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What to Netflix: New DVD Tuesday

BuzzSugar — Tue, 29 Sep 2009 05:30:24 -0700

All of the new DVD releases hit stores (and Netflix) on Tuesdays. So each week in What to Netflix: New DVD Tuesday, I sort through the best of the batch and tell you what to add to your queue. In addition to the movies below, there's also Steven Soderbergh's The Girlfriend Experience and Madonna's directorial debut Filth and Wisdom. Check out this week's picks!

Away We Go

John Krasinski and Maya Rudolph star as an expecting, road-tripping couple in this indie comedy drama directed by Sam Mendes. I loved the quirky humor that came from not only the leads, but a star-studded cast of supporting characters played by Maggie Gyllenhaal, Jeff Daniels, Alison Janney, and Catherine O'Hara. It may not be as laugh-out-loud as the two leads' usual work, but if you're looking for a sweetly funny flick you may like Away We Go. The DVD and Blu-ray have a making-of featurette, a commentary track, and a behind-the-scenes feature about how the filmmakers tried to make the production more environmentally friendly.

66%

See two more new releases when you read more.

Management

Jennifer Aniston stars as an everyday gal in the comedy Management. Steve Zahn is the shy hotel manager who meets and falls in love with her immediately, and Woody Harrelson is the has-been boyfriend he's trying to woo her away from. It's not the straightforward romantic comedy you'd expect from Aniston, which I don't mind at all, and Zahn's so adorable he can make stalker-like behavior seem OK. On the DVD are a commentary track, a gag reel, and deleted scenes.

44%

Monsters vs. Aliens

Monsters vs. Aliens boasts the vocal stylings of Reese Witherspoon as Susan Murphy, a woman who's hit by a meteor and turns into a giant as a result. The 3D movie from Dreamworks is definitely kid-friendly fare, but I tend to enjoy modern animated movies like this, especially when they also have the voices of Seth Rogen, Paul Rudd, Will Arnett, Rainn Wilson, Hugh Laurie, and Stephen Colbert. The DVD and Blu-ray discs have tons of special features, like music videos, deleted scenes, and the technology behind the movie.

72%

Movie Preview: Management Gets a Trailer

BuzzSugar — Sat, 14 Mar 2009 13:30:34 -0700

When I think of Jennifer Aniston, things that immediately spring to mind include stuff like high-profile relationships (and breakups), really toned arms, nice tan, perfect hair. In other words, she can sometimes seem larger than life, and it's easy to forget that she can still play the "everyday gal" with the best of them.

I loved her in The Good Girl and really enjoyed her performances in Office Space and Friends with Money, which is why it's exciting to get a good look at Management, a movie in which she portrays a pretty average lady alongside Steve Zahn and Woody Harrelson.

That said, um, I don't know what to make of this movie. The essentials all seem to be there (quirky with emotional depth) but something is a touch off about it. There are some strange scenes with Zahn flying through the air and dropping into pools, and Zahn on a tandem bike, etc. And then there are more earnest moments that look like they're aiming for realism. I'm up in the air about this one, but I'll keep an open mind.

Management will have a limited release on May 15. To check out the trailer and tell me what you think, just read more.

Source

First Look: Jennifer Aniston, Steve Zahn in Management

BuzzSugar — Sun, 21 Sep 2008 13:00:17 -0700

I remember when I first heard the casting news for the romantic comedy Management, and it seemed like an awesome idea to pair up the underrated (in my opinion) Steve Zahn with Jennifer Aniston. And ever since the movie earned some positive buzz after debuting at the Toronto International Film Festival, I've been anxious to see some footage.

Now we've got a clip from the movie, which is funny and gives me a better sense of the tone. Looks like another quirky, subtle performance from Aniston (like what I enjoyed about her in The Good Girl) and Zahn is subdued but no less hilarious. The movie follows a traveling art saleswoman and the hotel manager who ~~stalks her~~ has a crush on her. In this clip we see Aniston's character encouraging Zahn's character to touch her butt. Yes, that is what I said. To see for yourself, read more.

Source

Aniston and Zahn Make Management

BuzzSugar — Fri, 03 Aug 2007 10:07:16 -0700

The news:
Jennifer Aniston and Steve Zahn will play the leads in a romantic comedy called Management.

What's the story?
According to Variety, "Aniston will play a traveling saleswoman who sells cheap art to small companies and motels. She has a fling with an aimless, underachieving assistant motel manager (Zahn) at one of her stops, and he pursues her all over the U.S." Stalking = hilarious?

Why it might be good:
The movie is being written and directed by playwright Stephen Belber, who was involved with The Laramie Project and is quickly rising through the writing ranks in Hollywood.

Zahn is playing a slacker again.
For whatever reason, it makes me happy when Reality Bites stars play grown-up versions of their roles in that movie. It's much less freaky than, say, Ethan Hawke playing a dad in The Hottest State.

Funny trivia:
This isn't Zahn's first dalliance with a "Friends" star. Fans might recall that Zahn played Phoebe's first husband, Duncan, in one episode.

Source

Mad Men, "Shut the Door. Have a Seat": This Week's 5 Maddest Moments

BuzzSugar — Mon, 09 Nov 2009 05:30:53 -0800

Wow. The biggest surprise of the third season finale of Mad Men isn't actually a plot point, but how light and almost exciting it manages to be. For a show that's normally so tense and tightly wound, this week's episode has a quick pace, and at times, a sense of humor. Of course, there is still disappointment and heartache; some of our predictions for the finale come true, but some go sadly unfulfilled.

Without further ado, let's talk about the door that closes and the one that opens this week, and as usual, the finale's five maddest moments, when you read more.

So long, Connie: It's eccentric hotelier Conrad Hilton that breaks the news to Don that rival agency McCann is buying PPL, and Sterling Cooper along with it. Don's plenty irate, as it's Hilton's fault that he was signed into a three-year contract and is thus, trapped. However, Don's bitterness quickly turns to ambition, when he rallies Burt, then Roger, to buy back Sterling Cooper from PPL. Pryce is unhelpful in even supplying the purchase price for the men, quashing the buyback plans, but then another scheme is launched: Pryce fires Don, Roger, and Burt so they can form a new agency.
Draper Dissolution: While an exciting change is happening for Don in his career, back at home a bleak change is coming. Betty informs Don that she's seen a divorce lawyer and advises him to do the same. It's painful watching these two spar, and I wanted so much for them to figure out how to fix it - but the ball is clearly in Don's court and he does nothing to sway Betty to call off the divorce. Sure, he tells her to, and even suggests that she might need psychiatric help. Oh, and he tells her that he gave her everything she wanted materially, insinuating that should be enough. Don may know what his clients want, but in his marriage, he has no idea what Betty wants.
Irreconcilable differences: Don sheepishly tolerates the divorce talk until he's having drinks with Roger, who spills the beans about Betty taking up with Henry Francis (I do have to say, it is rather nice to see these two getting along, acting like buds). This sends a drunken Don home to wake up Betty for a confrontation about her indiscretion, and things get nasty and uncomfortably physical. Again, Don manages to push Betty into even more resolve, and she tells him that she's going to Reno to initiate the divorce. Don and Betty devastate the kids with the news of their separation, and Betty makes good on her threat to go to Reno after Don softens a tiny bit - to tell her that he won't fight her.
Don, at your service: One of my favorite parts of this episode? Seeing Don put through the paces by Pete and Peggy. He's always treated them like underlings, and they finally have the opportunity to assert themselves. Don obliges them both and tells them how valuable they are, but not before Peggy pushes back. Her backbone straightens when she's first told of the new company and assures Don that she's had "other offers." Luckily, Don doesn't take no for an answer, and visits Peggy at home, telling her he'd spend the rest of his life trying to hire her if she turned him down now. It's so touching to see Don put aside his ego to acknowledge these others, and it makes me sad that he can't do something similar for Betty.
Sterling Cooper Draper Pryce: The gang's back together! It's thrilling good fun watching the new company assemble - Roger and Don get the agency's most prized employees one by one, plus my favorite: Joan! She's a necessity to help find all the files and materials in the office, and, they realize, a force that had been holding the company together. Her role in Sterling Cooper Draper Pryce (can you say "Michael Scott Paper Company"? I told you these two shows have a lot in common!) is a given. With everything coming together so perfectly, though, I wondered why Sal isn't also called in. I suppose we have next season to look forward to for that. Speaking of, next Summer can't come fast enough.

It's interesting that the finale also weaves in flashbacks of Don's early childhood, as this season's premiere did. What Don is remembering now, though, is how his father died. The elder Whitman was faced with losing his home, and after breaking free of the cooperative, readies a trip to the city to sell his crop. His spooked horse kicks him in the head, killing him, with the young Don as witness. It's an obvious parallel to Don's circumstances, who's losing his home, as in his marriage; and, losing his home, as in his life's work. Of course, he only manages to take control of one of those.

So what did you think? Did this season wrap up the way you wanted it to? And even though we won't see the Draper family or the worker bees of Sterling Cooper Draper Pryce until the fourth season returns, you can still join the Mad Men group in the community to chat about the show year-round.

Photo courtesy of AMC

Grey's Anatomy Rundown, "Invest in Love"

BuzzSugar — Fri, 06 Nov 2009 11:30:14 -0800

This week I felt like Grey's Anatomy is finally getting back on track. The episode has a very sad central focus, as Arizona faces the inevitable loss of a young patient, but was nicely rounded out with the usual relationship issues, comic relief, and a few sweet moments.

For more Grey's fun, check out the Grey's Anatomy McAddicts group in the Buzz Community. To get into the money matters, the L-bombs, and the shirtless Karev from this week, just read more.

This week's episode belongs to Arizona, as she takes a few of the surgeons into the "magical" world of pediatrics. She introduces Yang, Hunt, and Avery to Wallace - a 10-year-old patient with a nutritional disorder that's kept him in the hospital for 7 months. Thanks to her particularly sweet bedside manner and close relationship with Wallace, his parents offer to donate $25 million to the hospital. But when his condition worsens, Wallace's parents and the chief put pressure on Arizona to perform a surgery she doesn't feel comfortable with - and she ends up losing Wallace on his 11th birthday. There is one saving grace though, and that's the "I love you" exchange that happens between Arizona and Callie after Arizona runs out on her own surprise party.
The tension continues for Cristina and Owen, and Cristina's obsession with performing a surgery finally takes hold of her when she goes against Owen's orders and performs in the OR. It leads to a big fight for the two (which according to Meredith means Owen loves Cristina), but causes Avery to take notice of Cristina. They share a kiss at Arizona's surprise party, but Cristina pushes him off, saying that she's "involved." Somehow, I don't think this is the end of Avery's little crush.
As if things couldn't get any worse for Alex with Izzie gone, he gets slammed with $200,000 worth of her medical bills. He takes his anger out on Reid, who finally admits to Avery that she has a crush on Alex. Alex sweetly cares for a baby he thinks is about to die, and manages to coddle her back to health (shirtless, no less). I loved the jokes about the softer side of Karev (specifically Derek asking if Karev is lactating yet), and was even more impressed with Reid's persistence, even as Alex continues to snap at her and complain about Izzie.

What'd you think of this week's episode? Are you excited for next week's Izzie return and Kim Raver introduction? How long before Karev and Reid finally get it on?

The Vampire Diaries "162 Candles": The Good, The Bad and The Bloody

BuzzSugar — Fri, 06 Nov 2009 07:30:41 -0800

It's a party on this week's The Vampire Diaries for Stefan's birthday, but it's hardly a cake and merriment fest. Our broody hero finally gets a chance to smile, but of course, it's taken away from him quickly.

Ready to chat about the good, the bad, and the bloody? Watch out for spoilers when you read more.

The Good

Stefan's girl BFF Lexi comes to town to give Stefan a proper 126nd birthday party, and she's a tough-talkin', sexy badass of a vampire. Can you believe that Arielle Kebbel is the same girl who played Lindsay on Gilmore Girls? In the preview, she seemed like a rival for Stefan's affections, but that's not the case at all; she's his (literally) oldest friend and apparently brings out the fun-loving beast in Stefan (hey writers, can we please get some flashback scenes of the good times with Lexi? That would be awesome). She also talks some sense into Elena, encouraging her not to ignore her real feelings for Stefan. Amen. Did you catch that very brief shot of Stefan with his shirt off? Elena could have just seen that and been convinced, but I guess Lexi's soul mate talk works too.
Bad boy Damon proves that he's not softening like I thought he was; his diabolical master plan includes pursuing Caroline's sheriff mother and pretending to help in the vampire hunt. He also engineers the demise of yet another character (more about that in The Bloody rundown), which is heartless and shocking, to say the least.
Bonnie and her awesome Grams make an appearance, apparently having had a sleepover/feather floating lesson. Grams explains that her necklace is her talisman and it chose her, which becomes even more obvious when it also shocks Caroline when she tries to snag it back for Damon. I was disappointed when I thought that was the extent of what we'd see of Bonnie and her witchery this week - until the very end, when Bonnie has a disturbing nightmare featuring her ancestor Emily Bennett and then actually wakes up in the cemetery near the Salvatore family grave. Spooky.

The Bad

Are we supposed to be rooting for Caroline and Matt to get together? I thought it was sweet and all for Matt to take care of Caroline and cuddle her when she's drunk, but I feel like we haven't been given enough to be invested in Matt. Sure, I feel for him losing his sister, but he and Caroline are still side characters to me, so I'm not excited about their pairing quite yet.

The Bloody

I knew something was up when Damon briefly leaves the party and attacks two amorous teens so blatantly; turns out, he pins that attack and all the previous ones on Lexi, supposedly to get the hunting squad off of him and Stefan.
I gasped audibly once again during this episode when the second vampire was killed in as many weeks. Even though Vicki was a more prominent character than Lexi was, I was still completely shocked that Damon stakes her so mercilessly. I really liked her character and loved that for once, someone could overpower Damon. I have a feeling that her little domination of him in the beginning of the episode had something to do with how easily he kills her, but it's still such a horrible thing to do to Stefan. I thought that the small part of Damon that's still human harbors a love for his brother, but I can't believe how deeply he's willing to hurt him.
Heartbroken over the murder of his friend, Stefan tells Elena he has to kill Damon. Which means: vampire fight! But Stefan can't do it; he just sticks the wooden stake in Damon's torso to hurt, but not destroy, him. Well, yeah, he's a star of the show. He can't go anywhere! And Stefan wants to spare him, blah, blah, blah.

From the looks of the preview, I definitely thought this week would just be a filler episode, but it managed to keep up the pace of last week's super intense and amazing "Haunted." A couple more things to think about: Lexi brings up an interesting point - Katherine and Elena look so alike, they could be related. This is a small town with residents whose roots go deep; could they be related? It's an interesting thought. Also, the best way to end an episode is a ghostly Emily Bennett telling Bonnie "It's coming." What's coming? Ack, it's so ominous and exciting, I can't wait to find out what it means! What did you think of this week's episode? And if you want a place to talk more about the show, join Hooked on Vampire Diaries in the Buzz Community!

Photos courtesy of The CW

The Office, "Double Date": Best Lines of the Night and Video!

BuzzSugar — Fri, 06 Nov 2009 06:30:00 -0800

I knew it was going to be hard to top the koi pond incident (and those Halloween costumes), but I was glad to see this week's The Office return to the storyline with new paramours Michael and Helene. This time, Pam is actually coming around to the idea of her mother dating her boss, but per his usual protocol, Michael is ready with a few blunders to messy things up. We also had a friendly competition between Andy and Dwight and - naked photos? Tsk, tsk Kelly. It's called subtle sexuality, key word being subtle.

Michael provided my favorite quote of the evening, but take a look at my list (spoilers!), and then weigh in with your own favorite zingers.

"If you clench your buttocks together when you're walking, you can really take the pressure off your knees."-Dwight
The who-can-outdo-each-other's-politeness competition between Dwight and Andy was pretty hilarious. Of course neither of their intentions were pure - Dwight wants to be kind so everyone owes him and he can unseat Jim as co-manager; Andy does it...well, pretty much because he has to be better than everybody else.

For more funny lines, plus a video of the parking lot brawl between Michael and Pam, read more.

"The chicken parm is good. It was a big part of my childhood. Oh, maybe Michael will start dating that too."-Pam
Yep, this week saw the return of the Michael and Helene's romance, when he takes his new girlfriend out to a birthday lunch with Pam and Jim. I'm glad the writers reintroduced it, but obviously Pam doesn't share my same enthusiasm.

"The only time you should care about a woman's age is if she's too young for you. And I am not robbing the cradle. If anything, I'm robbing the grave."-Michael
Ah Michael, always so sensitive to a woman's feelings. I loved watching him gradually panic as he realized Helene was older than expected. But dumping her on her birthday, in front of Pam and Jim? That was low, even for him. Such an ageist. Pam exacts her revenge though by beating him up. Check out the video of their showdown:

"What if Dwight dies and I still owe him something? That is the recipe for a ghost."-Andy
Can't blame Andy. I wouldn't want the ghost of Dwight Schrute after me either.

"What a waste of a day. I could've grown poison mushrooms that would've been this high by now."-Dwight

Dwight feels bummed that he couldn't get back at Jim - all that work going to New York just for bagels! - but I'm sure he'll concoct something for the next episode to take Jim down. Perhaps that's what the mushrooms are for?

"I saw my life flash before my eyes. I have four kids, and I have a hover car and a hover house. My wife is a runner and it shows."-Michael
Such a dreamer that Michael. After Pam slaps him across the face for calling things off with her mom, he starts imagining his future. I was really hoping that they'd drag out the coupling between him and Helene for at least a couple more episodes - do you think their romance is really dunzo?

What did you think of this week's installment? Were you sort of pulling for a relationship between Michael and Helene? Tell me (along with your favorite lines) in the comments.

Want to keep swapping opinions on this episode? Check out The Office! group in the BuzzSugar Community!

Photo courtesy of NBC

An Open Letter to Breaking Dawn's Screenwriter

Buzz Community — Wed, 04 Nov 2009 05:30:00 -0800

This post comes from the group The Books of Twilight from member Audreystar.

Dear Ms. Rosenberg,

First let me say that I thought you did an impeccable job at screenwriting Twilight from Stephenie Meyer's novel. From what I can see you did a great job on New Moon as well. I can only assume that Eclipse will be no different. You have proven yourself a competent and talented screenwriter. Hell, you write episodes of Dexter for goodness sake! Your ability is not in question.

I am here to discuss Breaking Dawn. This will be the ultimate test of your career. If you can manage to pull a workable movie out of that piece of literature you should (hands down) win the Academy Award in screenwriting. Everyone seems to be wondering who will be chosen to direct Breaking Dawn because they believe that is (ultimately) the person who will sink or swim in making a film work on the last book. I beg to differ. This all lies with you and that is quite a big burden to bear. The world is on your shoulders. The movie will make a ton of money so Summit can't be THAT concerned with the script. But I know you aren't a writer to please all the people who will watch anything with Robert Pattinson in it. You actually care about putting out quality work.

To read the rest of the letter (WARNING: Breaking Dawn spoilers ahead!), just .

So here are my questions. How are you honestly going to manage to write the birth scene and still maintain a PG-13 rating? How are you going to write for Renesmee and her not look like a freak of nature? Regarding Renesmee, the hardest challenge will be for the casting directors/CGI geniuses. They have a daunting and hard and impossible job. The honeymoon scene is what everyone will be flocking to the cinema to see (the rabid fans I mean) and I am sure Mrs. Prude Meyer will be ALL OVER the writing and filming of that. Look I know she didn't write the books for a mature audience and is trying to keep it morally sound. But this is the last movie and we have to have more than just a fade to black. But I know it won't happen because SM wouldn't even let the first kiss scene stay the way Catherine had it (i.e., steamy). I find it rather hypocritical that SM has an issue with a tasteful sex scene however has ZERO problem with blood and gore which Breaking Dawn the novel is filled to the brim with. You want to see Edward and Bella consummate their relationship. . . sorry, you aren't gonna get it. But if you are excited to see Edward rip Bella's belly open with his sharp vampire teeth, well you are in luck.

And don't even get me started on how you are going to work out the awful anti-climatic ending. This is going to be the last film in the series and as a talented screenwriter you know you can't end it that way. Sure, if this were an indie film you could get away with it. But, it isn't.

So in conclusion, I will keep you in my thoughts and prayers while dealing with this huge predicament and the test of your career. You will deserve a Pulitzer if you can pull this off.

Best regards,
Audreystar

(Please note: I have no clue if she has even been signed as the screenwriter for the fourth film).

There's lots of fun stuff going on in our community - join it, check it out, share your stories and posts in the great groups and maybe we'll feature them here on BuzzSugar!

Rashida Jones and Chris Pratt Talk Parks and Recreation

BuzzSugar — Thu, 29 Oct 2009 15:38:35 -0700

Since the beginning of the Fall season, Parks and Recreation has gone from shaky midseason replacement to a solid half-hour of comedy, thanks in part to a talented and hilarious cast. Two of my favorite actors from the show, Rashida Jones and Chris Pratt, who play Leslie's best friend Ann and Ann's ex-boyfriend Andy, respectively, chatted with some reporters this week about Parks and what's in store for their characters.

Rashida on the possibility of Ann and Andy getting back together: You know, I don't think it's an impossibility. I think there's still love in Ann's heart for Andy. I think so much would have to change for him to be OK with her. But I don't think it's an impossibility.
Chris on whether Andy will get a job or home: Yeah, the writers have found a nice way for Andy to get out of the pit and get a job and start sort of working his way up into independence.

To read more on why Chris and Rashida think the second season has been better, Ann and Andy's ex relationship, and those nude scenes, just read more.

Rashida on whether she likes Ann and Andy better together or apart: I think there's a lot of comedy both ways. I mean, I like this particular paradigm; I think it's really funny, because I just think Chris gets to shine a lot here and do something with something that could potentially seem really kind of cartoony and big which is like him, you know - showing up places and pretending to be casual about seeing me and all that. But he manages to make it kind of realistic and really sweet. So I like this dynamic for now.
Chris on whether Andy will start dating: I think that Andy's undying devotion toward Ann is one of the only things that sort of redeems him, so I hope not. I hope that he just keeps pining after Ann for 10 seasons to come. That would be the best for me.
Rashida on what Chris wears when he's naked on the show: They have those really unappealing little dance belts that were uncomfortable for Chris Pratt.
Chris on the nude scenes: Yeah, let's just say there was a dance belt included and it was uncomfortable. They kind of just are these little things that cover up your junk, but it was almost as if I was wearing nothing at all. Yeah.
Rashida on the show clicking more in the second season: It just takes time. I think for the actors, for the writers, for the audience, you just need some time to settle into what the characters actually are, and what's funny about their dynamics. And I'm super grateful that people gave us a shot to get there but I definitely think it takes about 10 episodes to even know what anything is, you know? I mean, you watch some early Seinfeld, you watch some early Sex and the City, it's nothing like the show turned out to be; the things that people loved about that show did not exist at the beginning of that show, you know.
Chris on the same: I've noticed that, as a fan of the show, I've seen it get better and better, and working on it I've noticed the scripts coming down the pipes have gotten better, but it kind of goes back to what Rashida said: it takes time for everybody. And I think it's just a matter of finding the sensibilities to all the characters and starting with Amy, you know; I think a lot of people compared Steve Carell to Ricky Gervais from The Office when they first started the American version of The Office. But he has a different style of comedy, and maybe they were writing for Steve the way they did for Ricky Gervais. And maybe in the beginning, they were writing for Amy the way that they wrote for Steve Carell, but her comedic sensibility is a little different. Maybe it's not that funny to watch her be uncomfortable the way it is with Steve Carell, but it's so goddamned endearing when she smiles. And you see her and when she's enjoying herself, so is the audience. And you see her doing that a lot more now; kind of just becoming comfortable in who she is, and like the episode with the beauty pageant, she's standing up for women's rights. You're seeing more dimensions of her. And maybe it's always been who they've envisioned her to be, or maybe they're figuring it out, but I sure like Leslie a lot more in the second season. I just enjoy watching her more and I think that's starting to happen with all the characters.

Don't forget to tune in to watch Ann and Andy on tonight's special Halloween episode; something tells me that some of what Rashida and Chris talked about will start developing sooner rather than later!