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"Heroes" Writers Are Letting Us Help

BuzzSugar — Tue, 03 Apr 2007 13:50:00 -0700

A while back, I told you "Heroes" fans about one of the newest super people, Hana, known as "Wireless" for her ability to intercept digital information. By going to the Primatech website and filling out a "job application," I opted to receive text messages from Hana in which she conveys "secret" information about the Company. Thus, while we are piecing together the mysteries of the show, so is Hana - and she's providing us with clues to boot.

Today, I received an email saying Hana will need my help next Monday, April 9. That day, according to a new NBC press release, Hana will send viewers directions about how to help her, and the fans' actions will somehow influence the next episode of "Heroes":

Starting April 9th, Hana ... will enlist fans to help with her plans to thwart Linderman's plots. The top-secret online activity will actually interact with the on-air story and will pay off in the Monday, April 23rd episode, when "Heroes" returns to the NBC lineup.

How cool is this? If you're a die-hard fan of the show and haven't yet signed up to receive the "top-secret" notices, you should do so now! What if something you write to Hana ends up on the show? Let's discuss when you read more

This kind of interactivity isn't completely new - the Hanso Foundation website from "Lost," for example, led fans to new clues. (And, by the way, the site has been updated to include some new, eerie information.) Yet the idea of influencing the actual content on "Heroes" is taking it a new level. What do you think about this interactive project?

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The Vampire Diaries "The Turning Point": The Good, The Bad and The Bloody

BuzzSugar — Fri, 20 Nov 2009 08:15:00 -0800

I was already bummed knowing this was the last week of new episodes of The Vampire Diaries until January; and now, having seen it, I'm freaking out a little bit. I knew there was going to be an epic cliffhanger, I just didn't know how epic!

With new vampires, violence and passion come "The Turning Point" - a title that would apply to many things that happened this week. So as usual, let's break down the good, the bad, and the bloody of this week (plenty of spoilers ahead!) when you read more.

The Good

Stefan and Elena finally gave up on their "are we or aren't we" dance and got together. I mean, together together. Vampire boots were knocked, but there wasn't a happy ending. More on that later.
Logan's vampiric turn made for gruesome excitement, especially now that Damon is trying to be on his best behavior. It also brought forth new mysteries; why did Sheriff Forbes bury Logan and write emails on his behalf instead of saying it was an animal attack? And who did turn him? My money was on Alaric, but now I'm not so sure. I also enjoyed his interactions with Damon, despite their constant shooting of wood bullets at each other.
OK, fine: I do like Caroline and Matt together now. Their coupling is just kind of sweet, and the fact that they bonded over So You Think You Can Dance?! I felt like it was my birthday.
I'm a fan of cool guy teacher Alaric, even if he is probably a vampire. I like to think he's more exciting than that - could he be a good vampire like Stefan? Interestingly, I don't think that Stefan or Damon has actually interfaced with Alaric yet, which is telling to me. If I had to guess, I'd say they knew each other. And what of him also being a "daywalker," when Stefan and Damon are so secretive about their rings?
I need to know more about the Gilbert family legacy, especially since Jeremy discovered an ancestor who wrote fiction about monsters. I like that the show made me care about more side characters I hadn't previously, like Jenna, Jeremy, and even Tyler. About Tyler. . . I don't want to speak too soon, but I think there's something very interesting happening with him.

The Bad

Isn't it a little too early to be saying "I love you," Elena? She even wants to see and make out with his scary vampire face when he gets turned on. Weeeird.

The Bloody

Newborn Logan is literally out for blood, but that pile of hoarded bodies that Logan was keeping made me sick to my stomach.
Anyone else feeling sorry for Caroline? Girlfriend's always getting bloodied up. Someone give her a self-defense lesson.
So basically unless you're Stefan or Damon, if you're a vampire you will only last one episode before being staked. Logan gets staked by Alaric by the end of the hour, which is unfortunate for Damon, because Logan had just promised him there was another way to break the spell holding Katherine and the other vampires under Fell's Church. Guess we'll just have to wait to meet little Miss Vixen.
It might have been time for Stefan to hide the Katherine photo, or at least have come clean about their resemblance. Lord knows finding a photo of my doppelganger at my undead boyfriend's house would freak me out too. That's what happens for Elena, who leaves Stefan's in a devastated rush. When someone stands in front of her car, she has a gnarly crash, which is terrifying in itself. It gets much more horrifying when the "person" she hit uncracks their limbs to stand up and come toward her. Yeesh! (BTW, did that scene remind anyone of Tara in the first season finale of True Blood?)

I don't know how I'm going to deal with the show's hiatus for two long months, let alone waiting that long to find out what was coming for Elena. Or, who Alaric is; did he kill Logan to protect Jenna, eliminate a problem-causing newborn, or something more insidious? To talk more about the show (especially in the next few weeks without new episodes) join the Hooked on Vampire Diaries group in the Buzz Community!

Photos courtesy of The CW

Grey's Anatomy Rundown, "New History"

BuzzSugar — Fri, 13 Nov 2009 10:03:32 -0800

They're baaaaack! This week on Grey's Anatomy, Meredith, and Izzie make their returns to Seattle Grace/Mercy West, though only Mere is back in scrubs. Izzie heads back to the hospital with her favorite high-school teacher in tow, a sweet guy who's suffering from what appears to be dementia and is constantly referring to Izzie as a pregnant teen. Meanwhile, Hunt brings in a new "cardio god" (Kim Raver), though Cristina isn't exactly thrilled that her "gift" is a hot leggy blonde that already has a rapport with her boyfriend.

Plus, Mere and Derek have a few adorable moments while Sloan becomes the show's new gossip girl. There's a lot more to talk about, so to get into it just read more.

Izzie strolls into the hospital like she never left, but of course her friends have lots of questions. Meredith and Cristina are both curious and a little hurt while Alex ignores her completely. Izzie doesn't exactly explain what she's been doing, but immediately starts making demands for her friends to take care of her teacher. She even blackmails Dr. Percy when he sasses her about being fired (though I kind of cheered when she threatens to tell Reid his secret). Izzie even squares off with the chief, but in the end she gets her way.
Poor Alex doesn't know how to handle Izzie's return, but Mere finally encourages him to talk to his wife. Izzie accuses Alex of getting her fired, but Karev bites back and points out that Izzie didn't even ask him about it. After seeing them square off like they have so many times before, it's almost hard to believe they were ever married in the first place. When Alex tells Izzie that he can't forgive her, he heads to the bar to drink the pain away with Mere. Love the friendship between Mere and Karev by the way - if she and Derek weren't so cute together these days, I'd almost root for a new coupling.
Kim Raver makes her first appearance on the show this week, as new doc Teddy Altman. At first Cristina is psyched to welcome a new cardio surgeon but her enthusiasm wanes when she realizes that Hunt and Teddy have a past together. Teddy takes a liking to Cristina, even when Yang gives her lip - that is, until Teddy realizes that Cristina is Hunt's girlfriend. When Teddy learns that Hunt brought her in as a "present" to his lady love, Teddy kicks into serious mode which earns Yang's respect. The ladies turn out to be a pretty good team by the end of the episode.
I have to say that I really liked Raver as the new doctor. Yes, her moment in the rain was a bit too cheesy for me, but overall I think she'll be a good addition. While she's clearly carrying a torch for Hunt, she doesn't seem like the type to go for the jugular and try to steal him away from Cristina. The real question is whether or not Hunt runs into Teddy's arms when he inevitably learns that Yang swapped a little spit with Dr. Avery.
When Adele comes into the hospital wondering where her husband has been sneaking off to for the past few nights, she quickly accuses Bailey of being his mistress. The idea is completely hilarious, though Bailey doesn't exactly do the best job of calming Adele's fears, and Callie only makes it worse by calling them "work husband and wife." Bailey immediately starts a witch hunt to figure out which doctor actually is having an affair with the chief, but things take a serious turn when Lexie and Reid discover that the chief has made a serious mistake with one his patients. Bailey covers for him, but when she tells the chief what happens, he decides to take a break and gives his surgeries to Bailey. Then he heads to the bar to drink, where Mere catches him in the act. The final scene where the chief is playing out all the recent bad interactions with his co-workers mixed in with his memories of his alcoholism is depressing to say the least. I have to say though - I thought it was sort of silly that the chief chooses the closest bar to fall off the wagon. He's clearly embarrassed when Meredith sees him, but was he really expecting the bar to be deserted? It's like he wanted to get caught.

What'd you think of this week's episode? Are you excited about Teddy? Looking forward to next week's episode where Dr. Sloan's daughter comes in? Sound off in the comments below, and don't forget to check out the Grey's Anatomy McAddicts Group in the Buzz Community!

Vampire Diaries "History Repeating": The Good, The Bad and The Bloody

BuzzSugar — Fri, 13 Nov 2009 06:30:00 -0800

Dear The Vampire Diaries, I see your master plan now: it's to bring it every week now. Please continue to do so. Moving on, this week we learned more about Bonnie and her family ties, revealed Damon's master plan, and met the new mysterious, history teacher.

But that's not even half of the amazing things that went down, so to see the good, the bad, and the bloody from this week's episode, just read more.

The Good

Bonnie's talisman/necklace is bringing her nightmares and visions of her ancestor Emily, who we learn was definitely Katherine's handmaiden back in the day. Her appearances are so creepy, but I was kind of digging that the scares were coming from a non-vampire source.
Damon and Stefan's interactions this week are brilliant. The role reversal, where Stefan takes on Damon's persona and Damon mocks Stefan in kind, are priceless. There even seems to be some genuinely affectionate times between the brothers, but was it just Damon's vulnerability/lack of strength due to avoiding human blood?
New characters for this show have tended to be pretty intriguing, and new teacher Alaric Saltzman is no exception. The dreamy Alaric, played by Legally Blonde's Matt Davis, has a shady past (dead wife who was almost certainly murdered) and every sign points to him being a vampire: the sun-protecting ring, the lingering exchange of Jenna not inviting him in. It's almost too obvious. If he is a vamp and not some other supernatural being, then what role does he play? I'm sure he must know the Salvatores.
Gratification! In one episode, we get two mysteries solved: why Damon came back to Mystic Falls and what's up with Emily and her necklace. The master plan - and Damon's reason for return - is Katherine. Specifically, to rouse her from the spell that left her trapped but unharmed (well, relatively unharmed, considering she was already dead) underneath the church 100 plus years ago. It's news to Stefan that Katherine didn't perish in the fire, but that's not the only revelation about her; the boys trade barbs about their last encounters with their shared first love, and they both end up wounded. I think Stefan is lying when he insists that Katherine compelled the brothers into loving her and that it wasn't real; why else would he have come out of hiding to pursue Elena?
One seed-planting I appreciated: The Gilbert family history. You know Jeremy's on the verge of discovering something big. I have my theories.

The Bad

Right about now I feel the need to introduce something I'd like to call Twilight Corner. It'll be where I bring up any glaring similarities The Vampire Diaries has to that other vampire story. This week, it's Stefan leaving Elena, telling her it's for the best. I smirked early on, when Stefan tells Elena that he's backing off from school, that it's the right thing to do; but I pretty much spit my water out at the end of the episode when Stefan tells Elena he's leaving to protect her while they're in the woods. Shades of New Moon! Generally, the show has distinguished itself from Twilight but that's waaay too close for comfort.

The Bloody

Damon swears off drinking human blood in a demonstration of goodwill to Stefan after killing Lexie last week. My my. Damon, showing repentance? What is this crazy fake world coming to? However, he doesn't maintain his new diet for long: he takes a big bite out of a possessed Bonnie after she, as Emily, destroys the amulet and Katherine over the Fells Church ruins.
OK, let's talk past bloody: We got more of the story of the history of Mystic Falls, including what sounds like an epic, ongoing battle between vampires and humans. It was no accident that Katherine was in that church, having been rounded up by the townspeople to be killed. And she wasn't alone; Emily sealed up the whole church, full of other vampires, who potentially could have been freed upon the town this week. Stefan accuses Damon of not wanting to free Katherine out of love, but revenge, rather; he nearly introduces an army of angry, ancient vampires on the ancestors of the people who exterminated them. Personally I think it was a little bit of both for Damon - love and revenge. He almost has his soul mate and a group of allies back in his life.
I'm counting Damon's broken heart as a casualty this week, as cheesy as that sounds. I just can't ignore how wrecked his face looks at the end of the episode. We went from seeing how inhumane Damon is just last week, to being confronted by an emotional man who faces a final loss of love. Ian Somerhalder, you're rocking it.

What did you think of "History Repeating"? Are you disappointed at all that Katherine didn't rise from the grave tonight, along with a crew of her nearest and bloodthirstiest? Do you even believe she's totally gone? And what about Jenna's situation - are both Logan and Alaric out to suck her blood? For more chatting beyond this week, join the Hooked on Vampire Diaries group in the Buzz Community!

Photos courtesy of The CW

The Office, "Koi Pond": Best Lines of the Night and Video!

BuzzSugar — Fri, 30 Oct 2009 05:30:00 -0700

This week's opening of The Office isn't necessarily a huge spooky surprise since we already got a peek at those costumed spoiler photos, but I still laughed through every minute of the intro. Jim's "Bookface" costume? A-ma-zing.

I sort of wished the rest of the episode followed suit with a Halloween theme, but that's OK, because we still get a great set up with Michael, Jim, and a lobby koi pond - not to mention a ton of quips that had me cackling. Check out my list of faves, and weigh in with your own!

"Kids, just remember suicide is never the answer . . . Why is Christmas the only holiday that can have a message?"-Michael
It's bad enough that Michael Scott has the D*ck in a Box costume, but to wear it - and hang himself - in front of children?! That's even more hilariously inappropriate than usual for him. And am I totally off base, or is Ryan trying to be Edward Cullen?

Even more funny lines, plus that koi pond video, when you read more.

"I date models - face models. My girlfriend, on a scale of 1 to Gisele? A nine. Pam's carrying our surrogate, because my girlfriend needed to keep her figure for Fashion Week."
Andy and Pam are forced to make cold calls when their sales figures are low, and clients mistakenly think they're married. This is when things get really awkward, leading up to a belly kiss. We normally don't get much interaction between Andy and Pam, but I think they do well as foils.

"The custodian called again. Apparently a koi has died."-Erin
I don't know why a koi pond is so funny to me, but I was giggling at the random jokes about Michael's mishap - yes, even Phyllis's lame, "Did you flounder?" 'Bout time the employees took a few shots at their bumbling boss. Then, when he gathers them into a meeting to make his "mocking" board, the insecurity really flies. Dwight's upset over his small nose, Angela's worried that she eats like a squirrel, and Meredith says she's embarrassed because she . . . had sex with a terrorist? (Um, did I read that right?!)

"The guy was like, Who are your five friends? And I was like, I don't even know . . . . I'm a total loser. Loooooser. Too far."-Michael
I died over this one. Michael tries to save his embarrassment over the koi incident by making fun of himself, and instead, he comes across as pathetic. But "too far" was the real kicker for me.

"Jim is my enemy. But Jim is also his greatest enemy. And the enemy of my enemy is my friend. So Jim is my friend."- Dwight
When the staff watches the security tape from the koi lobby and witnesses Jim actually letting Michael fall in, their loyalty swiftly changes. Dwight so confused, his mind gets blown. I am enjoying this new glimpse into the Michael and Jim work dynamic - by the end of the episode, it seemed like they might actually get along as comanagers. On the other hand, I have to say that I miss the days when Jim was the dude with a sweet crush who liked to pull pranks. Check out the actual video of Jim leaning out of the way:

"Oh, do you mean Marlon Wayans? Cause he is."- Erin
Way to go Erin! I've always sort of viewed her as a background character, but she delivered several funny ones this week. (I'm also loving her right now thanks to her Subtle Sexuality music video.) Do you think the writers are really going to set her up with Andy? Pam seems to be pushing it in that direction - even comparing Andy to Marlon Brando - and I think it's brilliant.

What'd you think of this week's episode? Who wore your favorite costume? Would you like to see Andy and Erin take their relationship to the next level? (I wonder if Angela would get jealous . . . )

And don't forget that you can always head over to The Office! group in the BuzzSugar Community to dish about the show!

Photo courtesy of NBC

House Rundown, "Brave Heart"

BuzzSugar — Tue, 20 Oct 2009 08:30:12 -0700

Wasn't this week's House incredibly satisfying? There was no sign of Thirteen - bring her back! - but House helped resurrect a man from the dead, heard voices in his head (crazy), and made goo-goo eyes at Cuddy. It doesn't get much better than that. I especially enjoyed the sweet friendship moments that played out between the hard-hearted doc and Wilson.

I'm ready to dissect it all - how about you? Let's start with the question portion (and a few spoilers) when you read more.

I loved seeing Wilson and House interact as roommates. (How about that scene where Wilson catches House fishing underneath the blankets, and he uses the excuse, "I'm picking lint out of my belly button"? Hilarious.) They're sort of like a warped version of Oscar and Felix from The Odd Couple. How long do you think until House moves out?
This week's case of the cop with the heart phobia really kept my interest, but I think my jaw literally dropped when they cut him open on the autopsy table and he opened his eyes. It was freaky in a fun, scary movie way. Did you see it coming?
Chase continued to harbor regret for killing off Dibala two weeks back, but this time it manifested itself in constant flashbacks, followed by a trip to a priest. I'm worried that he's going to sink into a major depression/insanity - and obviously destroy his marriage in the meantime. Do you think Chase will heed the priest's advice and turn himself in for the dictator's murder? I think he might - the guy's about to crack.
You probably feel mixed on this, but I'm sort of excited about the Cuddy-House romance that's a brewin'. The hints were everywhere this week - I especially liked his line about getting "hot for teacher!" Looks like those sexy hallucinations from last season may turn into something real after all. What do you make of the setup?
House started to wonder if he was going crazy (again), because he heard voices coming from Wilson's house. While I don't exactly wish insanity upon House, I thought the is-he-or-isn't-he question was fun to watch play out - except for the part where he has to admit to Cuddy that he may not be ready to be a doctor again. He looked so sad and defeated. This begs the question, do you think House really is 100 percent healed?
Chase has to stop being such a jerk to Cameron. No wonder she's leaving him soon.
Foreman really stood up to House in the episode by telling him that he couldn't perform the autopsy "without a medical license." Ouch. Still, I think it may actually earn House's respect in the long run, and I'm curious to see if their dynamic starts changing.
The final scene where House listens for Wilson's voice and then calls out to him from bed was so great. We really got to see House's soft side. Mainly, I just hope that the writers introduce someone for Wilson, don't you? He's so distraught over his girlfriend's death, and I want to see him happy.

Think you can shed light on any of these thoughts? What do you make of the whole Cuddy-House romance? Let me know in the comments, and to gossip more about the show, check out the House! group in Community.

Photos courtesy of Fox

New York, I Love You: A Jigsaw Puzzle That Doesn't Quite Fit

BuzzSugar — Fri, 16 Oct 2009 07:30:00 -0700

As a city with so much personality and penchant for possibility, it's no surprise that the follow-up to Paris, Je t'aime heads to New York. New York, I Love You is a tale of the connections and personal missteps that occur every single day in the city that never sleeps. It plays out like a movie version of a song mash-up: some story lines are linear and independent of the rest while other characters wander in and out of each other's lives. Throw an all-star cast in there, and you could possibly have a recipe for perfection.

Unfortunately, the ingredients don't blend together as well as I had hoped, and instead we're left with an engaging but bland look at a handful of trials and tribulations in relationships. To see what I mean, just read more.

Made up of a series of short films, New York, I Love You is an homage to the city as well as the residents who hold it near and dear to their hearts. The "anything can happen" theme is alive and well, as strangers become acquaintances and friends, putting so much emphasis on each and every interaction that we take part in on a regular basis.

You meet a few characters that represent New York well enough; Bradley Cooper is the guy who's constantly jumping into a cab the same time as someone else, Orlando Bloom is the struggling musician who turns to Central Park for inspiration, Hayden Christensen is the pick-pocket who's as sexy as he is dangerous. But sometimes it feels just a little too forced; like the film is primarily concerned with proving that New York is a melting pot. Rather than seeing a few love stories shine through stereotypes, I was more distracted by the fake accents.

As with Paris Je t'aime, some of the stories shine brighter than others. Natalie Portman directs a sweet piece about a relationship between a father and daughter; Olivia Thirlby and Anton Yelchin are refreshing as a younger pair who makes the prom a night to remember. The lighter films are breaths of fresh air amongst others that are trying too hard to be hip and stylized.

The ensemble cast certainly gives the movie a boost; even when it's not provoking the deepest of emotions, the film always had my attention. There are solid performances all-around, particularly from Chloris Leachman and Eli Wallach as an aging couple who are still bickering when they aren't helping each other cross the street. It is the most hopeful of the scenarios, and by far the sweetest and most touching.

The film provides plenty of the standard money shots of Manhattan: a typical day in Grand Central Station in fast forward, subway rides, hours of people watching in a coffee shop. The encounters feel authentic and realistic, but the failure lies in the inability to make us feel something on a deeper level. Sometimes you can relate to the characters, and sometimes you feel sorry for them, but it doesn't squeeze your heart nearly enough - and with a title like New York, I Love You, this a disappointment.

Where the Wild Things Are: A Passionate Ode to Childhood

BuzzSugar — Fri, 16 Oct 2009 04:30:00 -0700

There's been a bit of a controversy over how to market Spike Jonze's adaptation of Maurice Sendak's classic children's book, Where The Wild Things Are. Is it for kids? Adults? Adult hipsters?

The answer is anyone who wants to feel what it's like to be a child, and not in the fun-loving, no-responsibilities way. As adults, we tend to forget the insecurity and fears we had as kids, which the film's young character Max is in the throes of. There's just enough exposition before the fantasy begins: Max has a single mom (Catherine Keener) and an older sister who has recently outgrown him. His first few acts at home show his innocence and the savage emotions under the surface. He knows it as being "wild."

Where the Wild Things Are isn't a heavy-handed allegory, or an edgy children's movie; it's a loyal tribute to the way kids think and feel. To see what else I thought of the film, just read more.

Max reaches the world of the wild things after throwing a particularly heinous fit, prompting his mother to yell, "You're out of control!" After running away, Max finds himself on a boat that finally brings him to a strange land. This is where the wild things are. The creatures Jonze has created are aesthetic wonders: creepy, hostile, and huggable at once. These aren't Jim Henson's Muppets, but real characters, led by Carol (voiced by James Gandolfini). The rest of the group is comprised of Lauren Ambrose as aloof KW, Catherine O'Hara as prickly Judith, Paul Dano as timid Alexander, Chris Cooper as Douglas, and Forest Whitaker as Ira.

Each creature has a fully realized personality, with flaws and varying temperaments; their faces are so emotive and their dialogue so human that their scenes with Max are as real as those with his mother. This group is not easily classified as friend or foe - they're dysfunctional in their relationships and don't always treat each other well. One of the most successful elements of the movie is the dialogue of the wild things, which is rooted in Max's head.

In many ways, screenwriter Dave Eggers's job was tougher than Spike Jonze's, because it's imperative to remember the way children think. Max's interactions with Carol and his new clan are made up of the kind of things a kid would hear from his parents and peers and then internalize. In fact, in the wild world, Max declares himself king to bring order, and he summons up speeches from the authority figures that he's pulling away from in his real life. Naturally, he's too young to recognize how his subverted position is significant.

Max's relationship with Carol is most telling. As the de facto leader of the group who can't handle sadness, loneliness, or jealousy, he acts out as a mirror of Max while still being his own character. The richness of Carol and the creature cast stays with you; when Max has to say goodbye to his friends, your heart breaks.

Jonze impressed me with his non-conformity; in another movie, Max would have demonstrated the grand lessons he learned from his time on the island, but in this one, he doesn't have to learn anything. He just gets to feel and experience and appreciate his emotionally fragmented new friends. It's devastating as a viewer, especially if you can put yourself back in that childlike place when your feelings were so raw and simple.

Photos courtesy of Warner Bros.

Sienna Has Some Audience Issues, John Mayer Parties and Does Stand-Up, and Megan Fox in Her Underwear

Molly — Wed, 14 Oct 2009 14:47:49 -0700

Sienna Miller has a few awkward audience interactions on Broadway while John Mayer shows off his stand-up skills in his new music video. We've got our exclusive message from a Glee guy and a sneak peek at tonight's new episode. Plus, Christian Louboutin has some words for Barbie and Megan Fox heads to Armani underwear. Watch PopSugar Rush now!

Mad Men: This Week's 5 Maddest Moments

BuzzSugar — Mon, 05 Oct 2009 08:30:23 -0700

It's Summer in the '60s in this week's Mad Men, and the latest episode, "Souvenir" is all about getting out of dodge or being left behind, and how it affects relationships.

Pete, Don and Betty are the focus of this week, though for once, Don isn't the one getting into trouble. Lots of mad moments from this episode, so to see what I thought (spoilers ahead!), just read more.

The kiss: Betty lets Henry kiss her after the reservoir victory at city hall. For all her previous flirtatiousness, she acts reluctant as Henry butts his head into the car aggressively - not that she doesn't kiss back or anything. Later, she tells Sally how special first kisses are and that you can never have the first one with someone again. This wistful speech sounds like it's coming from a blushing 15-year-old, and you know she's thinking of her own encounter. "I'm done with that," she says to Francine about the reservoir, but she means Henry, and I believe her - not because her guilty conscience will stop it, but because of Betty's immaturity. She got chased by a boy she liked, kissed him, now she's over it.
Roman holiday: How glam were Don and Betty arriving in Rome? The '60s Italian movie star getup on Betty is a bit jarring, but I was into their sexy "strangers in Rome" game. As much as these two hurt each other in their marriage, I still find myself rooting for them, and when things are going great, their Ken and Barbie perfection is impossibly romantic. But when they come home and back to their real lives and real problems, it's heartbreaking to see Betty's bitterness.
The affair of the party dress: Pete, Pete, Pete. The German au pair next door first brings out Pete's decent side, when he kindly offers to help the distraught girl with a stained dress. That is, until booze, loneliness, and general Pete Campbell-ness propel him into dirtbag territory. How far do things go? We can guess, but either way, it's horrible and a new low for Pete. Ugh, and how smarmy is the neighbor from next door when he comes over to confront Pete? It's totally OK to sexually assault nannies, bro, just not my nanny! Great advice.
Willful wifely ignorance: I didn't completely hate Pete toward the end, because his sullen face when Trudy comes home actually showed shame, which is more than you can say for Mr. Donald Draper. Trudy seems to know exactly what went on in her absence, but stalking off and then accepting Pete's proposal that she not leave town without him again are all she needs to move past her husband's infidelity. Some things in this show are pretty hard to watch as a woman, and the relationship behavior is one of them. It's a bummer: the women are doormats because they were expected to be.
Joanie & Petie: I was thrilled when Joan shows up at the department store to help Pete, looking all gorgeous and chic. Her interaction with Pete is a little more relaxed than it was at the agency, but the whole thing is still a little awkward. She's got to come back to Sterling Cooper, and I hope we don't have to wait too long; she's one of my favorite characters.

There was a lot of action for a show that's not usually known for it, and I love when we get to see the 1960s in another setting; in this case, Italy. What did you think? Do you really think Betty is done with Henry? What's your opinion of Pete now? And to talk more about the show, check out the Mad Men Group in the BuzzSugar community!

Photo courtesy of AMC