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Up and The Hangover Have a Photo Finish at the Box Office

BuzzSugar — Mon, 08 Jun 2009 08:30:16 -0700

Adults flocked to see The Hangover over the weekend, helping the comedy earn an estimated $43.3 million. However, it wasn't quite enough to bump Pixar's family-friendly movie, Up, out of the top spot with its estimated $44.2 million. Despite coming in second place, The Hangover's debut far exceeded expectations and is "the third best opening ever for an R-rated comedy."

Meanwhile, Will Ferrell's Land of the Lost is being called the first "bomb" of the Summer. The adventure flick, which received pretty bad reviews, came in at No. 3 with only $19.5 million over the weekend.

Nia Vardalos's romantic comedy My Life in Ruins also debuted this weekend, coming in at No. 9.

Up image courtesy of Walt Disney Pictures and The Hangover photo courtesy of Warner Bros.

Preview For My Life in Ruins Is Long, Kinda Boring

BuzzSugar — Tue, 19 Aug 2008 07:00:26 -0700

First off, this strange little trailer thing with subtitles is freakishly long (over four minutes!) and feels longer. This does not bode well for the comedy from My Big Fat Greek Wedding's Nia Vardalos.

When last we heard about My Life in Ruins, it was because Vardalos became the first filmmaker to be allowed to shoot inside the Acropolis. I was totally excited for this movie at that time. Now? Not so much.

From the trailer I'm guessing that - not unlike My Big Fat Greek Wedding - our protagonist learns how to love herself, loosen up and be confident, and from there everything falls into place for her. But the getting-there part looks ridiculously boring. When the majority of laughs come from Rachel Dratch's supporting character, we're in trouble.

Frankly, I am so disappointed! I really wanted Vardalos to have a big hit with this movie but she just isn't very engaging in the preview. Maybe there will be a better, official trailer before (if?) My Life in Ruins opens in theaters (the date of which is unknown). To check it out for yourself, read more.

Update: The video was removed from YouTube, but it looks like you can still view the preview here.

Source

Nia Vardalos: First Person to Film at Acropolis

BuzzSugar — Tue, 16 Oct 2007 08:30:00 -0700

Nia Vardalos, of My Big Fat Greek Wedding fame, is apparently a beloved treasure in Greece. So great is her pull that she was granted permission to film her next romantic comedy My Life in Ruins at the 2,500-year-old Acropolis at Athens, a first-time event for the ancient site.

While acquiring this permission entailed plenty of schmoozing on Vardalos' part, her popularity in Greece certainly didn't hurt. According to the Reuters article, "One of the most important factors was that Nia is beloved in Greece. She is a daughter of Greece and represents a positive representation of what being Greek is," said Michelle Chydzik, a producer on the film.

There are, of course, restrictions to the filming, including:

They get exactly one day to shoot at the ancient ruins.
No one can eat or drink at the site.
No hanging lights off columns.
No faking any of the sites, even with a fake background or column. "If you are standing at the Temple of the Oracle, you have to say it is the Temple of the Oracle. You can't cheat it even in the location. You can't walk 50 feet away and say that that's the temple," Chydzik said.
Because tourism is very important to the country, no site or road may be closed or restricted on account of the filming.

The government also requested some changes be made to the script, particularly for a part when two characters are drinking beer on the ruins' premises. This moment was rewritten because alcohol is not permitted.

She hasn't had a ton of success since My Big Fat Greek Wedding, but I think of Vardalos as the little indie filmmaker that could. Seriously, how cool is she?

Source and source

House Rundown, "Teamwork"

BuzzSugar — Tue, 17 Nov 2009 08:30:00 -0800

Prepare for a changing of the guard: This week's House marks a major shift for the medical team. House is back in charge after reclaiming his license, and the shakeups start. Cameron is out - but we already knew that was coming. In her place, a couple familiar faces return to the fold, which will hopefully distract House from last week's Lucas letdown. Throw in a porn star with a mysterious health issue, and you have a packed episode.

Ready for the breakdown? If you don't mind spoilers, read more.

The episode starts off with a special delivery - House's medical license. The guy was already pulling the strings despite his suspension, so the transition is easy. Still, I'm a little surprised that Foreman goes along with the takeover without making a peep.
After Chase finally came clean to Cameron last week about Dibala, she suggests that they leave the team to work on their marriage. They announce their departure to House - who, of course, spends the rest of the episode manipulating them to stay on board. Do you think he was right to meddle? Or should he have stayed out of it?
Really, writers? A porn star? I know they're trying to sex up the show, but it felt like a cheap ploy to me - not to mention a stretch when they draw parallels between Chase's Dibala dilemma and the porn star's own morality. Were you interested in his medical case? I wasn't that intrigued, but luckily there's plenty of personal drama among the doctors to keep my attention.
Thirteen returns - but not without some coaxing from House. After she tells him no repeatedly, he lures her in with the mysterious porn star case. The excitement of the challenge is enough to get her in House's office again for good. But what do you think will happen with her and Foreman? He implies that he's over her, but I don't buy it.
Guess who else is back? Taub! The doc swaps his plastic surgery practice to rejoin House's crew after some major prodding from House. (Of course his wife isn't happy with the decision, but no surprise there.) Are you glad to see Taub again?
Okay, so I was pulling for House and Cuddy, but the scene with Cuddy and Lucas at her place might have changed my mind - you've got to admit they looked cute on the couch together. Are you pulling for Cuddy and Lucas, or Cuddy and House?
House thinks that Cameron is quick to forgive Chase, because she actually blames House for the murder of Dibala. And she does. So with that, she says sayonara to her job and delivers a speech to House about how he's ruined Chase. She rips into him about how he doesn't care for the "sanctity of a human life" anymore, but she says it with pity - even kissing him on the cheek at the end. Next thing you know, she's packing her bags and leaving Chase, too. It felt sort of rushed, but I thought her monologue was completely riveting to watch. What did you think about her departure?

Plenty to talk about in this week's episode, so sound off in the comments! I'm especially curious to hear your thoughts on Cuddy and Lucas, Thirteen and Taub's return, and Cameron's goodbye. And don't forget you can always head over to the House! group in community to talk about the show there, too.

Photos courtesy of Fox

Vampire Diaries "History Repeating": The Good, The Bad and The Bloody

BuzzSugar — Fri, 13 Nov 2009 06:30:00 -0800

Dear The Vampire Diaries, I see your master plan now: it's to bring it every week now. Please continue to do so. Moving on, this week we learned more about Bonnie and her family ties, revealed Damon's master plan, and met the new mysterious, history teacher.

But that's not even half of the amazing things that went down, so to see the good, the bad, and the bloody from this week's episode, just read more.

The Good

Bonnie's talisman/necklace is bringing her nightmares and visions of her ancestor Emily, who we learn was definitely Katherine's handmaiden back in the day. Her appearances are so creepy, but I was kind of digging that the scares were coming from a non-vampire source.
Damon and Stefan's interactions this week are brilliant. The role reversal, where Stefan takes on Damon's persona and Damon mocks Stefan in kind, are priceless. There even seems to be some genuinely affectionate times between the brothers, but was it just Damon's vulnerability/lack of strength due to avoiding human blood?
New characters for this show have tended to be pretty intriguing, and new teacher Alaric Saltzman is no exception. The dreamy Alaric, played by Legally Blonde's Matt Davis, has a shady past (dead wife who was almost certainly murdered) and every sign points to him being a vampire: the sun-protecting ring, the lingering exchange of Jenna not inviting him in. It's almost too obvious. If he is a vamp and not some other supernatural being, then what role does he play? I'm sure he must know the Salvatores.
Gratification! In one episode, we get two mysteries solved: why Damon came back to Mystic Falls and what's up with Emily and her necklace. The master plan - and Damon's reason for return - is Katherine. Specifically, to rouse her from the spell that left her trapped but unharmed (well, relatively unharmed, considering she was already dead) underneath the church 100 plus years ago. It's news to Stefan that Katherine didn't perish in the fire, but that's not the only revelation about her; the boys trade barbs about their last encounters with their shared first love, and they both end up wounded. I think Stefan is lying when he insists that Katherine compelled the brothers into loving her and that it wasn't real; why else would he have come out of hiding to pursue Elena?
One seed-planting I appreciated: The Gilbert family history. You know Jeremy's on the verge of discovering something big. I have my theories.

The Bad

Right about now I feel the need to introduce something I'd like to call Twilight Corner. It'll be where I bring up any glaring similarities The Vampire Diaries has to that other vampire story. This week, it's Stefan leaving Elena, telling her it's for the best. I smirked early on, when Stefan tells Elena that he's backing off from school, that it's the right thing to do; but I pretty much spit my water out at the end of the episode when Stefan tells Elena he's leaving to protect her while they're in the woods. Shades of New Moon! Generally, the show has distinguished itself from Twilight but that's waaay too close for comfort.

The Bloody

Damon swears off drinking human blood in a demonstration of goodwill to Stefan after killing Lexie last week. My my. Damon, showing repentance? What is this crazy fake world coming to? However, he doesn't maintain his new diet for long: he takes a big bite out of a possessed Bonnie after she, as Emily, destroys the amulet and Katherine over the Fells Church ruins.
OK, let's talk past bloody: We got more of the story of the history of Mystic Falls, including what sounds like an epic, ongoing battle between vampires and humans. It was no accident that Katherine was in that church, having been rounded up by the townspeople to be killed. And she wasn't alone; Emily sealed up the whole church, full of other vampires, who potentially could have been freed upon the town this week. Stefan accuses Damon of not wanting to free Katherine out of love, but revenge, rather; he nearly introduces an army of angry, ancient vampires on the ancestors of the people who exterminated them. Personally I think it was a little bit of both for Damon - love and revenge. He almost has his soul mate and a group of allies back in his life.
I'm counting Damon's broken heart as a casualty this week, as cheesy as that sounds. I just can't ignore how wrecked his face looks at the end of the episode. We went from seeing how inhumane Damon is just last week, to being confronted by an emotional man who faces a final loss of love. Ian Somerhalder, you're rocking it.

What did you think of "History Repeating"? Are you disappointed at all that Katherine didn't rise from the grave tonight, along with a crew of her nearest and bloodthirstiest? Do you even believe she's totally gone? And what about Jenna's situation - are both Logan and Alaric out to suck her blood? For more chatting beyond this week, join the Hooked on Vampire Diaries group in the Buzz Community!

Photos courtesy of The CW

The Holiday: Frothy and Fun As a Cup of Cocoa

BuzzSugar — Thu, 07 Dec 2006 07:38:44 -0800

Holiday romantic comedies are bound to be a bit cheesy. When the movie is actually called The Holiday, cheesiness is almost guaranteed. But this latest romp from director Nancy Meyers, which hits theaters tomorrow, rises to the top of its frothy, feel-good genre. The self-aware storyline centers on two women-movie-trailer producer Amanda (Cameron Diaz) and British weddings columnist Iris (Kate Winslet)-who swap houses for the holidays to get away from their less-than-satisfactory love lives. Amanda, who sleeps with her Blackberry and has just ruined another relationship with her workaholism, goes to live in Iris's quaint Surrey cottage, while Iris takes up residence at Amanda's palatial LA haunt to forget her three-year unrequited love.

In the beginning, that scenario lends itself to too many scenes of lonely women talking to themselves; the ones featuring Diaz's high-strung Amanda are nearly intolerable. But when a trio of men enter the picture-including Iris's sexy, suntanned brother Graham (Jude Law)-things get a lot more interesting, so read more

Shortly after arriving in LA, Iris meets two very different men: a witty film-score composer named Miles (played with rare and refreshing subtlety by Jack Black) and Arthur (Eli Wallach), her octogenarian neighbor who also happens to be a legendary screenwriter. Back in England, Amanda makes the acquaintance of the hunky Graham when he shows up drunk at his sister's cottage, not knowing that she's gone on holiday.

To add drama to many of Amanda's scenes, the director employs a clever device: voice-over narration by that ubiquitous movie-trailer guy. Iris and Arthur, meanwhile, spend lots of time discussing the common conventions of script writing. That film-centric subplot on both continents gives the movie a sort of cheeky self-awareness about its own filmic-ness. That way, when the inevitable romantic-comedy cliches and convenient plot twists sneak in, it's more amusing than annoying.

I don't know what's gotten into me: maybe it's the holiday spirit or that my viewing of "The Holiday" comes on the heels of watching one of the worst romantic comedies I've even seen, Trust the Man, on a recent plane ride. (It wasn't even mentioned in the in-flight magazine, which makes me suspect that we were being subjected to a bizarre social experiment.) But implausibly neat and tidy plot aside, the way the characters interact in this movie rings very true to life. Particularly in the Iris/Los Angeles subplot, The Holiday addresses some very universal relationship truths in a clever way. I can't really say the same for the somewhat silly Amanda/Graham romance back in England, but at least there I had the Jude Law eye candy to keep me interested.

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