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Buzz News Roundup, 6/6

BuzzSugar — Fri, 06 Jun 2008 13:45:20 -0700

Hayden Panettiere has signed a deal with Candie's in which the fashion brand will help promote the Heroes star's first single "Wake Up Call", Billboard reports.
According to Hollywood Reporter, Adam Sandler's production company Happy Madison will produce a thriller called Shortcut under the name Scary Madison.
The Associated Press has a report about this weekend's academic conference studying Buffy the Vampire Slayer.
Variety has the news that Tucker Max's bestselling book I Hope They Serve Beer in Hell will be adapted for the big screen.
Zap2it has Fox's updated Fall premiere dates, with shows now starting in September, not August.
Brittany Murphy and Thora Birch will star in an indie psychological thriller titled Deadline, ComingSoon reports.
Variety writes that F. Gary Gray will direct a biopic of Marvin Gaye called Marvin.
Van Halen brought in more than $93 million touring with David Lee Roth, Reuters reports.

90210 vs. Melrose Place: Which Was More Scandalous?

BuzzSugar — Wed, 18 Nov 2009 09:30:19 -0800

The Tuesday night CW block made a particularly strong showing this week. Personally, I thought 90210 had one of its best episodes of the season - nice character development, a few teary moments, and some "oh no she didn't" disses. And as for Melrose Place, I've got two words for you: Heather Locklear. Yes, Amanda Woodward is back, and it's quickly becoming clear that the residents aren't going to have it easy any time soon.

So with plenty of drama to go around, which show shocked more? Let's break down all the juicy tidbits and decide the victor when you read more.

90210 point: Well, Annie sleeps with Jasper, and she skips into the kitchen in the morning to tell her parents about her new boyfriend. Debbie invites him for dinner - but once Dixon warns about his druggie reputation, Deb and Harry are less than enthused and forbid Annie from seeing him. She, of course, gets defensive, and as for Jasper's reaction? He tries to kill Navid by pushing him down the stairs at school.
Melrose Place counterpoint: Speaking of crazy murderers, did Michael off Sydney? Sure seems like it after David ransacks his car and finds her bloody necklace in a plastic bag. Now, he's determined to clear Auggie's name (who has since been shunned by all of his friends) and get payback by putting Michael behind bars.

90210 point: Richard and his mom walk in on Naomi with Jamie. (How about the Dean sarcastically calling Naomi "classy?" Ouch.) Naomi admits to Jamie that she was dating Richard for the wrong reasons, and he breaks up with her over it. Her guilty conscience getting the best of her, Naomi then confesses to Richard, too. Jamie finds out and asks to get back together, but unfortunately for him, Naomi had an epiphany during their 24 hours apart - she's still not over Liam.
Melrose Place counterpoint: Like I said, Amanda Woodward is back, and she's out to make Ella's life hell. First she fires Caleb, and then she sends in an agent named Melissa to lure Ella away from WPK as a "test." Oh, and did I mention that Melissa comes on to Ella and the two women make out in a back room? That part totally came out of nowhere - talk about scandalous.

90210 point: Last week Silver's mom Jackie wasn't waking up, and this week starts with her being rushed to the hospital. The doctor tells Silver and Kelly to say their goodbyes, but Kelly refuses after all the years her mother mistreated her. She regrets that decision later, so she finally makes amends and tells Jackie that she forgives her. Jackie passes soon after, and I admittedly got a bit choked up.
Melrose Place counterpoint: Things are looking up for Riley - her jeans campaign is all over magazines - but once Amanda Woodward steps in, she concocts a rags-to-riches fake bio for Riley for PR purposes. Once the press starts asking questions, Riley admits to the lie and things blow up in WPR's face. Amanda seeks revenge by asking Ella to rat on Riley for abusing her sick days for the photo shoots. When Ella won't agree, ruthless Amanda does it herself, and Riley gets fired.

90210 point: Adrianna tells Navid that he was easy to get over because she was never really in love with him. Brutal. Then Naomi discovers Adrianna's stash, and she says good riddance to Adrianna, too. This can't be good for her substance problem.
Melrose Place counterpoint: Can we talk about Violet and Auggie's sex scene on the kitchen counter? Lauren's stripteases make me blush enough already, but this may have even topped that.

90210 point: I still can't stand Jen, but we're slowly starting to see her softer side. Ryan suggests going camping, and she packs a fondue set and a Burberry rain coat - not exactly low-maintenance is she? After she complains a lot, Ryan tells her he's disappointed since he's always bending over backwards for her. She takes his words to heart - even builds a fire! - and opens up about being broke . . . and still married.
Melrose Place counterpoint: In other couple news, David woos Lauren by decorating her apartment like Autumn, complete with falling leaves. But just as things get hot and heavy, she puts on the brakes, because of her "issues" with intimacy. How long are they going to drag this out?

While I really enjoyed 90210, we're talking about scandal here, so I'm going to give this week to Melrose Place. Having Amanda Woodward on your side already makes you a lock, but then throw in the borderline porno - Auggie and Violet, Lauren and David, Ella and Melissa - and it's a no-brainer. Plus, we had a great MP cliffhanger - what exactly is Sydney is referencing in her letter to Amanda that says, "You'll never find it?" You'll never find what?!

Tell me your theories (and what you thought about the episodes) in the comments! And don't forget that if you're a 90210 follower, you can always join the 90210 Superfans group in the Buzz Community.

Photos courtesy of The CW

90210 vs. Melrose Place: Which Was More Scandalous?

BuzzSugar — Wed, 11 Nov 2009 09:30:22 -0800

This week's 90210 and Melrose Place combo don't have a ton of shocking moments, but it's obvious both shows are gearing up for major stuff to go down. (Like a drug bust, murder arrest, and Heather Locklear, for instance?!) We do, however, get some nice moments between the characters. Teddy, for one, is acting like an angel - although I can't tell if it's sincere, because I've made it a rule not to trust a guy who ties sweaters over his shoulders. And the gang from Melrose have a nice come-together moment around the pool, which I'd like to see more of.

Not that everything is warm and fuzzy. Hardly. There's still scandal to go around, so ready to decide which gave us more gossip-worthy material? Just read more.

90210 point: Navid discovers Jasper selling Adrianna drugs in her car in the school parking lot. Navid calls Adrianna to confront her, but she of course denies his accusations. Jasper also says the story isn't true and threatens Navid in a "hypothetical" way. Like, "hypothetically if I was a drug dealer, you wouldn't want to mess with me, because I know bad people." Real discreet stuff.
Melrose Place counterpoint: The blood tests from last week's discovery of Sydney's murder weapon come back - and Auggie is the guilty party. Auggie might as well be off the show already, because he is nowhere to be found, supposedly on a trip in Mexico. Ella's relieved, Riley has doubts, and Violet continues to defend him, seeing as how they slept together and she's crazy. When she told Riley that she and Auggie were "intimate" with each other, I nearly ralphed.

90210 point: Debbie is in the doghouse with Dixon. He tries to go comfort Sasha after her "miscarriage," and Debbie admits that Sasha faked the pregnancy - and that she hid the truth. Dixon's unreasonably angry with Debbie, telling her "you're not my real mom anyway." Come on, Dixon. Deb doesn't deserve that.
Melrose Place counterpoint: David sneaks over to Michael's house while he's at work and borrows Noah. He takes his little bro to a fair, but things go amiss when Noah climbs a wall and falls. David rushes him to Lauren at the hospital, and she administers treatment - but not before Michael gets wind of everything. He's understandably furious but later tells David that he's glad he cares about Noah. Could this be the start of an actual relationship between the father and son?!

90210 point: Liam is on the rampage after he tells Mr. Matthews that Jen is psycho and Ryan doesn't believe him. He takes his attitude out on Ivy, Teddy, and an entire group of surfers. Later, Liam explains his behavior, opening up to the guys (and Ivy) about his history with Jen, and the entire thing culminates in a cheesy friend speech to take Jen down, complete with a high-five. [eye roll]
Melrose Place counterpoint: Violet is back to blackmailing Michael. This time, we find out that she's wanted for a court trial for previously resisting arrest. She enlists Michael, suggesting that he find her a lawyer in return for her discretion about their one-night stand. He, in turn, threatens her back, telling her that he can make the sentencing go against her unless she erases the sex video. Which she does . . . or so it seems. I'm still not 100 percent sure that it won't pop up later, but the power play between the two of them was an episode highlight for me.

90210: With Silver's half birthday approaching, her mom decides to make up for years of missed celebrations and throw her multiple parties at once, dressing up their entire house in different themes. The whole thing seemed like a stretch - really, Teddy called his dad's set designer friend to rig up the ambiance? - but it was still nice to see her and her mom get their moment together. Unfortunately, at the end of the episode, Silver goes to wake her mom in the morning and realizes that her mom has passed away.
Melrose Place counterpoint: Whoa, whoa, whoa - Ella makes a move on Jonah that's bold even for her. It all starts when she needs him to pose as a publicist at a lunch with a hot new indie director. The director comes on to Ella, and Jonah swoops in to put off his advances by pretending to be her fiance. They share a steamy kiss to be extra-convincing, and sure enough, once the director is out of sight, Ella suggests that the two of them go to a nearby hotel, so Jonah can see what he's been missing. He angrily tosses Ella's advances by telling her he's in love with Riley. You could tell part of her feels hurt by his words - and that part of him doesn't actually mean them.

90210 point: Annie is falling hard for Jasper. Their back and forth "I love yous" were pretty sickening, and she even gets in a sting at Dixon, defending Jasper and telling Dixon he's a bad judge of character because of Sasha. But the most cringe-worthy part is Annie tells Jasper that she wants him to be her first - and they start tossing on the bed as the episode wraps. Oh, Annie - you're so gonna wish you had given it up to Ethan instead.

Melrose Place counterpoint: You saw it coming: Lauren and David finally kiss! David's actually a standup guy this episode by taking care of Noah, but his speech to Lauren about how he wants her to see the best in him was unexpected - and welcome, in my opinion. Lauren of course is hesitant due to her call girl lifestyle, which David still doesn't know about. I just hope they don't let that hold her back too long, so we can explore these two as a couple.

This is tough one to call, since neither show packed a ton of drama, relatively speaking. I'm going to go with Melrose Place though, since we find Auggie's blood on the murder weapon, Ella propositioning Jonah, and David and Lauren locking lips. But would you argue for 90210 instead? I'll agree that it did include some pretty nasty lines, and obviously Silver's storyline with her mom carries some weight.

Let me know your pick in the comments, then head over to the 90210 Superfans group in the Buzz Community to discuss the show in more detail.

Photos courtesy of The CW

Mad Men, "Shut the Door. Have a Seat": This Week's 5 Maddest Moments

BuzzSugar — Mon, 09 Nov 2009 05:30:53 -0800

Wow. The biggest surprise of the third season finale of Mad Men isn't actually a plot point, but how light and almost exciting it manages to be. For a show that's normally so tense and tightly wound, this week's episode has a quick pace, and at times, a sense of humor. Of course, there is still disappointment and heartache; some of our predictions for the finale come true, but some go sadly unfulfilled.

Without further ado, let's talk about the door that closes and the one that opens this week, and as usual, the finale's five maddest moments, when you read more.

So long, Connie: It's eccentric hotelier Conrad Hilton that breaks the news to Don that rival agency McCann is buying PPL, and Sterling Cooper along with it. Don's plenty irate, as it's Hilton's fault that he was signed into a three-year contract and is thus, trapped. However, Don's bitterness quickly turns to ambition, when he rallies Burt, then Roger, to buy back Sterling Cooper from PPL. Pryce is unhelpful in even supplying the purchase price for the men, quashing the buyback plans, but then another scheme is launched: Pryce fires Don, Roger, and Burt so they can form a new agency.
Draper Dissolution: While an exciting change is happening for Don in his career, back at home a bleak change is coming. Betty informs Don that she's seen a divorce lawyer and advises him to do the same. It's painful watching these two spar, and I wanted so much for them to figure out how to fix it - but the ball is clearly in Don's court and he does nothing to sway Betty to call off the divorce. Sure, he tells her to, and even suggests that she might need psychiatric help. Oh, and he tells her that he gave her everything she wanted materially, insinuating that should be enough. Don may know what his clients want, but in his marriage, he has no idea what Betty wants.
Irreconcilable differences: Don sheepishly tolerates the divorce talk until he's having drinks with Roger, who spills the beans about Betty taking up with Henry Francis (I do have to say, it is rather nice to see these two getting along, acting like buds). This sends a drunken Don home to wake up Betty for a confrontation about her indiscretion, and things get nasty and uncomfortably physical. Again, Don manages to push Betty into even more resolve, and she tells him that she's going to Reno to initiate the divorce. Don and Betty devastate the kids with the news of their separation, and Betty makes good on her threat to go to Reno after Don softens a tiny bit - to tell her that he won't fight her.
Don, at your service: One of my favorite parts of this episode? Seeing Don put through the paces by Pete and Peggy. He's always treated them like underlings, and they finally have the opportunity to assert themselves. Don obliges them both and tells them how valuable they are, but not before Peggy pushes back. Her backbone straightens when she's first told of the new company and assures Don that she's had "other offers." Luckily, Don doesn't take no for an answer, and visits Peggy at home, telling her he'd spend the rest of his life trying to hire her if she turned him down now. It's so touching to see Don put aside his ego to acknowledge these others, and it makes me sad that he can't do something similar for Betty.
Sterling Cooper Draper Pryce: The gang's back together! It's thrilling good fun watching the new company assemble - Roger and Don get the agency's most prized employees one by one, plus my favorite: Joan! She's a necessity to help find all the files and materials in the office, and, they realize, a force that had been holding the company together. Her role in Sterling Cooper Draper Pryce (can you say "Michael Scott Paper Company"? I told you these two shows have a lot in common!) is a given. With everything coming together so perfectly, though, I wondered why Sal isn't also called in. I suppose we have next season to look forward to for that. Speaking of, next Summer can't come fast enough.

It's interesting that the finale also weaves in flashbacks of Don's early childhood, as this season's premiere did. What Don is remembering now, though, is how his father died. The elder Whitman was faced with losing his home, and after breaking free of the cooperative, readies a trip to the city to sell his crop. His spooked horse kicks him in the head, killing him, with the young Don as witness. It's an obvious parallel to Don's circumstances, who's losing his home, as in his marriage; and, losing his home, as in his life's work. Of course, he only manages to take control of one of those.

So what did you think? Did this season wrap up the way you wanted it to? And even though we won't see the Draper family or the worker bees of Sterling Cooper Draper Pryce until the fourth season returns, you can still join the Mad Men group in the community to chat about the show year-round.

Photo courtesy of AMC

FlashForward Breakdown, "The Gift"

BuzzSugar — Fri, 06 Nov 2009 09:30:48 -0800

On this week's episode of FlashForward, we get some of those big payoffs that Sonya Walger promised. While the main characters' most important relationships grow more tense, the FBI agents learn more about the blue-hand situation, and the end of the episode has two very big twists.

There's plenty of excitement to discuss, so to get into it, just read more.

Call me Al: We don't learn much about Al in the first handful of episodes of the season, but boy do we get an eyeful and an earful this week. Turns out Al's flash-forward is a lot more jarring than just a dead bird - it's followed up with a phone call revealing that a still-mysterious chain of events ends in Al "accidentally" killing a mother of two. Throughout the episode Al seems to have a laid-back, collected demeanor (even when he opts in for a game of Russian roulette), but inside he's a mess. In the end, Al is so overcome with grief about having a death on his hands, that he decides to "change the game" and commits suicide. I have to admit, as heartbreaking as that scene is, I was kind of glad Al went through with it - just to prove that the flash-forwards aren't necessarily the future. Everything is changed now, the paths can be adjusted, and both Mark and Demetri realize this as they head home to their significant others. Now that they believe the visions can be adjusted, I can't wait to see what else they try to do to throw their visions off course.

My blue heaven: Following up on Demetri and Al's scavenger hunt to find the "blue hands," the fun continues this week as the FBI agents discover that the blue hands are actually a "death club," with meetings set up all over the country for people like Demetri who didn't see a flash-forward ("living ghosts"). It kind of reminded me of Fight Club, though Mark defines it as a "book club with bullets." The guys are hilarious in their street clothes headed to the party, though what they find inside is pretty horrific. After a quick game of Russian roulette, the guys enter what can only be defined as a torture den - people who believe they are going to die doing all kinds of creepy things to each other. I have to say, if I was one of those "living ghosts" I think I'd either be trying to do all the fun things I never got to do before - or I'd just want to get it over with. Why anyone would want to be tortured when he or she is already tormented by the idea of their inevitable death is beyond me.

Blast from the past: Aaron gets a visit from Mike, a friend and solider who served at the same time as Aaron's daughter Tracy. Mike passes on a Swiss Army knife to Aaron, a good-luck charm that Tracy wanted her dad to have should anything happen to her. Aaron is overjoyed since the knife also appeared in his vision, though Mike isn't exactly receptive to the notion that Tracy is still alive. He explains to Aaron that he watched Tracy die (though hello! He didn't even check to see if she was breathing), but surprise! Tracy is sitting in Aaron's kitchen at the end of the episode.

Other plot points:

As tensions rise between Demetri and Zoey, Demetri finally admits to Zoey that he didn't have a flash-forward and is going to die. Zoey refuses to accept it, insisting that should could feel Demetri in her vision and that nothing's been decided yet. Demetri seems skeptical about choosing Zoey's side to "hope" for the best, but after Al's suicide, he seems to have warmed up to the idea that he can change his fate.

Like Demetri, Al's death is a wake-up call for Mark. After suffering problems with Olivia (how sad is it when Charlie catches him crying?) he runs home and embraces her sweetly.

Instead of helping out at the church, Nicole lands a gig volunteering at Olivia's hospital. We learn that she speaks Japanese pretty will, and now is helping Bryce try to find the mysterious Japanese woman from his vision. Will this somehow lead to Nicole's scary vision? Is she sticking her nose where it doesn't belong?

What did you think of this week's episode? Do you think other characters will try to "change the game," too?

Desperate Housewives Rundown, "The God-Why-Don't-You-Love-Me Blues"

BuzzSugar — Mon, 19 Oct 2009 08:30:02 -0700

Secrets came to the surface on this week's Desperate Housewives, like Katherine's obsession with sneaking into Mike and Susan's house (cuckoo!), Julie's scandalous affair - and best of all, we learn more about the mysterious Bolen family, which has me totally intrigued.

Ready to break it all down? If you don't mind spoilers, then read more.

Gaby - Gaby catches a break this week. It all starts when her daughters discover Ana's stash of condoms. Gaby confronts Ana, and she admits to her aunt that she's in love with John. (Yeah, like we didn't see that one coming.) Gaby goes to John's restaurant to confront him about the matter, and he comes on to her - right when Ana walks in. I was pretty excited about the battle that was going to go down - will she blackmail Gaby? tell Carlos? - but after Gaby reveals her history with John to Ana, she surprisingly backs off and quits her job. I don't know if I believe that this storyline is 100% over, but looks like John doesn't have a reason to stick around Wisteria Lane. Gaby really seems like she's moved on for good.

Susan - She may have tried to attack Danny last week, but this time around, Julie gets the brunt of Susan's anger. Julie finally wakes up in the hospital (yay!), but on the downside, she comes back right as Susan learns that her daughter had an affair with a married man. In typical Susan behavior, she tries to pry for details - and even searches through Julie's journal to find out that the guy is called "D." - but Julie won't admit anything. We learn who the unknown "D." is soon enough. For that, keep reading.

Angie - Angie means well. She sees that her son Danny is having a hard time at school with making friends, so she bribes Porter to throw him a shindig, so Danny can feel included. At the party, Danny sees his dad flirting with some of his classmates (perv alert), and he confronts him by saying, "I know." His dad's response? "You know what?" But I thought the horrific look on his father's face totally gave it away, didn't you? "D." is Danny's dad, Dominic, as we later discover when he visits Julie at the hospital. Uh-oh. I'm curious to hear what exactly took place in the Bolens's past - especially after seeing those scars on Angie's back.

Bree - This week was a showdown between Bree and Katherine. Katherine starts off the episode by telling Bree that she's in love with Mike still. Seems that Katherine has been sneaking into Mike and Susan's home to find out their sleeping habits, and she's convinced that they're not having sex. Bree tells Katherine to seek help for her obsession, but when Katherine tries to destroy the bride's cake at one of their catered weddings (because it was the same one she designed for her nuptials to Mike), Bree actually fires her. I'm expecting a major Katherine freak out next week. Did you see the menacing look she has at the end of the episode? Bree better lock her windows.

Lynette - Once again, Lynette had one of the funniest subplots this week. Even though no one at work knows about her pregnancy, the signs are starting to show with Lynette's breasts. While Tom likes the results (he calls them "The Supremes!"), Lynette is panicked about how to hide them. Fortunately for her, Carlos thinks she got a boob job, so Lynette goes along with the fib. So much so, that when Carlos asks her to wear a low-cut dress for a client dinner, Lynette concedes. But my favorite part was her talk with Tom when he says "I need you to not be perfect, 'cause I'm not perfect." Sigh, I love those two.

What'd you think about the episode? Where do you think the Dominic and Julie storyline is headed? Do you think Jesse Metcalfe is getting the boot soon, or will his character John stick around?

If you want to talk more Desperate Housewives, take a peek at the Entertainment group in the Buzz Community!

Zombieland: The Feel-Good Zombie Flick of the Year

TresSugar — Fri, 02 Oct 2009 11:30:23 -0700

A Note From Buzz: With so many new movies this week, my friend Très was nice enough to apply her scary-movie expertise to review the box office's newest zombie flick.

In the United States of Zombieland, zombies outnumber people. A mad-cow tainted burger tipped the population in favor of the drooling, limping, and grunting set, and now zombies roam a crashed-car littered, empty-minimall-blighted zombiescape.

Columbus (Adventureland's Jesse Eisenberg), the virginal antihero of horror-comedy Zombieland, has learned to survive this zombie apocalypse by keeping a list of necessary survival skills. Rule #1? Cardio. If you don't want zombies gnawing on you like an hors d'oeuvre, you'd better be fast and limber. In addition, beware of bathrooms, practice the "double tap" (make sure your zombie's actually dead after you kill him), and don't be a hero. (Regarding this last rule - some rules were made to be broken.)

When Columbus meets up with Tallahassee (Woody Harrelson), a swaggering cowboy type with a penchant for tank-like cars, shotguns, and Twinkies, and the spitfire sister duo of Wichita (Emma Stone) and Arkansas (Little Miss Sunshine's Abigail Breslin), Zombieland takes off like a scary/fun amusement park ride. To find out what happens on this motley crew's wild road trip from hell, read more

There's something funny about zombies and the zombie genre, and in his first feature film, director Ruben Fleischer plays their comic possibilities to the hilt. Zombies don't have what you'd call well-rounded personalities; they're pretty predictable. They have bad attitudes, come out of nowhere, grunt, and see all nonzombies as food to feast on. They're the perfect foil (or straight men, even) to a cast of characters with more than enough personality to make up for the zombies' boorish one dimensionality.

Take nebbishy Columbus. The world changed for him, he tells us in an early voice-over, when a pretty neighbor he calls #406, asks to stay over because a crazed homeless man tries to bite her. Sadly, although she falls asleep on Columbus's shoulder, she wakes up as a rabid zombie and begins chasing him around his apartment, forcing him to repeatedly knock her over the head with a toilet lid. "The first time I let a girl in my life," deadpans Columbus, "and she tries to eat me."

This kind of witty dialogue abounds in Zombieland, and although fans of gore and violence against zombies will be more than satisfied (Tallahassee's scenes of zombie-killing, especially, have a Tarantinoesque choreography to them), it's really the mismatched goofball characters and how they bond and evolve, surprisingly, that hold the film together. A hilarious cameo from Bill Murray in the Beverly Hills sequence of Zombieland, also, is practically worth the price of admission.

Harrelson chews the scenery as Tallahassee, but as we find out, part of the reason he's hell-bent on killing zombies is because they took away his baby boy. As for the sisters, tough-girl Wichita just wants to take care of her little sister Arkansas (who, as a good shot, doesn't seem to need much help), but a beautiful girl has needs, too, and before long she develops feelings for Columbus. Will he or won't he finally be able to live out his nerd-boy fantasy of brushing the hair over a girl's ear?

You probably know the answer to that question, but just because Zombieland adheres to certain formulas doesn't mean that it doesn't revive them in witty ways. Although the zombie-killing gore fest may not be for everyone, Zombieland's amazing visuals, charming characters, and witty dialogue may leave a goofy grin on your face as you leave the theater.

Photos courtesy of Sony Pictures

The Office, "The Promotion": Best Lines of the Night

BuzzSugar — Fri, 02 Oct 2009 09:32:42 -0700

Once Jim is promoted to co-manager of the The Office, we all know some wacky banter with Michael isn't far behind. On this week's episode, the Dunder Mifflinites are adjusting to the new hierarchy while Jim and Michael have their first squabble about how to run things. Meanwhile, Pam is still planning for that big Niagara Falls wedding next week - check out a sneak peek of the JAM nuptials here.

As usual, I've put together some of my favorite jabs and one-liners of the night, but if you want to discuss The Office all week long, head on over to Jenna V's community group dedicated to the show. For my thoughts, just read more.

"You know what eats a large amount of the day are naps. You go to sleep, it's lights out, you wake up its dark. That's the whole day. Where did that day go? I have no idea." - Michael
"You mean on a weekend?" - Jim
"Yes." - Michael
Within about five minutes of having to make their first major decision again, Jim is already having problem staying professional with Michael. Nothing has changed between them and Jim still calls Michael out on his unprofessional antics, like unnecessary meetings.

"Can I also be a boss?" - Stanley
Stanley's observation about Jim and Michael's disorganization made me chuckle, because he hits the nail right on the head. The more Jim and Michael squabble, the more it seems like a couple of kids pretending to run an office. I also loved Oscar's followup where he describes the "necessity" of two monarchs, two ship captains, etc.

"I love rivalries. Michael or Jim? Paris or Nicole? Heidi or LC? It's so much fun. But, I guess if I'm really thinking about it and answering your question honestly, I'd have to go with LC. Heidi's a bad friend. And her skin is terrible." - Kelly
We can always count on Kelly to bring celebrities into everything. I also loved when she alluded to needing a raise to help fix Ryan's car.

"Why doesn't Crate and Barrel let you register for a toaster full of cash?" - Pam
While Jim and Michael are trying to figure out how to deal with the raise situation, Pam has her own money problems. She just wants cash for her wedding, but feels awkward asking for it, which means she can expect a romantic birdhouse from Phyllis once the big day arrives!

So what did you think of this week's episode? Does anyone else think there's not nearly enough Andy this week? And how sweet is Michael's gift to Jim?

Photos courtesy of NBC