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Mad Men, "Shut the Door. Have a Seat": This Week's 5 Maddest Moments

BuzzSugar — Mon, 09 Nov 2009 05:30:53 -0800

Wow. The biggest surprise of the third season finale of Mad Men isn't actually a plot point, but how light and almost exciting it manages to be. For a show that's normally so tense and tightly wound, this week's episode has a quick pace, and at times, a sense of humor. Of course, there is still disappointment and heartache; some of our predictions for the finale come true, but some go sadly unfulfilled.

Without further ado, let's talk about the door that closes and the one that opens this week, and as usual, the finale's five maddest moments, when you read more.

So long, Connie: It's eccentric hotelier Conrad Hilton that breaks the news to Don that rival agency McCann is buying PPL, and Sterling Cooper along with it. Don's plenty irate, as it's Hilton's fault that he was signed into a three-year contract and is thus, trapped. However, Don's bitterness quickly turns to ambition, when he rallies Burt, then Roger, to buy back Sterling Cooper from PPL. Pryce is unhelpful in even supplying the purchase price for the men, quashing the buyback plans, but then another scheme is launched: Pryce fires Don, Roger, and Burt so they can form a new agency.
Draper Dissolution: While an exciting change is happening for Don in his career, back at home a bleak change is coming. Betty informs Don that she's seen a divorce lawyer and advises him to do the same. It's painful watching these two spar, and I wanted so much for them to figure out how to fix it - but the ball is clearly in Don's court and he does nothing to sway Betty to call off the divorce. Sure, he tells her to, and even suggests that she might need psychiatric help. Oh, and he tells her that he gave her everything she wanted materially, insinuating that should be enough. Don may know what his clients want, but in his marriage, he has no idea what Betty wants.
Irreconcilable differences: Don sheepishly tolerates the divorce talk until he's having drinks with Roger, who spills the beans about Betty taking up with Henry Francis (I do have to say, it is rather nice to see these two getting along, acting like buds). This sends a drunken Don home to wake up Betty for a confrontation about her indiscretion, and things get nasty and uncomfortably physical. Again, Don manages to push Betty into even more resolve, and she tells him that she's going to Reno to initiate the divorce. Don and Betty devastate the kids with the news of their separation, and Betty makes good on her threat to go to Reno after Don softens a tiny bit - to tell her that he won't fight her.
Don, at your service: One of my favorite parts of this episode? Seeing Don put through the paces by Pete and Peggy. He's always treated them like underlings, and they finally have the opportunity to assert themselves. Don obliges them both and tells them how valuable they are, but not before Peggy pushes back. Her backbone straightens when she's first told of the new company and assures Don that she's had "other offers." Luckily, Don doesn't take no for an answer, and visits Peggy at home, telling her he'd spend the rest of his life trying to hire her if she turned him down now. It's so touching to see Don put aside his ego to acknowledge these others, and it makes me sad that he can't do something similar for Betty.
Sterling Cooper Draper Pryce: The gang's back together! It's thrilling good fun watching the new company assemble - Roger and Don get the agency's most prized employees one by one, plus my favorite: Joan! She's a necessity to help find all the files and materials in the office, and, they realize, a force that had been holding the company together. Her role in Sterling Cooper Draper Pryce (can you say "Michael Scott Paper Company"? I told you these two shows have a lot in common!) is a given. With everything coming together so perfectly, though, I wondered why Sal isn't also called in. I suppose we have next season to look forward to for that. Speaking of, next Summer can't come fast enough.

It's interesting that the finale also weaves in flashbacks of Don's early childhood, as this season's premiere did. What Don is remembering now, though, is how his father died. The elder Whitman was faced with losing his home, and after breaking free of the cooperative, readies a trip to the city to sell his crop. His spooked horse kicks him in the head, killing him, with the young Don as witness. It's an obvious parallel to Don's circumstances, who's losing his home, as in his marriage; and, losing his home, as in his life's work. Of course, he only manages to take control of one of those.

So what did you think? Did this season wrap up the way you wanted it to? And even though we won't see the Draper family or the worker bees of Sterling Cooper Draper Pryce until the fourth season returns, you can still join the Mad Men group in the community to chat about the show year-round.

Photo courtesy of AMC

Buzz In: What Are Your Hopes For the Mad Men Season Finale?

BuzzSugar — Sun, 08 Nov 2009 13:30:26 -0800

Tonight, the third season of Mad Men wraps up, and there couldn't be more characters and plotlines on a precipice. Last week, Betty told Don she doesn't love him anymore and got a marriage proposal from Henry, and Pete was looking close to leaving Sterling Cooper. The season has also been building up other situations that may come to a head tonight, such as Joan and Roger's relationship, Salvatore's unjustified firing, and the casting aside of Don's latest mistress, Suzanne, who seems to me to be a bit unstable.

There's rarely a happy ending on this show, but for some reason, I'd still really like to see Don fight for Betty; now that she knows he was Dick Whitman, they could have a chance to start over in a more honest place. In the meantime, I hope they resolve the Sal plot and bring him back - he has to come back! As does the show's resident bombshell, Joan Holloway, whom I predict must be returning to either the office - or to Roger's arms. These are my hopes for the season finale tonight; what are yours?

Photo courtesy of AMC

Link Time: Watch Kris Allen's Video For "Live Like We're Dying"

BuzzSugar — Fri, 06 Nov 2009 14:00:39 -0800

Kris Allen's music video for "Live Like We're Dying" is here - Music Mix

Jemaine Clement says that he and Bret may not return for Flight of the Conchords because they're dads now - Vulture

New Moon's Jamie Campbell Bower thinks Tim Burton should direct Breaking Dawn - MTV Movies Blog

Watch Jay-Z and U2 perform "Sunday, Bloody Sunday" in Berlin - Pitchfork

Five Mad Men spinoffs that would be great ideas - TV.com

Jim Carrey's new website may freak you out - MTV Movies Blog

JJ Abrams is directing and exec-producing the pilot for his show Undercovers for NBC - Coming Soon

Top Chef Masters is cooking for the cast of Modern Family today! - Steve Levitan's Twitter

This week's Parks and Recreation brings up an interesting relationship issue - TresSugar

Stephen Frears reunites with his High Fidelity screenwriter D.V. De Vincentis for Lay the Favorite - Cinematical

Buzz Gift Guide: Dear Old Dad

BuzzSugar — Tue, 03 Nov 2009 14:30:55 -0800

Yes, you read that right: the holiday season is already upon us! It's time to pack up our scary Halloween decorations and start brainstorming ideas for the perfect presents. I know how daunting holiday shopping can be, which is why I'm here to help you every step of the way for all the entertainment lovers in your life. Kicking things off: gifts for your proud papas.

Finding something great for my dad has always been a bit of a struggle, since he's already got a lifetime's worth of gadgets and gizmos, but that's where this guide comes in handy - he always needs new CDs for the stereo and some DVDs to help show off that plasma screen, right?

My parents love reminiscing about the '60s on Mad Men, and what dad wouldn't look dashing in Brooks Brothers' limited edition suit? It doesn't come cheap, but then again, neither does looking as suave as Don Draper.

Many dads, including my own, tend to love Ken Burns, so how about his latest doc, National Parks. Looking for something a bit lighter? As a die-hard Mel Brooks fan, I'm thinking of giving a Blu-ray box set of the classics including Space Balls and Young Frankenstein.

Sterling Mifflin: If Mad Men Met The Office

BuzzSugar — Tue, 03 Nov 2009 09:30:00 -0800

What if the Dunder Mifflin universe collided with the Sterling Cooper universe? Honestly, sometimes the workplaces on Mad Men and The Office are eerily similar - in an upside down time warp kind of way. Check out my slideshow of how the show's characters match up to each other in my bizarro comparison of Sterling Mifflin (or Dunder Cooper). Photos courtesy of AMC and NBC

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Mad Men, "The Grown Ups": This Week's 5 Maddest Moments

BuzzSugar — Mon, 02 Nov 2009 06:30:10 -0800

Did you hear it? That was the sound of the Mad Men implosion, as the death of JFK on November 22, 1963, rocked the country and the lives of the show's characters. This season has been building up to the events of this episode, which felt more intense, more important, than next week's finale can possibly be. If there's an episode that has defined the third season so thoroughly, it's this one, "The Grown Ups."

Ready to talk? See this week's five maddest moments when you read more.

Death of a President: The timeline of the show has made it clear that John F. Kennedy's assassination is coming, but like those who experienced it, there was no way to prepare for it emotionally. So where is everyone when JFK is shot? Peggy is having a "nooner" with Duck, Betty is at home, Pete and Harry are talking work, and Roger's daughter Margaret is having a fitting on the eve of her wedding.
One wedding and a funeral: The show must go on, Roger decides, and Margaret's wedding still happens on Saturday night, with far fewer guests in attendance. I understand why they didn't cancel it, but as Joan remarks, "Poor thing." Margaret overcomes her marriage jitters and fit over Jane's extravagant gift and presence in her life, only to agree to be married the day after the President's shooting. That's pretty rough.
Downgrade: Pete is demoted so thoroughly at Sterling Cooper that he leaves work and tells Trudie he's been fired at first. Like Betty, the fact that he's already going through something jarring when JFK is shot only escalates his personal situation, and he stays at home with Trudie instead of going to Margaret's wedding. Shaken as well, Trudie tells Pete to start gathering his clients in preparation to leave the company. Pete seems shattered, and again, I enjoyed Vincent Kartheiser's nuanced performance of one of the show's most complicated characters.
Where's the love: A wedding and a violent event prompt everyone to re-evaluate their romantic relationships; particularly Don and Betty (their kiss at the wedding proves to be only passionate from one side) and Joan and Roger. That Roger calls Joan, just happy that she's home, says so much about his feelings for her.
The Proposal: "What is going on?" Betty asks both Don and Henry, distraught about the country's events, but that's exactly how I felt when Henry tells her in her car that he'll marry her if she leaves Don. Last week, when she got advice against divorcing him, I thought there was no way they'd split up, but now that Betty has this viable option, I'm actually scared they may divorce. As screwed up as their marriage is, their being together is one of the show's fixtures. Their separation would be like Sterling Cooper going out of business. But Betty sees things as having "no point" now, and she tells Don that she no longer loves him. I don't know what to think! Is it a coincidence that she was wearing a pink twinset like Jackie the day JFK is shot? Hadn't she just "lost" her husband in last week's episode when she discovers that Don is really Dick Whitman? In any case, it's completely disconcerting to see Don, sitting in his bedroom at the end, broken by Betty's dramatic disclosure of her lack of feelings for him.

Everyone keeps saying variations on how everything will be fine, it will all be OK, but we know from experience with this show that nothing is going to be fine. Whatever is to come, I'm so impressed by this episode; in the future, this will be the episode that you remember when you think of this season.

What do you think will happen with Pete, Roger and Joan, the Drapers? Will Betty take Henry up on his offer? And to talk more about the show later, join the Mad Men group in the community.

Photo courtesy of AMC

Mad Men, "The Gypsy and the Hobo": This Week's 5 Maddest Moments

BuzzSugar — Mon, 26 Oct 2009 06:30:00 -0700

You know how everyone's always talking about how Mad Men is a slowly simmering pot, leaving you waiting for things to bubble to the surface? One of the show's major plot points, Don Draper's identity, bubbles to the top, finally. And how ironic for it to happen on Halloween eve . . .

The show is an intense marvel this week, living up to its Best Drama Emmy, and I'm ready to chat about it, so to see the five maddest moments (spoilers ahead), just read more.

"It's a lie so big": - Betty doesn't let her Don/Dick revelation from last week lie, and she seeks advice from her lawyer, who basically tells her to stay in her marriage unless she feels threatened. I worried that this was far as it would go, until she womans up and confronts Don when he comes home one night. He tells her everything, including that his mother was a prostitute and that his brother Adam committed suicide - and his role in it. Betty is confused, but more sympathetic than I expected.
The life and times of Roger Sterling: - Roger gets a blast from the past when an old flame, Annabelle Mathis, calls on the firm to help her horse farm/dog food company, Caldecott farms. Roger is cool at first, but his dinner with Annabelle reveals that she left him heartbroken as a young man - a rare insight into Sterling's silver fox facade. When she tells him he was The One, and he replies, "You weren't," I said "Ouch" as she says "Oh." Sigh. It seems to be a Roger's love life retrospective, as he even fields a call from Joan. I need more of this.
Roses: Joan asserts herself in an entirely physically aggressive way when she bashes a vase of roses over her husband's head. Why the violent response? He told Joan she never had to give up anything, never had to leave behind a dream. Hey, Joan's last nerve? Greg just found it. (And P.S., it's weird to hear Joan call herself by her married name, Joan Harris, but I love that Roger names Joan's husband "Dr. Cutup.")
Suzanne who? - While Don comes clean of his entire existence to Betty, Susie is waiting in the car. "Did you get caught?" she asks. "It's more complicated than that," he answers. And how. Apparently it's over for now, but we'll see.
Army wife - Greg drops the first real Vietnam bomb of the series, as we wait for the '60s to explode. He's taking a job in the army, and my gut tells me this will not end well for the Harrises.

Didn't the last line from the neighbor asking, "Who are you supposed to be?" to Don and Betty hit hard? What did you think of the Draper's tense conversation? Oh, and if you want to talk more about the show, join the Mad Men group in the community!

Photo courtesy of AMC

Mad Men, "The Color Blue": This Week's 5 Maddest Moments

BuzzSugar — Mon, 19 Oct 2009 06:30:34 -0700

I have often found myself forgetting that Mad Men began with its leading man's Big Dirty Secret - and that not everyone knows the truth. That may be about to change, as we saw on this week's episode, "The Color Blue."

As usual, I've recapped the episode by its maddest moments, so to see them, just read more.

Fits: So Don finds himself in the middle of another affair, and this time, the object of his affection seems far more emotionally invested than his previous mistresses. Don seems like he could be as invested as her, driving Susie's brother to his new job, but I think it has more to do with "doing the right thing," whatever that means to Don. Susie, on the other hand, is looking more like a live wire to me - her showing up on the train is pretty stalkery, and I didn't believe her when she denies calling Don's house.
The Box: My heart stopped when Betty found Don's desk key and the box that contains all relics of Don's existence as Dick Whitman, including a divorce certificate with Don's name on it. She may have been confused by the scrawled "Dick" on his photos, but the divorce paperwork is unquestionably damaging. Betty is frightened to bring it up and what she may learn, but her pained looks at Don at the Sterling Cooper party comprise some of January Jones's finest work on the show.
Faded ink: I really felt for Paul when he failed to write down his amazing idea for Western Union. I felt even more for him when he watched Peggy summon up a winning pitch in front of Don using his misfortune as inspiration. The look on his face was that of realizing he's not talented the way Peggy is, and to me - I thought it meant Paul may be reconsidering his career.
Mad Woman: Despite my pity for Paul, I couldn't have been more proud of Miss Peggy. Even though Paul initially tries to deride her success as being a woman on female-centric campaigns, Peggy's talent is clearly more than that (or simple spontaneity). Paul sees it, Don sees it - will Duck's competing agency Grey see it, too, if Sterling Cooper fails to recognize it on the whole?
For sale by owner: Sterling Cooper is set to be sold again, the British owners reveal. At least one person is happy about the possibility - Pryce's London-lorn wife. The agency has been thrown into upheaval in is first sale, what will happen in its next?

Do you think Betty will begin questioning Don about his box of secrets? What do you make of the title, "The Color Blue?" I took it as a moral ambiguity reference, after it came up in Don and Susie's pillow talk. Let me know what you thought of this week's episode below, and to talk more Sterling Coop, join the Mad Men group in the community!

Photo courtesy of AMC

We Chat With Clive Owen, Video of Xavier's Vampire Transformation, and Christina Hendricks Weds Her Funny Man

Molly — Mon, 12 Oct 2009 14:14:52 -0700

Clive Owen hit the red carpet at the Mill Valley Film Festival in California on Friday, and we were able to chat with the handsome actor about his own parenting strategies. Plus, watch video of Eclipse star Xavier Samuel filming the pivotal scenes where he transforms into a vampire. And do you recognize Christina Hendricks's husband? We're here to jog your memory a bit about one of our favorite appearances from his past. Watch PopSugar Rush now!

Mad Men, "Wee Small Hours": This Week's 5 Maddest Moments

BuzzSugar — Mon, 12 Oct 2009 06:30:08 -0700

This week's Mad Men is an exercise in emotional exhaustion: romantic and business partnerships disintegrate, sexual demons threaten people's lives; yes, it was a typically overwrought episode.

As usual, I want to chat about this week's maddest moments, so to see them (spoilers ahead), just read more.

That's all, Sal: Sal's fired?! We've all been waiting for the other shoe to drop for closeted Salvatore, but I didn't think it would somehow lead to his firing. When Sal rejects Lee Garner Jr. in the editing room, you know there's fallout coming based on Sal's frustrated reaction of throwing the film canisters. I still can't believe that Sal could be fired for good, but Roger's yelling and Don's hostile (and homophobic?) "you people" that he spits at Sal feel very final.
Please Mr. Postman: Betty fosters her crush on Henry through letters, and I gotta say, the voice-over of Betty reading her letter to Henry comes way too close to the cheesiness of a Dear Diary device (something I dislike on another show). The "safe" practice veers into risky business when Henry shows up at the house and Carla is rightfully suspicious. Betty makes it all worse when she acts overly transparent to Don for Carla's benefit and then plans a fundraiser at her home so Henry can visit. Her petulance at Henry's no-show and then rage at his office over it show how immature Betty is, once again.
To the moon, Alice: Coconuts Conrad Hilton is genuinely disappointed to see that Don hasn't prepared any ad copy for the planned Hilton on the moon. Don's rarely this flummoxed by someone else, but I guess a demand for a moon hotel does it.
The war at home: I was pleased to see Carla coming into her own as a character, even if it's little by little. It's probably fear of judgment, but Betty suddenly treats Carla as consequential when she throws together an excuse for Henry's visit. However, Betty loses those points when she's sympathetic to Carla's feelings about the Birmingham church bombing but then remarks that it may not be time for civil rights. The "girl, please" look Carla sneaks at Betty's sheltered statement is priceless.
Late night lesson: Ugh, the teacher and Don sleep together. Come on, dude. Another Don affair storyline is not only exasperating, it's boring. In the first two seasons, it was all dapper Don who was so suave he just couldn't keep the ladies away, but watching him sniff around Sally's former teacher during a work slump is just pathetic.

What did you think of this week's episode? Do you think Sal will stay fired, and Betty will stay away from Henry?

Photo courtesy of AMC