BuzzSugar

Movie Preview: The Grand

BuzzSugar — Sat, 02 Feb 2008 13:00:00 -0800

When I first saw the poster for The Grand I had to groan. Not another casino movie! But then I looked a little closer and found some familiar, welcome names like Cheryl Hines, David Cross, Chris Parnell, Judy Greer and Woody Harrelson. The Game is a mockumentary-style spoof on professional gaming, with a ridiculously talented cast full of funny people.

You just have to check out this trailer for the movie which opens in limited release March 21. And in case you're wondering, yes, "The Scary German" is legendary German director Werner Herzog (Rescue Dawn, Grizzly Man, Little Dieter Needs to Fly). Hilarious.

To see what I'm talking about, read more.

Source

Buzz Interview With the Cast of Precious, Part 2: Lee Daniels

BuzzSugar — Fri, 30 Oct 2009 15:30:17 -0700

Last week I shared with you my interview with Precious actress Paula Patton, but now it's time to hear from the director himself, Lee Daniels. I asked the Sundance-award winner - the film took home the Audience Award and Grand Jury Prize - how it feels to hear Oscar buzz, and what it's like when Oprah is on your speed dial. Plus, he opened up to me about how the movie helped him overcome from his own dark past. Ready for his incredibly candid responses?

On all the hype surrounding Mo'Nique's performance: I'm not the least bit surprised. It's magic onset. People are talking about this buzz, but she and I laugh it off, because we got a movie made, and there were no arrests! Seriously, the cops came, but they didn't shut us down. They said, 'OK, we'll give you five minutes.' There were no arrests, and no one got in any trouble, so for us, the win was finishing the film.

To hear more from Daniels, read more.

On how he felt when Oprah and Tyler Perry jumped on as producers: Tyler calls and says, "Hey, it's Tyler." Huh?! Oprah calls, "Heeeey." It's crazy! It gave me hope that people would see the film.
On the Oscar buzz: Why do people say that? What happens if you don't?! Then your feelings are so hurt. You teeter on wanting so desperately for it, but dare not dreaming for it, because your feelings are so crushed if it doesn't happen.

On why he wanted to make Precious: To heal. Some horrific things have happened to me [in my past], not only at home, but outside of my home life, [like] being openly gay. Being gay is nothing like it was when i was a kid - back in my day, you were literally stoned, a dislocated arm, teeth knocked out. So I try to see the light often. It's hard, because we all have hard lives, and some of us have it harder. What I like to find is people who have had lives just a little harder than mine [like Precious] so I can feel that mine wasn't as bad as it was.
On what he learned from making the film: I look at [the film] as a process. This was not a beautiful journey, because I learned so much about myself. I had been holding on to so much anger from the past, and it was making me an ugly person. It was making me judge people like Precious, because of who I was. How sad was that to find out at 50, that I would've lived such a better life if I had just let go of the hostility. [But once I let go] it felt beeautiful! Liberating!

I was so moved to hear Daniels talk about his own healing through the film - hopefully, it will have the same effect on others when it arrives in theaters next week.

Before the release, I'll be running my interview with Gabourey Sidibe, the newcomer that's making headlines for her Precious performance. Be sure to check back for that later - you're going to love her.

Photos courtesy of Lionsgate and Source

FlashForward Breakdown, "Scary Monsters and Super Creeps"

BuzzSugar — Fri, 30 Oct 2009 11:30:52 -0700

FlashForward gets into the Halloween spirit this week, with a few tricks for the characters and treats for the audience. We get just a bit more info about Simon and see a few costumes as Olivia and Mark's relationship issues come to a head in a big way.

This week's episode is heavy on the revelations (just like Sonya Walger promised), so to get into it, just read more.

Simon says: Within the first few minutes of the episode, one thing is abundantly clear: Simon is not Charlie from Lost. Instead, he's a smooth-talking, self-proclaimed "quantum physicist genius", who actually gets a woman into bed using the line "I know what caused the FlashForward." The scary part is that he actually does - and in his own vision, he's murdering someone. Totally creepy.

Trick or treat: Mark takes Charlie out trick-or-treating, and has an unpleasant surprise waiting when he gets home. He's understandably uncomfortable having Lloyd in his house, and things hit the fan when Olivia gets home and all three realize what's going on at the exact same time. I was so happy when Mark finally tells Olivia the truth about his vision (was totally expecting him to lie again), but then Olivia insinuates that they should break up - which seems a bit random to me. They're finally making progress and now they're going to throw it all away?

Runaway rapper: Lloyd's son Dylan runs away from the hospital in his rapper costume), and heads to the Benford residence. It's baffling when Dylan runs past Nicole and makes himself comfortable, until we finally see the kid's flashforward: he and Charlie are hanging out in the kitchen, eating cookies and having a grand old time. (So much for my kidnapping theory). So here's where I'm confused: Charlie looks perfectly happy to be hanging out with Dylan in her vision, so where did she get the "D. Gibbons is a bad man" idea from?

Janis's body: Janis is admitted to the hospital after last week's shoot-out, and Olivia is her doctor, naturally. My heart jumped for a split second when Janis pretends that she doesn't recognize Olivia (would be an all-too-easy explanation of her vision). Thinking about her flash-forward gets Janis all stressed out, and she has to undergo another surgery - this time, part of her uterus is removed, making it "almost impossible" for her to get pregnant. Almost.

Other major plot points:

Simon brings up the Schrödinger's Cat theory, discussing that it's up to the cat to decide if it wants to live or die. Is this foreshadowing for the flash-forwards? Perhaps each character can decide for him- or herself whether or not to make it happen?

Demetri sets off in search of his attacker, follows a bunch of blue-hand signs to an abandoned warehouse. I'm starting to get a little bored of his storyline.

Lloyd and Simon reunite at the end of the episode, with Lloyd saying, "Our experiment killed 20 million people Simon, what more is there to say?" What's do you think the relationship is here? Brothers? Old buddies? Lab partners?

The kangaroo makes an appearance!

This episode was one of my favorites so far, but what did you guys think about all the new revelations? Tell me your theories in the comments below!

Photos courtesy of ABC, Inc.

Don't Forget to Vote in Our Scariest Movie Bracket!

BuzzSugar — Sat, 24 Oct 2009 20:24:41 -0700

The race for the Scariest Movie of All Time is officially on, and there are only four contenders left in the running! There's no time like the present to make your picks in the second to last round. Even if your choices haven't all been winners, don't give up - all you have to do is fill out the full bracket for the chance to win the grand prize!

Amelia: Never Really Takes Flight

BuzzSugar — Fri, 23 Oct 2009 06:30:00 -0700

I love the way a biopic makes me feel - like I'm treated to a back-in-time look at an amazing life. They're epic, and that's why I'm willing to sit through the slow moments (and often for more than two hours) for the payoff. This is the experience I hoped for from Amelia, directed by Mira Nair and starring Hilary Swank as the pioneering aviator who was the first woman to fly solo across the Atlantic Ocean.

There's plenty of opportunity for grandness, even though Nair chose not to focus much on the circumstances of Earhart's disappearance during her flight around the world. Earhart had an extraordinary life, eschewing social conventions for her gender and never giving up her one true love: flying.

Unfortunately, Amelia misses the epic mark and lands instead somewhere in the mediocre, underusing its cast's talents and history's treasury. However, it's not an altogether unpleasant journey, so to see my thoughts on the film, just read more.

First, the film is beautiful - Mira Nair knows how to shoot a gorgeous scene (she was behind the richly-styled films Monsoon Wedding and The Namesake), and she really takes advantage of the oceans, the landscapes of jungles, beaches, and moors. Much of it is seen through Amelia's eyes as she's soaring over it, and occasionally you feel the same freedom in flying that she so desires.

Along with the scenery, the minor success the film does achieve is ascribed to Hilary Swank's acting. I was expecting the two-time Oscar winner to be fantastic, and she didn't let me down. From transforming her looks to match the androgynous icon's to altering her voice to a Katherine Hepburn-ish gravel, she captures the pre-feminist aviatrix in all her glory.

The problem is that intriguing parts of Earhart's life are introduced but merely glossed over. For instance, Earhart's marriage to publisher George Putnam (played by Richard Gere) is complicated by the fact that she carries on an affair with Gene Vidal (Ewan McGregor). However, this affair is only briefly touched on (they meet, they kiss, it's suddenly over). For his part, Ewan McGregor is given little more than a cameo role, which is an unsatisfying tease for any fan of the actor.

While I'm on unsatisfying, if you've ever been fascinated by the mysterious circumstances of Earhart's death (she disappeared over the Pacific on a round-the-world-flight), you'll get no gratification here. Understandably, there's no speculation about what happened, but there's no closure either.

That seemed justified, because when this project was announced, it was reported that Nair wouldn't focus on the mystery, but Earhart's remarkable life instead. Unfortunately, there's not enough focus on that remarkable life to do the woman's memory justice.

Photos courtesy of Fox Searchlight

New York, I Love You: A Jigsaw Puzzle That Doesn't Quite Fit

BuzzSugar — Fri, 16 Oct 2009 07:30:00 -0700

As a city with so much personality and penchant for possibility, it's no surprise that the follow-up to Paris, Je t'aime heads to New York. New York, I Love You is a tale of the connections and personal missteps that occur every single day in the city that never sleeps. It plays out like a movie version of a song mash-up: some story lines are linear and independent of the rest while other characters wander in and out of each other's lives. Throw an all-star cast in there, and you could possibly have a recipe for perfection.

Unfortunately, the ingredients don't blend together as well as I had hoped, and instead we're left with an engaging but bland look at a handful of trials and tribulations in relationships. To see what I mean, just read more.

Made up of a series of short films, New York, I Love You is an homage to the city as well as the residents who hold it near and dear to their hearts. The "anything can happen" theme is alive and well, as strangers become acquaintances and friends, putting so much emphasis on each and every interaction that we take part in on a regular basis.

You meet a few characters that represent New York well enough; Bradley Cooper is the guy who's constantly jumping into a cab the same time as someone else, Orlando Bloom is the struggling musician who turns to Central Park for inspiration, Hayden Christensen is the pick-pocket who's as sexy as he is dangerous. But sometimes it feels just a little too forced; like the film is primarily concerned with proving that New York is a melting pot. Rather than seeing a few love stories shine through stereotypes, I was more distracted by the fake accents.

As with Paris Je t'aime, some of the stories shine brighter than others. Natalie Portman directs a sweet piece about a relationship between a father and daughter; Olivia Thirlby and Anton Yelchin are refreshing as a younger pair who makes the prom a night to remember. The lighter films are breaths of fresh air amongst others that are trying too hard to be hip and stylized.

The ensemble cast certainly gives the movie a boost; even when it's not provoking the deepest of emotions, the film always had my attention. There are solid performances all-around, particularly from Chloris Leachman and Eli Wallach as an aging couple who are still bickering when they aren't helping each other cross the street. It is the most hopeful of the scenarios, and by far the sweetest and most touching.

The film provides plenty of the standard money shots of Manhattan: a typical day in Grand Central Station in fast forward, subway rides, hours of people watching in a coffee shop. The encounters feel authentic and realistic, but the failure lies in the inability to make us feel something on a deeper level. Sometimes you can relate to the characters, and sometimes you feel sorry for them, but it doesn't squeeze your heart nearly enough - and with a title like New York, I Love You, this a disappointment.

Where the Wild Things Are: A Passionate Ode to Childhood

BuzzSugar — Fri, 16 Oct 2009 04:30:00 -0700

There's been a bit of a controversy over how to market Spike Jonze's adaptation of Maurice Sendak's classic children's book, Where The Wild Things Are. Is it for kids? Adults? Adult hipsters?

The answer is anyone who wants to feel what it's like to be a child, and not in the fun-loving, no-responsibilities way. As adults, we tend to forget the insecurity and fears we had as kids, which the film's young character Max is in the throes of. There's just enough exposition before the fantasy begins: Max has a single mom (Catherine Keener) and an older sister who has recently outgrown him. His first few acts at home show his innocence and the savage emotions under the surface. He knows it as being "wild."

Where the Wild Things Are isn't a heavy-handed allegory, or an edgy children's movie; it's a loyal tribute to the way kids think and feel. To see what else I thought of the film, just read more.

Max reaches the world of the wild things after throwing a particularly heinous fit, prompting his mother to yell, "You're out of control!" After running away, Max finds himself on a boat that finally brings him to a strange land. This is where the wild things are. The creatures Jonze has created are aesthetic wonders: creepy, hostile, and huggable at once. These aren't Jim Henson's Muppets, but real characters, led by Carol (voiced by James Gandolfini). The rest of the group is comprised of Lauren Ambrose as aloof KW, Catherine O'Hara as prickly Judith, Paul Dano as timid Alexander, Chris Cooper as Douglas, and Forest Whitaker as Ira.

Each creature has a fully realized personality, with flaws and varying temperaments; their faces are so emotive and their dialogue so human that their scenes with Max are as real as those with his mother. This group is not easily classified as friend or foe - they're dysfunctional in their relationships and don't always treat each other well. One of the most successful elements of the movie is the dialogue of the wild things, which is rooted in Max's head.

In many ways, screenwriter Dave Eggers's job was tougher than Spike Jonze's, because it's imperative to remember the way children think. Max's interactions with Carol and his new clan are made up of the kind of things a kid would hear from his parents and peers and then internalize. In fact, in the wild world, Max declares himself king to bring order, and he summons up speeches from the authority figures that he's pulling away from in his real life. Naturally, he's too young to recognize how his subverted position is significant.

Max's relationship with Carol is most telling. As the de facto leader of the group who can't handle sadness, loneliness, or jealousy, he acts out as a mirror of Max while still being his own character. The richness of Carol and the creature cast stays with you; when Max has to say goodbye to his friends, your heart breaks.

Jonze impressed me with his non-conformity; in another movie, Max would have demonstrated the grand lessons he learned from his time on the island, but in this one, he doesn't have to learn anything. He just gets to feel and experience and appreciate his emotionally fragmented new friends. It's devastating as a viewer, especially if you can put yourself back in that childlike place when your feelings were so raw and simple.

Photos courtesy of Warner Bros.

Grey's Anatomy Rundown, "Tainted Obligation"

BuzzSugar — Fri, 09 Oct 2009 06:30:58 -0700

The title of this week's episode of Grey's Anatomy says it all. Meredith finds herself between a rock and a hard place when her dad enters Seattle Grace in need of a liver transplant, and she's the only viable donor. Meanwhile, the Chief is still trying to navigate the merger, and Izzie continues to struggle with the transition from patient back to doctor.

Check out the Grey's Anatomy Junkies for more discussion, but for now, just read more.

So, married life isn't exactly typical for Alex and Izzie between brushing their teeth in the kitchen sink and the bears greeting them in the morning. The turning point for Alex comes in one of the episode's funnier scenes: he finds a tick in his ear over lunch. Though Izzie defends trailer life at first, I'm glad she finally comes around by the end of the episode - those two have enough problems as it is.
Thatcher makes a grand entrance into Seattle Grace, immediately puking blood all over Meredith's sneakers. At first Mere is back to her typically gloomy self, half hoping her father will die and continuing to hold her lifelong grudge. I felt for Meredith, but after Lexie's heartfelt begging and pleading, I was happy that Mere finally grows up and casts her selfishness aside. Three seasons ago Meredith would never have dreamed of putting Lexie first, and I was proud of her for giving up part of her liver - her offer to get to know her dad was an even bigger milestone.
Doctor Sloan has a lighter case on his hands, though it's still a family matter. He handles an aging man who desperately wants a penile implant. Appalled, his adult children try everything they can to talk him out of it, but their father wants nothing more than to be with his new love in his life. I loved that some of Lexie's pain transferred over to Mark, as he gets all emotional about the sanctity of life and death. And of course his homage to Lexie: "And there's nothing wrong with dating a younger woman. It keeps you young and that's my professional opinion!"
Cristina spends most of the episode puttering about and trying to do anything she can to scrub in on a surgery. When Owen refuses to play favorites, she tries batting her eyes at any surgeon willing to give her a look. In the end she finally gets to help out - though she's less than thrilled to be part of Sloan's "penis pump" surgery. As her confidence continues to break down, Cristina eventually explodes at the Chief. Personally, I'm enjoying the more vulnerable side of Cristina.
Izzie is back to work, but she understandably can't separate her life as a doctor from her past as a patient. She quickly develops a rapport with another cancer patient and his girlfriend and insists on trying a risky surgery to try to save him. When she loses the patient, it becomes clear to Owen that she's not ready yet - and unfortunately, we already know that this ends in her getting fired (looks like next week). I'm not sure what fate lies for Izzie just yet, but I'm glad the writers are handling her recovery responsibly, rather than having her bounce back from melanoma as if it never happened.

Overall, I'm finding this season of Grey's a bit lackluster, but what about you? Were you surprised that Meredith gave in to Lexie and Thatcher? Are you looking forward to the new influx of doctors next week?

David Letterman Admits on Air He Had Sex With Staff Members

BuzzSugar — Thu, 01 Oct 2009 18:52:58 -0700

Well here's something I didn't see coming - while taping tonight's episode of The Late Show With David Letterman, Dave revealed to the audience that he was recently blackmailed for $2 million dollars. Apparently the extortionist sent Dave a letter a few weeks back, threatening to go public with information that the talk show host has had sexual relationships with several female members of his staff.

Dave went on to tell the audience that he met with the individual and had the person in question arrested after passing over a fake check for $2 million. He continued, "This morning, I did something I've never done in my life. I had to go downtown and testify before a grand jury. In terms of the affairs, he said, "My response to that is, yes I have. Would it be embarrassing if it were made public? Perhaps it would. I feel like I need to protect these people - I need to certainly protect my family."

Sex scandals are sadly common these days, but I'm still pretty shocked about this news - and even more surprised that Dave came clean on national television. My heart goes out to his wife and family. The episode won't air for a few more hours, but while we wait to see the video - what do you make of this news?