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Buzz Brainteaser

BuzzSugar — Fri, 17 Oct 2008 04:30:27 -0700

Welcome to Buzz Brainteaser, the trivia feature on BuzzSugar! Every weekday I'll test your knowledge about TV shows, music, and movies. If you enter in the correct answer, you win points! Before it burned down and became a gift shop called Over Our Heads, what was the name of Mrs. Garrett's bakery on The Facts of Life?

The Results Are In: Recast "The Facts of Life"

BuzzSugar — Tue, 11 Sep 2007 20:46:05 -0700

Every Wednesday on BuzzSugar, I post a Recast challenge, where I ask you to choose new actors for a classic TV show or movie. The reader who submits the best cast wins a BuzzSugar t-shirt!

With this week's recast challenge for "The Facts of Life", I actually wish the show could be made again with these new actors! My favorite ideas were the ones submitted for the character of Mrs. Garrett, like jpullman813's suggestion of Kathy Najimy, LaLaLaurie06's idea of Kathy Bates and Jane Fonda, as put forth by leeluvfashion and Hollisterbabe01.

I also thought Kaycee Stroh would be perfect as Natalie, as ddene5713 and SugarySweet022 suggested. And finally, Martha MacIsaac from Superbad is a great pick for Jo, as posited by brainstormchaser. Overall, though, my favorite recast list this week comes from rinxy! To see who rinxy chose, along with a new cast photo, read more

rinxy's cast:
Blair - Amanda Seyfried
Tootie - Raven-Symoné
Natalie - Nikki Blonsky
Jo - Amanda Bynes
Mrs. Garrett - Caroline Rhea

Recast "The Facts of Life" and Win a Prize!

BuzzSugar — Wed, 05 Sep 2007 13:16:45 -0700

Every Wednesday on BuzzSugar, I post a Recast challenge, where I ask you to choose new actors for a classic TV show or movie. The reader who submits the best cast wins a BuzzSugar t-shirt!

Oh, how I miss Tootie, Blair, Jo and Natalie! And Mrs. Garrett, always at the ready with her witticisms and kindly advice. I know nothing and nobody can replace the comfort and joy that the original cast of "The Facts of Life" provided, but if you could recast this beloved sitcom in this day and age, who would you pick for the central characters?

Leave your entry in the comment section below, and I'll pick one winner to feature Tuesday, September 11, complete with a "new" cast photo. To see a list of characters to recast and a photo of the BuzzSugar t-shirt, read more

Characters to recast:
Blair (Lisa Whelchel)
Tootie (Kim Fields)
Natalie (Mindy Cohn)
Jo (Nancy McKeon)
Mrs. Garrett (Charlotte Rae)

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Bad Lieutenant: Good Cop Gone Nuts

BuzzSugar — Fri, 20 Nov 2009 14:30:49 -0800

Nicolas Cage has said, "There's a very fine line between Method actor and schizophrenic." In Werner Herzog's Bad Lieutenant: Port of Call New Orleans, he teeters that line maniacally, with an ever-increasing slur and crooked swagger. Cage plays Terence McDonagh, a detective in post-Katrina New Orleans investigating a drug-related murder and his personal threshold for cocaine and heroin.

The first news of Bad Lieutenant was puzzling: famously extreme director Werner Herzog re-imagining a 1992 cult movie, also called Bad Lieutenant, but shifting the action to New Orleans and casting Nic Cage in the Harvey Keitel role opposite his Ghost Rider costar Eva Mendes. Weird.

But in fact, Bad Lieutenant is Herzog's second surprisingly accessible movie in as many years, following 2007's Rescue Dawn. And Cage is brilliant in a role seemingly made for him, so read more.

The noirish, pulpy, desperate, and often hilarious film opens with a good deed: McDonagh dives into a Katrina-flooded jail cell to save a prisoner's life, in the process injuring his back and subsequently getting hooked on Vicodin and then far harder drugs.

As a degenerate cop in a washed-out city, Cage makes Denzel Washington's Training Day villain look like a Boy Scout. He slithers through the streets, confiscating drugs to snort with his prostitute girlfriend (Mendes), hooking up with a drug kingpin played by Alvin "Xzibit" Joiner, and fending off a rising tide of self-created trouble. "Being courteous is really getting in the way of my progress," he croaks before one of his more disturbing moral lapses.

In post-Katrina New Orleans, Herzog has found the perfect setting. He never lets the city look pretty or even charmingly decayed, and he populates it with iguanas and alligators and snakes and fish. At every turn, McDonagh is confronted by cold-blooded animals, as he careens between the call of duty and the cold-blooded instinct of his addiction. It's impossible to ignore the reptilian symbolism, and the effect is perfectly bizarre. Despite its darkest moments, Bad Lieutenant is a remarkably good trip.

Photos Courtesy First Look Studios

Buzz Interview: Eric Stonestreet on Playing Modern Family's New Dad Cam

BuzzSugar — Wed, 18 Nov 2009 06:30:49 -0800

Freshman comedy Modern Family has filled a void in my life - I find myself laughing out loud each week, and I'm not the only one digging it. A huge part of the show's greatness can be attributed to its amazing cast; one of my favorites is Cameron - one half of a same-sex couple adjusting to life with a new baby. Eric Stonestreet, who plays Cam, sat down with me to talk about the show's crazy success and the real-life experience he used to portray a clown in next week's episode, "Fizbo."

On whether he expected the show to be so successful: No. I had a very, very good idea that based on the writers’ history and their very extensive careers that we had a really, really good shot at being something great. Anybody that tells you in this business they knew it was going to be this well-received is crazy. Actually, being this well-received makes you a little nervous.
On whether the success is a surprise: It’s a bit of a surprise with how outwardly supportive the critics have been, but by the same token, how outwardly supportive and sort of in love with the show fans have been. I think that’s the thing that really feels like lightning in a bottle - when you have both of those things in place. Typically, you have huge fan support and the critics tell you it’s the worst thing they’ve ever seen, or you have critical acclaim and the fans are like, 'what is this show, we don’t get it.' So I think the fact that we have both is rare and exciting.

To hear Eric spilling about upcoming episodes of Modern Family and his clown college rejection, just read more.

On his real-life clown experience: I, as a kid, have early documented pictures of me being very intrigued by clowns. The circus came to town in Kansas City every year around my birthday, so naturally my parents took me for my birthday. Once I saw that clowns were people with makeup and funny wigs and costumes, I was in. By nine, I was getting clown suits made for me by my Grandma Louise, at 11 there were articles written about me in Kansas City about how I wanted to become a one-man show performing for senior citizens and kids forever. You’ll see that article in the episode "Fizbo" that was written about me then. I didn’t want to be an actor; I always wanted to be a clown, and acting sort of found me when I was in college. So to be able to bring back what inspired me to act as a kid to prime time is more than I would have ever imagined possible for myself.
On whether he'd be a clown now if he weren't an actor: No. I auditioned for Barnum and Bailey Clown College and they denied me twice. They did not let me in, those clowns.
On what's next for Cameron, Mitchell, and baby Lily: We have an episode coming up where we’re Ferberizing the baby when she won’t go to sleep, and Mitchell is very much committed to letting her cry it out, and Cameron of course can’t for the life of him imagine why you would let a baby cry it out like that, so there’s drama there. It’s what’s great about the show - yeah, they’re a couple of guys raising a baby, but the focus really on that relationship is the challenges of a relationship, the challenges of parenthood, and just trying to find the happy medium of keeping up a relationship while raising a kid.
On the holiday episode: We have the Christmas episode coming up, where you find out that Cameron had created a choir group, a caroling group, a few years back and he was removed and kicked out of his own caroling group by one of the carolers. That episode is really about forgiveness and the Christmas spirit. It’s a very sweet episode.
On his dream guest stars: I can’t imagine who else they’re going to get. That’s the brilliance and awe-inspiring aspect of this show, that people are watching it and people are enjoying it and willing to participate. I can’t wait to see who they find for Cameron’s parents. I have some ideas of who I want, but I’ll be excited to see who’s coming.

Talking New Moon With Kellan Lutz and Ashley Greene

BuzzSugar — Mon, 16 Nov 2009 09:15:50 -0800

Robert Pattinson, Kristen Stewart, and Taylor Lautner may be dominating the promotional circuit right now, but they're not the only cast members with something to say about New Moon. I had the opportunity to chat with costars Kellan Lutz and Ashley Greene, aka Emmett and Alice Cullen, during their recent stopover in SF. They chatted about their characters, the vampire craze, and what it's like to be a "Twilight celebrity." Here are highlights:

On why so many people are crazy for the Twilight Saga:
Ashley: I think this film in particular is highly relatable. There are a lot of situations that people can relate to. The love story - everyone can relate to being in love or being in lust. You add the vampire, and it adds that next level fantasy. Vampires are mysterious and sensual and dangerous and unattainable. And everyone wants what they can't have. I think on another level that this came together at the perfect time. All the elements just fit, the casting was spot on, and we're in a difficult time right now with our economy. That's why you never have a drop in ticket sales because everyone wants an escape, and this movie is very much an escape from reality.
Kellan: It's a good escape but also it deals with so many situations, on so many positive notes. Just looking at it from the vampire coven to the wolf pack. It just deals with everyday issues just on bigger levels, in a way. And you have Bella as the keystone in many situations. You can just all relate from different countries to issues within the United States. It's easily relatable.

To read a lot more about working with three different directors and why they feel so lucky, just read more.

On how their portrayals of the Cullens are similar or different from the books:
Kellan: We got the jobs because we brought something new to it. You can interpret the characters each their own, but I think it's what we did alongside. Just like Kristen said - she's playing Bella but she's putting her Kristen spin on it, just like all of us are. And I think that's what's making it unique. We're still following the cheat sheets that Stephenie created by making the books, and there's Wikipedia. We have a lot of information to go off of. But I hope it's what I did in my audition that set it apart from the other guys trying out.

Ashley: I think it's mannerisms too. People do fall in love with this book, but I think part of it is that they always want more. You can't write out every human mannerism. You can imagine it, but seeing the emotion in someone's eyes and seeing them be affected it - it was kind of easy to give something to it, because we were just being people. We kinda just got lucky.
On how much more of the Cullens we can expect in the remaining movies:
Kellan: Realistically, we stick pretty close to the books. Obviously us Cullens would love to be in the books a lot more, which would mean we'd be in the movies a lot more. Talking New Moon, the scenes that the Cullens - except for Ashley, playing Alice who gets to go to Italy and be a main lead in the movie - us Cullens, we have to stick really close to the books, and the scenes that we're in are really crucial to the story, as you know - the birthday scene, the voting scene. I don't know, it was kind of a tease. Chris Weitz is such an amazing director, and for us, for myself - I only worked about a week on that movie. And it didn't even seem like I really got a taste for what it was.

Ashley: In the third film, you'll see a lot more of the Cullens because it's all of us collaborating and then getting ready to fight this war that's coming up. In the second one, my character got a much larger role because Alice is the Cullen, other than Edward, that really embraces Bella and they end up becoming best friends. In the beginning, you see her throw this huge party for Bella, and then Alice is the one who does, in fact, come back for Bella when everyone else decides to skip town. Alice is responsible for dragging Bella over to Italy, and she and I the whole time are fighting to save my brother's life. And then of course we get held up by the Volturi and stuff like that. My character got to grow a lot, which is really cool. You get to actually see the relationship develop between Bella and Alice, where in the first one you didn't. The first one was very much about the romance and showing the audience why these two people are willing to die for each other.
On working with a different director on each film:
Ashley: Each director is going to be very different. They're artists as well, and I don't think any of them are quite the same. The books, when you read them, all have very, very, different tones. So I think it's highly appropriate that we switch directors each go. The first one is very much a romance and is a very scenic, beautiful film. And Catherine's really, really great at capturing that. She's very high energy and works well in chaos and stuff like that. And it was fantastic because we didn't quite know what we were getting ourselves into, and so it was nice to have her to guide us when we were freaking out a little bit. She was just so high energy, and it was really contagious. We were sad to lose her and move on to the second film, but then we got Chris Weitz and he's the complete opposite! But great as well. He's so giving and caring and collaborative and created this atmosphere that was kind of a safe haven for us. And it was really nice because we didn't know, switching directors, if they were gonna embrace us or if they had a completely different vision than what we created in the first one. It was nice that he was right there on the same page with us. And the second one is a warmer film, even from the color scheme. The first one is very blue tones, and the second one is much richer and warmer and I think he did a great job at capturing that. And we just finished shooting with David Slade, and I think he's highly appropriate as well. He just finished shooting 30 Days of Night and Hard Candy, and they're both very dark, edgy films. And Eclipse is very much that. It's all centered around the anticipation and us getting ready to fight this huge war. We just finished filming, we haven't gotten to see much of it, but I think it's gonna be fantastic. He is, technically, the most advanced director. The angles that he shot and how he knows that tweaking something can affect a whole scene and the lenses. He was really nice to work with.
On coping with the fan effect and being a "Twilight celebrity"
Kellan: That's what blows my mind, 'cause I feel like it's really unearned in a way. The fans are making our careers. Without them, we wouldn't be working and doing the saga. There's so many times that trilogy books become a movie and the first one bombs, and then that's it. And you're always hopeful that you get to do them all. Especially since we're all in love with our characters. I love Emmett Cullen to death, he's my favorite character I've ever played. It's just so cool to have made it this far, and I think we all hope that we get to finish this series and do Breaking Dawn. This is such a blessing, it's every actor's dream to be part of something like this. It's not terribly hard either. We don't shoot halfway around the world; we don't shoot for a year of our lives. I know a lot of us have homes, we have pets, we have family. And it's really nice to shoot on the West Coast, either Portland or Vancouver, and have the chance to fly down if we need to. But it's definitely amazing to be part of something like this. And I don't think any of us knew how crazy it would be and how exhilarating it would turn out to be. Going to the premiere, really just, wow. I don't even remember it because I was really just starstruck by how many fans and signs and cameras. It felt like I was just walking through a strobe light room. It's amazing.

Ashley: I still think we can't really wrap our heads around what's going on and what's happening. We're still in the midst of filming and kept very busy from one film until the next. It's only these brief moments where you sit back and are actually able to take a breath where you go "Whoa. Wow. This is crazy." I mean, the amount of tickets they've already sold for New Moon - I'm pretty sure I can't even get a ticket if I tried to see my film in Jacksonville and it's mind boggling. We're just very lucky. I went into this film thinking "Oh my gosh, I got a job" and the it turned into the biggest break of my life. I think we all feel very blessed to be a part of this.
On how it feels to be part of Twilight fan fiction:
Kellan: It's an escape, in a way. We do live in a trivial time period right now. There's so much depression that it's kinda cool to be a part of something where people use it to be an escape. In a way that's kinda what Stephenie did -she had a dream and just elaborated on it. It became a huge success and it's really encouraging that people are doing the same and just making up this journey.

Ashley: That's why people love it so much I think. You can take it and make what you want of it. Before the demographic was teenage girls, but now it's women of every age and guys are starting to get into it, too. It's because there is that element of fantasy. If you're 8 years old you look at it one way; if you're 80 years old you look at it another. I think it's fantastic that we can draw such a huge crowd. The other thing is - it blows my mind but people are making connections over this film and over this book. there are mothers and daughters and grandmas who can all sit and talk about the same story and all fantasize about it and I think that's a really cool thing. I think it's rare.

To see all of our Twilight and New Moon coverage, check out TwilightSugar!

Fantastic Mr. Fox: Lives Up to Its Title

BuzzSugar — Fri, 13 Nov 2009 08:30:00 -0800

For the past five years, Wes Anderson's wide fan base has been waiting for his first fully animated film. Would his adaption of Roald Dahl's children's book, Fantastic Mr. Fox appease the same crowd that holds Bottle Rocket and The Royal Tenenbaums near and dear to their hearts? The answer is an emphatic yes, and the best news is that you don't even have to enjoy Anderson's other work to fall in love with this film.

The story follows the wily Mr. Fox, a professional robber turned family man (er, fox) who just isn't satisfied with his quiet life working as a newspaper columnist. Even a move to prime real estate isn't enough to satiate his appetite for a little trouble making, and Mr. Fox (or "Foxy" as his friends call him) decides to take on the biggest adventure of his life. That's just the tip of the iceberg though, so read more.

Mr. Fox isn't your average wild animal; in fact he's just the opposite. He lives a civilized life with his wife Felicity (Meryl Streep) and 12-year-old son, Ash, making an honest living as a newspaper columnist. Like a kid who can't sit still, Mr. Fox has trouble curbing his desires to rebel and go back to his life stealing squab and running into trouble. Against his wife's wishes, Mr. Fox convinces his dim-witted but trusty sidekick Kylie (Wally Wolodarski) to take on one last hurrah. The crime? Ripping off the three biggest (and meanest) farmers around - Boggis, Bunce and Bean. When Mr. Fox starts an all-out war, he is forced to join forces with his family, friends, and neighbors - and that's where the fun begins.

The film's brilliance lies in the fact that Fantastic Mr. Fox is a movie for grown-ups disguised as a kiddie flick. Even with Anderson's name stamped all over it, there's no denying the furry animals dressed as humans. The animation makes the plot play out like a story book come to life; we're taken deep into the fox hole and beyond in a world that looks like a dollhouse made for fuzzy creatures. Kids will love the adventure and the colors, but the witty dialogue and quirky characters are made for the grown-ups.

The movie features a crew of lovable characters who deliver hilarious one-liners when they aren't breaking into impromptu dances. There's nothing new about a movie featuring animals acting like humans, but the actors make the movie the gem that it is. Jason Schwartzman playing a crabby 12-year-old but using his regular deep voice is genius. Clooney and Bill Murray (as badger, Mr. Fox's lawyer) bantering back and forth but replacing swears with the word "cuss" never gets old (as in "This place is a cluster cuss" and "What the cuss is wrong with you?").

Rare is the animated film with this much wit, cleverness, and chemistry between characters, but Fantastic Mr. Fox hits it right on the head. Score one more for Mr. Anderson.

(Don't forget that if you see a movie that you'd like to review, you can post your write-up in the Movie Review Group in Community - I may even post it here on the site!)

90210 vs. Melrose Place: Which Was More Scandalous?

BuzzSugar — Wed, 04 Nov 2009 09:30:12 -0800

This week's CW drama block may have its share of cool guest stars like N.E.R.D. and Samantha Ronson, but, on the whole, it's a total mess. On the one hand, you've got the unstable girls of 90210 having emotional breakdowns at the drop of a hat; on the other, the Melrose Place residents are busy sneaking around to cover up their crimes. Personally, I was a bit annoyed by all the over-the-topness - especially you, Annie. Oh, and you, Ivy. But hey, at least it gives us a few surprising moments.

Ready to dissect each show and decide which packed more punch? (Warning: major spoilers!) Take a peek at my arguments and then weigh in with your own when you read more.

90210 point: Sasha is officially a nut job. First she tells Dixon that she's pregnant, but when Debbie gets wind of it, she questions Sasha even further to catch her in her baby lies. But the best part? When Debbie says the line, "It starts with you're not pregnant, and it ends with stay away from my son." Oh, snap! Congrats Debbie, you just went up a notch on the list of cool TV moms. Sasha backs off, telling Dixon she had a "miscarriage."
Melrose Place counterpoint: Did David kill Sydney? They sure try to make it seem that way. David tells Ella that he was blackout drunk that night after finding out that Syd was sleeping with his father - and then he has a flashback where he wakes up with blood all over himself and a knife in his hand. I gasped a little over the big reveal, but I'm not entirely convinced that David wasn't set up by someone else.

90210 point: Annie is getting in way over her head with Jasper, and unfortunately, she seems much too insecure to dig herself out. When Navid hears that Jasper is a dealer, he tells Annie and she confronts Jasper about it. Jasper wigs out, making Annie cry and beg forgiveness. Later, we see Jasper selling drugs to someone, so we know the rumors are true. For more on his buyer, keep reading.
Melrose Place counterpoint: Jonah makes out with Kendra, the hot movie producer, literally within the first five minutes of the episode. (That didn't take long.) He stops things from going further, but when he comes clean to Riley, he gets on her case again for her kiss with Auggie. She apologizes profusely, but the damage has already been done. By the end of the episode, I was thinking, Wait, did they actually just break up?! I don't think so, but if you stuck around for next week's promo, things do not look good for the engaged couple.

90210 point: Jen is back, throwing around her prima donna wicked attitude. She walks in on Ryan during his date with the bartender from the previous episode and goes into attack mode with the verbal jabs. ("You look older closer up.") Ryan is actually turned on by her jealousy, and the two become exclusive. But what I can't understand is why, after he knows that she lies, does he actually trust her story about Liam coming on to her? He totally buys it!
Melrose Place counterpoint: Auggie finally gives his a-hole boss Marcello a piece of his mind, er, fists. Marcello passes off one of Auggie's recipes as his own, and then he makes a few lewd comments about Riley - and you know how Auggie feels about Riley. He starts swinging, knocking Marcello out. Back at the apartment later, Violet shows up, and in a moment of what I can only blame on Auggie's emotional distress, the two finally knock boots. I'm guessing this means we'll be seeing Violet's worst kind of crazy very soon (right before she and Auggie say sayonara).

90210 point: Adrianna is inching closer to her previous life of drug use. It starts when she plays a song asking for Navid's forgiveness. (So cheesy!) He turns her down, so she continues sulking in bed, sobbing. Silver and Naomi want her to go to a meeting so she can stay clean, and with due concern - at the end of the episode, we see her buying from none other than Jasper.
Melrose Place counterpoint: Ella's squeaky-clean client, Jessie, is hospitalized with major cocaine in his system, so she begs Lauren to write a fake report citing an allergy as the cause of his stay. Lauren refuses. (Anyone else confused about why Lauren continues to take the high road, despite her side prostitution gig?) Ella then discovers a wad of cash in Lauren's room and realizes her Pretty Woman secret. Of course Lauren denies the accusations, but no matter - Ella decides to let her star take the fall anyway and promises to never question Lauren again.

90210 had way more melodramatic outbursts, but those ladies were so crazy that it kind of turned me off. (You girls give women a bad name. Even Violet seemed normal this week compared to you.) So I'm giving this week to Melrose by default: I was genuinely shocked at David's bloody flashback and the fact that Jonah has suddenly broken out of his perfect-fiance persona. I expect scandal from someone like Auggie or Ella, but from Jonah? Come on!

Do you disagree? Were you actually loving all of the melodrama on 90210?

Don't forget that you can also keep the conversation going over in the 90210 Superfans group in the Buzz Community. Check it out!

Photos courtesy of The CW

Mad Men, "The Grown Ups": This Week's 5 Maddest Moments

BuzzSugar — Mon, 02 Nov 2009 06:30:10 -0800

Did you hear it? That was the sound of the Mad Men implosion, as the death of JFK on November 22, 1963, rocked the country and the lives of the show's characters. This season has been building up to the events of this episode, which felt more intense, more important, than next week's finale can possibly be. If there's an episode that has defined the third season so thoroughly, it's this one, "The Grown Ups."

Ready to talk? See this week's five maddest moments when you read more.

Death of a President: The timeline of the show has made it clear that John F. Kennedy's assassination is coming, but like those who experienced it, there was no way to prepare for it emotionally. So where is everyone when JFK is shot? Peggy is having a "nooner" with Duck, Betty is at home, Pete and Harry are talking work, and Roger's daughter Margaret is having a fitting on the eve of her wedding.
One wedding and a funeral: The show must go on, Roger decides, and Margaret's wedding still happens on Saturday night, with far fewer guests in attendance. I understand why they didn't cancel it, but as Joan remarks, "Poor thing." Margaret overcomes her marriage jitters and fit over Jane's extravagant gift and presence in her life, only to agree to be married the day after the President's shooting. That's pretty rough.
Downgrade: Pete is demoted so thoroughly at Sterling Cooper that he leaves work and tells Trudie he's been fired at first. Like Betty, the fact that he's already going through something jarring when JFK is shot only escalates his personal situation, and he stays at home with Trudie instead of going to Margaret's wedding. Shaken as well, Trudie tells Pete to start gathering his clients in preparation to leave the company. Pete seems shattered, and again, I enjoyed Vincent Kartheiser's nuanced performance of one of the show's most complicated characters.
Where's the love: A wedding and a violent event prompt everyone to re-evaluate their romantic relationships; particularly Don and Betty (their kiss at the wedding proves to be only passionate from one side) and Joan and Roger. That Roger calls Joan, just happy that she's home, says so much about his feelings for her.
The Proposal: "What is going on?" Betty asks both Don and Henry, distraught about the country's events, but that's exactly how I felt when Henry tells her in her car that he'll marry her if she leaves Don. Last week, when she got advice against divorcing him, I thought there was no way they'd split up, but now that Betty has this viable option, I'm actually scared they may divorce. As screwed up as their marriage is, their being together is one of the show's fixtures. Their separation would be like Sterling Cooper going out of business. But Betty sees things as having "no point" now, and she tells Don that she no longer loves him. I don't know what to think! Is it a coincidence that she was wearing a pink twinset like Jackie the day JFK is shot? Hadn't she just "lost" her husband in last week's episode when she discovers that Don is really Dick Whitman? In any case, it's completely disconcerting to see Don, sitting in his bedroom at the end, broken by Betty's dramatic disclosure of her lack of feelings for him.

Everyone keeps saying variations on how everything will be fine, it will all be OK, but we know from experience with this show that nothing is going to be fine. Whatever is to come, I'm so impressed by this episode; in the future, this will be the episode that you remember when you think of this season.

What do you think will happen with Pete, Roger and Joan, the Drapers? Will Betty take Henry up on his offer? And to talk more about the show later, join the Mad Men group in the community.

Photo courtesy of AMC

Amelia: Never Really Takes Flight

BuzzSugar — Fri, 23 Oct 2009 06:30:00 -0700

I love the way a biopic makes me feel - like I'm treated to a back-in-time look at an amazing life. They're epic, and that's why I'm willing to sit through the slow moments (and often for more than two hours) for the payoff. This is the experience I hoped for from Amelia, directed by Mira Nair and starring Hilary Swank as the pioneering aviator who was the first woman to fly solo across the Atlantic Ocean.

There's plenty of opportunity for grandness, even though Nair chose not to focus much on the circumstances of Earhart's disappearance during her flight around the world. Earhart had an extraordinary life, eschewing social conventions for her gender and never giving up her one true love: flying.

Unfortunately, Amelia misses the epic mark and lands instead somewhere in the mediocre, underusing its cast's talents and history's treasury. However, it's not an altogether unpleasant journey, so to see my thoughts on the film, just read more.

First, the film is beautiful - Mira Nair knows how to shoot a gorgeous scene (she was behind the richly-styled films Monsoon Wedding and The Namesake), and she really takes advantage of the oceans, the landscapes of jungles, beaches, and moors. Much of it is seen through Amelia's eyes as she's soaring over it, and occasionally you feel the same freedom in flying that she so desires.

Along with the scenery, the minor success the film does achieve is ascribed to Hilary Swank's acting. I was expecting the two-time Oscar winner to be fantastic, and she didn't let me down. From transforming her looks to match the androgynous icon's to altering her voice to a Katherine Hepburn-ish gravel, she captures the pre-feminist aviatrix in all her glory.

The problem is that intriguing parts of Earhart's life are introduced but merely glossed over. For instance, Earhart's marriage to publisher George Putnam (played by Richard Gere) is complicated by the fact that she carries on an affair with Gene Vidal (Ewan McGregor). However, this affair is only briefly touched on (they meet, they kiss, it's suddenly over). For his part, Ewan McGregor is given little more than a cameo role, which is an unsatisfying tease for any fan of the actor.

While I'm on unsatisfying, if you've ever been fascinated by the mysterious circumstances of Earhart's death (she disappeared over the Pacific on a round-the-world-flight), you'll get no gratification here. Understandably, there's no speculation about what happened, but there's no closure either.

That seemed justified, because when this project was announced, it was reported that Nair wouldn't focus on the mystery, but Earhart's remarkable life instead. Unfortunately, there's not enough focus on that remarkable life to do the woman's memory justice.

Photos courtesy of Fox Searchlight