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Link Time! 11/4

BuzzSugar — Tue, 04 Nov 2008 13:31:21 -0800

Not one, but two sequels to Road to Perdition in the works. - Cinematical
How to get Wendy Healy's relaxed Lipstick Jungle decorating style. - CasaSugar
Got questions for Robert Pattinson? Send 'em in. - Popwatch
Three people Kristen Wiig should imitate next. - TV Squad
This Q-Tip song, "Life Is Better," featuring Norah Jones, is a super great tune. - Stereogum
Here's a big Mystery Science Theater 3000 reunion interview. - The Onion AV Club
Do you want to smell like a TV show? - BellaSugar
Which candidate would famous comic book characters choose? - Pop Candy

Joel McHale and Ken Jeong Share Details About Community!

BuzzSugar — Thu, 19 Nov 2009 07:00:29 -0800

Community is one of those shows where you know the cast has an awesome time together. So I wasn't all that surprised to hear stars Joel McHale (Jeff) and Ken Jeong (Senor Chang) fawn over one another when they recently sat down with reporters. I've been waiting to see these two cement their friendship on-screen too, and it sounds like I'll get my wish tonight. Both actors shared a few tidbits from the episode, plus thoughts on Chevy Chase, the possible Jeff and Annie romance, and their mutual admiration.

Joel on Jeff and Annie's kiss last week: I haven't seen any scripts where it'll be revisited, because I'll probably be arrested, but believe me it was good times. I mean it's Alison Brie from Mad Men!
Joel on Jeff's relationship with Britta: His first initial reaction was, hey there's a really hot chick. And she has like an endless, you know, she has all the denim jackets that you can find. And so I think that was his first reaction. And then at the complete rejection of him he was like, ah, a challenge. And then as he got to know her, she was so much more than he expected, which was she was a totally grounded cool person...So that intrigued him, and she really is I think the moral compass of the show.

To hear more from Joel and Ken, including what's in store for this week's episode, read more.

Ken on Senor Chang's constant power trip: There is something to be said about being in a room where you have students hanging on every word. And it's definitely, as a teacher I think it's an ego rush, you know. You're definitely feeding off of that. It's really the only time in life you get to have a room where people are hanging on your every word and learning from it, and you have a power to influence.
Ken on tonight's episode: You really get to see why Senor Chang has the chip on his shoulder that he does. And some of that involves love and some of that involves friendship, and you really get to see more of the back story of Chang...And it's the relationship with Joel. Joel is really the guy that sees how [Chang's] character comes to be, and why he's developed all these traits along the way.
Joel on working with Chevy Chase: It's like working with Nolan Ryan. He's older than everybody, he's got the best stories. He has worked way more than any of us, but he still throws it harder than any of us...We have a lot to learn from that guy and it's so weird to be walking around with this kind of icon and legend that, you know, you grew up with.
Joel on Ken: Ken he will invent comedy where there is not comedy. He creates it...He's a damn good performer and you pray to God you get him in your movie or your TV show because it's like having a secret weapon.
Ken on Joel: I'm amazed at how Joel handles everything. He's always just grace under pressure this guy, because we'll be working, you know, on a Wednesday or middle of the week, and then he's got to do the Soup or another show and it's just how he switches gears is effortless. I just marvel at that. I'm like dude, how do you do it?
Ken on Community hitting its stride: I think that my wife has a good theory about sitcoms...They're like fine wine, you give them a little bit of time, and they just keep tasting better and better......The audience gets more familiar with the characters, the writers get more familiar characters, and so do the actors.

Do you like the theory that comedies get better with time? I think Community has gradually improved week after week, don't you agree? (Don't forget to watch tonight!)

Rob, Kristen, and Taylor Are This Week's Entertainment

BuzzSugar — Thu, 12 Nov 2009 07:56:22 -0800

Robert Pattinson, Kristen Stewart, and Taylor Lautner have been posing for photo ops all over town - check out Pop's favorite promo tour moments - and it wouldn't be complete without an interview with Entertainment Weekly. In the cute interview, the costars quip about everything from Rob's attachment to his signature hair to Kristen's confession that she'd like to quit smoking to Taylor's obsession with hitting the gym for New Moon. There're also tidbits about Rob and Kristen's off-screen relationship and how Robert handles fandom. They're clearly a tight-knight trio, so check out the highlights below. If you can't get enough Twilight, keep the convos going in the Twilight Saga community group, and be sure to check back next week for my own interview with Ashley Greene and Kellan Lutz!

Robert Pattinson on his hair in Eclipse: I swear to you I’ve never experienced anything like this. It's every single day. In Twilight, they wanted me to have extensions down to my hips.
Kristen Stewart: He's a liar. He doesn't remember. He's remembering how they made him feel, but they were just, like, down to here [pointing to her shoulders].
Pattinson: So I told them, "Look, that's just not going to happen." I said, "It looks like this already – I'll come to set like this." I sound so stupid, but in a lot of ways the hair is 75 percent of my performance, so in the second one I said, "Listen, I need to tone down the hair. Let's make it a little more real, a little bit more . . . Method.” [Laughs] And then in the third one, I'm doing fight scenes and there's a strand going down my forehead and they're like, "We need to do it again because no one will recognize you! No one will know who it is!" I'm like, really, is my face that generic?
Stewart: They want proof that you're doing your own stunts, man!
Pattinson: I have to look like the poster at all times. Just in case they want to use any clip for the trailer. Any clip at all! There were about five people in different departments who, because of my forelock, ended up in tears.

For tons of more quotes, just read more.

EW: How are you all coping with living in a fishbowl?
Pattinson: It really depends on the mood. When I met you last year [before Twilight came out], I was doing interviews very sporadically and I never got recognized. Now it's like anywhere I go there's immediate recognition. So there's more of a responsibility . . .
Stewart: I don't mind working every day. It's just, suddenly, I have this other role. And that's really disappointing. All I'd like to do is go outside with a book and figure out what to do with the day. And if I can't do that, then I'm just going to sit in my hotel room on my balcony and chain smoke. [Pauses] I'm going to stop smoking. I'm not such a good smoker, anyway. It's not in my bones. I'm gonna drop it.
Pattinson: The three of us have been working for two years [straight]. It does feel like your day has a shape just as soon as you wake up. I just forget what it's like when you're free.
EW: Taylor, you're the only one who almost lost a shot at the sequels. Do you have a different relationship with fame because you had to fight for your job?
Lautner: No, I kept my eye on the prize 100 percent of the time. I was motivated. I wasn't even thinking about anything else.
Stewart: Thank God you got the job. I wouldn't have wanted to deal with you if you didn’t. After all those months of working out!
Lautner: I just wanted to focus on what I could control, and I worked really hard.
EW: You mean in the gym? Because I see your abs everywhere these days.
Lautner: Yeah, the gym was a major part, but I really studied the books and the character, too. And it all turned out good.
EW: Kristen, it must be nice to watch the guys' appearances get obsessed over for a change.
Stewart: Seriously, it's a trip to sit back and look at the sexual objectification of these dudes. I've never been asked to do any of this stuff.
EW: You guys are lucky. You clearly all dig each other.
Lautner: The amount of time we have to spend with each other – if I didn't like these two, it would be exhausting.
EW: Rob, you made Remember Me this summer, between sequels. Was that the set in New York, where you were knocked into a cab by hordes of fans?
Pattinson: That was completely made up. I was walking across the street, and there was one cab going about one mile an hour and it nudged my leg. The story ended up being how I got hit by a cab because of a mob of screaming fans, [but] it was 4 o'clock in the morning and there was one person there – a paparazzi. . . . And then there was another time – apparently they said on the news that I had a drug overdose. The security guy saw it on TV, and I wasn't in my room, and he was like, "Uh-oh!" It's just so weird. I wake up and my room is too messy to order room service, and so I end up eating a pack of M&M’s for breakfast – and it takes me about five hours to find it. That's my first five hours of the day. [Laughing] And then you see the news and think, "Who cares if he had a drug overdose? It would probably make him more interesting!"
EW: Kristen and Rob, why do you think people are so obsessed with the state of your off-screen relationship?
Pattinson: Good question. That's a little thing I have to think about every day.
Stewart: Maybe it's just my personality, but I'm never going to answer it. I probably would've answered it if people hadn't made such a big deal about it. But I'm not going to give the fiending an answer. I know that people are really funny about "Well, you chose to be an actor, why don’t you just f---ing give your whole life away? Can I have your firstborn child?"
EW: You don’t think just saying, for example, "Listen, we dated for a few months, it was weird, we're better off as friends" would end the speculation?
Pattinson: No way.
Stewart: People are deeply judgmental and I'm not strong enough. I would love to be like, "I don't care what anybody thinks." But I'm a very private person. And think about every hypothetical answer: "Okay, we are. We aren't. I’m a lesbian." I've thought about this a lot. There's no answer that's not going to tip you one way or the other. I'm just trying to keep something. If people started asking me if I was dating Taylor, I'd be like, "F--- off." I would answer the exact same way."

Glee-ful Highlights and Video From Episode "Wheels"

BuzzSugar — Thu, 12 Nov 2009 05:30:00 -0800

After a few arduous weeks without Glee, the show is back - and thankfully, it doesn't disappoint. Not only are there some fabulous performances (showcasing new voices), but we learn a few secrets about Tina's stutter and Sue's family life.

Meanwhile, Finn and Quinn's relationship is unraveling fast, and Puck is ready to stand up and win his baby mama back. Ready to discuss all the fun? First check out the Glee Club in Community, then read more.

After sitting on the sidelines (no pun intended) for most of the first season, Artie finally gets his time in the spotlight this week. His rendition of "Dancing with Myself" is so good. Dare I say he's got a better voice than Finn? It's heartbreaking when the rest of the team doesn't rally behind him at first to try to raise money for the bus, but I love that Artie sasses Rachel back, saying, "You're irritating most of the time, but don't take that personally." Mr. Schue gives his all to try to teach the Gleeks a lesson, making everyone sit in a wheelchair for 3 hours a day - which leads to a pretty stellar performance of "Proud Mary."

I could watch Artie's solo over and over again:

Artie's not the only supporting character we learn more about this week; Tina finally comes out of her shell a little. She plants a big kiss on Artie (!) before revealing that she's been faking her stutter for years. Unfortunately Artie turns the sweet moment into a dour one, giving Tina the cold shoulder for pretending to be "different" when she's really "just like everyone else." Though Artie is wounded, I felt like he's a bit harsh to Tina - especially since his disability clearly has no bearing on the way she feels towards him. Hopefully he'll give her another chance.
Quinn's also feeling like an outcast now that she's off the Cheerios. Seeing her out of that uniform is so refreshing, though her snotty attitude towards Finn was wearing on me. She does share a sweet moment with Puck though (fun times in the home ec room!), and I have a feeling that it's only a matter of time before she switches boyfriends, leaving Finn available for Rachel.
Mr. Schue gives his singing and dancing skills a rest this week, but his rivalry with Sue continues. Schue is shocked when Sue agrees to take Becky for the Cheerios and thinks she's up to no good. I have to admit I also thought that Sue has an evil plan in mind, but she does have a point when she tells Schue that she's treating handicapped Becky "no different from anyone else." Then, we realize that Sue isn't entirely made of stone after all when she visits her handicapped sister in a home.
It's business as usual for Rachel when Mr. Schue offers her the lead vocals on "Defying Gravity," but Kurt finally takes a stand against her. Though the part is written for a woman, Schue arranges a "diva-off" when Kurt's dad stands up for his son. The relationship between Kurt and his dad makes a lot of progress - especially when Kurt throws the sing-off to protect his dad from attacks about having a gay son.

Check out Kurt laying down the voting rules:

Are you as happy as I am to have Glee back? Are you excited about the new coupling between Artie and Tina? Use the comments to chime in!

Photo courtesy of Fox

The Office, "Double Date": Best Lines of the Night and Video!

BuzzSugar — Fri, 06 Nov 2009 06:30:00 -0800

I knew it was going to be hard to top the koi pond incident (and those Halloween costumes), but I was glad to see this week's The Office return to the storyline with new paramours Michael and Helene. This time, Pam is actually coming around to the idea of her mother dating her boss, but per his usual protocol, Michael is ready with a few blunders to messy things up. We also had a friendly competition between Andy and Dwight and - naked photos? Tsk, tsk Kelly. It's called subtle sexuality, key word being subtle.

Michael provided my favorite quote of the evening, but take a look at my list (spoilers!), and then weigh in with your own favorite zingers.

"If you clench your buttocks together when you're walking, you can really take the pressure off your knees."-Dwight
The who-can-outdo-each-other's-politeness competition between Dwight and Andy was pretty hilarious. Of course neither of their intentions were pure - Dwight wants to be kind so everyone owes him and he can unseat Jim as co-manager; Andy does it...well, pretty much because he has to be better than everybody else.

For more funny lines, plus a video of the parking lot brawl between Michael and Pam, read more.

"The chicken parm is good. It was a big part of my childhood. Oh, maybe Michael will start dating that too."-Pam
Yep, this week saw the return of the Michael and Helene's romance, when he takes his new girlfriend out to a birthday lunch with Pam and Jim. I'm glad the writers reintroduced it, but obviously Pam doesn't share my same enthusiasm.

"The only time you should care about a woman's age is if she's too young for you. And I am not robbing the cradle. If anything, I'm robbing the grave."-Michael
Ah Michael, always so sensitive to a woman's feelings. I loved watching him gradually panic as he realized Helene was older than expected. But dumping her on her birthday, in front of Pam and Jim? That was low, even for him. Such an ageist. Pam exacts her revenge though by beating him up. Check out the video of their showdown:

"What if Dwight dies and I still owe him something? That is the recipe for a ghost."-Andy
Can't blame Andy. I wouldn't want the ghost of Dwight Schrute after me either.

"What a waste of a day. I could've grown poison mushrooms that would've been this high by now."-Dwight

Dwight feels bummed that he couldn't get back at Jim - all that work going to New York just for bagels! - but I'm sure he'll concoct something for the next episode to take Jim down. Perhaps that's what the mushrooms are for?

"I saw my life flash before my eyes. I have four kids, and I have a hover car and a hover house. My wife is a runner and it shows."-Michael
Such a dreamer that Michael. After Pam slaps him across the face for calling things off with her mom, he starts imagining his future. I was really hoping that they'd drag out the coupling between him and Helene for at least a couple more episodes - do you think their romance is really dunzo?

What did you think of this week's installment? Were you sort of pulling for a relationship between Michael and Helene? Tell me (along with your favorite lines) in the comments.

Want to keep swapping opinions on this episode? Check out The Office! group in the BuzzSugar Community!

Photo courtesy of NBC

Buzz Interview With the Cast of Precious, Part 2: Lee Daniels

BuzzSugar — Fri, 30 Oct 2009 15:30:17 -0700

Last week I shared with you my interview with Precious actress Paula Patton, but now it's time to hear from the director himself, Lee Daniels. I asked the Sundance-award winner - the film took home the Audience Award and Grand Jury Prize - how it feels to hear Oscar buzz, and what it's like when Oprah is on your speed dial. Plus, he opened up to me about how the movie helped him overcome from his own dark past. Ready for his incredibly candid responses?

On all the hype surrounding Mo'Nique's performance: I'm not the least bit surprised. It's magic onset. People are talking about this buzz, but she and I laugh it off, because we got a movie made, and there were no arrests! Seriously, the cops came, but they didn't shut us down. They said, 'OK, we'll give you five minutes.' There were no arrests, and no one got in any trouble, so for us, the win was finishing the film.

To hear more from Daniels, read more.

On how he felt when Oprah and Tyler Perry jumped on as producers: Tyler calls and says, "Hey, it's Tyler." Huh?! Oprah calls, "Heeeey." It's crazy! It gave me hope that people would see the film.
On the Oscar buzz: Why do people say that? What happens if you don't?! Then your feelings are so hurt. You teeter on wanting so desperately for it, but dare not dreaming for it, because your feelings are so crushed if it doesn't happen.

On why he wanted to make Precious: To heal. Some horrific things have happened to me [in my past], not only at home, but outside of my home life, [like] being openly gay. Being gay is nothing like it was when i was a kid - back in my day, you were literally stoned, a dislocated arm, teeth knocked out. So I try to see the light often. It's hard, because we all have hard lives, and some of us have it harder. What I like to find is people who have had lives just a little harder than mine [like Precious] so I can feel that mine wasn't as bad as it was.
On what he learned from making the film: I look at [the film] as a process. This was not a beautiful journey, because I learned so much about myself. I had been holding on to so much anger from the past, and it was making me an ugly person. It was making me judge people like Precious, because of who I was. How sad was that to find out at 50, that I would've lived such a better life if I had just let go of the hostility. [But once I let go] it felt beeautiful! Liberating!

I was so moved to hear Daniels talk about his own healing through the film - hopefully, it will have the same effect on others when it arrives in theaters next week.

Before the release, I'll be running my interview with Gabourey Sidibe, the newcomer that's making headlines for her Precious performance. Be sure to check back for that later - you're going to love her.

Photos courtesy of Lionsgate and Source

Motherhood: A Harried-Mom Tale That Often Feels Tired

BuzzSugar — Fri, 23 Oct 2009 14:30:20 -0700

When you have a parenting movie set in New York, you should know better than to expect a warm-'n'-fuzzy story about the joys of having kids. In fact, Motherhood is out to prove that mothers have it rough.

The film follows Eliza Welsh (Uma Thurman), a Manhattan writer dealing with a cramped apartment, busy husband, and side-street parking while raising her two kids. A day in her life feels like a really, really long 24 hours. Eliza runs around frantically trying to prepare for her 6-year-old's birthday while composing an essay for a parenting magazine contest and squeezing in a sample sale with her mommy friend Sheila (Minnie Driver). We know that Eliza was once a great writer, but when she had kids, she decided to give up her job to raise her family. Now, she's a shell of her former self in frumpy clothes and messy hair. Simply put, Eliza is dealing with the classic parent conundrum: how do you care for your kids and still retain something for yourself? The answer? It ain't easy.

For more about what I mean, read more.

Eliza doesn't try to feign martyrdom. In fact, she often whines about her plight in a way that screams, "I'm angry, dammit!" And at first, you're angry for her too. (No woman deserves to put up with all that she does.) But as the film goes on, Eliza's bitterness knocks you over the head, and you have to you wonder - is she like this every day? Yeesh.

Luckily we have Eliza's friend Sheila for some needed comic relief. Sheila is the cool single mom to the more neurotic Eliza - she mouths off cheeky one-liners and uses her son's motorized bath toy for her "alone time." Jodie Foster also delivers a hilarious cameo as a celebrity mom swearing at the paparazzi on the playground - aka, herself. Both women keep Eliza's "what-can-go-wrong-will-go-wrong" storyline from wearing too thin.

Mothers will probably identify with either Eliza or Sheila but what about the rest of us? While the actors perform well and the movie provides laughs for those who can relate (read: parents), most of the jokes don't feel fresh, and you've probably seen similar setups on shows like The Middle or In the Motherhood or any of the other dozens of family comedies in recent years. Props to the filmmakers for giving mothers their due, but if you're not one yourself, an hour and a half with Eliza may be enough to make you rush out of the theater and buy birth control.

FlashForward Breakdown, "Gimme Some Truth"

BuzzSugar — Fri, 23 Oct 2009 08:30:56 -0700

This week's episode of FlashForward was a bit blah for me. The plot made a teeny bit of headway, but now that we're four episodes deep, I was hoping things would pick up a bit this week. Instead, the FBI agents head to DC to score funding for the Mosaic investigation - using any methods necessary.

There's still plenty to discuss, so to get going just read more.

Flash backward: We do get a bit more insight into Stan Wedeck's life before LA. Apparently he lived in DC and was the right hand man to the guy who eventually becomes the president. When they meet again (in the Oval Office, no less), the president offers Stan a job as the Director of Homeland Security. Instead, Stan blackmails the president into providing the necessary funding for the Mosaic investigation.

Who's your daddy? A few weeks ago, that creepy Nazi Guyer implies that Janis is a lesbian, and it turns out to be true. Janis makes a connection with Maya, a chef she meets in karate class. Unfortunately their courtship is cut short when Maya "mosaics" Janis (it's even better than google stalking) and wants to know if the pregnancy means Janis swings both ways. Janis gets flustered and calls the whole thing off, but right now she's got bigger problems - at the end of the episode she gets shot just as Mark and Demetri do on the other side of the country. Now that my theory about Demetri being the baby daddy is out the window, what are your theories? It seems too easy to hope that she and Maya get back together and work something out, but I'm also afraid to consider a darker alternative, like rape.

Drowning in lies: Mark's alcoholism plays a big role in this week's episode. First, Olivia overhears Aaron advising that Mark attend a meeting, and later she reveals that Mark has a tendency to fall off the wagon when he's away from home. When Mark is put in the hot seat about his flashforward, he dances around the reason why his vision is a little fuzzy, and Senator Clemente uses his fumble as a reason why the Mosaic investigation doesn't deserve funding. Eventually Mark confesses to Stan that he's drunk in his flashforward, and someone tells Olivia like two minutes later. I'm glad Olivia finally knows and that it's out in the open a bit more, but who sold Mark down the river so quickly? And why? Was it someone who overheard the conversation or is one of Mark's fellow agents a rat?

Other major plot points:

The agents get another clue about the dead crows in Somalia when they discover a group of asphalt structures that were built just months before the 1990 blackout.

Now that the FBI agents are officially being targeted, how long can Demetri (and everyone else) avoid death?

What'd you think of this week's episode? Are you starting to waver in your love? Luckily, it seems like next week's episode may pick up, but for now, sound off in the comments!

Charlize Theron Going Mad?

BuzzSugar — Thu, 22 Oct 2009 10:30:18 -0700

Last week I heard that Charlize Theron had dropped out of the spy thriller The Tourist, but the actress may already have something new up her sleeve. Apparently director George Miller has Theron in mind to take the lead in his fourth installment of the Mad Max franchise.

That's not the only news about the upcoming sequel - since Mel Gibson's supposedly too old to reprise his role, Miller has his eye on British actor Tom Hardy to take over.

Other than that, Miller is being very hush-hush about the details of his movie, but what do you make of this news? Can Charlize breathe new life into the 30-year-old story, or would it be better to let Mad Max rest in peace?

New Moon Soundtrack Out Today! What to Sink Your Teeth Into

BuzzSugar — Fri, 16 Oct 2009 15:44:25 -0700

The film version of this Fall's sequel to Twilight isn't all fans have been rabidly anticipating - the New Moon soundtrack picked up enough steam to be released today instead of next Tuesday. It's no wonder it was rushed out; Death Cab for Cutie's video for "Meet Me on the Equinox", premiered to much fanfare, as did the tracklist, revealed barely a month ago.

The wait is over, and you can go buy the disc, download it, or stream the soundtrack on MySpace for free today. I've been listening for the past couple of days, and like my feelings for Robert Pattinson, I'm crushing pretty hard on it. Music supervisor Alexandra Patsavas did a great job compiling songs - all originals for the soundtrack - that evoke the teenage heartbreak vibe of New Moon while featuring a roster of talented bands.

Find out what's worth the iPod space when you read more.

I'm a pretty big Death Cab fan, but "Meet Me on the Equinox" doesn't do much for me - instead, The Killer's "White Demon Love Song" is the better rocking, evocative love song.

It was interesting to me when people were perplexed about Thom Yorke's appearance on this soundtrack, when there was an awesomely-placed Radiohead song over Twilight's end credits. Yorke's solo effort, "Hearing Damage" has the same edgy feeling as "15 Step," and I'm definitely trying to figure out when it will play in the movie (it sounds ideal to break down to).

It's fun to play the where-does-this-song-go game; "Monsters" by Hurricane Bells has to be played when things are good between Bella and Jacob, while "The Violet Hour" by Sea Wolf is another one of the few upbeat songs on the album. I'd bet the relieved-sounding ballad "Shooting the Moon" by OK Go ends up being one of the movie's last songs.

Considering the movie's plot, there are the expected mournful tunes, such as the remarkable "Possibility" by Lykke Li, who came into my consciousness last year and is about to hit everyone else's this year. Grizzly Bear's Slow Life also beautifully illustrates Bella's sad sack mood (total break up song).

Stephenie Meyer's favorite band Muse of course appears with "I Belong To You" - and it's a lively, bittersweet track (I'm betting it's wrapping up the credits).

Have you gotten a chance to listen to the New Moon soundtrack? Tell me what songs have caught your ear below, and to talk more album reviews, join the Music Review Group or the Movies of Twilight group in the community!