens we can expect in the remaining movies:
Kellan: Realistically, we stick pretty close to the books. Obviously us Cullens would love to be in the books a lot more, which would mean we'd be in the movies a lot more. Talking New Moon, the scenes that the Cullens - except for Ashley, playing Alice who gets to go to Italy and be a main lead in the movie - us Cullens, we have to stick really close to the books, and the scenes that we're in are really crucial to the story, as you know - the birthday scene, the voting scene. I don't know, it was kind of a tease. Chris Weitz is such an amazing director, and for us, for myself - I only worked about a week on that movie. And it didn't even seem like I really got a taste for what it was.

Ashley: In the third film, you'll see a lot more of the Cullens because it's all of us collaborating and then getting ready to fight this war that's coming up. In the second one, my character got a much larger role because Alice is the Cullen, other than Edward, that really embraces Bella and they end up becoming best friends. In the beginning, you see her throw this huge party for Bella, and then Alice is the one who does, in fact, come back for Bella when everyone else decides to skip town. Alice is responsible for dragging Bella over to Italy, and she and I the whole time are fighting to save my brother's life. And then of course we get held up by the Volturi and stuff like that. My character got to grow a lot, which is really cool. You get to actually see the relationship develop between Bella and Alice, where in the first one you didn't. The first one was very much about the romance and showing the audience why these two people are willing to die for each other.
On working with a different director on each film:
Ashley: Each director is going to be very different. They're artists as well, and I don't think any of them are quite the same. The books, when you read them, all have very, very, different tones. So I think it's highly appropriate that we switch directors each go. The first one is very much a romance and is a very scenic, beautiful film. And Catherine's really, really great at capturing that. She's very high energy and works well in chaos and stuff like that. And it was fantastic because we didn't quite know what we were getting ourselves into, and so it was nice to have her to guide us when we were freaking out a little bit. She was just so high energy, and it was really contagious. We were sad to lose her and move on to the second film, but then we got Chris Weitz and he's the complete opposite! But great as well. He's so giving and caring and collaborative and created this atmosphere that was kind of a safe haven for us. And it was really nice because we didn't know, switching directors, if they were gonna embrace us or if they had a completely different vision than what we created in the first one. It was nice that he was right there on the same page with us. And the second one is a warmer film, even from the color scheme. The first one is very blue tones, and the second one is much richer and warmer and I think he did a great job at capturing that. And we just finished shooting with David Slade, and I think he's highly appropriate as well. He just finished shooting 30 Days of Night and Hard Candy, and they're both very dark, edgy films. And Eclipse is very much that. It's all centered around the anticipation and us getting ready to fight this huge war. We just finished filming, we haven't gotten to see much of it, but I think it's gonna be fantastic. He is, technically, the most advanced director. The angles that he shot and how he knows that tweaking something can affect a whole scene and the lenses. He was really nice to work with.
On coping with the fan effect and being a "Twilight celebrity"
Kellan: That's what blows my mind, 'cause I feel like it's really unearned in a way. The fans are making our careers. Without them, we wouldn't be working and doing the saga. There's so many times that trilogy books become a movie and the first one bombs, and then that's it. And you're always hopeful that you get to do them all. Especially since we're all in love with our characters. I love Emmett Cullen to death, he's my favorite character I've ever played. It's just so cool to have made it this far, and I think we all hope that we get to finish this series and do Breaking Dawn. This is such a blessing, it's every actor's dream to be part of something like this. It's not terribly hard either. We don't shoot halfway around the world; we don't shoot for a year of our lives. I know a lot of us have homes, we have pets, we have family. And it's really nice to shoot on the West Coast, either Portland or Vancouver, and have the chance to fly down if we need to. But it's definitely amazing to be part of something like this. And I don't think any of us knew how crazy it would be and how exhilarating it would turn out to be. Going to the premiere, really just, wow. I don't even remember it because I was really just starstruck by how many fans and signs and cameras. It felt like I was just walking through a strobe light room. It's amazing.

Ashley: I still think we can't really wrap our heads around what's going on and what's happening. We're still in the midst of filming and kept very busy from one film until the next. It's only these brief moments where you sit back and are actually able to take a breath where you go "Whoa. Wow. This is crazy." I mean, the amount of tickets they've already sold for New Moon - I'm pretty sure I can't even get a ticket if I tried to see my film in Jacksonville and it's mind boggling. We're just very lucky. I went into this film thinking "Oh my gosh, I got a job" and the it turned into the biggest break of my life. I think we all feel very blessed to be a part of this.
On how it feels to be part of Twilight fan fiction:
Kellan: It's an escape, in a way. We do live in a trivial time period right now. There's so much depression that it's kinda cool to be a part of something where people use it to be an escape. In a way that's kinda what Stephenie did -she had a dream and just elaborated on it. It became a huge success and it's really encouraging that people are doing the same and just making up this journey.

Ashley: That's why people love it so much I think. You can take it and make what you want of it. Before the demographic was teenage girls, but now it's women of every age and guys are starting to get into it, too. It's because there is that element of fantasy. If you're 8 years old you look at it one way; if you're 80 years old you look at it another. I think it's fantastic that we can draw such a huge crowd. The other thing is - it blows my mind but people are making connections over this film and over this book. there are mothers and daughters and grandmas who can all sit and talk about the same story and all fantasize about it and I think that's a really cool thing. I think it's rare.

To see all of our Twilight and New Moon coverage, check out TwilightSugar!

What to Netflix: New DVD Tuesday

BuzzSugar — Tue, 10 Nov 2009 06:30:00 -0800

Tuesday means it's time to rev up your entertainment engine with new releases in music and new DVDs to add to your Netflix queue. I've checked out today's movie offerings and have some recommendations for the movies that are worth your rental time below.

This Summer's hit from Pixar is as tear-jerking as it is funny and light, and equally entertaining for kids and adults. Up is a story about an old man, voiced by Ed Asner, who attaches his home to balloons to escape his rapidly changing neighborhood.

I loved the emotional and original story, and wouldn't be surprised to see it nab a Best Picture nomination. The DVD has a ton of fun extras like cartoon shorts Partly Cloudy and Dug's Special Mission, and the expected making-of featurettes.

98%

See two more new releases when you read more.

The Ugly Truth

Katherine Heigl and Gerard Butler play opposite each other in this romantic comedy that hinges on the notion that women want love, while men only want sex. I couldn't find much romance, though; in its place are cliches and some truly cringe-worthy moments.

But if you're one of the many who loves Gerard Butler, you may enjoy his boorish behavior. DVD extras include deleted scenes, two alternate endings, director commentary, and a gag reel.

15%

Spread

Ashton Kutcher is just a gigolo in the indie Spread. OK, maybe he's not exactly a gigolo, but it's pretty close - his character Nikki hangs around wealthy women like Anne Heche, exchanging good lovin' for a place to stay. When he unintentionally falls for a mysterious girl, his sugar mama ways are challenged.

Kutcher's role is more dramatic than what he usually takes on, and the love scenes are supposedly pretty steamy. Included in the DVD's extras are a feature called "The World According to Nikki," commentary with Kutcher (who also produced the movie), and deleted scenes.

13%

House Rundown, "Brave Heart"

BuzzSugar — Tue, 20 Oct 2009 08:30:12 -0700

Wasn't this week's House incredibly satisfying? There was no sign of Thirteen - bring her back! - but House helped resurrect a man from the dead, heard voices in his head (crazy), and made goo-goo eyes at Cuddy. It doesn't get much better than that. I especially enjoyed the sweet friendship moments that played out between the hard-hearted doc and Wilson.

I'm ready to dissect it all - how about you? Let's start with the question portion (and a few spoilers) when you read more.

I loved seeing Wilson and House interact as roommates. (How about that scene where Wilson catches House fishing underneath the blankets, and he uses the excuse, "I'm picking lint out of my belly button"? Hilarious.) They're sort of like a warped version of Oscar and Felix from The Odd Couple. How long do you think until House moves out?
This week's case of the cop with the heart phobia really kept my interest, but I think my jaw literally dropped when they cut him open on the autopsy table and he opened his eyes. It was freaky in a fun, scary movie way. Did you see it coming?
Chase continued to harbor regret for killing off Dibala two weeks back, but this time it manifested itself in constant flashbacks, followed by a trip to a priest. I'm worried that he's going to sink into a major depression/insanity - and obviously destroy his marriage in the meantime. Do you think Chase will heed the priest's advice and turn himself in for the dictator's murder? I think he might - the guy's about to crack.
You probably feel mixed on this, but I'm sort of excited about the Cuddy-House romance that's a brewin'. The hints were everywhere this week - I especially liked his line about getting "hot for teacher!" Looks like those sexy hallucinations from last season may turn into something real after all. What do you make of the setup?
House started to wonder if he was going crazy (again), because he heard voices coming from Wilson's house. While I don't exactly wish insanity upon House, I thought the is-he-or-isn't-he question was fun to watch play out - except for the part where he has to admit to Cuddy that he may not be ready to be a doctor again. He looked so sad and defeated. This begs the question, do you think House really is 100 percent healed?
Chase has to stop being such a jerk to Cameron. No wonder she's leaving him soon.
Foreman really stood up to House in the episode by telling him that he couldn't perform the autopsy "without a medical license." Ouch. Still, I think it may actually earn House's respect in the long run, and I'm curious to see if their dynamic starts changing.
The final scene where House listens for Wilson's voice and then calls out to him from bed was so great. We really got to see House's soft side. Mainly, I just hope that the writers introduce someone for Wilson, don't you? He's so distraught over his girlfriend's death, and I want to see him happy.

Think you can shed light on any of these thoughts? What do you make of the whole Cuddy-House romance? Let me know in the comments, and to gossip more about the show, check out the House! group in Community.

Photos courtesy of Fox

An Education: A Wonderful, World Weary Coming of Age Tale

BuzzSugar — Fri, 09 Oct 2009 05:30:00 -0700

There's very little time left for Carey Mulligan to be an unknown. She plays the central character in An Education, and it's a mesmerizing, star-making turn.

Nick Hornby is behind the screenplay, which follows 16-year-old schoolgirl Jenny as she navigates her strict school-minded parents and the affections of a man twice her age in '60s London. Though some might be turned off by the Lolita-esque premise, this isn't a movie about a May-December romance but the story of Jenny's discovery of the world and adulthood.

To see what I liked about the movie, just read more.

Peter Sarsgaard is the older man, whom he plays with the seductive blandness the role calls for. It's not Sarsgaard's character, David, who tempts Jenny; it's the idea of him. Before David shows up, Jenny has a path set forth by her parents and her English teacher: Oxford.

When David enters the picture by chance, Jenny suddenly has a choice: Oxford or the glamorous life David exposes her to that doesn't require a college degree. She declares her first date with David as the best night of her life. It's easy to see why: fabulous dinners and concerts in London with David's friends, played by Rosamund Pike and Dominic Cooper. Pike is really too worldly looking to be playing such a dim bulb, but she's luminous as a representation of Jenny's possible future.

Jenny soon learns that David’s seemingly easy life may not be what she truly wants, and she finds herself at a crossroads. The movie does an excellent job at making you live the conflict too - it's not obvious what life Jenny will choose, even though a traditional Hollywood movie would make it clear what the "right" thing to do is. Instead, you find yourself in Jenny's shoes thanks to the engrossing performance of Mulligan, whose angelic face and throaty voice shift easily from dedicated student to London sophisticate.

Mulligan's likability is matched only by her Oxford-pushing father, played by Alfred Molina. Some of the most entertaining scenes are those in which Molina is either brusquely insulting one of Jenny's suitors or being entranced by David himself. At first I wondered why Jenny's parents would let her go off so easily with David when I watched the trailer, but it plays out plainly: David is irresistible. Like a snake-oil salesman, that is. He feeds Jenny and her parents what they want to hear, and when things go awry, Jenny angrily confronts her father about how he could have been so seduced by David. This is one of the lessons Jenny learns from her affair with David; that despite education, maturity, and age, authority figures are fallible.

The other authority figures of this movie are compelling as well: Olivia Williams plays Jenny's encouraging teacher (whose radiance can't be hidden by a pair of horn-rimmed glasses) and Emma Thompson has a cameo as a rigid headmistress who seems to take pleasure in threatening Jenny about her future.

However, no one shines brighter than Mulligan. Her Jenny is a strong, bright young woman who never completely loses her way, despite the situation she gets caught up in. It's her performance in An Education you'll be talking about when you leave the theater - and maybe in a few months when awards season begins.

Photos courtesy of Sony Pictures

Buzz's Picks For Fall Movies: Best of the Rest

BuzzSugar — Fri, 18 Sep 2009 15:30:03 -0700

Fall means back to school, cooling temperatures, changing leaves . . . and a whole lot of new movies. I'm helping you sort through the coming releases by giving you my recommendations - I already talked about which dramas, comedies, and romances to see - but there are a few movies that don't fit perfectly into any of those categories. But what they are is exciting - check out the best of the rest of upcoming Fall flicks.

View Slideshow ›

The Holiday: Frothy and Fun As a Cup of Cocoa

BuzzSugar — Thu, 07 Dec 2006 07:38:44 -0800

Holiday romantic comedies are bound to be a bit cheesy. When the movie is actually called The Holiday, cheesiness is almost guaranteed. But this latest romp from director Nancy Meyers, which hits theaters tomorrow, rises to the top of its frothy, feel-good genre. The self-aware storyline centers on two women-movie-trailer producer Amanda (Cameron Diaz) and British weddings columnist Iris (Kate Winslet)-who swap houses for the holidays to get away from their less-than-satisfactory love lives. Amanda, who sleeps with her Blackberry and has just ruined another relationship with her workaholism, goes to live in Iris's quaint Surrey cottage, while Iris takes up residence at Amanda's palatial LA haunt to forget her three-year unrequited love.

In the beginning, that scenario lends itself to too many scenes of lonely women talking to themselves; the ones featuring Diaz's high-strung Amanda are nearly intolerable. But when a trio of men enter the picture-including Iris's sexy, suntanned brother Graham (Jude Law)-things get a lot more interesting, so read more

Shortly after arriving in LA, Iris meets two very different men: a witty film-score composer named Miles (played with rare and refreshing subtlety by Jack Black) and Arthur (Eli Wallach), her octogenarian neighbor who also happens to be a legendary screenwriter. Back in England, Amanda makes the acquaintance of the hunky Graham when he shows up drunk at his sister's cottage, not knowing that she's gone on holiday.

To add drama to many of Amanda's scenes, the director employs a clever device: voice-over narration by that ubiquitous movie-trailer guy. Iris and Arthur, meanwhile, spend lots of time discussing the common conventions of script writing. That film-centric subplot on both continents gives the movie a sort of cheeky self-awareness about its own filmic-ness. That way, when the inevitable romantic-comedy cliches and convenient plot twists sneak in, it's more amusing than annoying.

I don't know what's gotten into me: maybe it's the holiday spirit or that my viewing of "The Holiday" comes on the heels of watching one of the worst romantic comedies I've even seen, Trust the Man, on a recent plane ride. (It wasn't even mentioned in the in-flight magazine, which makes me suspect that we were being subjected to a bizarre social experiment.) But implausibly neat and tidy plot aside, the way the characters interact in this movie rings very true to life. Particularly in the Iris/Los Angeles subplot, The Holiday addresses some very universal relationship truths in a clever way. I can't really say the same for the somewhat silly Amanda/Graham romance back in England, but at least there I had the Jude Law eye candy to keep me interested.

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