BuzzSugar

Which Show Would You Stop?

BuzzSugar — Mon, 09 Apr 2007 23:30:57 -0700

Read my breakdown and then tell me: Which one show would you most like to kick off the air?

Law & Order

5%(88)

War at Home

15%(247)

My Name is Earl

6%(96)

American Dad

8%(137)

Ghost Whisperer

12%(199)

CSI: Miami

16%(266)

George Lopez

12%(201)

Medium

6%(92)

Prison Break

8%(128)

12%(190)

Total votes: 1,644

Talking New Moon With Kellan Lutz and Ashley Greene

BuzzSugar — Mon, 16 Nov 2009 09:15:50 -0800

Robert Pattinson, Kristen Stewart, and Taylor Lautner may be dominating the promotional circuit right now, but they're not the only cast members with something to say about New Moon. I had the opportunity to chat with costars Kellan Lutz and Ashley Greene, aka Emmett and Alice Cullen, during their recent stopover in SF. They chatted about their characters, the vampire craze, and what it's like to be a "Twilight celebrity." Here are highlights:

On why so many people are crazy for the Twilight Saga:
Ashley: I think this film in particular is highly relatable. There are a lot of situations that people can relate to. The love story - everyone can relate to being in love or being in lust. You add the vampire, and it adds that next level fantasy. Vampires are mysterious and sensual and dangerous and unattainable. And everyone wants what they can't have. I think on another level that this came together at the perfect time. All the elements just fit, the casting was spot on, and we're in a difficult time right now with our economy. That's why you never have a drop in ticket sales because everyone wants an escape, and this movie is very much an escape from reality.
Kellan: It's a good escape but also it deals with so many situations, on so many positive notes. Just looking at it from the vampire coven to the wolf pack. It just deals with everyday issues just on bigger levels, in a way. And you have Bella as the keystone in many situations. You can just all relate from different countries to issues within the United States. It's easily relatable.

To read a lot more about working with three different directors and why they feel so lucky, just read more.

On how their portrayals of the Cullens are similar or different from the books:
Kellan: We got the jobs because we brought something new to it. You can interpret the characters each their own, but I think it's what we did alongside. Just like Kristen said - she's playing Bella but she's putting her Kristen spin on it, just like all of us are. And I think that's what's making it unique. We're still following the cheat sheets that Stephenie created by making the books, and there's Wikipedia. We have a lot of information to go off of. But I hope it's what I did in my audition that set it apart from the other guys trying out.

Ashley: I think it's mannerisms too. People do fall in love with this book, but I think part of it is that they always want more. You can't write out every human mannerism. You can imagine it, but seeing the emotion in someone's eyes and seeing them be affected it - it was kind of easy to give something to it, because we were just being people. We kinda just got lucky.
On how much more of the Cullens we can expect in the remaining movies:
Kellan: Realistically, we stick pretty close to the books. Obviously us Cullens would love to be in the books a lot more, which would mean we'd be in the movies a lot more. Talking New Moon, the scenes that the Cullens - except for Ashley, playing Alice who gets to go to Italy and be a main lead in the movie - us Cullens, we have to stick really close to the books, and the scenes that we're in are really crucial to the story, as you know - the birthday scene, the voting scene. I don't know, it was kind of a tease. Chris Weitz is such an amazing director, and for us, for myself - I only worked about a week on that movie. And it didn't even seem like I really got a taste for what it was.

Ashley: In the third film, you'll see a lot more of the Cullens because it's all of us collaborating and then getting ready to fight this war that's coming up. In the second one, my character got a much larger role because Alice is the Cullen, other than Edward, that really embraces Bella and they end up becoming best friends. In the beginning, you see her throw this huge party for Bella, and then Alice is the one who does, in fact, come back for Bella when everyone else decides to skip town. Alice is responsible for dragging Bella over to Italy, and she and I the whole time are fighting to save my brother's life. And then of course we get held up by the Volturi and stuff like that. My character got to grow a lot, which is really cool. You get to actually see the relationship develop between Bella and Alice, where in the first one you didn't. The first one was very much about the romance and showing the audience why these two people are willing to die for each other.
On working with a different director on each film:
Ashley: Each director is going to be very different. They're artists as well, and I don't think any of them are quite the same. The books, when you read them, all have very, very, different tones. So I think it's highly appropriate that we switch directors each go. The first one is very much a romance and is a very scenic, beautiful film. And Catherine's really, really great at capturing that. She's very high energy and works well in chaos and stuff like that. And it was fantastic because we didn't quite know what we were getting ourselves into, and so it was nice to have her to guide us when we were freaking out a little bit. She was just so high energy, and it was really contagious. We were sad to lose her and move on to the second film, but then we got Chris Weitz and he's the complete opposite! But great as well. He's so giving and caring and collaborative and created this atmosphere that was kind of a safe haven for us. And it was really nice because we didn't know, switching directors, if they were gonna embrace us or if they had a completely different vision than what we created in the first one. It was nice that he was right there on the same page with us. And the second one is a warmer film, even from the color scheme. The first one is very blue tones, and the second one is much richer and warmer and I think he did a great job at capturing that. And we just finished shooting with David Slade, and I think he's highly appropriate as well. He just finished shooting 30 Days of Night and Hard Candy, and they're both very dark, edgy films. And Eclipse is very much that. It's all centered around the anticipation and us getting ready to fight this huge war. We just finished filming, we haven't gotten to see much of it, but I think it's gonna be fantastic. He is, technically, the most advanced director. The angles that he shot and how he knows that tweaking something can affect a whole scene and the lenses. He was really nice to work with.
On coping with the fan effect and being a "Twilight celebrity"
Kellan: That's what blows my mind, 'cause I feel like it's really unearned in a way. The fans are making our careers. Without them, we wouldn't be working and doing the saga. There's so many times that trilogy books become a movie and the first one bombs, and then that's it. And you're always hopeful that you get to do them all. Especially since we're all in love with our characters. I love Emmett Cullen to death, he's my favorite character I've ever played. It's just so cool to have made it this far, and I think we all hope that we get to finish this series and do Breaking Dawn. This is such a blessing, it's every actor's dream to be part of something like this. It's not terribly hard either. We don't shoot halfway around the world; we don't shoot for a year of our lives. I know a lot of us have homes, we have pets, we have family. And it's really nice to shoot on the West Coast, either Portland or Vancouver, and have the chance to fly down if we need to. But it's definitely amazing to be part of something like this. And I don't think any of us knew how crazy it would be and how exhilarating it would turn out to be. Going to the premiere, really just, wow. I don't even remember it because I was really just starstruck by how many fans and signs and cameras. It felt like I was just walking through a strobe light room. It's amazing.

Ashley: I still think we can't really wrap our heads around what's going on and what's happening. We're still in the midst of filming and kept very busy from one film until the next. It's only these brief moments where you sit back and are actually able to take a breath where you go "Whoa. Wow. This is crazy." I mean, the amount of tickets they've already sold for New Moon - I'm pretty sure I can't even get a ticket if I tried to see my film in Jacksonville and it's mind boggling. We're just very lucky. I went into this film thinking "Oh my gosh, I got a job" and the it turned into the biggest break of my life. I think we all feel very blessed to be a part of this.
On how it feels to be part of Twilight fan fiction:
Kellan: It's an escape, in a way. We do live in a trivial time period right now. There's so much depression that it's kinda cool to be a part of something where people use it to be an escape. In a way that's kinda what Stephenie did -she had a dream and just elaborated on it. It became a huge success and it's really encouraging that people are doing the same and just making up this journey.

Ashley: That's why people love it so much I think. You can take it and make what you want of it. Before the demographic was teenage girls, but now it's women of every age and guys are starting to get into it, too. It's because there is that element of fantasy. If you're 8 years old you look at it one way; if you're 80 years old you look at it another. I think it's fantastic that we can draw such a huge crowd. The other thing is - it blows my mind but people are making connections over this film and over this book. there are mothers and daughters and grandmas who can all sit and talk about the same story and all fantasize about it and I think that's a really cool thing. I think it's rare.

To see all of our Twilight and New Moon coverage, check out TwilightSugar!

FlashForward Breakdown, "Playing Cards With Coyote"

BuzzSugar — Fri, 13 Nov 2009 12:30:30 -0800

After Al's tragic suicide on last week's episode of FlashForward, this week shows how the idea of "changing the game" has affected all the characters. Mark and Olivia start to find new hope for their relationship, Lloyd teaches Simon a lesson, and Aaron learns more about where his daughter has been for the past two years.

Ready to get into all the details? Just read more.

"The future can be changed": Al's death makes headline news when Celia gets her letter in the mail, instilling hope in Mark and Demetri - for a bit. Mark whisks Olivia off on a romantic getaway and things seem to be much happier between the two. But once they're back to regular life, they both get a reality check: Mark gifts her the lingerie she's wearing in her flash forward, and Aaron's reunion with Tracy makes Mark go back to believing that the visions may be set in stone.

The stars are aligned: Mark thinks he has a big lead when some footage shows up of a man he recognizes from his vision - a woman named Ingrid reports a crime and her phone images reveal a man with a tattoo of three stars on his arm. Thinking it's the same pern who breaks into his office in the future, Mark immediately dedicates himself to finding the guy. Using Ingrid as bait, Mark manages to take kill him, and rushes home to Olivia to tell her that they're going to have a second chance because he changed the game. But then - surprise! There's a whole crew of dudes with that tattoo. Um, seriously Mark? This never occurred to you? It's not like the guy has an unmistakable tattoo of Edward Cullen on his arm.

That was a crazy game of poker: Feeling guilty about that whole deadly experiment thing, Lloyd sends out an email to a few colleagues saying "We have to take responsibility." Of course, Simon isn't pleased about Lloyd's plans to go public and wants to settle their argument over a game of Texas hold 'em. There's plenty of trash talking from Simon, who thinks that he and Lloyd are gods for the impact they've had on the planet. He tosses around ideas of fate (was anyone else thinking about Lost's Charlie and his fate finger tape?) and just when Simon thinks he's sitting pretty, Lloyd turns the tables with a sleight of hand. (Some U2 lyrics come to mind here). Somehow I still don't think Simon is going to make it easy for Lloyd to publicize what they've done.

Reunited and it feels so good? Tracy is back at home with Aaron, but she's not exactly the same girl that went off to war. She's lost her leg in combat and suffering from PTSD, which she's reluctant to discuss with her dad at first. Feeling confident from his flash forward, Aaron encourages Tracy to open up about what happened overseas. She finally reveals that her near-death experience was an ambush from Jericho, a group of military contractors that she ratted out after seeing something she shouldn't. Tracy is paranoid after living a life on the run for two years (and is not at all pleased when Aaron talks to Mark about her situation). Though keeping track of all the different characters and their separate story lines is getting confusing, I'm liking this new development in Aaron's story.

Other plot points:

Janice tries to quit but Stan won't let her. As she continues to contemplate Al's death and her vision, she starts looking into sperm donation - does this mean those are tears of joy in her flash forward?

Ingrid says that she remembers one of the shooters saying "QED," which is also brought up during Simon and Lloyd's poker game.

Ingrid and her bird collection can be added to the list that already includes the crows and the bird crashing into Fiona's window.

So, is that Simon strangling Nicole in her vision? Creepy. I'm wondering if she finds out his secret and tries to intervene.

How'd you feel about this week's episode? Any new theories on what's going to happen over the next few months? Let's get the conversation going!

Grey's Anatomy Rundown, "I Saw What I Saw"

BuzzSugar — Fri, 23 Oct 2009 11:30:57 -0700

Another one bites the dust. This week Grey's Anatomy took a break from the typical episode fodder, and instead we are treated to a whodunnit-style murder mystery when one of the doctors loses a patient in the midst of a crisis situation. We hear each doctor's story one by one, and when the cause of death is finally discovered someone is sent home. (Kind of like a combination of House and Survivor).

Ready for my rundown? Just read more.

The war between Mercy and Seattle Grace continues, as the doctors have trouble working together when a slew of injured patients come in fresh off a hotel fire. Amidst the chaos, a patient who appears to be ready to be discharged ends up dead - and the chief starts a witch hunt to find out who's to blame.
Both Lexie and newbie Charlie lose their cool this week. Charlie forgets to eat a cookie after giving blood and passes out in the ER, while Lexie can't keep her emotions in check. She gets all choked up when trying to treat a 16-year-old with severe burns all over his body - I don't blame her, but it did seem a bit random to me. Luckily she gets herself back together after a stern pep talk from Arizona.
Cristina manages to stay out of trouble for the most part, though she does make another kid cry - when she's not sneaking off to Meredith's room to complain about the newbies.
Alex is in his own world; thanks in part to Izzie's departure. When he finally gets her on the phone, he takes the phone call instead of focusing on his patient, setting off a panic among the other doctors, particularly Reid.
Though it seems like Reid is totally going to throw Alex under the bus, in the end she's the one who realizes where the doctors went wrong - and turns in her own friend and Mercy colleague.
In the end, it's April who takes the fall - but does she really deserve to get fired? All the doctors played a small role in the chaos in one way or another, so I think it's a bit unfair that she's fired. Derek even tells the Chief that it's his own fault and that the accidental death is a product of the merger.

So do you think April deserved to get fired? Will the doctors finally start getting along now? Are you missing all the McDreamy and McSteamy screen time? To keep the conversations going, check out the Grey's Anatomy Junkies Group in the Buzz Community!

The Vampire Diaries "You're Undead to Me": The Good, the Bad, and the Bloody

BuzzSugar — Fri, 09 Oct 2009 12:45:29 -0700

We're on the brink of big stuff on The Vampire Diaries, and it's definitely become a reason to stay home on Thursdays nights. Everything just got real - from Damon's nature to the Big Secret. I love dissecting the show almost as much as I love seeing a strapping young vampire in a black v-neck shirt, so let's talk about this week's good, bad, and bloody!

To see them (warning - spoilers ahead!) and chat, just read more.

The Good:

I'm really starting to care for people outside the threesome, particularly Bonnie. Her Carrie-like setting the car on fire is chilling (seriously, no one but Stefan saw that?) and her seeking out her grandma to find out what's going on with her has me really interested. Even if the casting of 47-year-old Jasmine Guy (Whitley from A Different World) is sort of unbelievable.
I'm also intrigued by this ragtag antivampire squad, which includes Caroline's mother, Tyler's mother, and Logan. Last week, they seemed to know exactly what's been haunting Mystic Falls, and I got the ominous feeling that these "regular" townsfolk may not be what they seem. I also want to know more about why they're assembling certain objects, like the necklace and pocket watch (Horcruxes?!)

The Bad:

The newsreel, you guys. The newsreel is so silly - while I balked at that footage being so easy to find and so clear, it's worse that the newsman exclaims "Is that the nephew?!" and have the camera swing to Stefan in the shadows.
My other big problem with this week's episode is the Uncle Zach situation. I can't remember them explaining if Uncle Zach was a vampire, but he really seems to be dead. I assumed he was also a vampire until this week, when he tells Damon that he could have had a real family. So what was he? Human? Vampire? And was the crow Zach's familiar, or a crow that Damon found and killed for sustenance? There are larger implications for the unanswered questions, so I hope they're tied up next week.
Can we also know exactly what the deal is with vervain? K thanks.

The Bloody:

I wasn't expecting Uncle Zach to meet his end so quickly, even if the show had made him pretty inconsequential.
Poor Vickie became another victim of Damon's - she can't have any blood left, right?
We also saw what happens when vampires go out in the sun without their protective jewelry on. Scab city!

It seems like we've reached a pretty big climax in the show: Damon has just asserted himself as a pretty evil villain, while Elena had that oh-so-important realization of every young vampire's love interest: The Epiphany. That scene is not too terribly dissimilar from Bella's (here's a reminder!) and Elena wants answers next week. Also next week? The Civil War-era flashback! I can't wait. What did you think of this week's Vampire Diaries?

Photo courtesy of The CW

Announcing the 2009 Emmy Winners!

BuzzSugar — Sun, 20 Sep 2009 23:32:15 -0700

Well, the Emmys are over, and we have our full list of winners. Were you guys surprised by this year's picks? (Check out all my Emmy polls here.) I thought the show started out pretty unexpectedly when underdogs Kristin Chenoweth and Toni Collete took home trophies, and there were a few other surprises along the way. Towards the end, though, the big wins seemed pretty predictable with Mad Men for drama, 30 Rock for comedy - no surprises there.

I had a lot of favorite moments of the night - more on those later - but mainly, I just enjoyed seeing Neil Patrick Harris as host. I loved everything from his opening to Dr. Horrible, and most of you thought his opening number was pretty great, too.

For the full list of 2009 Emmy winners, just read more.
COMEDY SERIES
30 Rock

DRAMA SERIES
Mad Men

MINISERIES
Little Dorrit

ACTOR IN A COMEDY
Alec Baldwin, 30 Rock

ACTOR IN A DRAMA
Bryan Cranston, Breaking Bad

ACTRESS IN A COMEDY
Toni Collette, United States of Tara

ACTRESS IN A DRAMA
Glenn Close, Damages

MADE FOR TELEVISION MOVIE
Grey Gardens

REALITY HOST
Jeff Probst, Survivor

REALITY COMPETITION PROGRAM
The Amazing Race

ACTOR IN A MINISERIES OR MOVIE
Brendan Gleeson, Into The Storm

ACTRESS IN A MINISERIES OR MOVIE
Jessica Lange, Grey Gardens

SUPPORTING ACTOR IN A COMEDY
Jon Cryer, Two and a Half Men

SUPPORTING ACTOR IN A DRAMA
Michael Emerson, Lost

SUPPORTING ACTOR IN A MINISERIES OR MOVIE
Ken Howard, Grey Gardens

SUPPORTING ACTRESS IN A COMEDY
Kristin Chenoweth, Pushing Daisies

SUPPORTING ACTRESS IN A DRAMA
Cherry Jones, 24

SUPPORTING ACTRESS IN A MINISERIES OR MOVIE
Shohreh Aghdashloo, House Of Saddam

WRITING FOR A COMEDY
30 Rock ("Reunion," Matt Hubbard)

WRITING FOR A DRAMA
Mad Men ("Meditations in an Emergency," Kater Gordon, Matthew Weiner)

WRITING FOR A VARIETY, MUSICAL OR COMEDY SERIES
The Daily Show With Jon Stewart (Steve Bodow, Jon Stewart, David Javerbaum, Josh Lieb, Rory Albanese, Kevin Bleyer, Jason Ross, Tim Carvell, John Oliver, Sam Means, Rob Kutner, J.R. Havlan, Rich Blomquist, Wyatt Cenac, Elliott Kalan, Rachel Axler)

WRITING FOR A MINISERIES, MOVIE, OR DRAMATIC SPECIAL
Little Dorrit (Andrew Davies)

DIRECTING FOR A COMEDY SERIES
The Office ("Stress Relief," Jeff Blitz)

DIRECTING FOR A MINISERIES, MOVIE, OR DRAMATIC SPECIAL
Little Dorrit (Dearbhla Walsh)

DIRECTING FOR A VARIETY, MUSIC, OR COMEDY SERIES
American Idol ("The Final Three," Bruce Gowers)

ORIGINAL MUSIC AND LYRICS
81st Annual Academy Awards" ("Hugh Jackman Opening Number")

VARIETY, MUSIC, OR COMEDY SERIES
The Daily Show With Jon Stewart

DIRECTING FOR A DRAMA SERIES
ER ("And in The End," Rod Holcomb)

LIST OF WINNERS IN THE CREATIVE ARTS CATEGORIES

GUEST ACTOR IN A COMEDY SERIES
Justin Timberlake, Saturday Night Live

GUEST ACTOR IN A DRAMA SERIES
Michael J. Fox, Rescue Me ("Sheila")

GUEST ACTRESS IN A COMEDY SERIES
Tina Fey, Saturday Night Live: Presidential Bash 2008

GUEST ACTRESS IN A DRAMA SERIES
Ellen Burstyn, Law & Order: SVU ("Swing")

GOVERNORS AWARD
Sheila Nevins, HBO Documentary Films

ANIMATED PROGRAM (FOR PROGRAMMING ONE-HOUR OR MORE)
Destination Imagination (Foster's Home for Imaginary Friends)

ANIMATED PROGRAM (FOR PROGRAMMING LESS THAN ONE HOUR)
South Park ("Margaritaville")

ART DIRECTION FOR MULTI-CAMERA SERIES
How I Met Your Mother ("Shelter Island, Not A Father's Day")

ART DIRECTION FOR A SINGLE-CAMERA SERIES
Pushing Daisies ("Dim Sum Lose Some")

ART DIRECTION FOR A MINISERIES OR MOVIE
Grey Gardens and Little Dorrit

ART DIRECTION FOR VARIETY, MUSIC, OR NONFICTION PROGRAMMING
American Idol ("Episode 821-822") and 2008 MTV Video Music Awards

CASTING FOR A COMEDY SERIES
30 Rock

CASTING FOR A DRAMA SERIES
True Blood

CASTING FOR A MINISERIES, MOVIE, OR SPECIAL
Little Dorrit

CHOREOGRAPHY
81st Annual Academy Awards ("Musicals Are Back") and So You Think You Can Dance ("Adam and Eve/Silence")

CINEMATOGRAPHY FOR A HALF-HOUR SERIES
Californication ("In Utero")

CINEMATOGRAPHY FOR A ONE-HOUR SERIES
The Tudors ("Episode 303")

CINEMATOGRAPHY FOR A MINISERIES OR MOVIE
Little Dorrit: Part 1

CINEMATOGRAPY FOR NONFICTION
Anthony Bourdain: No Reservations ("Laos")

CINEMATOGRAPHY FOR REALITY PROGRAMMING
Out of the Wild: The Alaska Experiment ("What Did I Sign Up For?")

COMMERCIAL
"Heist," Coca-Cola

COSTUMES FOR A SERIES
Pushing Daisies ("Bzzzzzzzzz!")

COSTUMES FOR A MINISERIES, MOVIE, OR SPECIAL
Little Dorrit: Part 3

COSTUMES FOR A VARIETY/MUSIC PROGRAM OR A SPECIAL
So You Think You Can Dance ("Episode 415-416A")

DIRECTING FOR A VARIETY, MUSIC OR COMEDY SPECIAL
"Beijing 2008 Olympic Games Opening Ceremony" (Bucky Gunts)

DIRECTING FOR NONFICTION PROGRAMMING
Roman Polanski: Wanted and Desired (Marina Zenovich)

MAIN TITLE DESIGN
United States of Tara

MAKEUP FOR A SERIES, MINISERIES, MOVIE, OR A SPECIAL (PROSTHETIC)
Grey Gardens

MAKEUP FOR A SINGLE CAMERA SERIES (NON-PROSTHETIC)
Pushing Daisies ("Dim Sum Lose Some")

MAKEUP FOR A MULTI-CAMERA SERIES OR SPECIAL (NON-PROSTHETIC)
MADtv ("Episode 1405")

MAKEUP FOR A MINISERIES OR MOVIE (NON-PROSTHETIC)
The Courageous Heart of Irena Sendler (Hallmark Hall of Fame Presentation)

MUSIC DIRECTION
"Streisand: The Concert"

MUSIC COMPOSITION FOR A SERIES (ORIGINAL DRAMATIC SCORE)
Legend of the Seeker ("Prophecy")

MUSIC COMPOSITION FOR A MINISERIES, MOVIE, OR A SPECIAL
Into the Storm

ORIGINAL MAIN TITLE THEME MUSIC
Great Performances

PICTURE EDITING FOR A DRAMA SERIES (SINGLE-CAMERA)
Breaking Bad ("ABQ")

PICTURE EDITING FOR A COMEDY SERIES (SINGLE OR MULTI-CAMERA)
30 Rock ("Apollo, Apollo")

PICTURE EDITING FOR A MINISERIES OR MOVIE (SINGLE-CAMERA)
Taking Chance

PICTURE EDITING (SHORT FORM)
81st Annual Academy Awards and "Stand Up to Cancer"

PICTURE EDITING FOR A SPECIAL (SINGLE OR MULTI-CAMERA)
"Chris Rock: Kill the Messenger"

PICTURE EDITING FOR NONFICTION PROGRAMMING
This American Life ("John Smith")

PICTURE EDITING FOR REALITY PROGRAMMING
Project Runway ("Finale Part 1")

HAIRSTYLING FOR A SINGLE-CAMERA SERIES
Mad Men ("The Gold Violin")

HAIRSTYLING FOR A MULTI-CAMERA SERIES OR SPECIAL
Dancing With the Stars ("Episode 709")

HAIRSTYLING FOR A MINISERIES OR A MOVIE
Grey Gardens

CREATIVE ACHIEVEMENT IN INTERACTIVE MEDIA - NONFICTION
"The Late Night with Jimmy Fallon Digital Experience," nbc.com

CREATIVE ACHIEVEMENT IN INTERACTIVE MEDIA - FICTION
"The Dharma Initiative," DharmaWantsYou.com.

LIGHTING DIRECTION (ELECTRONIC, MULTI-CAMERA) FOR VARIETY, MUSIC, OR COMEDY PROGRAMMING
American Idol ("Finale")

VARIETY, MUSIC, OR COMEDY SPECIAL
"The Kennedy Center Honors"

SPECIAL CLASS PROGRAMS
"Beijing 2008 Olympic Games Opening Ceremony"

SPECIAL CLASS - SHORT-FORMAT LIVE-ACTING ENTERTAINMENT PROGRAMS
"Dr. Horrible's Sing-Along Blog," drhorrible.com.

SPECIAL CLASS - SHORT-FORMAT NONFICTION PROGRAMS
"Writer's Draft"

CHILDREN'S PROGRAM
Wizards of Waverly Place

CHILDREN'S NONFICTION PROGRAM
Grandpa, Do You Know Who I Am? With Maria Shriver and Nick News with Linda Ellerbee: Coming Home: When Parents Return from War

NONFICTION SPECIAL
"102 Minutes That Changed America"

NONFICTION SERIES
American Masters

REALITY PROGRAM
Intervention

EXCEPTIONAL MERIT IN NONFICTION FILMMAKING
The Memory Loss Tapes

WRITING FOR NONFICTION PROGRAMMING
Roman Polanski: Wanted and Desired

SOUND EDITING FOR A SERIES
Battlestar Galactica ("Daybreak: Part 2")

SOUND EDITING FOR A MINISERIES, MOVIE, OR SPECIAL
Generation Kill: The Cradle of Civilization

SOUND EDITING FOR NONFICTION PROGRAMMING (SINGLE OR MULTI-CAMERA)
"102 Minutes That Changed America"

SOUND MIXING FOR A COMEDY OR DRAMA SERIES (ONE HOUR)
House ("House Divided")

SOUND MIXING FOR A MINISERIES OR MOVIE
Generation Kill: The Cradle of Civilization"

SOUND MIXING FOR A COMEDY OR DRAMA SERIES (HALF-HOUR AND ANIMATION)
Entourage ("Pie") and Weeds ("Three Coolers")

SOUND MIXING FOR A VARIETY OR MUSIC SERIES OR A SPECIAL
81st Annual Academy Awards and The 51st Annual Grammy Awards

SOUND MIXING FOR NONFICTION PROGRAMMING (SINGLE OR MULTI-CAMERA)
"102 Minutes That Changed America"

SPECIAL VISUAL EFFECTS FOR A SERIES
Heroes ("The Second Coming/The Butterfly Effect")

SPECIAL VISUAL EFFECTS FOR A MINISERIES, MOVIE, OR SPECIAL
Generation Kill: The Cradle of Civilization

STUNT COORDINATION
Chuck ("Chuck Versus the First Date")

TECHNICAL DIRECTION, CAMERAWORK, VIDEO CONTROL FOR A SERIES
American Idol ("Episode 834A")

TECHNICAL DIRECTION, CAMERAWORK, VIDEO CONTROL FOR A MINISERIES, MOVIE, OR SPECIAL
"Beijing 2008 Olympic Games Opening Ceremony"

VOICE-OVER PERFORMANCE
The Simpsons ("Father Knows Worst")

WRITING FOR A VARIETY, MUSIC, OR COMEDY SPECIAL
"Chris Rock - Kill The Messenger"

Movie Preview: Portman, Gyllenhaal and Maguire in Brothers

BuzzSugar — Mon, 06 Jul 2009 05:30:21 -0700

Based on Susanne Bier's 2004 film and directed by Jim Sheridan (My Left Foot, In the Name of the Father), Brothers tells the story of a young man (played by Jake Gyllenhaal) who "comforts his older brother's wife and children after he goes missing in Afghanistan." The older brother is played by Tobey Maguire and the wife is played by Natalie Portman, and from the looks of the trailer, the wife ends up getting very close with her brother-in-law, which causes some tension when her husband returns home from war.

For whatever reason, I have a hard time buying Portman as a mother of two but otherwise the movie looks intense and heart-wrenching. Brothers opens Dec. 4 and you can check out the trailer for it if you read more.

Easy Virtue: Sparkling Cast Can't Help the Center Star

BuzzSugar — Tue, 26 May 2009 09:30:30 -0700

Easy Virtue, a film adaptation of Noel Coward's jazzy 1920s-set play, pits the old traditions of Europe's landowning gentry against the brash modernity that America had come to symbolize. The old guard is represented by a wealthy British family led by the brittle matriarch Mrs. Whittaker (Kristin Scott Thomas). When her son, John Whittaker (Ben Barnes), marries a sexy race car driver named Larita (Jessica Biel) several years his elder, the entire family is thrown into a tizzy.

Once Biel's character arrives at the Whittaker home she's meant to represent a vibrant and mesmerizing new way of doing things that is utterly offensive to this family so steeped in tradition. But alas, Ms. Biel doesn't quite have what it takes to hold down the center of a film like this and the whole endeavor suffers. To see why, read more.

The cast includes the kind of immensely talented actors who can take on the old-fashioned, quick and witty dialogue with one hand tied behind their backs. Biel tries to keep up and at times she succeeds, but most of the time she simply appears to be swimming upstream. As you might expect, Kristin Scott Thomas deliciously inhabits her icy character with ease and delivers each line as a stinging backhanded compliment. Colin Firth plays her long-suffering husband still hurting from memories of war, and delivers an incredibly funny yet soulful performance. Even Ben Barnes, who is handsome but stiff in The Chronicles of Narnia: Prince Caspian, displays pizzazz as the prodigal son returning home.

As the movie clicks along, though, more and more is asked of Biel as she navigates the cruel and ruthless landmines set out for her by her new mother-in-law and sisters-in-law, and she's not quite able to rise to the occasion. As the tone shifts in the final act from a comedy of manners to a darker drama, the talented ensemble cast does all it can to prop the movie up, but the center can't hold in the end.

Photos courtesy of Sony Picture Classics