BuzzSugar

Buzz News Roundup, 4/18

BuzzSugar — Fri, 18 Apr 2008 13:31:25 -0700

According to ComingSoon, IFC has picked up Madonna's directorial movie venture, Filth and Wisdom, and will give it a theatrical run.
Scrubs and 30 Rock will swap timeslots starting next week, The Futon Critic reports.
Keyboardist Danny Federici of Bruce Springsteen's E Street Band has died at the age of 58, Billboard reports.
Howie Mandel will star in a new unscripted sitcom for NBC, TV Guide reports.
Variety reports that Jennifer Garner and her producing partner Juliana Janes now have a first-look deal with Warner Bros. for their production company Vandalia Films.
The AP has news about the Houdini musical coming to Broadway in the Spring of 2010.
Zap2it writes that HBO has documentaries lined up for Monday nights this summer, including Sundance hit The Black List and films about Roman Polanski and high school debate teams.
Ridley Scott will direct Casey Affleck in the period noir drama The Kind One, writes Variety.
Halle Berry will star in and produce the psychological thriller Frankie and Alice, ComingSoon reports.

Source

Buzz News Roundup, 2/6

BuzzSugar — Wed, 06 Feb 2008 13:42:28 -0800

Reuters has an appreciation of Beatles spiritual mentor Maharishi Mahesh Yogi, who died overnight.
Brittany Murphy may be Lindsay Lohan's replacement in the dark comedy Poor Things, writes Hollywood Reporter.
Billboard has news that Metallica, Pearl Jam, and Kanye West will headline Bonnaroo this year - and not Led Zeppelin, as some sources erroneously reported.
ComingSoon reports that Josh Brolin may go from playing George W. Bush to playing the new Terminator.
Debra Messing has nabbed a role in the family dramedy Humboldt Park, Variety reports.
Zap2It has the news that Casey Affleck is attached to star in a film adaptation of Tom Epperson's period noir drama The Kind One.
The Selma Blair/Molly Shannon show Kath and Kim has been given a series order by NBC, writes Hollywood Reporter.
According to ComingSoon, Emilio Estevez's directorial follow-up to Bobby will be a social drama titled The Public, which will be set in a library.
Late-night host (and new citizen) Craig Ferguson will host the annual White House Correspondents Dinner, Variety reports.

Source

The Vampire Diaries "The Turning Point": The Good, The Bad and The Bloody

BuzzSugar — Fri, 20 Nov 2009 08:15:00 -0800

I was already bummed knowing this was the last week of new episodes of The Vampire Diaries until January; and now, having seen it, I'm freaking out a little bit. I knew there was going to be an epic cliffhanger, I just didn't know how epic!

With new vampires, violence and passion come "The Turning Point" - a title that would apply to many things that happened this week. So as usual, let's break down the good, the bad, and the bloody of this week (plenty of spoilers ahead!) when you read more.

The Good

Stefan and Elena finally gave up on their "are we or aren't we" dance and got together. I mean, together together. Vampire boots were knocked, but there wasn't a happy ending. More on that later.
Logan's vampiric turn made for gruesome excitement, especially now that Damon is trying to be on his best behavior. It also brought forth new mysteries; why did Sheriff Forbes bury Logan and write emails on his behalf instead of saying it was an animal attack? And who did turn him? My money was on Alaric, but now I'm not so sure. I also enjoyed his interactions with Damon, despite their constant shooting of wood bullets at each other.
OK, fine: I do like Caroline and Matt together now. Their coupling is just kind of sweet, and the fact that they bonded over So You Think You Can Dance?! I felt like it was my birthday.
I'm a fan of cool guy teacher Alaric, even if he is probably a vampire. I like to think he's more exciting than that - could he be a good vampire like Stefan? Interestingly, I don't think that Stefan or Damon has actually interfaced with Alaric yet, which is telling to me. If I had to guess, I'd say they knew each other. And what of him also being a "daywalker," when Stefan and Damon are so secretive about their rings?
I need to know more about the Gilbert family legacy, especially since Jeremy discovered an ancestor who wrote fiction about monsters. I like that the show made me care about more side characters I hadn't previously, like Jenna, Jeremy, and even Tyler. About Tyler. . . I don't want to speak too soon, but I think there's something very interesting happening with him.

The Bad

Isn't it a little too early to be saying "I love you," Elena? She even wants to see and make out with his scary vampire face when he gets turned on. Weeeird.

The Bloody

Newborn Logan is literally out for blood, but that pile of hoarded bodies that Logan was keeping made me sick to my stomach.
Anyone else feeling sorry for Caroline? Girlfriend's always getting bloodied up. Someone give her a self-defense lesson.
So basically unless you're Stefan or Damon, if you're a vampire you will only last one episode before being staked. Logan gets staked by Alaric by the end of the hour, which is unfortunate for Damon, because Logan had just promised him there was another way to break the spell holding Katherine and the other vampires under Fell's Church. Guess we'll just have to wait to meet little Miss Vixen.
It might have been time for Stefan to hide the Katherine photo, or at least have come clean about their resemblance. Lord knows finding a photo of my doppelganger at my undead boyfriend's house would freak me out too. That's what happens for Elena, who leaves Stefan's in a devastated rush. When someone stands in front of her car, she has a gnarly crash, which is terrifying in itself. It gets much more horrifying when the "person" she hit uncracks their limbs to stand up and come toward her. Yeesh! (BTW, did that scene remind anyone of Tara in the first season finale of True Blood?)

I don't know how I'm going to deal with the show's hiatus for two long months, let alone waiting that long to find out what was coming for Elena. Or, who Alaric is; did he kill Logan to protect Jenna, eliminate a problem-causing newborn, or something more insidious? To talk more about the show (especially in the next few weeks without new episodes) join the Hooked on Vampire Diaries group in the Buzz Community!

Photos courtesy of The CW

Grey's Anatomy Rundown, "Holidaze"

BuzzSugar — Fri, 20 Nov 2009 07:00:00 -0800

As evidenced in my holiday TV sneak peek, this week's episode of Grey's Anatomy puts the doctors on a fast track that starts on Thanksgiving eve and runs through New Year's Eve. As we all know by now, the Seattle Grace surgeons aren't always big on merriment, but the holidays are always the perfect time to bring out the truth in feelings and relationships.

Meredith bonds with the Chief while Mark learns that he has a teenage daughter. Bailey has a confrontation with her father and Teddy and Owen's sexual tension comes to a head. To read all about it, just read more.

As the episode opens, the Chief is trying to justify his drinking to Meredith - explaining that his alcoholism was "misdiagnosed" and that he was actually suffering from situational depression. (Um, right.) It's unclear whether Mere takes his word for it because she believes him or feels like she has to, but she accepts his mentorship. Later she bites off Thatcher's head when he suggests that the Chief shouldn't be drinking, and by NYE realizes that he does have a problem, but continues to keep it a secret. There is one good thing that comes from it: Derek and the Chief finally make amends after duking it out all season.
Bailey does her best to avoid acknowledging the holidays because she's afraid to tell her parents about her divorce. Instead, she gladly dives into work - until her father makes a surprise visit on Christmas Eve. After watching Miranda perform surgery, he delivers a way harsh speech about being ashamed of her decision to "break" her family and put work first. At Christmas dinner (with the whole Seattle Grace crew, no less), Miranda finally puts her foot down and tells her dad that she's not willing to settle for a bad relationship. Did anyone else want to slow clap, at this point? Because I did.
Mark gets a blast from the past when a buxom blonde appears at the hospital claiming to be his daughter. (I kind of love that her name is Sloan). Mark isn't exactly thrilled with feeling old, joking that "death has come to call." Lexie is also troubled by the news at first, and I couldn't blame her for slicing her finger when Mark drops the bomb that Sloan is moving in. Two months later, he hasn't made any progress, and it's clear that his daughter isn't exactly a cup of tea. Just when Mark finally gets the nerve to kick her out, Sloan reveals that she's pregnant with a baby of her own. Instead of contemplating his potential grandpa status (talk about feeling old), Mark's paternal instincts kick into gear with impeccable timing and he comforts her. Sidenote: I find it interesting that Mark handles the situation exactly how Quinn wished her parents had on Glee this week - stroking her hair, assuring her that everything would be okay.
Teddy is already coming between Cristina and Owen's relationship, even if just with pages. Still loving her new cardio god, Cristina is happy to be Teddy's bitch (as Alex calls her) and work as a team - until she catches Owen giving Teddy meaningful glances. Owen confronts Teddy and reveals that he had feelings with her when they were overseas together, and in turn Teddy confesses that she's always been in love with him. They are literally this close to kissing, but Owen says he loves Cristina and runs to her instead. Despite their passionate makeout sesh at the end of the episode, I still have an ominous feeling about Cristina's kiss with Avery (who is still giving her flack about her relationship with Owen).

What's your verdict on this week's episode? Are you sad to put Grey's aside for six weeks? Did it put you in the holiday spirit or did it all seem a bit premature? Don't forget to keep the conversation rolling in the Grey's Anatomy McAddicts group in the Buzz Community!

Joel McHale and Ken Jeong Share Details About Community!

BuzzSugar — Thu, 19 Nov 2009 07:00:29 -0800

Community is one of those shows where you know the cast has an awesome time together. So I wasn't all that surprised to hear stars Joel McHale (Jeff) and Ken Jeong (Senor Chang) fawn over one another when they recently sat down with reporters. I've been waiting to see these two cement their friendship on-screen too, and it sounds like I'll get my wish tonight. Both actors shared a few tidbits from the episode, plus thoughts on Chevy Chase, the possible Jeff and Annie romance, and their mutual admiration.

Joel on Jeff and Annie's kiss last week: I haven't seen any scripts where it'll be revisited, because I'll probably be arrested, but believe me it was good times. I mean it's Alison Brie from Mad Men!
Joel on Jeff's relationship with Britta: His first initial reaction was, hey there's a really hot chick. And she has like an endless, you know, she has all the denim jackets that you can find. And so I think that was his first reaction. And then at the complete rejection of him he was like, ah, a challenge. And then as he got to know her, she was so much more than he expected, which was she was a totally grounded cool person...So that intrigued him, and she really is I think the moral compass of the show.

To hear more from Joel and Ken, including what's in store for this week's episode, read more.

Ken on Senor Chang's constant power trip: There is something to be said about being in a room where you have students hanging on every word. And it's definitely, as a teacher I think it's an ego rush, you know. You're definitely feeding off of that. It's really the only time in life you get to have a room where people are hanging on your every word and learning from it, and you have a power to influence.
Ken on tonight's episode: You really get to see why Senor Chang has the chip on his shoulder that he does. And some of that involves love and some of that involves friendship, and you really get to see more of the back story of Chang...And it's the relationship with Joel. Joel is really the guy that sees how [Chang's] character comes to be, and why he's developed all these traits along the way.
Joel on working with Chevy Chase: It's like working with Nolan Ryan. He's older than everybody, he's got the best stories. He has worked way more than any of us, but he still throws it harder than any of us...We have a lot to learn from that guy and it's so weird to be walking around with this kind of icon and legend that, you know, you grew up with.
Joel on Ken: Ken he will invent comedy where there is not comedy. He creates it...He's a damn good performer and you pray to God you get him in your movie or your TV show because it's like having a secret weapon.
Ken on Joel: I'm amazed at how Joel handles everything. He's always just grace under pressure this guy, because we'll be working, you know, on a Wednesday or middle of the week, and then he's got to do the Soup or another show and it's just how he switches gears is effortless. I just marvel at that. I'm like dude, how do you do it?
Ken on Community hitting its stride: I think that my wife has a good theory about sitcoms...They're like fine wine, you give them a little bit of time, and they just keep tasting better and better......The audience gets more familiar with the characters, the writers get more familiar characters, and so do the actors.

Do you like the theory that comedies get better with time? I think Community has gradually improved week after week, don't you agree? (Don't forget to watch tonight!)

Glee-ful Highlights and Video From Episode "Ballad"

BuzzSugar — Thu, 19 Nov 2009 05:45:00 -0800

Maybe it's because Glee set the bar so high last week, or maybe it's the lack of Sue, but this week's episode just didn't do it for me. There are plenty of catchy tunes, but Rachel's all-of-a-sudden crush on Mr. Schue seems a bit forced, and it seems ridiculous that Will and Emma are best buddies again with no mention of their dramatic encounters from a few weeks ago.

It does have some touching moments (along with some sad ones) for Finn and Quinn, so to get into it just read more.

Mr Schue has the glee kids draw names out of a hat and assigns each pair a ballad to help them profess their feelings. He shoots himself in the foot when he throws his own name into the ring and Rachel draws it. One spot-on duet of "Endless Love" later, Rachel's found herself a brand new crush to distract her from her feelings for Finn. I liked this plot line, but something about it felt a bit too forced, like the writers just squeezed it in to have Mr. Schue sing his mash-up. I did kind of love when Terri has Rachel clean the bathroom, though, and when Emma and Rachel are equally goo-goo eyed over Mr. Schue's mini-performance. Speaking of Emma, aren't she and Will supposed to be trying to stay away from each other?

Watch Rachel and Mr. Schue gaze into each other's eyes here:

Quinn and Finn's situation comes to a head this week, and both end up breaking the news to their parents. Well, actually, Finn breaks the news to Quinn's parents via a dinner table performance of Paul Anka's "(You're) Having My Baby." While Quinn's parents are heartbreakingly unsupportive, Finn's mom takes the kids in when Quinn has nowhere else to go. The rest of the gleeks profess their own love for the couple with a rendition of "Lean on Me" which is super cheesy, but necessary after the harsh scene with Quinn's parents.
Puck finally breaks down and admits to Mercedes that he's the father of Quinn's baby. Mercedes doesn't even ask questions - just tells Puck that he's already done enough and to back off. Though Puck is staying away for now, it seems like the cat's out of the bag. Plus, did you catch the smirk he makes at Quinn at the end of the episode?

How'd you feel about this week's episode? Do you like the newfound bond between Finn and Kurt? Is Finn's dedication to a sonogram a little over the top? Sound off in the comments below, or create your own posts, recaps, polls and more in the Glee Club community group!

Photos courtesy of Fox

Movie Preview: Miley Cyrus in The Last Song

BuzzSugar — Wed, 18 Nov 2009 11:30:56 -0800

Are you ready for your second Nicholas Sparks movie preview in as many months? (Last month's was the romance Dear John.) Here it is: The Last Song stars Miley Cyrus (cue The Soup's "It's Miley!" sound bite) as a girl who's dropped off at the home of her estranged father to spend the Summer. Obviously she doesn't want to be there, obviously she falls for a local boy, and obviously she and her father end up bonding.

You couldn't call me a Miley fan, but I do love Greg Kinnear, who plays her well-meaning father. From the trailer, the movie looks very sweet and very schlocky - which is exactly how Sparks usually does it. Interestingly, Sparks was commissioned to write both the screenplay and novel simultaneously, with Cyrus in mind. While I don't know that I'll be rushing to the theater for this one, it's probably something you'd find me secretly Netflixing later on; I'm kind of a sucker for the addictive cheesiness of a Sparks movie.

Check out the trailer for The Last Song when you read more.

The Last Song comes out on April 2, 2010.

Reynolds and Faris Are Ready to Share TMI

BuzzSugar — Tue, 17 Nov 2009 10:30:31 -0800

Confession time: I'm kind of a sucker for Ryan Reynolds, and Just Friends is one of my guilty pleasure movies. So imagine my excitement about this morning's news that Reynolds is teaming up with Anna Faris once again for the upcoming comedy TMI. They'll play a couple who learns that "while honesty is the best policy for a relationship, 'too much information' might not be the best thing."

It already sounds like a premise we've seen before in movies like Liar Liar and The Invention of Lying, but I have faith in Reynolds's chemistry with Faris and both actors' comedic timing. On the other hand, this could definitely end up as one of those over-the-top movies that grosses you out more than it makes you laugh (I'm already predicting a fair amount of overshare about bodily functions).

Are you all for this reunion, or should Ryan Reynolds keep sticking with more serious projects (or even just ones with better titles)?

Talking New Moon With Kellan Lutz and Ashley Greene

BuzzSugar — Mon, 16 Nov 2009 09:15:50 -0800

Robert Pattinson, Kristen Stewart, and Taylor Lautner may be dominating the promotional circuit right now, but they're not the only cast members with something to say about New Moon. I had the opportunity to chat with costars Kellan Lutz and Ashley Greene, aka Emmett and Alice Cullen, during their recent stopover in SF. They chatted about their characters, the vampire craze, and what it's like to be a "Twilight celebrity." Here are highlights:

On why so many people are crazy for the Twilight Saga:
Ashley: I think this film in particular is highly relatable. There are a lot of situations that people can relate to. The love story - everyone can relate to being in love or being in lust. You add the vampire, and it adds that next level fantasy. Vampires are mysterious and sensual and dangerous and unattainable. And everyone wants what they can't have. I think on another level that this came together at the perfect time. All the elements just fit, the casting was spot on, and we're in a difficult time right now with our economy. That's why you never have a drop in ticket sales because everyone wants an escape, and this movie is very much an escape from reality.
Kellan: It's a good escape but also it deals with so many situations, on so many positive notes. Just looking at it from the vampire coven to the wolf pack. It just deals with everyday issues just on bigger levels, in a way. And you have Bella as the keystone in many situations. You can just all relate from different countries to issues within the United States. It's easily relatable.

To read a lot more about working with three different directors and why they feel so lucky, just read more.

On how their portrayals of the Cullens are similar or different from the books:
Kellan: We got the jobs because we brought something new to it. You can interpret the characters each their own, but I think it's what we did alongside. Just like Kristen said - she's playing Bella but she's putting her Kristen spin on it, just like all of us are. And I think that's what's making it unique. We're still following the cheat sheets that Stephenie created by making the books, and there's Wikipedia. We have a lot of information to go off of. But I hope it's what I did in my audition that set it apart from the other guys trying out.

Ashley: I think it's mannerisms too. People do fall in love with this book, but I think part of it is that they always want more. You can't write out every human mannerism. You can imagine it, but seeing the emotion in someone's eyes and seeing them be affected it - it was kind of easy to give something to it, because we were just being people. We kinda just got lucky.
On how much more of the Cullens we can expect in the remaining movies:
Kellan: Realistically, we stick pretty close to the books. Obviously us Cullens would love to be in the books a lot more, which would mean we'd be in the movies a lot more. Talking New Moon, the scenes that the Cullens - except for Ashley, playing Alice who gets to go to Italy and be a main lead in the movie - us Cullens, we have to stick really close to the books, and the scenes that we're in are really crucial to the story, as you know - the birthday scene, the voting scene. I don't know, it was kind of a tease. Chris Weitz is such an amazing director, and for us, for myself - I only worked about a week on that movie. And it didn't even seem like I really got a taste for what it was.

Ashley: In the third film, you'll see a lot more of the Cullens because it's all of us collaborating and then getting ready to fight this war that's coming up. In the second one, my character got a much larger role because Alice is the Cullen, other than Edward, that really embraces Bella and they end up becoming best friends. In the beginning, you see her throw this huge party for Bella, and then Alice is the one who does, in fact, come back for Bella when everyone else decides to skip town. Alice is responsible for dragging Bella over to Italy, and she and I the whole time are fighting to save my brother's life. And then of course we get held up by the Volturi and stuff like that. My character got to grow a lot, which is really cool. You get to actually see the relationship develop between Bella and Alice, where in the first one you didn't. The first one was very much about the romance and showing the audience why these two people are willing to die for each other.
On working with a different director on each film:
Ashley: Each director is going to be very different. They're artists as well, and I don't think any of them are quite the same. The books, when you read them, all have very, very, different tones. So I think it's highly appropriate that we switch directors each go. The first one is very much a romance and is a very scenic, beautiful film. And Catherine's really, really great at capturing that. She's very high energy and works well in chaos and stuff like that. And it was fantastic because we didn't quite know what we were getting ourselves into, and so it was nice to have her to guide us when we were freaking out a little bit. She was just so high energy, and it was really contagious. We were sad to lose her and move on to the second film, but then we got Chris Weitz and he's the complete opposite! But great as well. He's so giving and caring and collaborative and created this atmosphere that was kind of a safe haven for us. And it was really nice because we didn't know, switching directors, if they were gonna embrace us or if they had a completely different vision than what we created in the first one. It was nice that he was right there on the same page with us. And the second one is a warmer film, even from the color scheme. The first one is very blue tones, and the second one is much richer and warmer and I think he did a great job at capturing that. And we just finished shooting with David Slade, and I think he's highly appropriate as well. He just finished shooting 30 Days of Night and Hard Candy, and they're both very dark, edgy films. And Eclipse is very much that. It's all centered around the anticipation and us getting ready to fight this huge war. We just finished filming, we haven't gotten to see much of it, but I think it's gonna be fantastic. He is, technically, the most advanced director. The angles that he shot and how he knows that tweaking something can affect a whole scene and the lenses. He was really nice to work with.
On coping with the fan effect and being a "Twilight celebrity"
Kellan: That's what blows my mind, 'cause I feel like it's really unearned in a way. The fans are making our careers. Without them, we wouldn't be working and doing the saga. There's so many times that trilogy books become a movie and the first one bombs, and then that's it. And you're always hopeful that you get to do them all. Especially since we're all in love with our characters. I love Emmett Cullen to death, he's my favorite character I've ever played. It's just so cool to have made it this far, and I think we all hope that we get to finish this series and do Breaking Dawn. This is such a blessing, it's every actor's dream to be part of something like this. It's not terribly hard either. We don't shoot halfway around the world; we don't shoot for a year of our lives. I know a lot of us have homes, we have pets, we have family. And it's really nice to shoot on the West Coast, either Portland or Vancouver, and have the chance to fly down if we need to. But it's definitely amazing to be part of something like this. And I don't think any of us knew how crazy it would be and how exhilarating it would turn out to be. Going to the premiere, really just, wow. I don't even remember it because I was really just starstruck by how many fans and signs and cameras. It felt like I was just walking through a strobe light room. It's amazing.

Ashley: I still think we can't really wrap our heads around what's going on and what's happening. We're still in the midst of filming and kept very busy from one film until the next. It's only these brief moments where you sit back and are actually able to take a breath where you go "Whoa. Wow. This is crazy." I mean, the amount of tickets they've already sold for New Moon - I'm pretty sure I can't even get a ticket if I tried to see my film in Jacksonville and it's mind boggling. We're just very lucky. I went into this film thinking "Oh my gosh, I got a job" and the it turned into the biggest break of my life. I think we all feel very blessed to be a part of this.
On how it feels to be part of Twilight fan fiction:
Kellan: It's an escape, in a way. We do live in a trivial time period right now. There's so much depression that it's kinda cool to be a part of something where people use it to be an escape. In a way that's kinda what Stephenie did -she had a dream and just elaborated on it. It became a huge success and it's really encouraging that people are doing the same and just making up this journey.

Ashley: That's why people love it so much I think. You can take it and make what you want of it. Before the demographic was teenage girls, but now it's women of every age and guys are starting to get into it, too. It's because there is that element of fantasy. If you're 8 years old you look at it one way; if you're 80 years old you look at it another. I think it's fantastic that we can draw such a huge crowd. The other thing is - it blows my mind but people are making connections over this film and over this book. there are mothers and daughters and grandmas who can all sit and talk about the same story and all fantasize about it and I think that's a really cool thing. I think it's rare.

To see all of our Twilight and New Moon coverage, check out TwilightSugar!

Desperate Housewives Rundown, "The Coffee Cup"

BuzzSugar — Mon, 16 Nov 2009 06:30:00 -0800

Some shows bring out big guest stars for November sweeps, but Desperate Housewives is getting back in touch with its sexy side instead. Susan tries to set a new record with Mike while Bree narrowly escapes an Orson interruption when she's with Karl. Meanwhile, Lynette's pregnancy secret is finally out and Nick Bolen continues to be creeptastic all over town.

Now that Mad Men's long gone, I'm hoping the housewives will kick things into higher gear for my Sunday nights. Ready to get into it? Just read more.

Susan: Susan manages to avoid jail time for shooting Katherine, but the cheeky judge sentences her to garbage pick up for all of her "trash talking" (get it?!). Katherine and Susan's little courtroom drama re-enactment is ridiculous (as is Susan's cleavage baring dress for the hearing) but unfortunately the catty antics don't stop there. Katherine taunts Susan and her orange jumpsuit, prompting Susan to turn the tables on her rival. Katherine has a hissy fit and reveals that she and Mike once had sex five times in one day, which of course gets Susan all worked up. When her endless array of lingerie and come-ons still can't land Mike in the sack more than three times in 24 hours, Susan has one of her typical annoying tantrums. Mike comforts her in what's meant to be an "aww" inducing moment, but I was too busy rolling my eyes. Usually Susan doesn't bug me this much, but I couldn't be more over the love triangle.

Angie and Bree: Gaby usually has the best lines of the show, but it looks like Angie is right on her tail - "Have you seen Avenue Q? With the puppets? Now that's theater." Anyway, Angie's now got herself a balancing act between giving Nick grief about his affair with Julie and being too involved with Bree's life. After Orson admits to Angie that he suspects Bree is having an affair, Angie immediately tells Bree. Though she refuses to spy on Bree, Angie still gets all tangled up in the web when she plays Rear Window - looking on as Orson enters the house while Bree and Karl are upstairs getting it on. Angie intervenes and saves the day, but how long before she asks Bree to return the favor. Also, when Orson is discussing the plot of Madame Butterfly, is he insinuating that he might kill himself when he inevitably finds out about Bree's affair? Personally, both Karl and Orson kind of bug me so I'm just as torn as Bree is about which man to choose.

Lynette and Gaby: The latest update in Lynette's secret pregnancy? Menswear. But that's just the tip of the iceberg, when she and Gaby start squaring off over one of Lynette's colleagues. Gaby convinces Carlos to transfer Terrence, the colleague in question, to Florida so that Juanita can take Terrence's daughter's spot at a Catholic school. Realizing that she won't be able to take maternity leave without Terrence, Lynette turns the tables and convinces Terrence to reject the transfer. The tables turn on Lynette when Gaby discovers that she's pregnant - and Carlos is pissed. He gives Lynette an ultimatum - take the spot in Florida, or quit. Though Carlos's anger is understandable, I think I'm on Lynette's side here. Carlos had been complaining about another co-worker's pregnancy, so Lynette had every right to be scared to tell him. I also think it's a bit rich for Gaby to admit how selfish she is but then point fingers at Lynette for keeping her secret.

How'd you feel about the scandals this week? Are you on Team Orson or Team Karl? Do you think it was Nick who kills the coffee shop girl at the end? Sound off!