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Ricky Gervais' This Side of the Truth Is Going to Be So Awesome

BuzzSugar — Thu, 20 Mar 2008 08:30:00 -0700

First off:
This Side of the Truth, written and directed by Ricky Gervais, looks like it's going to be awesome. The story is set in a world where no one has ever lied, and, according to Gervais, he plays "a loser who discovers one day that he, and only he has the ability to lie. In a world where no one even understands the concept of lying, everyone totally believes, without question anything I tell them. I can say anything at all and they accept this as the gospel truth. I can get anything I want. Or can I?"

Secondly:
Gervais is awesomely blogging his experience of working on this movie, from his collaboration with co-writer and director Matt Robinson ("During the [conference] call me and Matt passed each other off-putting notes and obscene pictures to make each other laugh. I lost, and at one point had to leave the room") to observations about picking out costumes as an actor ("Some directors/lead actors would choose their wardrobe based on style, creation of original iconography and aesthetic enhancement of the fictional world. I chose mine based on comfort, how long they take to get in and out of and on what I would want to keep when the movie is complete.")

Thirdly:
Look at all the ridiculously cool people in this movie. Jennifer Garner, Jonah Hill, Rob Lowe and Louis C.K. are confirmed, while Gervais has stated on his blog that Tina Fey, Christopher Guest (Christopher Guest!), Jeffrey Tambor and John Hodgman have also been cast.

This is going to be awesome.

Buzz News Roundup, 2/4

BuzzSugar — Mon, 04 Feb 2008 12:32:30 -0800

Yesterday's Patriots-Giants game was the most-watched Super Bowl ever with 97.5 million viewers, the Associated Press reports.
Speaking of the Super Bowl, the Arcade Fire apparently didn't give permission for their song to be used in an ad for NFL on Fox, Pitchfork reports.
A Jim Henson biopic titled Henson is now in the works, though casting hasn't yet begun, writes ComingSoon.
E! Online has news that the Spice Girls will wrap their world tour later this month, canceling dates in China, Australia, South Africa and Argentina.
Variety reports that Robert Englund, mostly known as the man who played Freddie Krueger in A Nightmare on Elm Street, will direct The Vij, "a dark gothic fantasy in which Christopher Lee is attached to star."
People has more on that Sarah Silverman/Matt Damon video for Jimmy Kimmel Live.
Sylvester Stallone has signed on to direct and star in two more action flicks with the same producing team he worked with on Rambo, writes Hollywood Reporter.
The Wall Street Journal has more on what a strike settlement could mean for getting TV shows back this season., while Broadcasting & Cable reports on a WGA memo saying a deal isn't done yet.
According to ComingSoon, Rob Lowe will join Ricky Gervais and Jennifer Garner in the comedy This Side of the Truth.
Sarah Michelle Gellar hasn't signed on yet for the Buffy reunion at the Paley Festival, the LA Times reports (update! She will be attending after all); the festival will also include panels for Friday Night Lights, Damages, and Chuck, among others.

Source

Link Time! 11/20

BuzzSugar — Tue, 20 Nov 2007 13:26:04 -0800

TV Filter is stunned at The Bachelor's actual surprise ending.
Kenneth Branagh tells MTV Movies Blog that he'd hoped his character in the Harry Potter series would have turned out to be Harry's dad.
Popwatch wonders who has the catchier commercials: iPod or Zune?
TV Squad wonders if there will really be a Green Acres remake.
Cinematical dissects the news that Jennifer Garner will join Ricky Gervais in the comedy This Side of the Truth.
Color me jealous: TiFaux saw 30 Rock's live show.
Over on Stereogum you can enter to win 2007's 50 best CDs
The TV Addict has an interview with Sarah Strange from Men in Trees.
You Ain't No Picasso has a hysterical playlist of songs for Pushing Daisies.
Give Me My Remote is livid over the Thursdays-at-9 time slot for The Apprentice.

90210 vs. Melrose Place: Which Was More Scandalous?

BuzzSugar — Wed, 21 Oct 2009 09:30:45 -0700

Tuesday night's soapy dramas packed several surprises into this week's episodes - 90210 introduces a whole new character to love (or hate) and Sasha drops a bomb on Dixon; while over on Melrose, Riley and Jonah's seemingly perfect relationship is quickly unraveling. But the biggest surprise of all? Ella was nice. I know, crazy stuff.

Ready to pick apart a few plot lines (spoiler alert!) to determine which show was this week's juiciest? Let the battle begin when you read more.

90210 point: Annie steals a car! In her defense, she was talked into doing it by Jasper, because he wants to film the heist for his "movie." (I purposely put movie in airquotes, because who knows if this guy is for real. I don't trust him.)
Melrose Place counterpoint: Lauren finds out that David has been doing some stealing of his own when diamonds spill out of his bag. She makes a deal with him that she won't turn him in, if he stops. Not that Lauren should be doling out moral advice...

90210 point: A new surfer girl named Ivy arrives, and after accidentally hitting Liam's car, the two get competitive on and off land. He cuts her off at a surf contest, and she fakes a cramp to win. (This is also known as foreplay.) Their flirty antics grab Naomi's attention, who answers back by ditching her relationship with Richard - and her chances at college - for his roommate Jamie.
Melrose Place counterpoint: Violet gives the evil eye to anyone who comes near Auggie. When she sees his concern for Riley, she hints to Jonah about their questionable friendship to help break things up. And those sparrows in the complex that Riley and Auggie seem so smitten with? I doubt it's a coincidence that their nest was later smashed. Watch out Riley - my bet is Violet's gunning for you next.

90210 point: Dixon gets frustrated that he can never be seen with Sasha and dumps her. When she shows up later, he thinks that she's making amends, but actually, she's pregnant. This isn't necessarily new teen territory, but pregnant when you're in an underage relationship? Now that's scandalous.
Melrose Place counterpoint: Where do I begin with Jonah and Riley? First Auggie lets it spill that Riley kissed him, then Riley doesn't 'fess up the truth to Jonah, then Jonah grabs a drink with the hot new film exec who's helping him with his script (Step Up's Jenna Dewan!). We all know where this is headed...
90210 point: Debbie is still fuming over Harry calling her Kelly by accident, but matters worsen when Harry plans to have lunch with her and then cancels to comfort Kelly. Deb shows up to Harry's office with some food, and surprise - Kelly is there. Later, he teases Kelly about how Deb thinks she has a crush on him, but when Kelly doesn't respond right away, Harry realizes it's true. Do you think they're going to have an affair?
Melrose Place counterpoint: Riley models for another fashion shoot, and is asked to get topless by the photographer (Jo from the original Melrose!) In an even bigger shocker, Ella stands up for Riley when Jo starts throwing a few verbal punches at her from behind the camera. She even calls Jo a sell out. Awww, Ella, you do care.

I'm going to have to give this week's round to 90210 yet again. The guys from Melrose weren't bringing that much new drama to the table, but how can you compete with an illegal pregnancy and a car-napping? Do you agree, or should the Jonah and Riley storyline earn Melrose more points?

On a side note, is 90210 setting up Silver and Teddy? Looks so, but I hope not!

Don't forget that you can keep talking about these questions and the rest of the episode over in the 90210 Superfans group in the Buzz Community. Check it out!

Photos courtesy of The CW

House Rundown, "Instant Karma"

BuzzSugar — Tue, 13 Oct 2009 08:30:00 -0700

This week's House continued to stick to the tried-and-true show recipe, and our favorite doctor was there pulling the strings - even if he isn't technically in charge. The episode answered one or two of my previous questions, and while the writers quickly tied up the dilemma involving last week's death of the dictator (breathe a collected sigh of relief), I highly doubt that Chase and Foreman's shared secret is just going to be swept under the rug for good.

I'm curious to see how everything plays out, but for now, take a look at my questions (some spoilers!) from this week's episode and share your thoughts when you read more.

Foreman brings up a good point, when will House get back his license? I'm interested to see how long they drag it out for, although I do kind of like to see him play the annoying backseat driver to poor Foreman.
Why isn't Chase a little more nervous about the M&M presentation at the beginning? He seems a bit too cocky about getting away scot-free.
Thirteen! Man, I love seeing her and House spar. Wilson is right - she's the only one who doesn't get sucked into the "House vortex." I know she's boarding a plane at the end, but I think she'll be back, don't you? Once Jennifer Morrison leaves, it would be strange to have just Chase and Foreman debate the odd medical scenarios.
Speaking of Cameron's departure, it definitely seems like the writers are going to use Chase's secret to cause a rift in their relationship. First, they keep showing her alone in bed night after night, but then she asks him what was going on, and he continues to dig himself even deeper into the lie. When she does learn the truth - I'm thinking soon - there's going to be a huge blow-up.
Why is it that House's pervy comments always make me laugh?! I love this one that he said to Thirteen: "I wasn't talking to you; I was spying on the MILF in the running shorts." Ha!
I think this episode really shows a softer side to House. It started when he tells Foreman, "You're going to be a good boss, Boss." Awww, is that an actual tender moment from the crotchety doctor?! And then he goes on to save Chase and Foreman from their M&M review, and he tries to bring back Thirteen? House may say his heart is "three sizes to small," but he is spreading good will all over the hospital - well, good will for House at least.
Anyone else find the "Midas" dad kind of annoying? I don't dig his cocky attitude, and I was actually more interested in how things were playing out between the doctors than the actual medical case in this episode.
Here's a real philosophical question for you: Do you think that in some karmic way, that the father getting rid of his fortune really does help his son? House seems to be deep in thought over it at the end of the episode - or maybe he's questioning taking over the team again?
I love the moment where Chase tells House that he will always be in the guy in charge, but perhaps House is doubting his leadership. He does tell Cuddy that the combination of puzzles and power proved to be a bad mix for him. Still, I'm ready to see him running the place again, even if he pretty much already does.

What'd you think of the episode? Do you think House may be turning into a softie? Will he take over the reins from Foreman? And how will Thirteen finally make her return (if she does)? I want to hear all your hypotheses!

If this didn't satisfy your House hunger, head over to the House Group in the BuzzSugar Community to keep the conversation going!

Photo courtesy of Fox

Desperate Housewives Rundown, "Being Alive"

BuzzSugar — Mon, 05 Oct 2009 09:39:57 -0700

This week's episode of Desperate Housewives follows the residents of Wisteria Lane as they deal with the aftermath of Julie's attack. At the epicenter, Susan's friendships with the housewives are tested (though most of the betrayals happen behind her back). Meanwhile, the newest neighbors find their son on the list of primary suspects and Mrs. McCluskey lands a new love.

There were scandals all over the place this week, so to talk about it just read more.

Susan - Susan's post-wedding morning bliss with Mike is quickly interrupted by Mrs McCluskey screams. As she faces the possibility of losing her daughter, Susan turns to her friends for comfort. In typical fashion, all the ladies have got their secrets - Lynette admits that Julie confided in her, Bree is sleeping with Carl, and Katherine's throwing herself at Mike.

Lynette - Still in denial about her pregnancy, Julie's accident turns out to play a vital role in Lynette's decision-making process. I was surprised that she's seriously considering having an abortion, but relieved that Susan used her own situation to talk her out of it. Most of all, I'm glad that Lynette is facing the truth from here on in, since pretending her pregnancy isn't real was starting to get depressing.

Gaby - I'm loving Gaby's new life with a teenager. Her guidance on playing hard to get cracked me up, particularly when poor Carlos realizes how many dates Gaby broke off for no real reason. Bonding time between Gaby and Ana never lasts long though, and by the end of the episode Gaby is grounding Ana for lying to the police about Danny's alibi. Though Ana continues to push Gaby's limits, so far her actions haven't strayed far from the typical high school realm - but I'm willing to bet it won't be long before things get out of hand.

Angie - Like any good wife and mother, Angie struggles to protect her family from both the police and the scrutinizing eyes of their neighbors on Wisteria Lane. She spends most of the episode trying to prove that Danny is innocent in Julie's attack, but I'm more worried about her husband than her son.

Katherine - Katherine finds a new confidant in Orson this week, trying to convince him that she's going to get Mike back. Orson has done some questionable things in the past, but even he doesn't fall for Katherine's deluded re-telling of what happened while Susan was at the hospital. Now that Bree's moved on, how long before Orson and Katherine end up in the sack?

Bree - Bree's discovering that Carl can bring out a whole side of her she never knew she had - a bad girl side. Not only do Carl's sleazy ways turn her on, but she realizes a bit too late that she's become a bad friend to Susan. Now the real question is whether or not Julie will remember catching Bree and Carl in the act when she wakes up from her coma.

What did you think of this week's episode? Who do you think is behind the attack on Julie? (My money's still on Mr. Bolen). Are you excited to see Jesse Metcalfe's return?

Want more of the latest on Desperate Housewives? Check out the Entertainment Group in the Buzz community!

The Invention of Lying: Sweet, but Unsteady

BuzzSugar — Fri, 02 Oct 2009 05:45:37 -0700

In his Hollywood directorial debut, Ricky Gervais takes us to an alternate universe where honesty makes the world go round. It's not just that lie-telling is an impossibility; everyone can't help but speak their minds at all times, no matter how personal, embarrassing, or brutal their innermost thoughts may be. The premise of The Invention of Lying is rife for comedy, but the film is also a commentary on religion and has its sad moments as well.

The film tells the story of Mark Bellison, an average joe who just can't seem to get ahead in a world where his mediocrity is ridiculed day after day. His co-workers can't stand him and women reject him based on his looks alone. When he loses his job as a screenwriter, Mark is ready to give up - until he mysteriously becomes the world's first liar.

To see what else I thought of the film, just read more.

Ricky Gervais stars as Mark, living in a world that's mostly free of flair, frills, and aesthetics. Mark's house and office are plain and boring, complementing his every-day appearance. Those who stand out are the people who are naturally attractive, like the object of Mark's affections, Anna (Jennifer Garner) and his snarky co-worker Brad (Rob Lowe). Anna can't help but show her shallow side on her first date with Mark. She immediately rejects him on the basis that she doesn't want to have "fat, snub-nosed" children someday and must find a "better genetic match." Once Mark starts to stretch his newfound talent though, he decides he can have whatever he wants - and begins a quest to win Anna's affections.

Gervais surprised me with his performance because he finally takes a break from his typical British dry humor. As affable, down-on-his-luck Mark, Gervais proves that he doesn't need his signature sarcasm to be witty. The most important scene of the movie requires a lot of raw emotion from Gervais, and he absolutely nails it, showcasing a sweet side that we rarely see from the actor.

There are two major aspects of the movie that wore me down: the cameos and the product placement. I love a good celebrity appearance, but after Philip Seymour Hoffman, Ed Norton, and Jason Bateman pop in, it starts to feel like Gervais is trying to use his comical buddies to keep the storyline afloat when it starts to lose focus. Seeing a familiar face is always fun, but this isn't a Judd Apatow movie.

The product placement is funny and fitting at first; there's not much room for advertising in a world of stark truth. With only a reputation to rely on, Coke and Pepsi are left with the slogans "It's very famous" and "When they don't have Coke," respectively. The film goes way overboard from there though, and suddenly Mark is surrounded by Budweiser bottles at all times and at the film's climax he's standing in front of a group clutching a pair of cardboard Pizza Hut boxes.

The movie's biggest problem is that it tries to appeal to too many genres. It's packaged as a comedy, but Mark becomes a god-like character once the world gets wind of his lies. His peers literally take everything he says as gospel, and Mark becomes a blatant modern-day Moses (complete with long hair and beard). Just as the audience begins to wonder where it's all going, the movie quickly ditches the religious aspect and finishes up as a love story. The ending is satisfactory, but what's the point of satirizing religion when it doesn't hold much water for the overall message of the movie?

Like I said, the premise is rife for comedy and starts us down a path that's packed with laughs - I just wish Invention of Lying didn't wander off before finding its way back home.

Photos courtesy of Warner Bros.