BuzzSugar

Music Video: Paul Rudd and David Wain Do Karaoke

BuzzSugar — Mon, 16 Apr 2007 17:00:13 -0700

I've been crushing on Paul Rudd ever since Clueless. I mean, he's cute, he's funny, he can act, and - as I learned today - he can also rock some serious karaoke. On Friday night, Of Montreal played a show at Studio B in Brooklyn, and the band took a break for a bit of hipster karaoke. Rudd was there, and he and David Wain (Wet Hot American Summer, "The State") treated the crowd to a rollicking rendition of Boston's "More Than a Feeling."

Idolator graciously posted a video of the performance, which is pretty hilarious and also not half bad. I highly recommend you check it out, so read more

Source

The Vampire Diaries "The Turning Point": The Good, The Bad and The Bloody

BuzzSugar — Fri, 20 Nov 2009 08:15:00 -0800

I was already bummed knowing this was the last week of new episodes of The Vampire Diaries until January; and now, having seen it, I'm freaking out a little bit. I knew there was going to be an epic cliffhanger, I just didn't know how epic!

With new vampires, violence and passion come "The Turning Point" - a title that would apply to many things that happened this week. So as usual, let's break down the good, the bad, and the bloody of this week (plenty of spoilers ahead!) when you read more.

The Good

Stefan and Elena finally gave up on their "are we or aren't we" dance and got together. I mean, together together. Vampire boots were knocked, but there wasn't a happy ending. More on that later.
Logan's vampiric turn made for gruesome excitement, especially now that Damon is trying to be on his best behavior. It also brought forth new mysteries; why did Sheriff Forbes bury Logan and write emails on his behalf instead of saying it was an animal attack? And who did turn him? My money was on Alaric, but now I'm not so sure. I also enjoyed his interactions with Damon, despite their constant shooting of wood bullets at each other.
OK, fine: I do like Caroline and Matt together now. Their coupling is just kind of sweet, and the fact that they bonded over So You Think You Can Dance?! I felt like it was my birthday.
I'm a fan of cool guy teacher Alaric, even if he is probably a vampire. I like to think he's more exciting than that - could he be a good vampire like Stefan? Interestingly, I don't think that Stefan or Damon has actually interfaced with Alaric yet, which is telling to me. If I had to guess, I'd say they knew each other. And what of him also being a "daywalker," when Stefan and Damon are so secretive about their rings?
I need to know more about the Gilbert family legacy, especially since Jeremy discovered an ancestor who wrote fiction about monsters. I like that the show made me care about more side characters I hadn't previously, like Jenna, Jeremy, and even Tyler. About Tyler. . . I don't want to speak too soon, but I think there's something very interesting happening with him.

The Bad

Isn't it a little too early to be saying "I love you," Elena? She even wants to see and make out with his scary vampire face when he gets turned on. Weeeird.

The Bloody

Newborn Logan is literally out for blood, but that pile of hoarded bodies that Logan was keeping made me sick to my stomach.
Anyone else feeling sorry for Caroline? Girlfriend's always getting bloodied up. Someone give her a self-defense lesson.
So basically unless you're Stefan or Damon, if you're a vampire you will only last one episode before being staked. Logan gets staked by Alaric by the end of the hour, which is unfortunate for Damon, because Logan had just promised him there was another way to break the spell holding Katherine and the other vampires under Fell's Church. Guess we'll just have to wait to meet little Miss Vixen.
It might have been time for Stefan to hide the Katherine photo, or at least have come clean about their resemblance. Lord knows finding a photo of my doppelganger at my undead boyfriend's house would freak me out too. That's what happens for Elena, who leaves Stefan's in a devastated rush. When someone stands in front of her car, she has a gnarly crash, which is terrifying in itself. It gets much more horrifying when the "person" she hit uncracks their limbs to stand up and come toward her. Yeesh! (BTW, did that scene remind anyone of Tara in the first season finale of True Blood?)

I don't know how I'm going to deal with the show's hiatus for two long months, let alone waiting that long to find out what was coming for Elena. Or, who Alaric is; did he kill Logan to protect Jenna, eliminate a problem-causing newborn, or something more insidious? To talk more about the show (especially in the next few weeks without new episodes) join the Hooked on Vampire Diaries group in the Buzz Community!

Photos courtesy of The CW

New Moon: Better Than Twilight

BuzzSugar — Fri, 20 Nov 2009 05:45:00 -0800

Let's be honest: for most of you, it doesn't matter what I - or any critics for that matter - have to say about New Moon, the incredibly anticipated sequel to last year's Twilight. The film started breaking box office records before it was even released, and audiences will flock to the theaters for weeks to come. On the plus side, a ticket to New Moon is a win even if you're not a Twihard - provided that you know what you're getting into.

New Moon is not incredibly acted, and it doesn't boast impressive dialogue or larger-than-life special effects. But it's not trying to be the Best Picture of the Year, so I can only critique it for what it is: a fantasy movie about a love triangle between a werewolf, a vampire, and a teenage girl. To see what I mean, just read more.

The movie picks up a few months after where Twilight left off. Bella Swan (Kristen Stewart) is blissfully in love but she can't fight her insecurities about growing older than her perpetually seventeen vampire boyfriend Edward Cullen (Robert Pattinson). All Bella wants for her eighteenth birthday is for Edward to change her into a bloodsucker, but a close call with his brother drives Edward to break up with Bella and leave town instead.

The drama following Bella's abandonment is everything we remember from high school heartbreak, from Bella's night terrors to the glazed over look in her eye. The anguish and pain are easily seen on Stewart's face, and her innermost thoughts are revealed to the audience through letters to Edward's sister Alice that will never be sent. After months of moping, Bella finally starts to open up to Jacob Black (Taylor Lautner), a family friend. As Bella struggles to find hope in a life without Edward, her friendship is complicated by Jacob's romantic feelings for Bella and made worse when Jacob discovers that he's a werewolf (and an enemy to all vampires).

The surprise of the movie is Lautner's performance. We've seen and heard about those muscles countless times before, but he also packs enough charm and charisma into his Jacob that you truly see him as more than just Bella's unrelenting admirer / best friend. He presents himself as a viable suitor for Bella's heart, and it's hard not to root for him against Robert Pattinson's wooden (albeit handsome) Edward. Stewart and Pattinson have chemistry to spare in Twilight, but in New Moon, Bella's relationship with Jacob seems hopeful and comfortable while her scenes with Edward are mostly awkward and frankly not as much fun to watch.

The movie belongs to Stewart and Lautner, but their melodrama is balanced out by the characters who pad out the cast. Yes, we meet the wolf pack and the Volturi, but for the most part the Forks residents and beyond make for some much-needed comic relief. The downside is that while it's funnier than what you'd expect, not all of the laughs are intentional (a scene where Jacob's temper rivals that of The Incredible Hulk comes to mind).

It doesn't take more than a grain of salt to appreciate New Moon for what it is - a film that stays true to its origin and delivers the necessary elements to ensure that you'll be back when the next installment of the franchise comes our way.

Photos courtesy of Summit Entertainment

Buzz Interview: Eric Stonestreet on Playing Modern Family's New Dad Cam

BuzzSugar — Wed, 18 Nov 2009 06:30:49 -0800

Freshman comedy Modern Family has filled a void in my life - I find myself laughing out loud each week, and I'm not the only one digging it. A huge part of the show's greatness can be attributed to its amazing cast; one of my favorites is Cameron - one half of a same-sex couple adjusting to life with a new baby. Eric Stonestreet, who plays Cam, sat down with me to talk about the show's crazy success and the real-life experience he used to portray a clown in next week's episode, "Fizbo."

On whether he expected the show to be so successful: No. I had a very, very good idea that based on the writers’ history and their very extensive careers that we had a really, really good shot at being something great. Anybody that tells you in this business they knew it was going to be this well-received is crazy. Actually, being this well-received makes you a little nervous.
On whether the success is a surprise: It’s a bit of a surprise with how outwardly supportive the critics have been, but by the same token, how outwardly supportive and sort of in love with the show fans have been. I think that’s the thing that really feels like lightning in a bottle - when you have both of those things in place. Typically, you have huge fan support and the critics tell you it’s the worst thing they’ve ever seen, or you have critical acclaim and the fans are like, 'what is this show, we don’t get it.' So I think the fact that we have both is rare and exciting.

To hear Eric spilling about upcoming episodes of Modern Family and his clown college rejection, just read more.

On his real-life clown experience: I, as a kid, have early documented pictures of me being very intrigued by clowns. The circus came to town in Kansas City every year around my birthday, so naturally my parents took me for my birthday. Once I saw that clowns were people with makeup and funny wigs and costumes, I was in. By nine, I was getting clown suits made for me by my Grandma Louise, at 11 there were articles written about me in Kansas City about how I wanted to become a one-man show performing for senior citizens and kids forever. You’ll see that article in the episode "Fizbo" that was written about me then. I didn’t want to be an actor; I always wanted to be a clown, and acting sort of found me when I was in college. So to be able to bring back what inspired me to act as a kid to prime time is more than I would have ever imagined possible for myself.
On whether he'd be a clown now if he weren't an actor: No. I auditioned for Barnum and Bailey Clown College and they denied me twice. They did not let me in, those clowns.
On what's next for Cameron, Mitchell, and baby Lily: We have an episode coming up where we’re Ferberizing the baby when she won’t go to sleep, and Mitchell is very much committed to letting her cry it out, and Cameron of course can’t for the life of him imagine why you would let a baby cry it out like that, so there’s drama there. It’s what’s great about the show - yeah, they’re a couple of guys raising a baby, but the focus really on that relationship is the challenges of a relationship, the challenges of parenthood, and just trying to find the happy medium of keeping up a relationship while raising a kid.
On the holiday episode: We have the Christmas episode coming up, where you find out that Cameron had created a choir group, a caroling group, a few years back and he was removed and kicked out of his own caroling group by one of the carolers. That episode is really about forgiveness and the Christmas spirit. It’s a very sweet episode.
On his dream guest stars: I can’t imagine who else they’re going to get. That’s the brilliance and awe-inspiring aspect of this show, that people are watching it and people are enjoying it and willing to participate. I can’t wait to see who they find for Cameron’s parents. I have some ideas of who I want, but I’ll be excited to see who’s coming.

Talking New Moon With Kellan Lutz and Ashley Greene

BuzzSugar — Mon, 16 Nov 2009 09:15:50 -0800

Robert Pattinson, Kristen Stewart, and Taylor Lautner may be dominating the promotional circuit right now, but they're not the only cast members with something to say about New Moon. I had the opportunity to chat with costars Kellan Lutz and Ashley Greene, aka Emmett and Alice Cullen, during their recent stopover in SF. They chatted about their characters, the vampire craze, and what it's like to be a "Twilight celebrity." Here are highlights:

On why so many people are crazy for the Twilight Saga:
Ashley: I think this film in particular is highly relatable. There are a lot of situations that people can relate to. The love story - everyone can relate to being in love or being in lust. You add the vampire, and it adds that next level fantasy. Vampires are mysterious and sensual and dangerous and unattainable. And everyone wants what they can't have. I think on another level that this came together at the perfect time. All the elements just fit, the casting was spot on, and we're in a difficult time right now with our economy. That's why you never have a drop in ticket sales because everyone wants an escape, and this movie is very much an escape from reality.
Kellan: It's a good escape but also it deals with so many situations, on so many positive notes. Just looking at it from the vampire coven to the wolf pack. It just deals with everyday issues just on bigger levels, in a way. And you have Bella as the keystone in many situations. You can just all relate from different countries to issues within the United States. It's easily relatable.

To read a lot more about working with three different directors and why they feel so lucky, just read more.

On how their portrayals of the Cullens are similar or different from the books:
Kellan: We got the jobs because we brought something new to it. You can interpret the characters each their own, but I think it's what we did alongside. Just like Kristen said - she's playing Bella but she's putting her Kristen spin on it, just like all of us are. And I think that's what's making it unique. We're still following the cheat sheets that Stephenie created by making the books, and there's Wikipedia. We have a lot of information to go off of. But I hope it's what I did in my audition that set it apart from the other guys trying out.

Ashley: I think it's mannerisms too. People do fall in love with this book, but I think part of it is that they always want more. You can't write out every human mannerism. You can imagine it, but seeing the emotion in someone's eyes and seeing them be affected it - it was kind of easy to give something to it, because we were just being people. We kinda just got lucky.
On how much more of the Cullens we can expect in the remaining movies:
Kellan: Realistically, we stick pretty close to the books. Obviously us Cullens would love to be in the books a lot more, which would mean we'd be in the movies a lot more. Talking New Moon, the scenes that the Cullens - except for Ashley, playing Alice who gets to go to Italy and be a main lead in the movie - us Cullens, we have to stick really close to the books, and the scenes that we're in are really crucial to the story, as you know - the birthday scene, the voting scene. I don't know, it was kind of a tease. Chris Weitz is such an amazing director, and for us, for myself - I only worked about a week on that movie. And it didn't even seem like I really got a taste for what it was.

Ashley: In the third film, you'll see a lot more of the Cullens because it's all of us collaborating and then getting ready to fight this war that's coming up. In the second one, my character got a much larger role because Alice is the Cullen, other than Edward, that really embraces Bella and they end up becoming best friends. In the beginning, you see her throw this huge party for Bella, and then Alice is the one who does, in fact, come back for Bella when everyone else decides to skip town. Alice is responsible for dragging Bella over to Italy, and she and I the whole time are fighting to save my brother's life. And then of course we get held up by the Volturi and stuff like that. My character got to grow a lot, which is really cool. You get to actually see the relationship develop between Bella and Alice, where in the first one you didn't. The first one was very much about the romance and showing the audience why these two people are willing to die for each other.
On working with a different director on each film:
Ashley: Each director is going to be very different. They're artists as well, and I don't think any of them are quite the same. The books, when you read them, all have very, very, different tones. So I think it's highly appropriate that we switch directors each go. The first one is very much a romance and is a very scenic, beautiful film. And Catherine's really, really great at capturing that. She's very high energy and works well in chaos and stuff like that. And it was fantastic because we didn't quite know what we were getting ourselves into, and so it was nice to have her to guide us when we were freaking out a little bit. She was just so high energy, and it was really contagious. We were sad to lose her and move on to the second film, but then we got Chris Weitz and he's the complete opposite! But great as well. He's so giving and caring and collaborative and created this atmosphere that was kind of a safe haven for us. And it was really nice because we didn't know, switching directors, if they were gonna embrace us or if they had a completely different vision than what we created in the first one. It was nice that he was right there on the same page with us. And the second one is a warmer film, even from the color scheme. The first one is very blue tones, and the second one is much richer and warmer and I think he did a great job at capturing that. And we just finished shooting with David Slade, and I think he's highly appropriate as well. He just finished shooting 30 Days of Night and Hard Candy, and they're both very dark, edgy films. And Eclipse is very much that. It's all centered around the anticipation and us getting ready to fight this huge war. We just finished filming, we haven't gotten to see much of it, but I think it's gonna be fantastic. He is, technically, the most advanced director. The angles that he shot and how he knows that tweaking something can affect a whole scene and the lenses. He was really nice to work with.
On coping with the fan effect and being a "Twilight celebrity"
Kellan: That's what blows my mind, 'cause I feel like it's really unearned in a way. The fans are making our careers. Without them, we wouldn't be working and doing the saga. There's so many times that trilogy books become a movie and the first one bombs, and then that's it. And you're always hopeful that you get to do them all. Especially since we're all in love with our characters. I love Emmett Cullen to death, he's my favorite character I've ever played. It's just so cool to have made it this far, and I think we all hope that we get to finish this series and do Breaking Dawn. This is such a blessing, it's every actor's dream to be part of something like this. It's not terribly hard either. We don't shoot halfway around the world; we don't shoot for a year of our lives. I know a lot of us have homes, we have pets, we have family. And it's really nice to shoot on the West Coast, either Portland or Vancouver, and have the chance to fly down if we need to. But it's definitely amazing to be part of something like this. And I don't think any of us knew how crazy it would be and how exhilarating it would turn out to be. Going to the premiere, really just, wow. I don't even remember it because I was really just starstruck by how many fans and signs and cameras. It felt like I was just walking through a strobe light room. It's amazing.

Ashley: I still think we can't really wrap our heads around what's going on and what's happening. We're still in the midst of filming and kept very busy from one film until the next. It's only these brief moments where you sit back and are actually able to take a breath where you go "Whoa. Wow. This is crazy." I mean, the amount of tickets they've already sold for New Moon - I'm pretty sure I can't even get a ticket if I tried to see my film in Jacksonville and it's mind boggling. We're just very lucky. I went into this film thinking "Oh my gosh, I got a job" and the it turned into the biggest break of my life. I think we all feel very blessed to be a part of this.
On how it feels to be part of Twilight fan fiction:
Kellan: It's an escape, in a way. We do live in a trivial time period right now. There's so much depression that it's kinda cool to be a part of something where people use it to be an escape. In a way that's kinda what Stephenie did -she had a dream and just elaborated on it. It became a huge success and it's really encouraging that people are doing the same and just making up this journey.

Ashley: That's why people love it so much I think. You can take it and make what you want of it. Before the demographic was teenage girls, but now it's women of every age and guys are starting to get into it, too. It's because there is that element of fantasy. If you're 8 years old you look at it one way; if you're 80 years old you look at it another. I think it's fantastic that we can draw such a huge crowd. The other thing is - it blows my mind but people are making connections over this film and over this book. there are mothers and daughters and grandmas who can all sit and talk about the same story and all fantasize about it and I think that's a really cool thing. I think it's rare.

To see all of our Twilight and New Moon coverage, check out TwilightSugar!

Desperate Housewives Rundown, "The Coffee Cup"

BuzzSugar — Mon, 16 Nov 2009 06:30:00 -0800

Some shows bring out big guest stars for November sweeps, but Desperate Housewives is getting back in touch with its sexy side instead. Susan tries to set a new record with Mike while Bree narrowly escapes an Orson interruption when she's with Karl. Meanwhile, Lynette's pregnancy secret is finally out and Nick Bolen continues to be creeptastic all over town.

Now that Mad Men's long gone, I'm hoping the housewives will kick things into higher gear for my Sunday nights. Ready to get into it? Just read more.

Susan: Susan manages to avoid jail time for shooting Katherine, but the cheeky judge sentences her to garbage pick up for all of her "trash talking" (get it?!). Katherine and Susan's little courtroom drama re-enactment is ridiculous (as is Susan's cleavage baring dress for the hearing) but unfortunately the catty antics don't stop there. Katherine taunts Susan and her orange jumpsuit, prompting Susan to turn the tables on her rival. Katherine has a hissy fit and reveals that she and Mike once had sex five times in one day, which of course gets Susan all worked up. When her endless array of lingerie and come-ons still can't land Mike in the sack more than three times in 24 hours, Susan has one of her typical annoying tantrums. Mike comforts her in what's meant to be an "aww" inducing moment, but I was too busy rolling my eyes. Usually Susan doesn't bug me this much, but I couldn't be more over the love triangle.

Angie and Bree: Gaby usually has the best lines of the show, but it looks like Angie is right on her tail - "Have you seen Avenue Q? With the puppets? Now that's theater." Anyway, Angie's now got herself a balancing act between giving Nick grief about his affair with Julie and being too involved with Bree's life. After Orson admits to Angie that he suspects Bree is having an affair, Angie immediately tells Bree. Though she refuses to spy on Bree, Angie still gets all tangled up in the web when she plays Rear Window - looking on as Orson enters the house while Bree and Karl are upstairs getting it on. Angie intervenes and saves the day, but how long before she asks Bree to return the favor. Also, when Orson is discussing the plot of Madame Butterfly, is he insinuating that he might kill himself when he inevitably finds out about Bree's affair? Personally, both Karl and Orson kind of bug me so I'm just as torn as Bree is about which man to choose.

Lynette and Gaby: The latest update in Lynette's secret pregnancy? Menswear. But that's just the tip of the iceberg, when she and Gaby start squaring off over one of Lynette's colleagues. Gaby convinces Carlos to transfer Terrence, the colleague in question, to Florida so that Juanita can take Terrence's daughter's spot at a Catholic school. Realizing that she won't be able to take maternity leave without Terrence, Lynette turns the tables and convinces Terrence to reject the transfer. The tables turn on Lynette when Gaby discovers that she's pregnant - and Carlos is pissed. He gives Lynette an ultimatum - take the spot in Florida, or quit. Though Carlos's anger is understandable, I think I'm on Lynette's side here. Carlos had been complaining about another co-worker's pregnancy, so Lynette had every right to be scared to tell him. I also think it's a bit rich for Gaby to admit how selfish she is but then point fingers at Lynette for keeping her secret.

How'd you feel about the scandals this week? Are you on Team Orson or Team Karl? Do you think it was Nick who kills the coffee shop girl at the end? Sound off!

Meanwhile, Finn and Quinn's relationship is unraveling fast, and Puck is ready to stand up and win his baby mama back. Ready to discuss all the fun? First check out the Glee Club in Community, then read more.

After sitting on the sidelines (no pun intended) for most of the first season, Artie finally gets his time in the spotlight this week. His rendition of "Dancing with Myself" is so good. Dare I say he's got a better voice than Finn? It's heartbreaking when the rest of the team doesn't rally behind him at first to try to raise money for the bus, but I love that Artie sasses Rachel back, saying, "You're irritating most of the time, but don't take that personally." Mr. Schue gives his all to try to teach the Gleeks a lesson, making everyone sit in a wheelchair for 3 hours a day - which leads to a pretty stellar performance of "Proud Mary."

I could watch Artie's solo over and over again:

Artie's not the only supporting character we learn more about this week; Tina finally comes out of her shell a little. She plants a big kiss on Artie (!) before revealing that she's been faking her stutter for years. Unfortunately Artie turns the sweet moment into a dour one, giving Tina the cold shoulder for pretending to be "different" when she's really "just like everyone else." Though Artie is wounded, I felt like he's a bit harsh to Tina - especially since his disability clearly has no bearing on the way she feels towards him. Hopefully he'll give her another chance.
Quinn's also feeling like an outcast now that she's off the Cheerios. Seeing her out of that uniform is so refreshing, though her snotty attitude towards Finn was wearing on me. She does share a sweet moment with Puck though (fun times in the home ec room!), and I have a feeling that it's only a matter of time before she switches boyfriends, leaving Finn available for Rachel.
Mr. Schue gives his singing and dancing skills a rest this week, but his rivalry with Sue continues. Schue is shocked when Sue agrees to take Becky for the Cheerios and thinks she's up to no good. I have to admit I also thought that Sue has an evil plan in mind, but she does have a point when she tells Schue that she's treating handicapped Becky "no different from anyone else." Then, we realize that Sue isn't entirely made of stone after all when she visits her handicapped sister in a home.
It's business as usual for Rachel when Mr. Schue offers her the lead vocals on "Defying Gravity," but Kurt finally takes a stand against her. Though the part is written for a woman, Schue arranges a "diva-off" when Kurt's dad stands up for his son. The relationship between Kurt and his dad makes a lot of progress - especially when Kurt throws the sing-off to protect his dad from attacks about having a gay son.

Check out Kurt laying down the voting rules:

Are you as happy as I am to have Glee back? Are you excited about the new coupling between Artie and Tina? Use the comments to chime in!

Photo courtesy of Fox

House Rundown, "Known Unknowns"

BuzzSugar — Tue, 10 Nov 2009 07:30:00 -0800

Finally, after a two-week break and a World Series, House is back! And lucky for us, the writers packed in several juicy plot points to make up for the hiatus. This week's case involves a young teenybopper with an ego and compulsive lying streak to boot. Sounds intriguing, but personally, I was more wrapped up in all of the personal drama going on with House and a certain fellow female doctor.

Ready to cover the highlights? There's a major twist with a big reveal, so prepare for some spoilers when you read more.

Right off the bat, the sexual tension between Cuddy and House is turned on full volume, what with Cuddy's low-cut shirt and House's leering looks. I found it to be a bit over the top, but I still have to give Cuddy props for this awesome comeback after House references her breasts as "Patty" and "Selma": "I feel bad I haven't named your testicles." Touche, Cuddy. Although, I sort of feel like she wears those revealing clothes for House, don't you?
I knew this episode had to be good when I heard it involved a Wilson and House road trip and an '80s party, but House in an 1880's costume walking among guys in Devo hats is brilliant. And then, when things can't get any better, he dances with a Flashdance Cuddy to "Time After Time" and finally admits to her that he's always had feelings for her. What a fantastic scene! That is, until she walks out.
Another high point of the evening for me: When House drugs a pants-less Wilson to keep him from giving a potentially career-ruining speech on euthanasia. Now, that's a solid friend. Were you shocked over Wilson's confession of delivering euthanasia himself? We always think that House is the one with all the secrets, but I guess Wilson isn't 100 percent on the up and up either.
I definitely laughed when Wilson uses the term "friend-zoned" while talking about Cuddy. House is surprisingly open about his feelings for her instead of his usual denial, which I think is nice to see - do you agree? Or is House becoming too soft?
Surprise! Were you taken aback by Lucas? (Lucas is the private investigator that Cuddy hired last season.) When House goes to Cuddy's room to prove to her that she can "count" on him (as she puts it), Lucas is there playing with her baby daughter. I think House and I both had the same look when that happened - huh??!
Didn't this episode's diagnosis seem even more roundabout than usual? The doctors came across completely clueless - not to mention they did extra damage by giving the patient supplements. Perhaps it's just because House wasn't on the premises to pull the strings.
Lucas's mention of House's sex hallucination with Cuddy = painfully awkward. But I don't think Cuddy is over House. Did you look at her face?!
We can all breathe a sigh of relief, because Chase finally breaks down and tells Cameron the truth about the murder of Dibala. She's obviously stunned, but we didn't get her response before the episode ends. We already know that she's leaving the show, but what do you think will happen between them next week?

Please, please weigh in on the Cuddy and House saga! Do you think those two are ever going to get together? Or is Lucas's arrival going to muck things up for good? Tell me your thoughts in the comments, or click on over to the House! group in community.

Photos courtesy of Fox

The Vampire Diaries "162 Candles": The Good, The Bad and The Bloody

BuzzSugar — Fri, 06 Nov 2009 07:30:41 -0800

It's a party on this week's The Vampire Diaries for Stefan's birthday, but it's hardly a cake and merriment fest. Our broody hero finally gets a chance to smile, but of course, it's taken away from him quickly.

Ready to chat about the good, the bad, and the bloody? Watch out for spoilers when you read more.

The Good

Stefan's girl BFF Lexi comes to town to give Stefan a proper 126nd birthday party, and she's a tough-talkin', sexy badass of a vampire. Can you believe that Arielle Kebbel is the same girl who played Lindsay on Gilmore Girls? In the preview, she seemed like a rival for Stefan's affections, but that's not the case at all; she's his (literally) oldest friend and apparently brings out the fun-loving beast in Stefan (hey writers, can we please get some flashback scenes of the good times with Lexi? That would be awesome). She also talks some sense into Elena, encouraging her not to ignore her real feelings for Stefan. Amen. Did you catch that very brief shot of Stefan with his shirt off? Elena could have just seen that and been convinced, but I guess Lexi's soul mate talk works too.
Bad boy Damon proves that he's not softening like I thought he was; his diabolical master plan includes pursuing Caroline's sheriff mother and pretending to help in the vampire hunt. He also engineers the demise of yet another character (more about that in The Bloody rundown), which is heartless and shocking, to say the least.
Bonnie and her awesome Grams make an appearance, apparently having had a sleepover/feather floating lesson. Grams explains that her necklace is her talisman and it chose her, which becomes even more obvious when it also shocks Caroline when she tries to snag it back for Damon. I was disappointed when I thought that was the extent of what we'd see of Bonnie and her witchery this week - until the very end, when Bonnie has a disturbing nightmare featuring her ancestor Emily Bennett and then actually wakes up in the cemetery near the Salvatore family grave. Spooky.

The Bad

Are we supposed to be rooting for Caroline and Matt to get together? I thought it was sweet and all for Matt to take care of Caroline and cuddle her when she's drunk, but I feel like we haven't been given enough to be invested in Matt. Sure, I feel for him losing his sister, but he and Caroline are still side characters to me, so I'm not excited about their pairing quite yet.

The Bloody

I knew something was up when Damon briefly leaves the party and attacks two amorous teens so blatantly; turns out, he pins that attack and all the previous ones on Lexi, supposedly to get the hunting squad off of him and Stefan.
I gasped audibly once again during this episode when the second vampire was killed in as many weeks. Even though Vicki was a more prominent character than Lexi was, I was still completely shocked that Damon stakes her so mercilessly. I really liked her character and loved that for once, someone could overpower Damon. I have a feeling that her little domination of him in the beginning of the episode had something to do with how easily he kills her, but it's still such a horrible thing to do to Stefan. I thought that the small part of Damon that's still human harbors a love for his brother, but I can't believe how deeply he's willing to hurt him.
Heartbroken over the murder of his friend, Stefan tells Elena he has to kill Damon. Which means: vampire fight! But Stefan can't do it; he just sticks the wooden stake in Damon's torso to hurt, but not destroy, him. Well, yeah, he's a star of the show. He can't go anywhere! And Stefan wants to spare him, blah, blah, blah.

From the looks of the preview, I definitely thought this week would just be a filler episode, but it managed to keep up the pace of last week's super intense and amazing "Haunted." A couple more things to think about: Lexi brings up an interesting point - Katherine and Elena look so alike, they could be related. This is a small town with residents whose roots go deep; could they be related? It's an interesting thought. Also, the best way to end an episode is a ghostly Emily Bennett telling Bonnie "It's coming." What's coming? Ack, it's so ominous and exciting, I can't wait to find out what it means! What did you think of this week's episode? And if you want a place to talk more about the show, join Hooked on Vampire Diaries in the Buzz Community!

Photos courtesy of The CW

The Office, "Double Date": Best Lines of the Night and Video!

BuzzSugar — Fri, 06 Nov 2009 06:30:00 -0800

I knew it was going to be hard to top the koi pond incident (and those Halloween costumes), but I was glad to see this week's The Office return to the storyline with new paramours Michael and Helene. This time, Pam is actually coming around to the idea of her mother dating her boss, but per his usual protocol, Michael is ready with a few blunders to messy things up. We also had a friendly competition between Andy and Dwight and - naked photos? Tsk, tsk Kelly. It's called subtle sexuality, key word being subtle.

Michael provided my favorite quote of the evening, but take a look at my list (spoilers!), and then weigh in with your own favorite zingers.

"If you clench your buttocks together when you're walking, you can really take the pressure off your knees."-Dwight
The who-can-outdo-each-other's-politeness competition between Dwight and Andy was pretty hilarious. Of course neither of their intentions were pure - Dwight wants to be kind so everyone owes him and he can unseat Jim as co-manager; Andy does it...well, pretty much because he has to be better than everybody else.

For more funny lines, plus a video of the parking lot brawl between Michael and Pam, read more.

"The chicken parm is good. It was a big part of my childhood. Oh, maybe Michael will start dating that too."-Pam
Yep, this week saw the return of the Michael and Helene's romance, when he takes his new girlfriend out to a birthday lunch with Pam and Jim. I'm glad the writers reintroduced it, but obviously Pam doesn't share my same enthusiasm.

"The only time you should care about a woman's age is if she's too young for you. And I am not robbing the cradle. If anything, I'm robbing the grave."-Michael
Ah Michael, always so sensitive to a woman's feelings. I loved watching him gradually panic as he realized Helene was older than expected. But dumping her on her birthday, in front of Pam and Jim? That was low, even for him. Such an ageist. Pam exacts her revenge though by beating him up. Check out the video of their showdown:

"What if Dwight dies and I still owe him something? That is the recipe for a ghost."-Andy
Can't blame Andy. I wouldn't want the ghost of Dwight Schrute after me either.

"What a waste of a day. I could've grown poison mushrooms that would've been this high by now."-Dwight

Dwight feels bummed that he couldn't get back at Jim - all that work going to New York just for bagels! - but I'm sure he'll concoct something for the next episode to take Jim down. Perhaps that's what the mushrooms are for?

"I saw my life flash before my eyes. I have four kids, and I have a hover car and a hover house. My wife is a runner and it shows."-Michael
Such a dreamer that Michael. After Pam slaps him across the face for calling things off with her mom, he starts imagining his future. I was really hoping that they'd drag out the coupling between him and Helene for at least a couple more episodes - do you think their romance is really dunzo?

What did you think of this week's installment? Were you sort of pulling for a relationship between Michael and Helene? Tell me (along with your favorite lines) in the comments.

Want to keep swapping opinions on this episode? Check out The Office! group in the BuzzSugar Community!

Photo courtesy of NBC