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Max Payne: Awesome Style, Not Much Else
In its own haunting way, Max Payne is beautiful to watch. I knew that director John Moore had utilized some new digital technology while filming, but I didn't quite expect the movie as a whole to be so visually mesmerizing. This world never strays from its grainy state, everything awash in a blue-gray sheen — except for striking spots of bright red, and sometimes twinkly orange sparks — and there is near-constant precipitation usually large snowflakes swirling through icy air.
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