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First Listen: Blake Lewis, "Break Anotha"

BuzzSugar — Tue, 30 Oct 2007 16:30:40 -0700

Hey, remember Blake Lewis? The beatboxing American Idol contestant who made women everywhere swoon? We haven't heard much from ol' Blake since he finished second to Jordin Sparks in the Idol finale, but now he's prepping his first album, Audio Day Dream, scheduled to hit stores in early December.

His first single, "Break Anotha," is now streaming on AOL's PopEater, and after listening to it a few times through, I ... kinda like it. It has hints of Blake's signature beatboxing, but it's more outright danceable than anything he performed on Idol, with a pretty great beat backing Blake's falsetto chorus. Just over two minutes in, the song gets all crazy with a horn section break and synth-y vocal effects. It's kind of the sonic equivalent of a strobe light, and I'm not sure I love it, but I respect how weird it is.

Idolator also has another leaked Blake Lewis track, "Know My Name," which is also a strange musical soup. This one is a lot heavier on the synthesizers, and it reminds me of how a slightly lamer Justin Timberlake might sound if backed by a college a capella choir. Which is not to say it's bad. I mean, it's kind of a mess, but it's a mess I'm oddly compelled to listen to, which must mean something.

Check out the songs and let me know what you think. Is this how you expected Blake's album to sound?

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Grey's Anatomy Rundown, "Holidaze"

BuzzSugar — Fri, 20 Nov 2009 07:00:00 -0800

As evidenced in my holiday TV sneak peek, this week's episode of Grey's Anatomy puts the doctors on a fast track that starts on Thanksgiving eve and runs through New Year's Eve. As we all know by now, the Seattle Grace surgeons aren't always big on merriment, but the holidays are always the perfect time to bring out the truth in feelings and relationships.

Meredith bonds with the Chief while Mark learns that he has a teenage daughter. Bailey has a confrontation with her father and Teddy and Owen's sexual tension comes to a head. To read all about it, just read more.

As the episode opens, the Chief is trying to justify his drinking to Meredith - explaining that his alcoholism was "misdiagnosed" and that he was actually suffering from situational depression. (Um, right.) It's unclear whether Mere takes his word for it because she believes him or feels like she has to, but she accepts his mentorship. Later she bites off Thatcher's head when he suggests that the Chief shouldn't be drinking, and by NYE realizes that he does have a problem, but continues to keep it a secret. There is one good thing that comes from it: Derek and the Chief finally make amends after duking it out all season.
Bailey does her best to avoid acknowledging the holidays because she's afraid to tell her parents about her divorce. Instead, she gladly dives into work - until her father makes a surprise visit on Christmas Eve. After watching Miranda perform surgery, he delivers a way harsh speech about being ashamed of her decision to "break" her family and put work first. At Christmas dinner (with the whole Seattle Grace crew, no less), Miranda finally puts her foot down and tells her dad that she's not willing to settle for a bad relationship. Did anyone else want to slow clap, at this point? Because I did.
Mark gets a blast from the past when a buxom blonde appears at the hospital claiming to be his daughter. (I kind of love that her name is Sloan). Mark isn't exactly thrilled with feeling old, joking that "death has come to call." Lexie is also troubled by the news at first, and I couldn't blame her for slicing her finger when Mark drops the bomb that Sloan is moving in. Two months later, he hasn't made any progress, and it's clear that his daughter isn't exactly a cup of tea. Just when Mark finally gets the nerve to kick her out, Sloan reveals that she's pregnant with a baby of her own. Instead of contemplating his potential grandpa status (talk about feeling old), Mark's paternal instincts kick into gear with impeccable timing and he comforts her. Sidenote: I find it interesting that Mark handles the situation exactly how Quinn wished her parents had on Glee this week - stroking her hair, assuring her that everything would be okay.
Teddy is already coming between Cristina and Owen's relationship, even if just with pages. Still loving her new cardio god, Cristina is happy to be Teddy's bitch (as Alex calls her) and work as a team - until she catches Owen giving Teddy meaningful glances. Owen confronts Teddy and reveals that he had feelings with her when they were overseas together, and in turn Teddy confesses that she's always been in love with him. They are literally this close to kissing, but Owen says he loves Cristina and runs to her instead. Despite their passionate makeout sesh at the end of the episode, I still have an ominous feeling about Cristina's kiss with Avery (who is still giving her flack about her relationship with Owen).

What's your verdict on this week's episode? Are you sad to put Grey's aside for six weeks? Did it put you in the holiday spirit or did it all seem a bit premature? Don't forget to keep the conversation rolling in the Grey's Anatomy McAddicts group in the Buzz Community!

Buzz In: What Show Would You Like to Guest Star On?

BuzzSugar — Wed, 18 Nov 2009 08:30:00 -0800

'Tis the season of guest appearances, and tonight Modern Family gets in on the action with a double whammy - both Elizabeth Banks and Edward Norton will make cameos. These days, an appearance by a celebrity is par for the course; just trying to count all the talented names to hit 30 Rock alone is enough to hurt my brain.

I know we're not exactly A-listers, but let's pretend for a moment that we are. Which show would you want to make a special appearance on? It would be amazing to have a memorable moment on The Office, or get to spend some time singing and dancing with the cast of Glee. One thing's for sure - General Hospital wouldn't be at the top of my list (sorry, James). I know it's a tough decision, but what show would you like to guest star on?

2012: Apocalyptic Good Times

BuzzSugar — Fri, 13 Nov 2009 05:30:00 -0800

In terms of end-of-the-world movies, 2012 packs it all - a love story, teary family moments, action-packed adventure, over-the-top-CGI, and a ton of recycled film cliches - in a two and a half hour package. That's lengthy by today's standards, but I wasn't bored for a minute. This is pure escapist entertainment.

The film opens in 2009 as a scientist in India and his American associate Adrian Helmsley (Chiwetel Ejiofor) discover that the Earth's core is overheating. His forecast: Tectonic plates will shift, thereby causing a worldwide catastrophe that will wipe out the human race.

Dun, dun, dun! (Doesn't take long to pull you in, does it?) To hear my full assessment, read more.

The real action goes down three years later in 2012 when, according to the Mayan calendar, the Earth will reach its end. The entire So-Cal coast starts crumbling, so our hero Jackson Curtis (John Cusack) and his family begin a journey to China where the governments around the world have supposedly assembled spaceships to carry select humans to safety.

What? You expected this to be plausible?

Of course not, but the film does include tons of cool CGI - volcanos, snow storms, giant tsunamis. It's like every disaster movie you've ever watched combined. (That should come as no surprise seeing as how the director is Roland Emmerich who created The Day After Tomorrow, Independence Day, and Godzilla.)

As for the characters, we've seen them all stereotyped in other films before, but they're still enjoyable here. (Even though I admittedly winced over a Russian family complete with a fur coat, tiny dog, and an employee named Sasha.) This is thanks to the actors who play their parts with believability, even when the scenes feel ridiculous. Ejiofor portrays a great bleeding heart swept up in a governmental plan that's looking out for No. 1, and Cusack pulls off his father role without being over-the-top or sappy. Also, watch for Woody Harrelson as a nutty conspiracy theorist living in Yellowstone National Park.

2012 is purely meant to be fun, and it succeeds. There's a constant barrage of cliff-hanger moments that never let up, and though you pretty much know where things are headed, it's easy to get sucked in.

(Don't forget that if you see a movie that you'd like to review, you can post your write-up in the Movie Review Group in Community - I may even post it here on the site!)

Photos courtesy of Sony Pictures

SYTYCD's Peter and Pauline Say Farewell Together

BuzzSugar — Thu, 12 Nov 2009 14:30:30 -0800

This week, Peter and Pauline said good-bye to the So You Think You Can Dance stage. The tapper and the jazz dancer who had also been partners took some time this morning to talk about their experiences on the show with a few reporters.

Peter:

On how great of a venue the show is for tap: I think it was time for tap to be on the show, and I definitely think that So You Think You Can Dance needs more of it. I'm just proud that the three of us - Bianca, Phillip, and myself - got to represent tap the way that it needed to be represented.
On whether he worries that future tappers may be discouraged to audition: If anything, I hope that I inspire tappers to audition for the show, because I know that when the show first started, tappers were very rare, because they didn't take [them]. So I hope I inspire tappers to audition for the show, because if I can make it, any other tapper can make it. All it takes is a little bit of belief in yourself.
On his future plans: The one thing I would love to do is start my own tap show. I feel as though there aren't any shows anymore that are primarily tap-based.

To hear Pauline's thoughts, just read more.

Pauline:

On whether she had a sense of dread during rehearsals, after calling the Quickstep "the kiss of death": I did, at first. When I drew quickstep, I already knew in my head instantly, "Oh no, this can be really bad." Coming in to the rehearsal, the choreographer started teaching us, and it wasn't bad at all. The whole movement - it was just really fun, and just really energetic. I didn't feel there was one dull moment in that rehearsal. But I did feel some sort of dread in it, some sort of, "Oh no, this is the quickstep, this is what everyone doesn't want to draw out of a hat."
On the Van Gogh dance: That was my favorite dance. It was so creative and the concept was so good; the way Wade explained it, me and Peter were very excited for it. The whole thing about coming back for Van Gogh because he supposedly erased us from his first draft - that was actually exciting, because we get to play a character that we really aren't. It was considered jazz, but I don't think it was jazz, because Wade's choreography and Wade's style - I don't see an actual name for it. I would call it Wade. He's so different, and his stuff is very unique. I pulled Wade, and not jazz.
On her future plans: I'm going to go back and teach at the studio I grew up at. I do want to tour, dancing and teaching, in other countries and around the US. But at the same time, on the show, I was working with wardrobe, and I've always had this fashion sense in me - I want to be a fashion designer or something in that area. Just as a side thing, aside from dance, so I can get in that industry and be creative with the costumes. But I will still be dancing no matter what.

Photos courtesy of Fox

New Roles For Bradley Cooper, Isla Fisher, and JT!

BuzzSugar — Fri, 06 Nov 2009 10:30:42 -0800

Today is packed with casting news for some of my favorite stars:

Isla Fisher's name is floating around for a new comedy titled Desperados. The story follows a woman who sends a nasty email to the new guy she's seeing after he goes MIA. after they have sex. I'm already a fan of Fisher, plus they're describing it as The Hangover for women - so you know I'm on board!

Speaking of The Hangover, Bradley Cooper is picking up a new gig. He'll be replacing Shia LaBeouf for Dark Fields, a thriller following a writer who ingests a few pills to better his career. What he gets is success, women - and a group of shady characters in pursuit. Comparisons are being drawn to Fight Club with Brad Pitt, so Fields could be just what Cooper needs to complete his ascent into leading man status.
Lastly, Justin Timberlake is in talks to voice Boo Boo, alongside Dan Aykroyd and Anna Faris in the live-action/CGI version of the classic cartoon Yogi Bear. You know how I feel about the live-action/CGI combo, but you've got to admit that picturing Timberlake as a fuzzy bear in a bow tie is kinda funny. Hope he brings the pic-a-nic basket!

I think my favorite of these three may just be Isla Fisher's, but which project are you most excited for?

The Box: An Inadequate Package to Unwrap

BuzzSugar — Fri, 06 Nov 2009 11:30:56 -0800

I so wanted The Box to be a worthy successor to Donnie Darko, director Richard Kelly's first film and much-appreciated cult fave. Unfortunately, I didn't exactly get my wish.

The Box is a highly stylized, good-looking thriller, from the retro 1976 Virginia setting to the Barbie and Ken looks of leads Cameron Diaz and James Marsden. They play husband and wife Arthur and Norma Lewis, who run into a bit of a financial jam when a strange opportunity conveniently presents itself. A creepy, disfigured man (Frank Langella) offers them a million dollars if they push a button inside a box - but a stranger will die if they do.

Kelly has all the right elements and the creativity to give us a hip, entertaining thriller, but there are a number of blatant missteps that make the movie unsatisfying. To see more about what I mean, just read more.

Kelly puts his stamp on everything, namely the constant eerie atmosphere and the random sinister characters (apparently an old person standing still in the road is his trademark). Though many questioned the casting of Cameron Diaz and her requisite Virginia accent, there was a similar doubt when Drew Barrymore and Patrick Swayze were cast in Darko, and it ended up working. With Diaz, it's not that I would say that she nailed the part, but that the accent and greater aspects of the plot are very campy. And I like campy, but I don't know if that's what the film is going for.

If you're not taking it seriously, the movie is a pretty good time, with some frightening scenes and jumps. There are also many parts that are supposed to be creepy, but they're so labored that they come out as funny. Like, laugh out loud in the theater funny. I wouldn't call that a failure, I'd just invoke the term I used before campy.

The major problem the movie runs into is when it begins exploring these sci-fi and supernatural angles, which end up being red herrings. For instance, much is made of Arthur's job at NASA and Mars, which made me think we were in for a weird, wild sci-fi ride. I was ready to embrace something really out there (I'm a big David Lynch fan, after all), but you don't really get it. There are so many elements that are introduced but never followed to a conclusion, so you're left shrugging your shoulders when the movie ends. It's even more perplexing because the mystery of The Box itself is explained, but you're left with all these details that went nowhere, in retrospect. It's one thing to leave things open-ended, but you have to give the audience something to work with.

Honestly, if you're a Kelly fan, you'll probably find it enjoyable. But if you want complete resolution, I'd wait for the director's cut.

Photos courtesy of Warner Bros.

90210 vs. Melrose Place: Which Was More Scandalous?

BuzzSugar — Wed, 04 Nov 2009 09:30:12 -0800

This week's CW drama block may have its share of cool guest stars like N.E.R.D. and Samantha Ronson, but, on the whole, it's a total mess. On the one hand, you've got the unstable girls of 90210 having emotional breakdowns at the drop of a hat; on the other, the Melrose Place residents are busy sneaking around to cover up their crimes. Personally, I was a bit annoyed by all the over-the-topness - especially you, Annie. Oh, and you, Ivy. But hey, at least it gives us a few surprising moments.

Ready to dissect each show and decide which packed more punch? (Warning: major spoilers!) Take a peek at my arguments and then weigh in with your own when you read more.

90210 point: Sasha is officially a nut job. First she tells Dixon that she's pregnant, but when Debbie gets wind of it, she questions Sasha even further to catch her in her baby lies. But the best part? When Debbie says the line, "It starts with you're not pregnant, and it ends with stay away from my son." Oh, snap! Congrats Debbie, you just went up a notch on the list of cool TV moms. Sasha backs off, telling Dixon she had a "miscarriage."
Melrose Place counterpoint: Did David kill Sydney? They sure try to make it seem that way. David tells Ella that he was blackout drunk that night after finding out that Syd was sleeping with his father - and then he has a flashback where he wakes up with blood all over himself and a knife in his hand. I gasped a little over the big reveal, but I'm not entirely convinced that David wasn't set up by someone else.

90210 point: Annie is getting in way over her head with Jasper, and unfortunately, she seems much too insecure to dig herself out. When Navid hears that Jasper is a dealer, he tells Annie and she confronts Jasper about it. Jasper wigs out, making Annie cry and beg forgiveness. Later, we see Jasper selling drugs to someone, so we know the rumors are true. For more on his buyer, keep reading.
Melrose Place counterpoint: Jonah makes out with Kendra, the hot movie producer, literally within the first five minutes of the episode. (That didn't take long.) He stops things from going further, but when he comes clean to Riley, he gets on her case again for her kiss with Auggie. She apologizes profusely, but the damage has already been done. By the end of the episode, I was thinking, Wait, did they actually just break up?! I don't think so, but if you stuck around for next week's promo, things do not look good for the engaged couple.

90210 point: Jen is back, throwing around her prima donna wicked attitude. She walks in on Ryan during his date with the bartender from the previous episode and goes into attack mode with the verbal jabs. ("You look older closer up.") Ryan is actually turned on by her jealousy, and the two become exclusive. But what I can't understand is why, after he knows that she lies, does he actually trust her story about Liam coming on to her? He totally buys it!
Melrose Place counterpoint: Auggie finally gives his a-hole boss Marcello a piece of his mind, er, fists. Marcello passes off one of Auggie's recipes as his own, and then he makes a few lewd comments about Riley - and you know how Auggie feels about Riley. He starts swinging, knocking Marcello out. Back at the apartment later, Violet shows up, and in a moment of what I can only blame on Auggie's emotional distress, the two finally knock boots. I'm guessing this means we'll be seeing Violet's worst kind of crazy very soon (right before she and Auggie say sayonara).

90210 point: Adrianna is inching closer to her previous life of drug use. It starts when she plays a song asking for Navid's forgiveness. (So cheesy!) He turns her down, so she continues sulking in bed, sobbing. Silver and Naomi want her to go to a meeting so she can stay clean, and with due concern - at the end of the episode, we see her buying from none other than Jasper.
Melrose Place counterpoint: Ella's squeaky-clean client, Jessie, is hospitalized with major cocaine in his system, so she begs Lauren to write a fake report citing an allergy as the cause of his stay. Lauren refuses. (Anyone else confused about why Lauren continues to take the high road, despite her side prostitution gig?) Ella then discovers a wad of cash in Lauren's room and realizes her Pretty Woman secret. Of course Lauren denies the accusations, but no matter - Ella decides to let her star take the fall anyway and promises to never question Lauren again.

90210 had way more melodramatic outbursts, but those ladies were so crazy that it kind of turned me off. (You girls give women a bad name. Even Violet seemed normal this week compared to you.) So I'm giving this week to Melrose by default: I was genuinely shocked at David's bloody flashback and the fact that Jonah has suddenly broken out of his perfect-fiance persona. I expect scandal from someone like Auggie or Ella, but from Jonah? Come on!

Do you disagree? Were you actually loving all of the melodrama on 90210?

Don't forget that you can also keep the conversation going over in the 90210 Superfans group in the Buzz Community. Check it out!

Photos courtesy of The CW

Mad Men, "The Gypsy and the Hobo": This Week's 5 Maddest Moments

BuzzSugar — Mon, 26 Oct 2009 06:30:00 -0700

You know how everyone's always talking about how Mad Men is a slowly simmering pot, leaving you waiting for things to bubble to the surface? One of the show's major plot points, Don Draper's identity, bubbles to the top, finally. And how ironic for it to happen on Halloween eve . . .

The show is an intense marvel this week, living up to its Best Drama Emmy, and I'm ready to chat about it, so to see the five maddest moments (spoilers ahead), just read more.

"It's a lie so big": - Betty doesn't let her Don/Dick revelation from last week lie, and she seeks advice from her lawyer, who basically tells her to stay in her marriage unless she feels threatened. I worried that this was far as it would go, until she womans up and confronts Don when he comes home one night. He tells her everything, including that his mother was a prostitute and that his brother Adam committed suicide - and his role in it. Betty is confused, but more sympathetic than I expected.
The life and times of Roger Sterling: - Roger gets a blast from the past when an old flame, Annabelle Mathis, calls on the firm to help her horse farm/dog food company, Caldecott farms. Roger is cool at first, but his dinner with Annabelle reveals that she left him heartbroken as a young man - a rare insight into Sterling's silver fox facade. When she tells him he was The One, and he replies, "You weren't," I said "Ouch" as she says "Oh." Sigh. It seems to be a Roger's love life retrospective, as he even fields a call from Joan. I need more of this.
Roses: Joan asserts herself in an entirely physically aggressive way when she bashes a vase of roses over her husband's head. Why the violent response? He told Joan she never had to give up anything, never had to leave behind a dream. Hey, Joan's last nerve? Greg just found it. (And P.S., it's weird to hear Joan call herself by her married name, Joan Harris, but I love that Roger names Joan's husband "Dr. Cutup.")
Suzanne who? - While Don comes clean of his entire existence to Betty, Susie is waiting in the car. "Did you get caught?" she asks. "It's more complicated than that," he answers. And how. Apparently it's over for now, but we'll see.
Army wife - Greg drops the first real Vietnam bomb of the series, as we wait for the '60s to explode. He's taking a job in the army, and my gut tells me this will not end well for the Harrises.

Didn't the last line from the neighbor asking, "Who are you supposed to be?" to Don and Betty hit hard? What did you think of the Draper's tense conversation? Oh, and if you want to talk more about the show, join the Mad Men group in the community!

Photo courtesy of AMC

90210 vs. Melrose Place: Which Was More Scandalous?

BuzzSugar — Wed, 21 Oct 2009 09:30:45 -0700

Tuesday night's soapy dramas packed several surprises into this week's episodes - 90210 introduces a whole new character to love (or hate) and Sasha drops a bomb on Dixon; while over on Melrose, Riley and Jonah's seemingly perfect relationship is quickly unraveling. But the biggest surprise of all? Ella was nice. I know, crazy stuff.

Ready to pick apart a few plot lines (spoiler alert!) to determine which show was this week's juiciest? Let the battle begin when you read more.

90210 point: Annie steals a car! In her defense, she was talked into doing it by Jasper, because he wants to film the heist for his "movie." (I purposely put movie in airquotes, because who knows if this guy is for real. I don't trust him.)
Melrose Place counterpoint: Lauren finds out that David has been doing some stealing of his own when diamonds spill out of his bag. She makes a deal with him that she won't turn him in, if he stops. Not that Lauren should be doling out moral advice...

90210 point: A new surfer girl named Ivy arrives, and after accidentally hitting Liam's car, the two get competitive on and off land. He cuts her off at a surf contest, and she fakes a cramp to win. (This is also known as foreplay.) Their flirty antics grab Naomi's attention, who answers back by ditching her relationship with Richard - and her chances at college - for his roommate Jamie.
Melrose Place counterpoint: Violet gives the evil eye to anyone who comes near Auggie. When she sees his concern for Riley, she hints to Jonah about their questionable friendship to help break things up. And those sparrows in the complex that Riley and Auggie seem so smitten with? I doubt it's a coincidence that their nest was later smashed. Watch out Riley - my bet is Violet's gunning for you next.

90210 point: Dixon gets frustrated that he can never be seen with Sasha and dumps her. When she shows up later, he thinks that she's making amends, but actually, she's pregnant. This isn't necessarily new teen territory, but pregnant when you're in an underage relationship? Now that's scandalous.
Melrose Place counterpoint: Where do I begin with Jonah and Riley? First Auggie lets it spill that Riley kissed him, then Riley doesn't 'fess up the truth to Jonah, then Jonah grabs a drink with the hot new film exec who's helping him with his script (Step Up's Jenna Dewan!). We all know where this is headed...
90210 point: Debbie is still fuming over Harry calling her Kelly by accident, but matters worsen when Harry plans to have lunch with her and then cancels to comfort Kelly. Deb shows up to Harry's office with some food, and surprise - Kelly is there. Later, he teases Kelly about how Deb thinks she has a crush on him, but when Kelly doesn't respond right away, Harry realizes it's true. Do you think they're going to have an affair?
Melrose Place counterpoint: Riley models for another fashion shoot, and is asked to get topless by the photographer (Jo from the original Melrose!) In an even bigger shocker, Ella stands up for Riley when Jo starts throwing a few verbal punches at her from behind the camera. She even calls Jo a sell out. Awww, Ella, you do care.

I'm going to have to give this week's round to 90210 yet again. The guys from Melrose weren't bringing that much new drama to the table, but how can you compete with an illegal pregnancy and a car-napping? Do you agree, or should the Jonah and Riley storyline earn Melrose more points?

On a side note, is 90210 setting up Silver and Teddy? Looks so, but I hope not!

Don't forget that you can keep talking about these questions and the rest of the episode over in the 90210 Superfans group in the Buzz Community. Check it out!

Photos courtesy of The CW