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What to Netflix: New DVD Tuesday

BuzzSugar — Tue, 14 Aug 2007 13:30:11 -0700

All of the new DVD releases hit stores (and Netflix) on Tuesdays. So each week in What to Netflix: New DVD Tuesday, I sort through the best of the batch and tell you what to add to your queue. In addition to these three creepy thrillers that join the others on video store shelves today, Wild Hogs also comes out on DVD, as well as David Lynch's Inland Empire.

The Lookout
One of my favorite thrillers of the year so far, The Lookout has Jeff Daniels and Joseph Gordon-Levitt both turning in superb performances as the good-natured blind man Lewis (Daniels) and his mentee Chris (Joseph Gordon-Levitt). Chris suffers a severe head injury from a car accident that cut short his promising athletic future. Now working as a janitor at a bank and living with his blind friend, Chris falls in with the smooth talking Gary Spargo and his posse (including the sweet and sexy Luvlee played by Isla Fisher).

Gary lures Chris into his bank heist, preying on Chris' loneliness and desire to feel powerful again. At the last minute, though, Chris has second thoughts. Chilling and suspenseful throughout, The Lookout is a fantastically worthwhile thriller. For more of my take, check out my review.

For two more thrilling titles, read more

Fracture
Fracture pits the adorable and arresting Ryan Gosling against the ever-shifty Anthony Hopkins in a capable legal thriller. Gosling plays Willy Beachum, the up-and-coming assistant district attorney tasked with linking Ted Crawford (Hopkins) to the murder of Ted's wife. Hopkins shows nothing new with his performance, relying on his old Silence of the Lambs tricks to once again portray a clever yet disturbed criminal while Gosling does his very best to pick up the slack. It's a decent rental for a spooky night, however, especially if you need a Gosling fix.

Vacancy
Kate Beckinsale and Luke Wilson star in this horror/thriller that takes place at a creepy motel (hence the title). David (Wilson) and Amy Fox (Beckinsale) are forced to stay in the shady Pinewood Motel when their car breaks down in the middle of nowhere. In the cursed Room 4, they turn on the TV and watch some slasher films... until they realize the low-budget movies were all filmed in their very motel room. Vacancy doesn't break any new ground, but it provides a few good scares if you're in the mood.

The Lookout: Quiet, Dark, Worthwhile

BuzzSugar — Fri, 30 Mar 2007 07:00:24 -0700

The Lookout is mostly slow-moving and pretty quiet, which makes the action that much more exciting when it quickly advances, and the denouement that much more satisfying. If one can disregard the tidily wrapped-up ending and some convenient coincidences, the film is a successful piece modern noir featuring a sweet-faced kid and his blind, lovable buddy. Screenwriter Scott Frank delivers a solid product with his first directorial attempt. And in fact, when Frank's script seems weak, the direction and performances step up to fill in the gaps.

Joseph Gordon-Levitt (a.k.a. "that kid from '3rd Rock From the Sun'") plays Chris Pratt, a teenage jock whose promising future is dashed when he crashes his car, leaving him with a brain injury that effects his short-term memory. Now Chris works as a janitor in a bank, his hubris replaced with guilt and anger. It doesn't help that Chris's family is unabashedly ashamed of his disability. Chris's main source of support is his blind roommate, Lewis, played by a refreshingly comedic Jeff Daniels. With his protective good-nature, Lewis has confidence in the duo's futures. But of course, it's not that simple, so

However, skeezy bank-robbing Gary Spargo (Matthew Goode) targets Chris as his new best friend, needing Chris's after hours access to the bank and recognizing his obvious desire for power in his life. Ultimately, Chris becomes so entangled in the heist plan that by the time he starts having second thoughts, it's too late. At that point in the film, the tension mounts rapidly, but then after the climactic scene, everything neatly wraps up, and the movie's over.

The thing that separates this noir thriller from the pack is that the main characters' disabilities heighten the stakes considerably, making us root for the characters more fervently than we otherwise would. More than just good vs. evil, there's the sense of injustice that comes from the strong exploiting the weak. Whether this was the intention or not, I left the movie with a new sensitivity toward the "handi-capable." The story's end is predictable from the start, but because it's the ending you're so earnestly hoping for, it doesn't feel like a cop-out. With this ending we can retain a belief in goodness prevailing, which is always nice.

Photos courtesy of Miramax

Movie Preview: The Lookout

BuzzSugar — Tue, 27 Mar 2007 04:20:32 -0700

Aside from Blades of Glory, the only other films coming out nationwide this Friday are the animated family flick Meet the Robinsons and the neo-noir crime thriller The Lookout. I'm more interested in the thriller, though I won't be surprised if Meet the Robinsons does well at the box office (see: TMNT).

In The Lookout, which marks screenwriter Scott Frank's (Out of Sight, Get Shorty) directorial debut, Joseph Gordon-Levitt plays Chris, a high school jock whose bright future is demolished when a car crash leaves him brain damaged. Struggling to regain a normal life, he accepts a job as a bank janitor, only to find himself enmeshed in a heist attempt. Jeff Daniels costars as Chris' blind mentor, and Isla Fisher plays a mysterious siren.

The Lookout looks like a real treat for fans of indie film - and for anyone following Gordon-Levitt's career. In Brick, he proved his uncanny noir abilities, and he often reminds me of a young Edward Norton. Watch for my review this Friday and in the meantime, you can check out the trailer if you read more

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