BuzzSugar

Buzz News Roundup, 11/7

BuzzSugar — Fri, 07 Nov 2008 13:31:04 -0800

Fox has announced its Winter schedule, and is moving "houses" with Dollhouse on Fridays and House on Mondays. - Zap2it
Antonio Banderas is in talks to portray Salvador Dali in the indie biopic, Dali. - Variety
Dylan McDermott will play the lead in a TNT pilot called The Line, about a group of undercover LAPD officers. - The Hollywood Reporter
HBO has bought the rights to a documentary about Barack Obama that's been in the works since 2006. - AP
In other Obama-related news, Bruce Springsteen's next album is expected for release around the time of Obama's January inauguration. - Billboard
Reiko Aylesworth is in talks to join the cast of Lost as "Amy, a smart and successful professional woman with a love for the outdoors who is looking for the right man." - ComingSoon
Annette Bening and Naomi Watts will star together in Mother and Child, a drama from writer and director Rodrigo Garcia. - ComingSoon
ABC won't air the Alyssa Milano comedy Single with Parents. - Variety

Photos courtesy of Fox

What to Netflix: New DVD Tuesday

BuzzSugar — Tue, 17 Nov 2009 06:30:00 -0800

There's a silver lining to TV shows going into reruns, and it's more time to watch movies! Happily, today there are a few highly-anticipated flicks, and I've gone through them to tell you What to Netflix. In addition to the three movies mentioned below, you can also catch Robert Pattinson's pre-Twilight dramedy How to Be.

Star Trek

This year's updated version of Star Trek turned the franchise on its head. With hot young things Chris Pine and Zachary Quinto in the beloved roles of Captain Kirk and Mr. Spock, the film completely changed the series' history so they could start over with a fresh new story.

It worked like gangbusters: the space-set action movie is clever, entertaining, and tons of fun. It manages to make a sex symbol out of a pointy-eared geek, whom I personally drooled over. The movie manages to pay respect to the original, so those fans are still happy, while pleasing folks who weren't fans of the first (like myself).

The DVD's got lots of extras, including deleted scenes, a special feature on casting and a gag reel.
95%

See two more movies releasing today when you read more.

Bruno

Sacha Baron Cohen's mockumentary follow up to 2006's wildly successful Borat, Bruno is more of the same: cringe-worthy setups that make for laughs. This time, though, the envelope that was pushed in the former is torn to pieces in the latter. It's not for the faint of heart or easily offended, but if you like Baron Cohen's humor, you'll appreciate the awkward-beyond-words situations.

I was torn - I wanted to laugh as hard as I did at Borat, but most of the time I was just wincing.

DVD extras include alternate and deleted scenes, as well as enhanced commentary.

67%

My Sister's Keeper

Need a good cry? Rent the tearjerker My Sister's Keeper. The drama stars Cameron Diaz as a mother presiding over her Leukemia-stricken daughter Kate, and the child they had in order to provide a kidney donor for Kate, Anna - who's played wonderfully by Abigail Breslin. When Anna sues her own parents for the rights to decide what to do with her own body, Diaz and her husband Jason Patric try to figure out what's really going with her.

I was definitely moved by the film, but you'd have to be made of stone not to, considering the subject matter. If you read the book, take heed: the ending in the film isn't exactly the same.

47%

Where the Wild Things Are: A Passionate Ode to Childhood

BuzzSugar — Fri, 16 Oct 2009 04:30:00 -0700

There's been a bit of a controversy over how to market Spike Jonze's adaptation of Maurice Sendak's classic children's book, Where The Wild Things Are. Is it for kids? Adults? Adult hipsters?

The answer is anyone who wants to feel what it's like to be a child, and not in the fun-loving, no-responsibilities way. As adults, we tend to forget the insecurity and fears we had as kids, which the film's young character Max is in the throes of. There's just enough exposition before the fantasy begins: Max has a single mom (Catherine Keener) and an older sister who has recently outgrown him. His first few acts at home show his innocence and the savage emotions under the surface. He knows it as being "wild."

Where the Wild Things Are isn't a heavy-handed allegory, or an edgy children's movie; it's a loyal tribute to the way kids think and feel. To see what else I thought of the film, just read more.

Max reaches the world of the wild things after throwing a particularly heinous fit, prompting his mother to yell, "You're out of control!" After running away, Max finds himself on a boat that finally brings him to a strange land. This is where the wild things are. The creatures Jonze has created are aesthetic wonders: creepy, hostile, and huggable at once. These aren't Jim Henson's Muppets, but real characters, led by Carol (voiced by James Gandolfini). The rest of the group is comprised of Lauren Ambrose as aloof KW, Catherine O'Hara as prickly Judith, Paul Dano as timid Alexander, Chris Cooper as Douglas, and Forest Whitaker as Ira.

Each creature has a fully realized personality, with flaws and varying temperaments; their faces are so emotive and their dialogue so human that their scenes with Max are as real as those with his mother. This group is not easily classified as friend or foe - they're dysfunctional in their relationships and don't always treat each other well. One of the most successful elements of the movie is the dialogue of the wild things, which is rooted in Max's head.

In many ways, screenwriter Dave Eggers's job was tougher than Spike Jonze's, because it's imperative to remember the way children think. Max's interactions with Carol and his new clan are made up of the kind of things a kid would hear from his parents and peers and then internalize. In fact, in the wild world, Max declares himself king to bring order, and he summons up speeches from the authority figures that he's pulling away from in his real life. Naturally, he's too young to recognize how his subverted position is significant.

Max's relationship with Carol is most telling. As the de facto leader of the group who can't handle sadness, loneliness, or jealousy, he acts out as a mirror of Max while still being his own character. The richness of Carol and the creature cast stays with you; when Max has to say goodbye to his friends, your heart breaks.

Jonze impressed me with his non-conformity; in another movie, Max would have demonstrated the grand lessons he learned from his time on the island, but in this one, he doesn't have to learn anything. He just gets to feel and experience and appreciate his emotionally fragmented new friends. It's devastating as a viewer, especially if you can put yourself back in that childlike place when your feelings were so raw and simple.

Photos courtesy of Warner Bros.