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Lindsay Lohan, Eddie Murphy Sweep Razzies

BuzzSugar — Sat, 23 Feb 2008 16:37:30 -0800

Between Saturday's Independent Spirit Awards and Sunday's Oscars, it's a weekend for recognizing great films. But we can't be getting too lovey-dovey about the year's movies, can we? That's where the Razzies come in. The 28th annual Golden Raspberry Awards also announced their "winners" this weekend, taking a few folks down a peg.

The biggest smack-downs went to Lindsay Lohan and I Know Who Killed Me, which won a total of eight awards. Eddie Murphy and Norbit weren't immune, either, getting three of the $4.89 gold spray-painted trophies. With such dominance from those two movies, the only other film to sneak in was Daddy Day Camp, which got the nod for Worst Prequel or Sequel.

To see the full list of dubious honorees, just read more.

WORST PICTURE
I Know Who Killed Me

WORST ACTOR
Eddie Murphy (Norbit)

WORST ACTRESS
(tie)
Lindsay Lohan as Aubrey (I Know Who Killed Me)
Lindsay Lohan as Dakota (I Know Who Killed Me)

WORST SUPPORTING ACTOR
Eddie Murphy as Mr. Wong (Norbit)

WORST SUPPORTING ACTRESS
Eddie Murphy as Rasputia (Norbit)

WORST SCREEN COUPLE
Lindsay Lohan & Lindsay Lohan (I Know Who Killed Me)

WORST PREQUEL OR SEQUEL
Daddy Day Camp

WORST REMAKE OR RIPOFF
I Know Who Killed Me

WORST DIRECTOR
Chris Siverston (I Know Who Killed Me)

WORST SCREENPLAY
I Know Who Killed Me (Jeffrey Hammond)

WORST EXCUSE FOR A HORROR MOVIE
I Know Who Killed Me

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Razzie Nominations: Lohan, Norbit Among the Worst Offenders

BuzzSugar — Mon, 21 Jan 2008 10:30:40 -0800

A day before Hollywood recognizes its finest with Oscar nominations, the 28th annual Golden Raspberry Awards stepped up to call out the film world's worst. Lindsay Lohan's I Know Who Killed Me led all movies with nine nominations, but Eddie Murphy did LL one better, singlehandedly garnering five nominations (in four different categories!) for his multiple Norbit characters. That's a new Razzie record for one person, a dubious honor if ever there was one.

Coming in alongside those two films for the Worst Picture nomination: Bratz, I Now Pronounce You Chuck and Larry, and Daddy Day Camp. The Razzies themselves - classy $4.98 spraypainted statuettes - will be presented Feb. 23 in Santa Monica; I'm guessing a writers' guild picket line won't be an issue. For the complete list of nominees, just read more.

WORST PICTURE
Bratz
Daddy Day Camp
I Know Who Killed Me
I Now Pronounce You Chuck & Larry
Norbit

WORST ACTOR
Nicolas Cage (Ghost Rider, National Treasure: Book of Secrets, Next)
Jim Carrey (The Number 23)
Cuba Gooding, Jr. (Daddy Day Camp, Norbit)
Eddie Murphy (Norbit)
Adam Sandler (I Now Pronounce You Chuck and Larry)

WORST ACTRESS
Jessica Alba (Awake, Fantastic Four: Rise of the Silver Surfer, Good Luck Chuck)
Logan Browning, Janel Parrish, Nathalia Ramos & Skyler Shaye (Bratz)
Elisha Cuthbert (Captivity)
Diane Keaton (Because I Said So)
Lindsay Lohan as Aubrey (I Know Who Killed Me)
Lindsay Lohan as Dakota (I Know Who Killed Me)

WORST SUPPORTING ACTOR
Orlando Bloom (Pirates of the Caribbean: At World's End)
Kevin James (I Now Pronounce You Chuck and Larry)
Eddie Murphy as Mr. Wong (Norbit)
Rob Schneider (I Now Pronounce You Chuck and Larry)
Jon Voight (Bratz, National Treasure 2: Book of Secrets, September Dawn, Transformers)

WORST SUPPORTING ACTRESS
Jessica Biel (I Now Pronounce You Chuck and Larry, Next)
Carmen Electra (Epic Movie)
Eddie Murphy as Rasputia (Norbit)
Julia Ormond (I Know Who Killed Me)
Nicolette Sheridan (Code Name: The Cleaner)

WORST SCREEN COUPLE
Jessica Alba and either Hayden Christensen (Awake), Dane Cook (Good Luck Chuck, or Ioan Gruffuldd (Fantastic Four: Rise of the Silver Surfer)
Any Combination of Two Totally Air-Headed Characters (Bratz)
Lindsay Lohan & Lindsay Lohan (I Know Who Killed Me)
Eddie Murphy as Norbit and either Eddie Murphy as Mr. Wong or Eddie Murphy as Rasputia (Norbit)
Adam Sandler and either Kevin James or Jessica Biel, I Now Pronounce You Chuck and Larry)

WORST PREQUEL OR SEQUEL
Alien vs. Predator: Requiem
Daddy Day Camp
Evan Almighty
Hannibal Rising
Hostel: Part II

WORST REMAKE OR RIPOFF
Are We Done Yet?
Bratz
Epic Movie
I Know Who Killed Me
Who's Your Caddy

WORST DIRECTOR
Dennis Dugan (I Now Pronounce You Chuck and Larry)
Roland Joffe (Captivity)
Brian Robbins (Norbit)
Fred Savage (Daddy Day Camp)
Chris Siverston (I Know Who Killed Me)

WORST SCREENPLAY
Daddy Day Camp (Geoff Rodkey, David J. Stem, David N. Weiss)
Epic Movie (Jason Friedberg, Aaron Seltzer)
I Know Who Killed Me (Jeffrey Hammond)
I Now Pronounce You Chuck & Larry (Barry Fanaro, Alexander Payne, Jim Taylor)
Norbit (Eddie Murphy, Charles Murphy, Jay Sherick, David Ronn)

WORST EXCUSE FOR A HORROR MOVIE
Aliens vs. Predator: Requiem
Captivity
Hannibal Rising
Hostel: Part II
I Know Who Killed Me

Source

Movie Preview: I Know Who Killed Me

BuzzSugar — Wed, 11 Jul 2007 00:02:35 -0700

The title of this should be I Know Lindsay Lohan Is in This Movie because it seems that's mostly what people know about it - especially after the clip from the movie that features Lindsay Lohan as a stripper. I Know Who Killed Me is some kind of twisted psychological thriller in which Lohan plays a young woman who is kidnapped and brutalized and then returns home with an alternate personality.

The trailer, which includes several more Stripper Lindsay moments, doesn't exactly have me at the edge of my seat, though the creepy little videos on the movie's official website make me pretty uneasy. The movie opens July 27. To see the trailer, read more

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Mad Men, "Shut the Door. Have a Seat": This Week's 5 Maddest Moments

BuzzSugar — Mon, 09 Nov 2009 05:30:53 -0800

Wow. The biggest surprise of the third season finale of Mad Men isn't actually a plot point, but how light and almost exciting it manages to be. For a show that's normally so tense and tightly wound, this week's episode has a quick pace, and at times, a sense of humor. Of course, there is still disappointment and heartache; some of our predictions for the finale come true, but some go sadly unfulfilled.

Without further ado, let's talk about the door that closes and the one that opens this week, and as usual, the finale's five maddest moments, when you read more.

So long, Connie: It's eccentric hotelier Conrad Hilton that breaks the news to Don that rival agency McCann is buying PPL, and Sterling Cooper along with it. Don's plenty irate, as it's Hilton's fault that he was signed into a three-year contract and is thus, trapped. However, Don's bitterness quickly turns to ambition, when he rallies Burt, then Roger, to buy back Sterling Cooper from PPL. Pryce is unhelpful in even supplying the purchase price for the men, quashing the buyback plans, but then another scheme is launched: Pryce fires Don, Roger, and Burt so they can form a new agency.
Draper Dissolution: While an exciting change is happening for Don in his career, back at home a bleak change is coming. Betty informs Don that she's seen a divorce lawyer and advises him to do the same. It's painful watching these two spar, and I wanted so much for them to figure out how to fix it - but the ball is clearly in Don's court and he does nothing to sway Betty to call off the divorce. Sure, he tells her to, and even suggests that she might need psychiatric help. Oh, and he tells her that he gave her everything she wanted materially, insinuating that should be enough. Don may know what his clients want, but in his marriage, he has no idea what Betty wants.
Irreconcilable differences: Don sheepishly tolerates the divorce talk until he's having drinks with Roger, who spills the beans about Betty taking up with Henry Francis (I do have to say, it is rather nice to see these two getting along, acting like buds). This sends a drunken Don home to wake up Betty for a confrontation about her indiscretion, and things get nasty and uncomfortably physical. Again, Don manages to push Betty into even more resolve, and she tells him that she's going to Reno to initiate the divorce. Don and Betty devastate the kids with the news of their separation, and Betty makes good on her threat to go to Reno after Don softens a tiny bit - to tell her that he won't fight her.
Don, at your service: One of my favorite parts of this episode? Seeing Don put through the paces by Pete and Peggy. He's always treated them like underlings, and they finally have the opportunity to assert themselves. Don obliges them both and tells them how valuable they are, but not before Peggy pushes back. Her backbone straightens when she's first told of the new company and assures Don that she's had "other offers." Luckily, Don doesn't take no for an answer, and visits Peggy at home, telling her he'd spend the rest of his life trying to hire her if she turned him down now. It's so touching to see Don put aside his ego to acknowledge these others, and it makes me sad that he can't do something similar for Betty.
Sterling Cooper Draper Pryce: The gang's back together! It's thrilling good fun watching the new company assemble - Roger and Don get the agency's most prized employees one by one, plus my favorite: Joan! She's a necessity to help find all the files and materials in the office, and, they realize, a force that had been holding the company together. Her role in Sterling Cooper Draper Pryce (can you say "Michael Scott Paper Company"? I told you these two shows have a lot in common!) is a given. With everything coming together so perfectly, though, I wondered why Sal isn't also called in. I suppose we have next season to look forward to for that. Speaking of, next Summer can't come fast enough.

It's interesting that the finale also weaves in flashbacks of Don's early childhood, as this season's premiere did. What Don is remembering now, though, is how his father died. The elder Whitman was faced with losing his home, and after breaking free of the cooperative, readies a trip to the city to sell his crop. His spooked horse kicks him in the head, killing him, with the young Don as witness. It's an obvious parallel to Don's circumstances, who's losing his home, as in his marriage; and, losing his home, as in his life's work. Of course, he only manages to take control of one of those.

So what did you think? Did this season wrap up the way you wanted it to? And even though we won't see the Draper family or the worker bees of Sterling Cooper Draper Pryce until the fourth season returns, you can still join the Mad Men group in the community to chat about the show year-round.

Photo courtesy of AMC

The Vampire Diaries "Haunted": The Good, The Bad and The Bloody

BuzzSugar — Fri, 30 Oct 2009 07:30:00 -0700

Sorry for the hyperbole, but I'm pretty sure this week's episode of The Vampire Diaries, "Haunted," is the best one of the season so far. The Halloween setting is perfect for playing out Vicki's vampiric transition, Bonnie's exploration of her mysterious genealogical history, and the exposing of "The Council."

There's plenty to talk about, so let's chat about the good, the bad, and the bloody (spoilers aplenty ahead!) when you read more.

The Good

So much is good this week, but the episode belongs to Vicki, who's having issues turning into a vamp - which also provides us with more exposition on the mythology of The Vampire Diaries as well as Stefan's personal journey as a bloodsucker. However, Vicki isn't long for even the undead world, and her story ends both abruptly and shockingly (more on that later).
I love this show's balance of humor and intrigue, which Damon and The Council storyline provides this week. Damon overhears Tyler's parents, the Lockwoods, discussing the search they're on, just after he's noticed that Logan's murder hasn't shown up in the papers. I loved the tête-à-tête between Damon and Mrs. Lockwood at the restaurant; it doesn't take much booze to get the woman blabbing, and soon Damon knows that she's trying to procure vervain (which I finally googled; apparently it's a variant of verbena) and that she not only knows about the vampires in town, she's hunting them.
I want to know more about Bonnie, and her glamorous, witchy Grams. I still can't believe Whitley is playing someone's grandmother. Aside from having the scoop on the family and being a witch herself, she teaches Occult at the University. How cool is she? Oh, and Bonnie's great-great-great-great grandmother, Emily Bennett? We've seen her before.
I've said it a couple times recently, but I love a good Halloween episode. The costumes are priceless: Vicki goes as a vampire, Tyler's a character from 300, and Mrs. Lockwood channels Daisy Buchanan, someone Damon would certainly recognize.

The Bad

Not much bad to report this week, except for one gripe. Coffee as a vampire's secret to blending in with humans? Pretty silly. "It's the caffeine," Stefan says with a straight face. At least he didn't complain about Starbucks.

The Bloody

The Hunger rules Vicki's life as a vampire, and all she wants to do is feed . . . and see Jeremy and Matt. First she takes a love bite out of Jeremy's lip, and then, in a desperate fight, chomps right into Elena's exposed shoulder (so that's why she needed a sexy costume). Her attack on Elena pushes Stefan to stake her, killing her immediately. I literally gasped, then held my mouth open for a good five minutes as I watched this all play out. I'm still pretty stunned.

Lastly, are we witnessing Damon's evolution? His encounters with Elena this week take a major detour; she lashes out at him for being responsible for Vicki, Jeremy being in danger, and finally, Vicki's death, angering him until he tells her, "You need to leave." This would normally be a threat from Damon, but there's another dimension to it; is the man who insists he'd kill anyone, anytime, telling Elena to go because he wants her to be safe? Is he forming feelings for her? The climax of this really occurs in the final moments, when Elena begs Stefan to erase Jeremy's memory. Explaining that his human-free diet won't allow him to do it correctly, we hear a voice volunteer. "I can do it." It's almost seductive, and Elena lets him - though she doesn't say thank you, on principle, but I felt like she wanted to.

What do you think - were you surprised to see Vicki exit so soon? I was hoping to see more of her development as a vampire, but her death evoked so much more of an emotional reaction from the characters (and me) that I can't imagine it another way. And if you want to talk more about the show, join Hooked on Vampire Diaries in the Buzz Community!

Photos courtesy of The CW

FlashForward Breakdown, "Scary Monsters and Super Creeps"

BuzzSugar — Fri, 30 Oct 2009 11:30:52 -0700

FlashForward gets into the Halloween spirit this week, with a few tricks for the characters and treats for the audience. We get just a bit more info about Simon and see a few costumes as Olivia and Mark's relationship issues come to a head in a big way.

This week's episode is heavy on the revelations (just like Sonya Walger promised), so to get into it, just read more.

Simon says: Within the first few minutes of the episode, one thing is abundantly clear: Simon is not Charlie from Lost. Instead, he's a smooth-talking, self-proclaimed "quantum physicist genius", who actually gets a woman into bed using the line "I know what caused the FlashForward." The scary part is that he actually does - and in his own vision, he's murdering someone. Totally creepy.

Trick or treat: Mark takes Charlie out trick-or-treating, and has an unpleasant surprise waiting when he gets home. He's understandably uncomfortable having Lloyd in his house, and things hit the fan when Olivia gets home and all three realize what's going on at the exact same time. I was so happy when Mark finally tells Olivia the truth about his vision (was totally expecting him to lie again), but then Olivia insinuates that they should break up - which seems a bit random to me. They're finally making progress and now they're going to throw it all away?

Runaway rapper: Lloyd's son Dylan runs away from the hospital in his rapper costume), and heads to the Benford residence. It's baffling when Dylan runs past Nicole and makes himself comfortable, until we finally see the kid's flashforward: he and Charlie are hanging out in the kitchen, eating cookies and having a grand old time. (So much for my kidnapping theory). So here's where I'm confused: Charlie looks perfectly happy to be hanging out with Dylan in her vision, so where did she get the "D. Gibbons is a bad man" idea from?

Janis's body: Janis is admitted to the hospital after last week's shoot-out, and Olivia is her doctor, naturally. My heart jumped for a split second when Janis pretends that she doesn't recognize Olivia (would be an all-too-easy explanation of her vision). Thinking about her flash-forward gets Janis all stressed out, and she has to undergo another surgery - this time, part of her uterus is removed, making it "almost impossible" for her to get pregnant. Almost.

Other major plot points:

Simon brings up the Schrödinger's Cat theory, discussing that it's up to the cat to decide if it wants to live or die. Is this foreshadowing for the flash-forwards? Perhaps each character can decide for him- or herself whether or not to make it happen?

Demetri sets off in search of his attacker, follows a bunch of blue-hand signs to an abandoned warehouse. I'm starting to get a little bored of his storyline.

Lloyd and Simon reunite at the end of the episode, with Lloyd saying, "Our experiment killed 20 million people Simon, what more is there to say?" What's do you think the relationship is here? Brothers? Old buddies? Lab partners?

The kangaroo makes an appearance!

This episode was one of my favorites so far, but what did you guys think about all the new revelations? Tell me your theories in the comments below!

Photos courtesy of ABC, Inc.

Grey's Anatomy Rundown, "Invasion"

BuzzSugar — Fri, 16 Oct 2009 11:23:13 -0700

Seattle Grace has been invaded, and this time it's with new doctors in addition to fresh patients and injuries. It doesn't take very long for the surgeons to butt heads with the Mercy West newbies - in fact, Izzie is ready to throw down after one of the doctors takes George's locker in the locker room. Eventually, Izzie is the only one who warms up to the Mercy Westers, only to get burned first by a new friend and then by the chief.

Ready to talk about all of the drama with the new kids on the block? Just read more.

The docs are on the defensive from the minute they are "invaded" by Mercy West. New guy Jackson (aka hot guy from The Sisterhood of the Traveling Pants 2) immediately gets on Owen's good side by suggesting a new method of appointing patients. Throughout the episode, Jackson proves to be most likable of the new doctors, which makes Cristina hate him even more.
For the second week in a row, Cristina has beef with Owen because he doesn't play favorites. Her self-assurance continues to plummet, and by the end of the episode she has a breakdown in Meredith's hospital room about how much she misses heart surgeries. It was interesting that she mentions Burke after all these seasons of silence (though at this point it feels like he's been gone forever), and I loved that she jumps right into Mere's bed even though they are both in a "dark and twisty" place.
Callie's father returns, though it's not exactly the joyful reunion she's been hoping for. He brings a priest along for the trip, prompting Callie to protest that you can't "pray away the gay." Later they square off again, citing religious quotes, but ultimately he begins to accept his daughter for who she is. This is a major breakthrough for Callie's relationship with Arizona, as she's the one who gets through to Callie's dad, even admitting that she loves Callie. Aww.
Lexie tries to be welcoming to the new doc she's working with, though it doesn't take long for her to see that the newbie is one-upping her photographic memory. Prompted by the patient she's working with (who happens to be a thief), Lexie turns the tables and uses the newbie's diary to get the upper hand. In true Lexie fashion, she feels bad in the end and apologizes. Am I the only one who thinks the new doctor is kind of like Lexie 2.0? Their dynamic reminded me of when Lexie first started and tries really hard to make nice with Mere, but gets the cold shoulder in return. Maybe Lexie and Meredith are growing more alike as they get to know each other.
The most dramatic moments of the night are wrapped up in Izzie. Though wary at first, Izzie quickly bonds with and embraces her new friend Charles - until she overhears him referring to her as his "own surgical bitch." (Ouch). It obviously gets to her, and Izzie lets her emotions get in the way of her work, nearly killing a patient waiting for a transplant. It's clear that the other doctors aren't willing to give her a free pass because she's a cancer survivor; Bailey hands her a heavy reprimand and ultimately the Chief lets her go.
Alex continues to try to defend Izzie to the chief, though this week his pleas are starting to sound desperate. He gets so fiercely competitive with newbie Reid that a patient's family member is forced to step in. At the end of his stressful day, he gets the biggest bomb of all - Izzie breaks the news that she's leaving him a note. We all knew the firing was coming, but I didn't think her relationship with Alex would end so quickly. He has a rare emotional moment breaking the news to Mere and Cristina, and even they don't know how to comfort the usually cocky Karev. (Gotta love the moment of comic relief when Meredith is trying to prompt Cristina to give him a hug).

Now that Izzie's gone, what do you think will happen when she gets back? Is it really over for her and Karev? Did you like seeing the fresh meat at Seattle Grace or were you just as irritated as the doctors?

For more on everything Grey's, check out the Grey's Anatomy Junkies group in the BuzzSugar Community!

Law Abiding Citizen: Deserves a Death Sentence

BuzzSugar — Fri, 16 Oct 2009 14:30:13 -0700

Oh, Gerard Butler, what were you thinking? You might be able to forgive the 300 actor for starring in this horror flick disguised as a meaningful thriller, but he also served as producer to help finance the train wreck. Did he not even read the script?

Law Abiding Citizen opens with Butler as Clyde Shelton, a devoted father and husband who witnesses the murder of his family by two psychopaths after a break-in. When his lawyer, Nick Rice (Jamie Foxx), strikes a deal in the case that lets one of them free, Shelton begs Rice to reconsider. And that’s where Shelton's deadly resentment - and the slasher flick stuff- begins.

To hear more about what I mean, read more.

Ten years later, Shelton returns to seek vengeance against Rice and the entire Philadelphia legal system through a series of mass killings and car bombs. The man is understandably still distraught over his family’s deaths, but he’s clearly gone cuckoo.

This is when the movie becomes less of a drama and starts resembling the Saw franchise instead. While Shelton starts off as the good guy, he's later partaking in gruesome torture scenes that leave him completely in covered in blood like the prom scene in Carrie. To make matters worse, Shelton throws out bad jokes as he's wreaking havoc for a few cheap laughs. It negates any possibility for the audience to feel sympathy for Shelton, and the attempted shock value also completely ruins the movie's credibility.

The film wants to make us question the inner-workings of law - when dealing with a killer, is it better to leave things to the justice system or take matters into your own hands? Really though, it would’ve worked better as a cheesy horror movie. It has all of the requirements: splattered body parts, a giant chain saw, abandoned warehouses, goofy wigs and costumes, creepy music, the obligatory muffled voice on the end of the phone - and loads of plot holes. Like, why is Shelton rich enough to buy all of his assassin-style supplies and how does he know how to use them all? The film attempts to answer the question for us later in the film, but it feels tacked on and much too late.

In other words, if you do go see this film, don't try to think too much about it. Foxx and Butler do their best with what they're given, but the film is only good for a couple of thrills that make you jump in your seat. As for me, I just wanted to walk out.

P.S. Don't forget to check out the Movie Reviews community group if you want to weigh in about your own weekend film picks.

Desperate Housewives Rundown, "Never Judge a Lady by Her Lover"

BuzzSugar — Mon, 12 Oct 2009 10:30:08 -0700

Is it just me, or do the housewives seem even more desperate than usual this week? Susan takes some drastic measures to scare Danny away, which in turns sets Angie off with a few crazy antics of her own. Meanwhile, Bree's jealousy sends an innocent woman to the hospital and Lynette makes Tom look like a fool to cover up her pregnancy at a company dinner.

Jesse Metcalfe also makes his (triumphant?) return and Katherine is pretty much nowhere to be found. Ready to hash it all out? Just read more.

Gaby - Just when you thought it was safe to go back to Wisteria Lane, Jesse Metcalfe is back. Again. Both Gaby and Carlos are taken by surprise to see John at one of their restaurants of choice, especially when they learn that he's the owner. Naturally John is immediately making eyes at both Gaby and Ana, and I think we all know where this one is heading. Gaby later convinces Carlos that she doesn't have feelings for her former gardener anymore, but then she gets all nostalgic looking at photos of him. (I love that they had time to head to a photo booth during their affair - isn't the mall a little high profile for that?) One thing that really bothers me about Gaby this week is that suddenly she's all frumpy again, when she's been pretty much flawless since she and Carlos were back to being rich.

Susan - We don't get any updates on Julie's progress this week, but it's clear that her condition is taking a serious toll on Susan. Susan wastes no time spreading the word about Danny to all her neighbors, even when Mike gently reminds her that Danny hasn't been convicted yet. This leads Susan to start her own investigation for proof - which seems like a perfect opportunity for one of Susan's klutzy, over-the-top schemes, but instead takes a very dark turn when she basically tries to kill Danny herself by squishing him under a car. I give Susan a free pass for her antics this week since in the end she reaches out to Angie and starts to make amends when Danny's alibi comes through.

Angie - Angie's mama bear side really comes to the light this week. She's pretty scary trying to scare off prank calls, and even more threatening when she comes at Susan wielding a baseball bat. There are a few allusions to the Bolens' previous life (like that they change their name constantly and had to raise Danny "on the run"), but in the end Angie seems more like a protective mom with a secret than an evil person. Her husband on the other hand. . .

Bree - Despite her requests for pain au chocolat in lieu of a burrito, Bree begins to realize just how much she actually likes slummin' it with Carl. When she tells him that she's not looking for anything serious, Carl totally plays her by bringing a date to a function Bree is attending with Orson. In a matter of minutes Bree's all green-eyed about the idea of Carl taking someone else to their beloved motor lodge, and eliminates the other woman - literally. Meanwhile, Orson thinks he's making major strides and that Bree was jealous of the other woman for dancing with Orson. Though Katherine isn't around this week, I still think the whole thing will be smoothed over once she and Orson get together.

Lynette - The Scavos get to be the comic relief this week, which is refreshing after all the doom and gloom that was previously surrounding Lynette's pregnancy. The reactions she gets from her kids are priceless, particularly Porter's little speech about how she and Tom were irresponsible about birth control and are "destroying their futures." (I kinda agree about the birth control thing - may I suggest something permanent, like a vasectomy?). Right on cue, Lynette's career path is tested when Carlos admits he wants to give her a promotion after passing on another co-worker who is pregnant. Tom helps cover for her, but we all know she won't be able to hide twins for very long.

So what did you think of the episode? Are you happy to see Jesse Metcalfe again? How long until Gaby and Ana are vying for his attention?

Want more of the latest on Desperate Housewives? Check out the Entertainment Group in the Buzz community!

Zombieland: The Feel-Good Zombie Flick of the Year

TresSugar — Fri, 02 Oct 2009 11:30:23 -0700

A Note From Buzz: With so many new movies this week, my friend Très was nice enough to apply her scary-movie expertise to review the box office's newest zombie flick.

In the United States of Zombieland, zombies outnumber people. A mad-cow tainted burger tipped the population in favor of the drooling, limping, and grunting set, and now zombies roam a crashed-car littered, empty-minimall-blighted zombiescape.

Columbus (Adventureland's Jesse Eisenberg), the virginal antihero of horror-comedy Zombieland, has learned to survive this zombie apocalypse by keeping a list of necessary survival skills. Rule #1? Cardio. If you don't want zombies gnawing on you like an hors d'oeuvre, you'd better be fast and limber. In addition, beware of bathrooms, practice the "double tap" (make sure your zombie's actually dead after you kill him), and don't be a hero. (Regarding this last rule - some rules were made to be broken.)

When Columbus meets up with Tallahassee (Woody Harrelson), a swaggering cowboy type with a penchant for tank-like cars, shotguns, and Twinkies, and the spitfire sister duo of Wichita (Emma Stone) and Arkansas (Little Miss Sunshine's Abigail Breslin), Zombieland takes off like a scary/fun amusement park ride. To find out what happens on this motley crew's wild road trip from hell, read more

There's something funny about zombies and the zombie genre, and in his first feature film, director Ruben Fleischer plays their comic possibilities to the hilt. Zombies don't have what you'd call well-rounded personalities; they're pretty predictable. They have bad attitudes, come out of nowhere, grunt, and see all nonzombies as food to feast on. They're the perfect foil (or straight men, even) to a cast of characters with more than enough personality to make up for the zombies' boorish one dimensionality.

Take nebbishy Columbus. The world changed for him, he tells us in an early voice-over, when a pretty neighbor he calls #406, asks to stay over because a crazed homeless man tries to bite her. Sadly, although she falls asleep on Columbus's shoulder, she wakes up as a rabid zombie and begins chasing him around his apartment, forcing him to repeatedly knock her over the head with a toilet lid. "The first time I let a girl in my life," deadpans Columbus, "and she tries to eat me."

This kind of witty dialogue abounds in Zombieland, and although fans of gore and violence against zombies will be more than satisfied (Tallahassee's scenes of zombie-killing, especially, have a Tarantinoesque choreography to them), it's really the mismatched goofball characters and how they bond and evolve, surprisingly, that hold the film together. A hilarious cameo from Bill Murray in the Beverly Hills sequence of Zombieland, also, is practically worth the price of admission.

Harrelson chews the scenery as Tallahassee, but as we find out, part of the reason he's hell-bent on killing zombies is because they took away his baby boy. As for the sisters, tough-girl Wichita just wants to take care of her little sister Arkansas (who, as a good shot, doesn't seem to need much help), but a beautiful girl has needs, too, and before long she develops feelings for Columbus. Will he or won't he finally be able to live out his nerd-boy fantasy of brushing the hair over a girl's ear?

You probably know the answer to that question, but just because Zombieland adheres to certain formulas doesn't mean that it doesn't revive them in witty ways. Although the zombie-killing gore fest may not be for everyone, Zombieland's amazing visuals, charming characters, and witty dialogue may leave a goofy grin on your face as you leave the theater.

Photos courtesy of Sony Pictures