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Buzz News Roundup, 12/1

BuzzSugar — Mon, 01 Dec 2008 13:30:06 -0800

The creator of the HBO series Rome wants to film a movie to wrap up the series. - The Hollywood Reporter
The English-language version of Hayao Miyazaki's animated Ponyo on the Cliff by the Sea will feature a voice cast that includes Matt Damon, Tina Fey, Cate Blanchett, Liam Neeson, Lily Tomlin, Betty White and others. - ComingSoon
Director Gabriele Muccino is planning a sequel to his romance L'Ultimo Bacio (The Last Kiss, which spawned an American remake starring Zach Braff and Rachel Bilson) with the original cast. - Variety
Rosie O'Donnell says there won't be any more episodes of Rosie Live. - TV Guide
T.I. is back at No. 1 on the Billboard Hot 100 this week with "Live Your Life," just barely beating out two Beyonce songs. - Billboard
Steve Buscemi is in talks with HBO about starring in its drama pilot Boardwalk Empire. - Zap2It
The lawyer for Guns N' Roses and Axl Rose has castigated Dr Pepper, accusing the soda maker of failing to deliver on its promotion to offer free soda in celebration of the band's album Chinese Democracy, though Guns N' Roses was never involved in the campaign. - Billboard
The building made famous as the Slough branch in the UK version of The Office has been rocked by a chemical explosion and fire, but nobody has been injured. -The Sun

What to Netflix: New DVD Tuesday

BuzzSugar — Tue, 26 Dec 2006 05:15:17 -0800

All of the new DVD releases hit stores (and Netflix) on Tuesdays. So each week in What to Netflix: New DVD Tuesday, I'll sort through the best of the batch and tell you what to add to your queue.

The Last Kiss
At first sight I thought The Last Kiss would be Garden State all over again, only ten years later. In fact, The Last Kiss is a remake of the Italian film L'Ultimo Bacio and is more serious than Garden State, painting love as a grim and difficult thing. Zach Braff (one of my personal favorites) plays Michael, a thirtysomething guy with a nice job, a good group of buddies, and an adorable, charming girlfriend, Jenna (Jacinda Barrett). Jenna delivers some news that forces Michael to contemplate adulthood and commitment. As he grapples with deep thoughts about Growing Up, he meets the lovely Kim (Rachel Bilson), and his world grows even more complex. The subject matter is heavy, but there is enough humor to keep the film from feeling too bogged down, making this a good pick if you're in the mood for a thirtysomethings-in-relationships film.

Joel McHale and Ken Jeong Share Details About Community!

BuzzSugar — Thu, 19 Nov 2009 07:00:29 -0800

Community is one of those shows where you know the cast has an awesome time together. So I wasn't all that surprised to hear stars Joel McHale (Jeff) and Ken Jeong (Senor Chang) fawn over one another when they recently sat down with reporters. I've been waiting to see these two cement their friendship on-screen too, and it sounds like I'll get my wish tonight. Both actors shared a few tidbits from the episode, plus thoughts on Chevy Chase, the possible Jeff and Annie romance, and their mutual admiration.

Joel on Jeff and Annie's kiss last week: I haven't seen any scripts where it'll be revisited, because I'll probably be arrested, but believe me it was good times. I mean it's Alison Brie from Mad Men!
Joel on Jeff's relationship with Britta: His first initial reaction was, hey there's a really hot chick. And she has like an endless, you know, she has all the denim jackets that you can find. And so I think that was his first reaction. And then at the complete rejection of him he was like, ah, a challenge. And then as he got to know her, she was so much more than he expected, which was she was a totally grounded cool person...So that intrigued him, and she really is I think the moral compass of the show.

To hear more from Joel and Ken, including what's in store for this week's episode, read more.

Ken on Senor Chang's constant power trip: There is something to be said about being in a room where you have students hanging on every word. And it's definitely, as a teacher I think it's an ego rush, you know. You're definitely feeding off of that. It's really the only time in life you get to have a room where people are hanging on your every word and learning from it, and you have a power to influence.
Ken on tonight's episode: You really get to see why Senor Chang has the chip on his shoulder that he does. And some of that involves love and some of that involves friendship, and you really get to see more of the back story of Chang...And it's the relationship with Joel. Joel is really the guy that sees how [Chang's] character comes to be, and why he's developed all these traits along the way.
Joel on working with Chevy Chase: It's like working with Nolan Ryan. He's older than everybody, he's got the best stories. He has worked way more than any of us, but he still throws it harder than any of us...We have a lot to learn from that guy and it's so weird to be walking around with this kind of icon and legend that, you know, you grew up with.
Joel on Ken: Ken he will invent comedy where there is not comedy. He creates it...He's a damn good performer and you pray to God you get him in your movie or your TV show because it's like having a secret weapon.
Ken on Joel: I'm amazed at how Joel handles everything. He's always just grace under pressure this guy, because we'll be working, you know, on a Wednesday or middle of the week, and then he's got to do the Soup or another show and it's just how he switches gears is effortless. I just marvel at that. I'm like dude, how do you do it?
Ken on Community hitting its stride: I think that my wife has a good theory about sitcoms...They're like fine wine, you give them a little bit of time, and they just keep tasting better and better......The audience gets more familiar with the characters, the writers get more familiar characters, and so do the actors.

Do you like the theory that comedies get better with time? I think Community has gradually improved week after week, don't you agree? (Don't forget to watch tonight!)

House Rundown, "Teamwork"

BuzzSugar — Tue, 17 Nov 2009 08:30:00 -0800

Prepare for a changing of the guard: This week's House marks a major shift for the medical team. House is back in charge after reclaiming his license, and the shakeups start. Cameron is out - but we already knew that was coming. In her place, a couple familiar faces return to the fold, which will hopefully distract House from last week's Lucas letdown. Throw in a porn star with a mysterious health issue, and you have a packed episode.

Ready for the breakdown? If you don't mind spoilers, read more.

The episode starts off with a special delivery - House's medical license. The guy was already pulling the strings despite his suspension, so the transition is easy. Still, I'm a little surprised that Foreman goes along with the takeover without making a peep.
After Chase finally came clean to Cameron last week about Dibala, she suggests that they leave the team to work on their marriage. They announce their departure to House - who, of course, spends the rest of the episode manipulating them to stay on board. Do you think he was right to meddle? Or should he have stayed out of it?
Really, writers? A porn star? I know they're trying to sex up the show, but it felt like a cheap ploy to me - not to mention a stretch when they draw parallels between Chase's Dibala dilemma and the porn star's own morality. Were you interested in his medical case? I wasn't that intrigued, but luckily there's plenty of personal drama among the doctors to keep my attention.
Thirteen returns - but not without some coaxing from House. After she tells him no repeatedly, he lures her in with the mysterious porn star case. The excitement of the challenge is enough to get her in House's office again for good. But what do you think will happen with her and Foreman? He implies that he's over her, but I don't buy it.
Guess who else is back? Taub! The doc swaps his plastic surgery practice to rejoin House's crew after some major prodding from House. (Of course his wife isn't happy with the decision, but no surprise there.) Are you glad to see Taub again?
Okay, so I was pulling for House and Cuddy, but the scene with Cuddy and Lucas at her place might have changed my mind - you've got to admit they looked cute on the couch together. Are you pulling for Cuddy and Lucas, or Cuddy and House?
House thinks that Cameron is quick to forgive Chase, because she actually blames House for the murder of Dibala. And she does. So with that, she says sayonara to her job and delivers a speech to House about how he's ruined Chase. She rips into him about how he doesn't care for the "sanctity of a human life" anymore, but she says it with pity - even kissing him on the cheek at the end. Next thing you know, she's packing her bags and leaving Chase, too. It felt sort of rushed, but I thought her monologue was completely riveting to watch. What did you think about her departure?

Plenty to talk about in this week's episode, so sound off in the comments! I'm especially curious to hear your thoughts on Cuddy and Lucas, Thirteen and Taub's return, and Cameron's goodbye. And don't forget you can always head over to the House! group in community to talk about the show there, too.

Photos courtesy of Fox

90210 vs. Melrose Place: Which Was More Scandalous?

BuzzSugar — Wed, 11 Nov 2009 09:30:22 -0800

This week's 90210 and Melrose Place combo don't have a ton of shocking moments, but it's obvious both shows are gearing up for major stuff to go down. (Like a drug bust, murder arrest, and Heather Locklear, for instance?!) We do, however, get some nice moments between the characters. Teddy, for one, is acting like an angel - although I can't tell if it's sincere, because I've made it a rule not to trust a guy who ties sweaters over his shoulders. And the gang from Melrose have a nice come-together moment around the pool, which I'd like to see more of.

Not that everything is warm and fuzzy. Hardly. There's still scandal to go around, so ready to decide which gave us more gossip-worthy material? Just read more.

90210 point: Navid discovers Jasper selling Adrianna drugs in her car in the school parking lot. Navid calls Adrianna to confront her, but she of course denies his accusations. Jasper also says the story isn't true and threatens Navid in a "hypothetical" way. Like, "hypothetically if I was a drug dealer, you wouldn't want to mess with me, because I know bad people." Real discreet stuff.
Melrose Place counterpoint: The blood tests from last week's discovery of Sydney's murder weapon come back - and Auggie is the guilty party. Auggie might as well be off the show already, because he is nowhere to be found, supposedly on a trip in Mexico. Ella's relieved, Riley has doubts, and Violet continues to defend him, seeing as how they slept together and she's crazy. When she told Riley that she and Auggie were "intimate" with each other, I nearly ralphed.

90210 point: Debbie is in the doghouse with Dixon. He tries to go comfort Sasha after her "miscarriage," and Debbie admits that Sasha faked the pregnancy - and that she hid the truth. Dixon's unreasonably angry with Debbie, telling her "you're not my real mom anyway." Come on, Dixon. Deb doesn't deserve that.
Melrose Place counterpoint: David sneaks over to Michael's house while he's at work and borrows Noah. He takes his little bro to a fair, but things go amiss when Noah climbs a wall and falls. David rushes him to Lauren at the hospital, and she administers treatment - but not before Michael gets wind of everything. He's understandably furious but later tells David that he's glad he cares about Noah. Could this be the start of an actual relationship between the father and son?!

90210 point: Liam is on the rampage after he tells Mr. Matthews that Jen is psycho and Ryan doesn't believe him. He takes his attitude out on Ivy, Teddy, and an entire group of surfers. Later, Liam explains his behavior, opening up to the guys (and Ivy) about his history with Jen, and the entire thing culminates in a cheesy friend speech to take Jen down, complete with a high-five. [eye roll]
Melrose Place counterpoint: Violet is back to blackmailing Michael. This time, we find out that she's wanted for a court trial for previously resisting arrest. She enlists Michael, suggesting that he find her a lawyer in return for her discretion about their one-night stand. He, in turn, threatens her back, telling her that he can make the sentencing go against her unless she erases the sex video. Which she does . . . or so it seems. I'm still not 100 percent sure that it won't pop up later, but the power play between the two of them was an episode highlight for me.

90210: With Silver's half birthday approaching, her mom decides to make up for years of missed celebrations and throw her multiple parties at once, dressing up their entire house in different themes. The whole thing seemed like a stretch - really, Teddy called his dad's set designer friend to rig up the ambiance? - but it was still nice to see her and her mom get their moment together. Unfortunately, at the end of the episode, Silver goes to wake her mom in the morning and realizes that her mom has passed away.
Melrose Place counterpoint: Whoa, whoa, whoa - Ella makes a move on Jonah that's bold even for her. It all starts when she needs him to pose as a publicist at a lunch with a hot new indie director. The director comes on to Ella, and Jonah swoops in to put off his advances by pretending to be her fiance. They share a steamy kiss to be extra-convincing, and sure enough, once the director is out of sight, Ella suggests that the two of them go to a nearby hotel, so Jonah can see what he's been missing. He angrily tosses Ella's advances by telling her he's in love with Riley. You could tell part of her feels hurt by his words - and that part of him doesn't actually mean them.

90210 point: Annie is falling hard for Jasper. Their back and forth "I love yous" were pretty sickening, and she even gets in a sting at Dixon, defending Jasper and telling Dixon he's a bad judge of character because of Sasha. But the most cringe-worthy part is Annie tells Jasper that she wants him to be her first - and they start tossing on the bed as the episode wraps. Oh, Annie - you're so gonna wish you had given it up to Ethan instead.

Melrose Place counterpoint: You saw it coming: Lauren and David finally kiss! David's actually a standup guy this episode by taking care of Noah, but his speech to Lauren about how he wants her to see the best in him was unexpected - and welcome, in my opinion. Lauren of course is hesitant due to her call girl lifestyle, which David still doesn't know about. I just hope they don't let that hold her back too long, so we can explore these two as a couple.

This is tough one to call, since neither show packed a ton of drama, relatively speaking. I'm going to go with Melrose Place though, since we find Auggie's blood on the murder weapon, Ella propositioning Jonah, and David and Lauren locking lips. But would you argue for 90210 instead? I'll agree that it did include some pretty nasty lines, and obviously Silver's storyline with her mom carries some weight.

Let me know your pick in the comments, then head over to the 90210 Superfans group in the Buzz Community to discuss the show in more detail.

Photos courtesy of The CW

An Open Letter to Breaking Dawn's Screenwriter

Buzz Community — Wed, 04 Nov 2009 05:30:00 -0800

This post comes from the group The Books of Twilight from member Audreystar.

Dear Ms. Rosenberg,

First let me say that I thought you did an impeccable job at screenwriting Twilight from Stephenie Meyer's novel. From what I can see you did a great job on New Moon as well. I can only assume that Eclipse will be no different. You have proven yourself a competent and talented screenwriter. Hell, you write episodes of Dexter for goodness sake! Your ability is not in question.

I am here to discuss Breaking Dawn. This will be the ultimate test of your career. If you can manage to pull a workable movie out of that piece of literature you should (hands down) win the Academy Award in screenwriting. Everyone seems to be wondering who will be chosen to direct Breaking Dawn because they believe that is (ultimately) the person who will sink or swim in making a film work on the last book. I beg to differ. This all lies with you and that is quite a big burden to bear. The world is on your shoulders. The movie will make a ton of money so Summit can't be THAT concerned with the script. But I know you aren't a writer to please all the people who will watch anything with Robert Pattinson in it. You actually care about putting out quality work.

To read the rest of the letter (WARNING: Breaking Dawn spoilers ahead!), just .

So here are my questions. How are you honestly going to manage to write the birth scene and still maintain a PG-13 rating? How are you going to write for Renesmee and her not look like a freak of nature? Regarding Renesmee, the hardest challenge will be for the casting directors/CGI geniuses. They have a daunting and hard and impossible job. The honeymoon scene is what everyone will be flocking to the cinema to see (the rabid fans I mean) and I am sure Mrs. Prude Meyer will be ALL OVER the writing and filming of that. Look I know she didn't write the books for a mature audience and is trying to keep it morally sound. But this is the last movie and we have to have more than just a fade to black. But I know it won't happen because SM wouldn't even let the first kiss scene stay the way Catherine had it (i.e., steamy). I find it rather hypocritical that SM has an issue with a tasteful sex scene however has ZERO problem with blood and gore which Breaking Dawn the novel is filled to the brim with. You want to see Edward and Bella consummate their relationship. . . sorry, you aren't gonna get it. But if you are excited to see Edward rip Bella's belly open with his sharp vampire teeth, well you are in luck.

And don't even get me started on how you are going to work out the awful anti-climatic ending. This is going to be the last film in the series and as a talented screenwriter you know you can't end it that way. Sure, if this were an indie film you could get away with it. But, it isn't.

So in conclusion, I will keep you in my thoughts and prayers while dealing with this huge predicament and the test of your career. You will deserve a Pulitzer if you can pull this off.

Best regards,
Audreystar

(Please note: I have no clue if she has even been signed as the screenwriter for the fourth film).

There's lots of fun stuff going on in our community - join it, check it out, share your stories and posts in the great groups and maybe we'll feature them here on BuzzSugar!

Mad Men, "The Grown Ups": This Week's 5 Maddest Moments

BuzzSugar — Mon, 02 Nov 2009 06:30:10 -0800

Did you hear it? That was the sound of the Mad Men implosion, as the death of JFK on November 22, 1963, rocked the country and the lives of the show's characters. This season has been building up to the events of this episode, which felt more intense, more important, than next week's finale can possibly be. If there's an episode that has defined the third season so thoroughly, it's this one, "The Grown Ups."

Ready to talk? See this week's five maddest moments when you read more.

Death of a President: The timeline of the show has made it clear that John F. Kennedy's assassination is coming, but like those who experienced it, there was no way to prepare for it emotionally. So where is everyone when JFK is shot? Peggy is having a "nooner" with Duck, Betty is at home, Pete and Harry are talking work, and Roger's daughter Margaret is having a fitting on the eve of her wedding.
One wedding and a funeral: The show must go on, Roger decides, and Margaret's wedding still happens on Saturday night, with far fewer guests in attendance. I understand why they didn't cancel it, but as Joan remarks, "Poor thing." Margaret overcomes her marriage jitters and fit over Jane's extravagant gift and presence in her life, only to agree to be married the day after the President's shooting. That's pretty rough.
Downgrade: Pete is demoted so thoroughly at Sterling Cooper that he leaves work and tells Trudie he's been fired at first. Like Betty, the fact that he's already going through something jarring when JFK is shot only escalates his personal situation, and he stays at home with Trudie instead of going to Margaret's wedding. Shaken as well, Trudie tells Pete to start gathering his clients in preparation to leave the company. Pete seems shattered, and again, I enjoyed Vincent Kartheiser's nuanced performance of one of the show's most complicated characters.
Where's the love: A wedding and a violent event prompt everyone to re-evaluate their romantic relationships; particularly Don and Betty (their kiss at the wedding proves to be only passionate from one side) and Joan and Roger. That Roger calls Joan, just happy that she's home, says so much about his feelings for her.
The Proposal: "What is going on?" Betty asks both Don and Henry, distraught about the country's events, but that's exactly how I felt when Henry tells her in her car that he'll marry her if she leaves Don. Last week, when she got advice against divorcing him, I thought there was no way they'd split up, but now that Betty has this viable option, I'm actually scared they may divorce. As screwed up as their marriage is, their being together is one of the show's fixtures. Their separation would be like Sterling Cooper going out of business. But Betty sees things as having "no point" now, and she tells Don that she no longer loves him. I don't know what to think! Is it a coincidence that she was wearing a pink twinset like Jackie the day JFK is shot? Hadn't she just "lost" her husband in last week's episode when she discovers that Don is really Dick Whitman? In any case, it's completely disconcerting to see Don, sitting in his bedroom at the end, broken by Betty's dramatic disclosure of her lack of feelings for him.

Everyone keeps saying variations on how everything will be fine, it will all be OK, but we know from experience with this show that nothing is going to be fine. Whatever is to come, I'm so impressed by this episode; in the future, this will be the episode that you remember when you think of this season.

What do you think will happen with Pete, Roger and Joan, the Drapers? Will Betty take Henry up on his offer? And to talk more about the show later, join the Mad Men group in the community.

Photo courtesy of AMC

Video of Jennifer Lopez's Wind Blown Hair at This Is It Premiere and Ryan Gosling on Stage and NM's Edward and Bella Kiss!

Molly — Wed, 28 Oct 2009 14:35:00 -0700

Jennifer Lopez had a bit of a hair emergency thanks to the wind at last night's This Is It premiere in LA - check out the funny video. Also, we attended Ryan Gosling's SF Dead Man's Bones concert and have some super sexy footage of him up on stage and laughing off some inappropriate girls in the crowd. Plus, new New Moon clips show Edward and Bella's kisses as well as the scoop on Nick Jonas's new solo venture and a peek at Jimmy Choo for H&M. Watch PopSugar Rush now!

The Vampire Diaries: The Good, The Bad, (The Twilight Reference) and The Bloody

BuzzSugar — Fri, 02 Oct 2009 08:15:00 -0700

Last night's Vampire Diaries was all about the formal wear, history and, swoon, some shirtless Salvatores. The series is doing a great job of slowly revealing the back story of the vampires in Mystic Falls while also progressing the romances and of course the brother-rivalry which has taken a pretty central spot so far.

Bonnie is still figuring out her powers, without much help from her friends or anyone else, but she's quietly becoming one of my favorite parts of the show. On the other hand, I'm not sure how much I care about Elena's aunt, whose love life might be causing some trouble for the Gilbert family soon. Check out my thoughts on the show if you just read more.

The Good:

I love, love, loved the scene of Damon reading Twilight - hilarious. He says that "this book has it all wrong" and laughs off Caroline's questions about his lack of sparkling in the sun.

Holy hotness. The Salvatore guys were all about showing off their bodies last night. No complaints here.

Finally Elena was a good friend and noticed that Caroline is covering up some serious wounds from Damon. Maybe Elena isn't quite clued into what's going on, but at least she's worried and the scene at the end suggests that Caroline might be ready to talk.

On that note, Elena is growing a backbone with Stefan. It's about time for her to demand that he be less mysterious, especially considering how much she has gone through. She deserves to have some transparency from the guy she is trusting her heart to.

No diary writing this week, no crows, so there's that.

The Bad:

I am getting into this show, for sure, but not quite ready to put any heart into the aunt's backstory and love life. There was a bit too much time spent on that last night. Speaking of which, am I heartless for just not being that into Jeremy's story? The end was sweet when Vicki finally came to her senses and kissed him, but still, lets get back to the Salvatore hotness.

As I mentioned last week - five people are found dead drained of blood out of one neck bite and the police say it's a Mountain Lion?

The Bloody:

Once again the show started with a scary scene, this time a nightmare. It seems like it's Elena's, but really it's Stefan - why is he sleeping at all? - anyway, this leads to...

Um, hey brothers, why so stabby? Well, at least that meant some serious six pack from Stefan and one of the best lines from Damon yet: "This is Jon Varvatos, dude. Dick."

The last bite of Caroline seemed pretty intense, but she didn't die thanks to Stefan who helped her out. Plus, her blood was spiked which meant Damon could finally be captured.

I can't imagine that Damon will stay locked up for long, but the Mystic Falls police department, mayor and news anchor know what kind of "animal" is draining residents of blood - the vampires are back. We're still piecing together what happened in the past, or what made the vampires leave for however many decades, but things are still getting more and more interesting as the plot unfolds. What did you like or not like about "Family Ties"?

House Rundown, "Epic Fail"

BuzzSugar — Tue, 29 Sep 2009 11:30:16 -0700

While last week's episode of House was an awesome look at the inner workings of House the man, it was nice to get back to the medical drama that we know and love, even if it wasn't quite business as usual. It's interesting to see what happened while House was away, and it's also fun to see how House was coping with being away.

Did you watch? What did you think? Let's discuss some of the key moments (spoilers ahead!) when you read more.

Was anyone else thrown off by the video game starting? For a few seconds I thought my TiVo had recorded the wrong show. I must admit though, I loved the ridiculous gaming scenes, especially when they come back later with our fave doctors as characters.
What did you think of Foreman as boss? Do you think he has the chops to run the department? It didn't surprise me that he jumps at the chance, although I hated how he suddenly doesn't want to listen to Thirteen.
While we're on the subject of Foreman and Thirteen, can I just say that I find their pairing totally forced? Were you surprised when he fires her at the end? I literally yelled at my TV when he did. Wouldn't you break up with him if you were in her place?
Speaking of Thirteen, did you catch her Jeremy Piven mercury poisoning joke? If not, then as she said, go Google it. Or just read about it here
What did you think of Wilson and House's cooking class brodate? It was hands-down my favorite moment of the evening. I just love their old married couple dynamic. Also, what about all the food House is making? I'm going to have to get my gal YumSugar to whip me up some of that ragu.
I know I just said that the brodate was my favorite moment, but how can I not mention the scene with Cuddy in the kitchen? I loved it when the random Chinese lady tells Cuddy to kiss him or get out.
I was glad to see that Dr. Nolan is still on the show. I find him to be such a calming presence in the rest of chaos, and hope we get to see these therapy sessions for a little while longer.
Did you love the twist at the end? I knew that there's no way they could the department without House. Although when Foreman had the breakthrough over pruned fingers, I wondered if it was possible to solve a medical mystery without an epiphany.

Well folks, what did you think? I thought it was a strong return for the show, and I can't wait for next week's episode. How long will House stay clean? And I wonder how long the old gang (Cameron, Chase, and Foreman) will be around. Especially since we know that Jennifer Morrison is leaving the show. I also wonder if Thirteen and Taub will show up again. Something tells me they will, but then again, the writers have proven to be great at throwing us off, so we'll all just have to tune in and find out.

Photo courtesy of Fox