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The Other End of the Line Trailer: Cute or Cheesy?

BuzzSugar — Thu, 09 Oct 2008 08:30:07 -0700

Opening in limited release on Oct. 31, The Other End of the Line tells of the romance between an Indian woman working at a call center (Priya) and a young man named Granger who lives in the US. When Priya calls Granger to verify some charges on his credit card, the two get to talking and hit it off. Priya lies and tells him she lives in San Francisco, so when he travels to San Francisco to meet her, she hops on a plane from India to keep up the charade - but without her family's approval.

Some aspects of the trailer are nauseatingly lame and cheesy, but at the same time, the main actress is beautiful and endearing, and the cross-cultural tale of love is appealing. What do you think?

Jesse Metcalfe Rom-Com Actually Sounds Really Cute

BuzzSugar — Tue, 28 Aug 2007 10:33:47 -0700

I have to say, this sounds pretty adorable: Jesse Metcalfe is set to star in a cross-cultural romantic comedy titled The Other End of the Line. The movie follows "an Indian call-center operative who travels to San Francisco to be with a man she has only met over the phone." No word yet on Metcalfe's leading lady.

Producer Ashok Amritraj and his company Hyde Park Entertainment have greenlit the project with high hopes for Hollywood-Asian relations:

"This project was an organic opportunity for my mandate of identifying new and innovative ways to continually bridge the U.S. with the Asian continent and its multiple film markets," Amritraj said. "This high-concept unique story offered Hyde Park a great entertainment platform to increase Hyde Park's foot-print in Asia."

I like Metcalfe okay, but moreover I'm digging the idea of a romantic comedy that's not entirely vanilla with a dash of non-white-best-friends. There are plenty of those in the world - let's get some flavor out there.

Source

Glee-ful Highlights and Video From Episode "Ballad"

BuzzSugar — Thu, 19 Nov 2009 05:45:00 -0800

Maybe it's because Glee set the bar so high last week, or maybe it's the lack of Sue, but this week's episode just didn't do it for me. There are plenty of catchy tunes, but Rachel's all-of-a-sudden crush on Mr. Schue seems a bit forced, and it seems ridiculous that Will and Emma are best buddies again with no mention of their dramatic encounters from a few weeks ago.

It does have some touching moments (along with some sad ones) for Finn and Quinn, so to get into it just read more.

Mr Schue has the glee kids draw names out of a hat and assigns each pair a ballad to help them profess their feelings. He shoots himself in the foot when he throws his own name into the ring and Rachel draws it. One spot-on duet of "Endless Love" later, Rachel's found herself a brand new crush to distract her from her feelings for Finn. I liked this plot line, but something about it felt a bit too forced, like the writers just squeezed it in to have Mr. Schue sing his mash-up. I did kind of love when Terri has Rachel clean the bathroom, though, and when Emma and Rachel are equally goo-goo eyed over Mr. Schue's mini-performance. Speaking of Emma, aren't she and Will supposed to be trying to stay away from each other?

Watch Rachel and Mr. Schue gaze into each other's eyes here:

Quinn and Finn's situation comes to a head this week, and both end up breaking the news to their parents. Well, actually, Finn breaks the news to Quinn's parents via a dinner table performance of Paul Anka's "(You're) Having My Baby." While Quinn's parents are heartbreakingly unsupportive, Finn's mom takes the kids in when Quinn has nowhere else to go. The rest of the gleeks profess their own love for the couple with a rendition of "Lean on Me" which is super cheesy, but necessary after the harsh scene with Quinn's parents.
Puck finally breaks down and admits to Mercedes that he's the father of Quinn's baby. Mercedes doesn't even ask questions - just tells Puck that he's already done enough and to back off. Though Puck is staying away for now, it seems like the cat's out of the bag. Plus, did you catch the smirk he makes at Quinn at the end of the episode?

How'd you feel about this week's episode? Do you like the newfound bond between Finn and Kurt? Is Finn's dedication to a sonogram a little over the top? Sound off in the comments below, or create your own posts, recaps, polls and more in the Glee Club community group!

Photos courtesy of Fox

90210 vs. Melrose Place: Which Was More Scandalous?

BuzzSugar — Wed, 11 Nov 2009 09:30:22 -0800

This week's 90210 and Melrose Place combo don't have a ton of shocking moments, but it's obvious both shows are gearing up for major stuff to go down. (Like a drug bust, murder arrest, and Heather Locklear, for instance?!) We do, however, get some nice moments between the characters. Teddy, for one, is acting like an angel - although I can't tell if it's sincere, because I've made it a rule not to trust a guy who ties sweaters over his shoulders. And the gang from Melrose have a nice come-together moment around the pool, which I'd like to see more of.

Not that everything is warm and fuzzy. Hardly. There's still scandal to go around, so ready to decide which gave us more gossip-worthy material? Just read more.

90210 point: Navid discovers Jasper selling Adrianna drugs in her car in the school parking lot. Navid calls Adrianna to confront her, but she of course denies his accusations. Jasper also says the story isn't true and threatens Navid in a "hypothetical" way. Like, "hypothetically if I was a drug dealer, you wouldn't want to mess with me, because I know bad people." Real discreet stuff.
Melrose Place counterpoint: The blood tests from last week's discovery of Sydney's murder weapon come back - and Auggie is the guilty party. Auggie might as well be off the show already, because he is nowhere to be found, supposedly on a trip in Mexico. Ella's relieved, Riley has doubts, and Violet continues to defend him, seeing as how they slept together and she's crazy. When she told Riley that she and Auggie were "intimate" with each other, I nearly ralphed.

90210 point: Debbie is in the doghouse with Dixon. He tries to go comfort Sasha after her "miscarriage," and Debbie admits that Sasha faked the pregnancy - and that she hid the truth. Dixon's unreasonably angry with Debbie, telling her "you're not my real mom anyway." Come on, Dixon. Deb doesn't deserve that.
Melrose Place counterpoint: David sneaks over to Michael's house while he's at work and borrows Noah. He takes his little bro to a fair, but things go amiss when Noah climbs a wall and falls. David rushes him to Lauren at the hospital, and she administers treatment - but not before Michael gets wind of everything. He's understandably furious but later tells David that he's glad he cares about Noah. Could this be the start of an actual relationship between the father and son?!

90210 point: Liam is on the rampage after he tells Mr. Matthews that Jen is psycho and Ryan doesn't believe him. He takes his attitude out on Ivy, Teddy, and an entire group of surfers. Later, Liam explains his behavior, opening up to the guys (and Ivy) about his history with Jen, and the entire thing culminates in a cheesy friend speech to take Jen down, complete with a high-five. [eye roll]
Melrose Place counterpoint: Violet is back to blackmailing Michael. This time, we find out that she's wanted for a court trial for previously resisting arrest. She enlists Michael, suggesting that he find her a lawyer in return for her discretion about their one-night stand. He, in turn, threatens her back, telling her that he can make the sentencing go against her unless she erases the sex video. Which she does . . . or so it seems. I'm still not 100 percent sure that it won't pop up later, but the power play between the two of them was an episode highlight for me.

90210: With Silver's half birthday approaching, her mom decides to make up for years of missed celebrations and throw her multiple parties at once, dressing up their entire house in different themes. The whole thing seemed like a stretch - really, Teddy called his dad's set designer friend to rig up the ambiance? - but it was still nice to see her and her mom get their moment together. Unfortunately, at the end of the episode, Silver goes to wake her mom in the morning and realizes that her mom has passed away.
Melrose Place counterpoint: Whoa, whoa, whoa - Ella makes a move on Jonah that's bold even for her. It all starts when she needs him to pose as a publicist at a lunch with a hot new indie director. The director comes on to Ella, and Jonah swoops in to put off his advances by pretending to be her fiance. They share a steamy kiss to be extra-convincing, and sure enough, once the director is out of sight, Ella suggests that the two of them go to a nearby hotel, so Jonah can see what he's been missing. He angrily tosses Ella's advances by telling her he's in love with Riley. You could tell part of her feels hurt by his words - and that part of him doesn't actually mean them.

90210 point: Annie is falling hard for Jasper. Their back and forth "I love yous" were pretty sickening, and she even gets in a sting at Dixon, defending Jasper and telling Dixon he's a bad judge of character because of Sasha. But the most cringe-worthy part is Annie tells Jasper that she wants him to be her first - and they start tossing on the bed as the episode wraps. Oh, Annie - you're so gonna wish you had given it up to Ethan instead.

Melrose Place counterpoint: You saw it coming: Lauren and David finally kiss! David's actually a standup guy this episode by taking care of Noah, but his speech to Lauren about how he wants her to see the best in him was unexpected - and welcome, in my opinion. Lauren of course is hesitant due to her call girl lifestyle, which David still doesn't know about. I just hope they don't let that hold her back too long, so we can explore these two as a couple.

This is tough one to call, since neither show packed a ton of drama, relatively speaking. I'm going to go with Melrose Place though, since we find Auggie's blood on the murder weapon, Ella propositioning Jonah, and David and Lauren locking lips. But would you argue for 90210 instead? I'll agree that it did include some pretty nasty lines, and obviously Silver's storyline with her mom carries some weight.

Let me know your pick in the comments, then head over to the 90210 Superfans group in the Buzz Community to discuss the show in more detail.

Photos courtesy of The CW

90210 vs. Melrose Place: Which Was More Scandalous?

BuzzSugar — Wed, 04 Nov 2009 09:30:12 -0800

This week's CW drama block may have its share of cool guest stars like N.E.R.D. and Samantha Ronson, but, on the whole, it's a total mess. On the one hand, you've got the unstable girls of 90210 having emotional breakdowns at the drop of a hat; on the other, the Melrose Place residents are busy sneaking around to cover up their crimes. Personally, I was a bit annoyed by all the over-the-topness - especially you, Annie. Oh, and you, Ivy. But hey, at least it gives us a few surprising moments.

Ready to dissect each show and decide which packed more punch? (Warning: major spoilers!) Take a peek at my arguments and then weigh in with your own when you read more.

90210 point: Sasha is officially a nut job. First she tells Dixon that she's pregnant, but when Debbie gets wind of it, she questions Sasha even further to catch her in her baby lies. But the best part? When Debbie says the line, "It starts with you're not pregnant, and it ends with stay away from my son." Oh, snap! Congrats Debbie, you just went up a notch on the list of cool TV moms. Sasha backs off, telling Dixon she had a "miscarriage."
Melrose Place counterpoint: Did David kill Sydney? They sure try to make it seem that way. David tells Ella that he was blackout drunk that night after finding out that Syd was sleeping with his father - and then he has a flashback where he wakes up with blood all over himself and a knife in his hand. I gasped a little over the big reveal, but I'm not entirely convinced that David wasn't set up by someone else.

90210 point: Annie is getting in way over her head with Jasper, and unfortunately, she seems much too insecure to dig herself out. When Navid hears that Jasper is a dealer, he tells Annie and she confronts Jasper about it. Jasper wigs out, making Annie cry and beg forgiveness. Later, we see Jasper selling drugs to someone, so we know the rumors are true. For more on his buyer, keep reading.
Melrose Place counterpoint: Jonah makes out with Kendra, the hot movie producer, literally within the first five minutes of the episode. (That didn't take long.) He stops things from going further, but when he comes clean to Riley, he gets on her case again for her kiss with Auggie. She apologizes profusely, but the damage has already been done. By the end of the episode, I was thinking, Wait, did they actually just break up?! I don't think so, but if you stuck around for next week's promo, things do not look good for the engaged couple.

90210 point: Jen is back, throwing around her prima donna wicked attitude. She walks in on Ryan during his date with the bartender from the previous episode and goes into attack mode with the verbal jabs. ("You look older closer up.") Ryan is actually turned on by her jealousy, and the two become exclusive. But what I can't understand is why, after he knows that she lies, does he actually trust her story about Liam coming on to her? He totally buys it!
Melrose Place counterpoint: Auggie finally gives his a-hole boss Marcello a piece of his mind, er, fists. Marcello passes off one of Auggie's recipes as his own, and then he makes a few lewd comments about Riley - and you know how Auggie feels about Riley. He starts swinging, knocking Marcello out. Back at the apartment later, Violet shows up, and in a moment of what I can only blame on Auggie's emotional distress, the two finally knock boots. I'm guessing this means we'll be seeing Violet's worst kind of crazy very soon (right before she and Auggie say sayonara).

90210 point: Adrianna is inching closer to her previous life of drug use. It starts when she plays a song asking for Navid's forgiveness. (So cheesy!) He turns her down, so she continues sulking in bed, sobbing. Silver and Naomi want her to go to a meeting so she can stay clean, and with due concern - at the end of the episode, we see her buying from none other than Jasper.
Melrose Place counterpoint: Ella's squeaky-clean client, Jessie, is hospitalized with major cocaine in his system, so she begs Lauren to write a fake report citing an allergy as the cause of his stay. Lauren refuses. (Anyone else confused about why Lauren continues to take the high road, despite her side prostitution gig?) Ella then discovers a wad of cash in Lauren's room and realizes her Pretty Woman secret. Of course Lauren denies the accusations, but no matter - Ella decides to let her star take the fall anyway and promises to never question Lauren again.

90210 had way more melodramatic outbursts, but those ladies were so crazy that it kind of turned me off. (You girls give women a bad name. Even Violet seemed normal this week compared to you.) So I'm giving this week to Melrose by default: I was genuinely shocked at David's bloody flashback and the fact that Jonah has suddenly broken out of his perfect-fiance persona. I expect scandal from someone like Auggie or Ella, but from Jonah? Come on!

Do you disagree? Were you actually loving all of the melodrama on 90210?

Don't forget that you can also keep the conversation going over in the 90210 Superfans group in the Buzz Community. Check it out!

Photos courtesy of The CW

FlashForward Breakdown, "Scary Monsters and Super Creeps"

BuzzSugar — Fri, 30 Oct 2009 11:30:52 -0700

FlashForward gets into the Halloween spirit this week, with a few tricks for the characters and treats for the audience. We get just a bit more info about Simon and see a few costumes as Olivia and Mark's relationship issues come to a head in a big way.

This week's episode is heavy on the revelations (just like Sonya Walger promised), so to get into it, just read more.

Simon says: Within the first few minutes of the episode, one thing is abundantly clear: Simon is not Charlie from Lost. Instead, he's a smooth-talking, self-proclaimed "quantum physicist genius", who actually gets a woman into bed using the line "I know what caused the FlashForward." The scary part is that he actually does - and in his own vision, he's murdering someone. Totally creepy.

Trick or treat: Mark takes Charlie out trick-or-treating, and has an unpleasant surprise waiting when he gets home. He's understandably uncomfortable having Lloyd in his house, and things hit the fan when Olivia gets home and all three realize what's going on at the exact same time. I was so happy when Mark finally tells Olivia the truth about his vision (was totally expecting him to lie again), but then Olivia insinuates that they should break up - which seems a bit random to me. They're finally making progress and now they're going to throw it all away?

Runaway rapper: Lloyd's son Dylan runs away from the hospital in his rapper costume), and heads to the Benford residence. It's baffling when Dylan runs past Nicole and makes himself comfortable, until we finally see the kid's flashforward: he and Charlie are hanging out in the kitchen, eating cookies and having a grand old time. (So much for my kidnapping theory). So here's where I'm confused: Charlie looks perfectly happy to be hanging out with Dylan in her vision, so where did she get the "D. Gibbons is a bad man" idea from?

Janis's body: Janis is admitted to the hospital after last week's shoot-out, and Olivia is her doctor, naturally. My heart jumped for a split second when Janis pretends that she doesn't recognize Olivia (would be an all-too-easy explanation of her vision). Thinking about her flash-forward gets Janis all stressed out, and she has to undergo another surgery - this time, part of her uterus is removed, making it "almost impossible" for her to get pregnant. Almost.

Other major plot points:

Simon brings up the Schrödinger's Cat theory, discussing that it's up to the cat to decide if it wants to live or die. Is this foreshadowing for the flash-forwards? Perhaps each character can decide for him- or herself whether or not to make it happen?

Demetri sets off in search of his attacker, follows a bunch of blue-hand signs to an abandoned warehouse. I'm starting to get a little bored of his storyline.

Lloyd and Simon reunite at the end of the episode, with Lloyd saying, "Our experiment killed 20 million people Simon, what more is there to say?" What's do you think the relationship is here? Brothers? Old buddies? Lab partners?

The kangaroo makes an appearance!

This episode was one of my favorites so far, but what did you guys think about all the new revelations? Tell me your theories in the comments below!

Photos courtesy of ABC, Inc.

The Office, "Koi Pond": Best Lines of the Night and Video!

BuzzSugar — Fri, 30 Oct 2009 05:30:00 -0700

This week's opening of The Office isn't necessarily a huge spooky surprise since we already got a peek at those costumed spoiler photos, but I still laughed through every minute of the intro. Jim's "Bookface" costume? A-ma-zing.

I sort of wished the rest of the episode followed suit with a Halloween theme, but that's OK, because we still get a great set up with Michael, Jim, and a lobby koi pond - not to mention a ton of quips that had me cackling. Check out my list of faves, and weigh in with your own!

"Kids, just remember suicide is never the answer . . . Why is Christmas the only holiday that can have a message?"-Michael
It's bad enough that Michael Scott has the D*ck in a Box costume, but to wear it - and hang himself - in front of children?! That's even more hilariously inappropriate than usual for him. And am I totally off base, or is Ryan trying to be Edward Cullen?

Even more funny lines, plus that koi pond video, when you read more.

"I date models - face models. My girlfriend, on a scale of 1 to Gisele? A nine. Pam's carrying our surrogate, because my girlfriend needed to keep her figure for Fashion Week."
Andy and Pam are forced to make cold calls when their sales figures are low, and clients mistakenly think they're married. This is when things get really awkward, leading up to a belly kiss. We normally don't get much interaction between Andy and Pam, but I think they do well as foils.

"The custodian called again. Apparently a koi has died."-Erin
I don't know why a koi pond is so funny to me, but I was giggling at the random jokes about Michael's mishap - yes, even Phyllis's lame, "Did you flounder?" 'Bout time the employees took a few shots at their bumbling boss. Then, when he gathers them into a meeting to make his "mocking" board, the insecurity really flies. Dwight's upset over his small nose, Angela's worried that she eats like a squirrel, and Meredith says she's embarrassed because she . . . had sex with a terrorist? (Um, did I read that right?!)

"The guy was like, Who are your five friends? And I was like, I don't even know . . . . I'm a total loser. Loooooser. Too far."-Michael
I died over this one. Michael tries to save his embarrassment over the koi incident by making fun of himself, and instead, he comes across as pathetic. But "too far" was the real kicker for me.

"Jim is my enemy. But Jim is also his greatest enemy. And the enemy of my enemy is my friend. So Jim is my friend."- Dwight
When the staff watches the security tape from the koi lobby and witnesses Jim actually letting Michael fall in, their loyalty swiftly changes. Dwight so confused, his mind gets blown. I am enjoying this new glimpse into the Michael and Jim work dynamic - by the end of the episode, it seemed like they might actually get along as comanagers. On the other hand, I have to say that I miss the days when Jim was the dude with a sweet crush who liked to pull pranks. Check out the actual video of Jim leaning out of the way:

"Oh, do you mean Marlon Wayans? Cause he is."- Erin
Way to go Erin! I've always sort of viewed her as a background character, but she delivered several funny ones this week. (I'm also loving her right now thanks to her Subtle Sexuality music video.) Do you think the writers are really going to set her up with Andy? Pam seems to be pushing it in that direction - even comparing Andy to Marlon Brando - and I think it's brilliant.

What'd you think of this week's episode? Who wore your favorite costume? Would you like to see Andy and Erin take their relationship to the next level? (I wonder if Angela would get jealous . . . )

And don't forget that you can always head over to The Office! group in the BuzzSugar Community to dish about the show!

Photo courtesy of NBC

The Boys Are Back: A Quiet Film With a Few Heart-Tugs

BuzzSugar — Fri, 09 Oct 2009 08:30:26 -0700

Has Clive Owen - a man who's best known for playing con artists, spies, and other brooding alpha males - gone soft? It appears so, and he's surprisingly good at it. In The Boys Are Back Owen plays Joe Warr, a recently widowed sports reporter raising two boys in the Australian wilderness. And thanks to his understated performance, what could've been an overwrought tearjerker worthy of a made-for-cable movie turns into something quietly moving.

Based on the memoir The Boys Are Back in Town by Simon Carr, the film opens with Joe driving on the beach with his son Artie. Did I mention Artie is sitting on the hood of the car with Joe at the wheel?! Parental guidelines haven't been a priority in the Warr household ever since Joe's wife passed away from cancer. Now, he has to explain her death to Artie, while his older son Harry from his first marriage moves into the house. Left to their own devices, the two boys play soccer in the hallway, zip line across the yard, and even defrost a chicken in the bathtub.

Typical parenting? Not so much. For more on the film, read more.

These moments of chaos are fun to watch and add levity to the heavier subject matter, but the movie really shines in the conversations that Joe has with his sons as he helps them grieve - Artie for his mother; Harry for a childhood void of a father. Neither boy really knows how to mourn his loss, but then again, neither does Joe. Instead, he relies on the parental guidance of his deceased wife in the form of visions and voice-overs to help rebuild his family. (This felt very heavy-handed to me, but luckily it was really the only part of the film that crossed over into overly contrived.)

Does it seem out of place to have man's man Owen pillow fight with a 6-year-old and shed tears? A bit. But because he almost seems uncomfortable with the sentimentality, he ends up playing the role with the light touch needed for the part.

The young actors who play his sons are brilliant, even at times stealing the spotlight right out from underneath him. (Not an easy feat when you act - and look - like Owen.) Their performances feel very real despite their ages, and they give us some of the film's most tender moments.

I also must mention the fourth character of the film: the Australian landscape. Oscar-winning director Scott Hicks (Shine) beautifully captures the countryside from sweeping fields to oceanside beaches strewn with rocks, and when paired with music by Icelandic group Sigur Ros, every frame feels almost like a sleepy dream.

All in all, The Boys Are Back is a nicely done portrait of the relationships between fathers and sons. It's not out to be a huge blockbuster, but if you appreciate a good character study kind of film, it's a solid choice for a subdued Saturday afternoon.

Photos courtesy of Miramax Films

FlashForward Breakdown, "White to Play"

BuzzSugar — Fri, 02 Oct 2009 14:00:29 -0700

FlashForward's sophomore episode packs as much punch as its pilot: more action, questions raised, and lives on the line. As the FBI continues to investigate what caused the blackout, the world's residents find themselves united in their shared experience. They may never be able to look at life the same way again, but as Aaron says, "We're all prophets now."

Last week I broke down the episode by character, but this time around I'm focusing on the biggest questions of the night and even sharing a few of my own predictions. To get down to the nitty-gritty (spoilers ahead, of course), just read more.

Who is D. Gibbons?
Knowing that one of Mark's vision cards says "D. Gibbons," Mark and Demetri start to discuss the person in question when a woman with a box of cupcakes shows up, and - you guessed it! - her name is Deedee Gibbons! Seems simple enough, but as it turns out, there's another D. Gibbons. Mark and Demetri track him to his creeptastic doll factory in Utah, where he tries to administer death by explosion. Later we learn that D. Gibbons is in contact with "Agent Zero" (aka the Detriot stadium walker) during the two-minute blackout.

Can Demetri avoid his fate?
Demetri continues to wrestle with his vision (or lack thereof), and is seemingly comforted to find a policewoman with the same experience. That is, until she's dead five minutes later. Mark tries to convince him that he may be asleep in the future, but Demetri gets an anonymous call at the end of the episode bearing the worst news: On March 15, 2010, he will be murdered.

Will Mark's actions throw his vision off course?
I have to admit that throughout the episode, I was kind of mad at Mark for a lot of reasons. First of all, he acts cold towards Olivia because of her adulterous flash-forward when he's not being truthful about his own. She took a big risk by revealing her vision to her husband; the least he can do is lay off of her a little. My other major gripe is that Mark seems to be actively fulfilling his vision. He arranges the cards in his office exactly how they were in the flash-forward, and heads to the dollhouse factory because it appears in his vision. If Mark is trying to avoid his prophecy, couldn't he be more active about moving in a new direction? (Demetri agrees with me, mostly because he doesn't want to believe his own fate). By the end of the episode, Mark finally tries to break the pattern by tossing his friendship bracelet into the fireplace. But will a butterfly effect take place?

What did Charlie see in her vision?
The episode opens to a very creepy rendition of children singing "Ring Around the Rosie" as we see Charlie's playmates re-enacting the blackout on the playground (later we get a reprise of the haunting tune). Charlie is the only kid in school who doesn't want to talk about her vision, prompting her teacher to worry about Charlie's psychological well-being. Later we find out that she had a "bad vision" and that Lloyd Simcoe's son Dylan is a part of it. The episode ends on a chilling note as she tells Mark, "D. Gibbons is a bad man."
My prediction: D. Gibbons kidnaps Dylan and Charlie at some point, which causes Mark's and Olivia's relationship to unravel. Charlie gets a glimpse of her imprisonment in her vision.

Other major points

"He who foresees calamities, suffers them twice over" - D. Gibbons mutters this line shortly before blowing up the factory.
Olivia recognizes Lloyd from her vision, but not vice-versa.
Is Bryce sketching Olivia in the hospital?
Am I the only one who noticed a little bit of sexual tension between Demetri and Janis? Could Demetri be the father of her child?

I've given you my two cents, now I want to hear yours! Sound off the comments below!

The Vampire Diaries: The Good, The Bad, (The Twilight Reference) and The Bloody

BuzzSugar — Fri, 02 Oct 2009 08:15:00 -0700

Last night's Vampire Diaries was all about the formal wear, history and, swoon, some shirtless Salvatores. The series is doing a great job of slowly revealing the back story of the vampires in Mystic Falls while also progressing the romances and of course the brother-rivalry which has taken a pretty central spot so far.

Bonnie is still figuring out her powers, without much help from her friends or anyone else, but she's quietly becoming one of my favorite parts of the show. On the other hand, I'm not sure how much I care about Elena's aunt, whose love life might be causing some trouble for the Gilbert family soon. Check out my thoughts on the show if you just read more.

The Good:

I love, love, loved the scene of Damon reading Twilight - hilarious. He says that "this book has it all wrong" and laughs off Caroline's questions about his lack of sparkling in the sun.

Holy hotness. The Salvatore guys were all about showing off their bodies last night. No complaints here.

Finally Elena was a good friend and noticed that Caroline is covering up some serious wounds from Damon. Maybe Elena isn't quite clued into what's going on, but at least she's worried and the scene at the end suggests that Caroline might be ready to talk.

On that note, Elena is growing a backbone with Stefan. It's about time for her to demand that he be less mysterious, especially considering how much she has gone through. She deserves to have some transparency from the guy she is trusting her heart to.

No diary writing this week, no crows, so there's that.

The Bad:

I am getting into this show, for sure, but not quite ready to put any heart into the aunt's backstory and love life. There was a bit too much time spent on that last night. Speaking of which, am I heartless for just not being that into Jeremy's story? The end was sweet when Vicki finally came to her senses and kissed him, but still, lets get back to the Salvatore hotness.

As I mentioned last week - five people are found dead drained of blood out of one neck bite and the police say it's a Mountain Lion?

The Bloody:

Once again the show started with a scary scene, this time a nightmare. It seems like it's Elena's, but really it's Stefan - why is he sleeping at all? - anyway, this leads to...

Um, hey brothers, why so stabby? Well, at least that meant some serious six pack from Stefan and one of the best lines from Damon yet: "This is Jon Varvatos, dude. Dick."

The last bite of Caroline seemed pretty intense, but she didn't die thanks to Stefan who helped her out. Plus, her blood was spiked which meant Damon could finally be captured.

I can't imagine that Damon will stay locked up for long, but the Mystic Falls police department, mayor and news anchor know what kind of "animal" is draining residents of blood - the vampires are back. We're still piecing together what happened in the past, or what made the vampires leave for however many decades, but things are still getting more and more interesting as the plot unfolds. What did you like or not like about "Family Ties"?