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Buzz In: What Books Do You Think Would Make Good Movies?

BuzzSugar — Wed, 17 Sep 2008 08:30:08 -0700

There are constantly news of books being adapted for film, and some are great ideas while others make me wary. There are loads of bad adaptations (remember Suburban Girl based on Melissa Bank's The Girls' Guide to Hunting and Fishing? Yeah, most people don't.) and a few examples of the opposite (The Jane Austen Book Club made for a better movie than book, in my opinion).

So while the risks are high, the results hit-or-miss, Hollywood consistently turns to the bookshelf for new ideas. What stories have you been able to easily envision on the big screen? I have always thought the epic page-turner I Know This Much Is True by Wally Lamb would make a great movie (and apparently there's one in development, but details are vague). Also, earth to Hollywood: Jennifer Weiner's Good in Bed would make a great movie with a relatable protagonist - and it already has a fan base to boot. So what is the hold up? I know Jodi Picoult's novel My Sister's Keeper is being adapted, though I also think Vanishing Acts would translate well to screen. Finally, the whole time I was reading Extremely Loud and Incredibly Close, I could see it played out as a movie - though it would need a director with a brilliant, artful eye.

What books do you think would do well on the silver screen?

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The Vampire Diaries "The Turning Point": The Good, The Bad and The Bloody

BuzzSugar — Fri, 20 Nov 2009 08:15:00 -0800

I was already bummed knowing this was the last week of new episodes of The Vampire Diaries until January; and now, having seen it, I'm freaking out a little bit. I knew there was going to be an epic cliffhanger, I just didn't know how epic!

With new vampires, violence and passion come "The Turning Point" - a title that would apply to many things that happened this week. So as usual, let's break down the good, the bad, and the bloody of this week (plenty of spoilers ahead!) when you read more.

The Good

Stefan and Elena finally gave up on their "are we or aren't we" dance and got together. I mean, together together. Vampire boots were knocked, but there wasn't a happy ending. More on that later.
Logan's vampiric turn made for gruesome excitement, especially now that Damon is trying to be on his best behavior. It also brought forth new mysteries; why did Sheriff Forbes bury Logan and write emails on his behalf instead of saying it was an animal attack? And who did turn him? My money was on Alaric, but now I'm not so sure. I also enjoyed his interactions with Damon, despite their constant shooting of wood bullets at each other.
OK, fine: I do like Caroline and Matt together now. Their coupling is just kind of sweet, and the fact that they bonded over So You Think You Can Dance?! I felt like it was my birthday.
I'm a fan of cool guy teacher Alaric, even if he is probably a vampire. I like to think he's more exciting than that - could he be a good vampire like Stefan? Interestingly, I don't think that Stefan or Damon has actually interfaced with Alaric yet, which is telling to me. If I had to guess, I'd say they knew each other. And what of him also being a "daywalker," when Stefan and Damon are so secretive about their rings?
I need to know more about the Gilbert family legacy, especially since Jeremy discovered an ancestor who wrote fiction about monsters. I like that the show made me care about more side characters I hadn't previously, like Jenna, Jeremy, and even Tyler. About Tyler. . . I don't want to speak too soon, but I think there's something very interesting happening with him.

The Bad

Isn't it a little too early to be saying "I love you," Elena? She even wants to see and make out with his scary vampire face when he gets turned on. Weeeird.

The Bloody

Newborn Logan is literally out for blood, but that pile of hoarded bodies that Logan was keeping made me sick to my stomach.
Anyone else feeling sorry for Caroline? Girlfriend's always getting bloodied up. Someone give her a self-defense lesson.
So basically unless you're Stefan or Damon, if you're a vampire you will only last one episode before being staked. Logan gets staked by Alaric by the end of the hour, which is unfortunate for Damon, because Logan had just promised him there was another way to break the spell holding Katherine and the other vampires under Fell's Church. Guess we'll just have to wait to meet little Miss Vixen.
It might have been time for Stefan to hide the Katherine photo, or at least have come clean about their resemblance. Lord knows finding a photo of my doppelganger at my undead boyfriend's house would freak me out too. That's what happens for Elena, who leaves Stefan's in a devastated rush. When someone stands in front of her car, she has a gnarly crash, which is terrifying in itself. It gets much more horrifying when the "person" she hit uncracks their limbs to stand up and come toward her. Yeesh! (BTW, did that scene remind anyone of Tara in the first season finale of True Blood?)

I don't know how I'm going to deal with the show's hiatus for two long months, let alone waiting that long to find out what was coming for Elena. Or, who Alaric is; did he kill Logan to protect Jenna, eliminate a problem-causing newborn, or something more insidious? To talk more about the show (especially in the next few weeks without new episodes) join the Hooked on Vampire Diaries group in the Buzz Community!

Photos courtesy of The CW

New Moon: Better Than Twilight

BuzzSugar — Fri, 20 Nov 2009 05:45:00 -0800

Let's be honest: for most of you, it doesn't matter what I - or any critics for that matter - have to say about New Moon, the incredibly anticipated sequel to last year's Twilight. The film started breaking box office records before it was even released, and audiences will flock to the theaters for weeks to come. On the plus side, a ticket to New Moon is a win even if you're not a Twihard - provided that you know what you're getting into.

New Moon is not incredibly acted, and it doesn't boast impressive dialogue or larger-than-life special effects. But it's not trying to be the Best Picture of the Year, so I can only critique it for what it is: a fantasy movie about a love triangle between a werewolf, a vampire, and a teenage girl. To see what I mean, just read more.

The movie picks up a few months after where Twilight left off. Bella Swan (Kristen Stewart) is blissfully in love but she can't fight her insecurities about growing older than her perpetually seventeen vampire boyfriend Edward Cullen (Robert Pattinson). All Bella wants for her eighteenth birthday is for Edward to change her into a bloodsucker, but a close call with his brother drives Edward to break up with Bella and leave town instead.

The drama following Bella's abandonment is everything we remember from high school heartbreak, from Bella's night terrors to the glazed over look in her eye. The anguish and pain are easily seen on Stewart's face, and her innermost thoughts are revealed to the audience through letters to Edward's sister Alice that will never be sent. After months of moping, Bella finally starts to open up to Jacob Black (Taylor Lautner), a family friend. As Bella struggles to find hope in a life without Edward, her friendship is complicated by Jacob's romantic feelings for Bella and made worse when Jacob discovers that he's a werewolf (and an enemy to all vampires).

The surprise of the movie is Lautner's performance. We've seen and heard about those muscles countless times before, but he also packs enough charm and charisma into his Jacob that you truly see him as more than just Bella's unrelenting admirer / best friend. He presents himself as a viable suitor for Bella's heart, and it's hard not to root for him against Robert Pattinson's wooden (albeit handsome) Edward. Stewart and Pattinson have chemistry to spare in Twilight, but in New Moon, Bella's relationship with Jacob seems hopeful and comfortable while her scenes with Edward are mostly awkward and frankly not as much fun to watch.

The movie belongs to Stewart and Lautner, but their melodrama is balanced out by the characters who pad out the cast. Yes, we meet the wolf pack and the Volturi, but for the most part the Forks residents and beyond make for some much-needed comic relief. The downside is that while it's funnier than what you'd expect, not all of the laughs are intentional (a scene where Jacob's temper rivals that of The Incredible Hulk comes to mind).

It doesn't take more than a grain of salt to appreciate New Moon for what it is - a film that stays true to its origin and delivers the necessary elements to ensure that you'll be back when the next installment of the franchise comes our way.

Photos courtesy of Summit Entertainment

Mad Men, "Shut the Door. Have a Seat": This Week's 5 Maddest Moments

BuzzSugar — Mon, 09 Nov 2009 05:30:53 -0800

Wow. The biggest surprise of the third season finale of Mad Men isn't actually a plot point, but how light and almost exciting it manages to be. For a show that's normally so tense and tightly wound, this week's episode has a quick pace, and at times, a sense of humor. Of course, there is still disappointment and heartache; some of our predictions for the finale come true, but some go sadly unfulfilled.

Without further ado, let's talk about the door that closes and the one that opens this week, and as usual, the finale's five maddest moments, when you read more.

So long, Connie: It's eccentric hotelier Conrad Hilton that breaks the news to Don that rival agency McCann is buying PPL, and Sterling Cooper along with it. Don's plenty irate, as it's Hilton's fault that he was signed into a three-year contract and is thus, trapped. However, Don's bitterness quickly turns to ambition, when he rallies Burt, then Roger, to buy back Sterling Cooper from PPL. Pryce is unhelpful in even supplying the purchase price for the men, quashing the buyback plans, but then another scheme is launched: Pryce fires Don, Roger, and Burt so they can form a new agency.
Draper Dissolution: While an exciting change is happening for Don in his career, back at home a bleak change is coming. Betty informs Don that she's seen a divorce lawyer and advises him to do the same. It's painful watching these two spar, and I wanted so much for them to figure out how to fix it - but the ball is clearly in Don's court and he does nothing to sway Betty to call off the divorce. Sure, he tells her to, and even suggests that she might need psychiatric help. Oh, and he tells her that he gave her everything she wanted materially, insinuating that should be enough. Don may know what his clients want, but in his marriage, he has no idea what Betty wants.
Irreconcilable differences: Don sheepishly tolerates the divorce talk until he's having drinks with Roger, who spills the beans about Betty taking up with Henry Francis (I do have to say, it is rather nice to see these two getting along, acting like buds). This sends a drunken Don home to wake up Betty for a confrontation about her indiscretion, and things get nasty and uncomfortably physical. Again, Don manages to push Betty into even more resolve, and she tells him that she's going to Reno to initiate the divorce. Don and Betty devastate the kids with the news of their separation, and Betty makes good on her threat to go to Reno after Don softens a tiny bit - to tell her that he won't fight her.
Don, at your service: One of my favorite parts of this episode? Seeing Don put through the paces by Pete and Peggy. He's always treated them like underlings, and they finally have the opportunity to assert themselves. Don obliges them both and tells them how valuable they are, but not before Peggy pushes back. Her backbone straightens when she's first told of the new company and assures Don that she's had "other offers." Luckily, Don doesn't take no for an answer, and visits Peggy at home, telling her he'd spend the rest of his life trying to hire her if she turned him down now. It's so touching to see Don put aside his ego to acknowledge these others, and it makes me sad that he can't do something similar for Betty.
Sterling Cooper Draper Pryce: The gang's back together! It's thrilling good fun watching the new company assemble - Roger and Don get the agency's most prized employees one by one, plus my favorite: Joan! She's a necessity to help find all the files and materials in the office, and, they realize, a force that had been holding the company together. Her role in Sterling Cooper Draper Pryce (can you say "Michael Scott Paper Company"? I told you these two shows have a lot in common!) is a given. With everything coming together so perfectly, though, I wondered why Sal isn't also called in. I suppose we have next season to look forward to for that. Speaking of, next Summer can't come fast enough.

It's interesting that the finale also weaves in flashbacks of Don's early childhood, as this season's premiere did. What Don is remembering now, though, is how his father died. The elder Whitman was faced with losing his home, and after breaking free of the cooperative, readies a trip to the city to sell his crop. His spooked horse kicks him in the head, killing him, with the young Don as witness. It's an obvious parallel to Don's circumstances, who's losing his home, as in his marriage; and, losing his home, as in his life's work. Of course, he only manages to take control of one of those.

So what did you think? Did this season wrap up the way you wanted it to? And even though we won't see the Draper family or the worker bees of Sterling Cooper Draper Pryce until the fourth season returns, you can still join the Mad Men group in the community to chat about the show year-round.

Photo courtesy of AMC

Disney's A Christmas Carol: A Fun New Spin on an Old Favorite

BuzzSugar — Thu, 05 Nov 2009 20:00:00 -0800

Charles Dickens' classic A Christmas Carol is, quite literally, a tale as old as time. Hollywood has already turned the novel into countless films, so how do you keep it fresh to entertain old and young audiences alike? You give them a pair of 3-D glasses.

I was a bit skeptical about Disney's newest remake of the flick, even with the super stylized animation and all-star cast behind the voices. But once you put on those glasses, you'll be oohing and aahing right along with the kids, making the film a fun ride. It doesn't tug on the heartstrings the way other versions can, but it's not devoid of emotion either. To see what I mean, just read more.

Robert Zemeckis brings the story we already know and love; old Ebenezer Scrooge (voiced by Jim Carrey) defines miserly and crotchety, spending his days counting his pennies and bitterly snapping at those around him. On one particularly Christmas Eve, he his haunted by the ghost of his former partner, Jacob Marley. Sporting chains and a ghastly demeanor, Marley warns Scrooge that he will suffer the same miserable fate if he doesn't take heed of three spirits who will visit him over the course of the night.

The film stays very true to Dickens's short novel, borrowing much of the text straight from the book and incorporating some of the darker elements that I hadn't seen before in versions designed for kids. That said, I still feel like some of the scenes waver on the side of being too scary. Marley's introduction with the chains is frightening but funny, whereas the progression of the ghost of Christmas present to the ghost of Christmas future (complete with full decay from giant to skeleton) probably would have given me nightmares when I was younger.

The special effects are all you could want and more; the 3-D pulls you right in, carrying you along with Scrooge as he flies overhead in his nightgown (and later spits in your face). You're in the midst of Victorian England at Christmas time, from the snowstorms to the festive music. It's dazzling - until you hit the emotional stuff.

The tale is one with a great big heart, but the actors can only go so far using their voices alone. In the most sentimental scenes, I found myself just wishing I could see the big name actors (which includes Gary Oldman, Colin Firth, and Robin Wright Penn) gazing into each other's eyes pointedly. Instead, it feels a bit like watching two mannequins standing face to face. Still, you're never bored for long, and there's always another thrill waiting at every turn.

In the end, Disney accomplishes its goal, producing a film that looks amazing and will entertain kids and adults alike. It may not be the best version of the tale to date, but it will leave you feeling plenty merry on your way out of the theater.

Photos courtesy of Walt Disney Pictures

90210 vs. Melrose Place: Which Was More Scandalous?

BuzzSugar — Wed, 04 Nov 2009 09:30:12 -0800

This week's CW drama block may have its share of cool guest stars like N.E.R.D. and Samantha Ronson, but, on the whole, it's a total mess. On the one hand, you've got the unstable girls of 90210 having emotional breakdowns at the drop of a hat; on the other, the Melrose Place residents are busy sneaking around to cover up their crimes. Personally, I was a bit annoyed by all the over-the-topness - especially you, Annie. Oh, and you, Ivy. But hey, at least it gives us a few surprising moments.

Ready to dissect each show and decide which packed more punch? (Warning: major spoilers!) Take a peek at my arguments and then weigh in with your own when you read more.

90210 point: Sasha is officially a nut job. First she tells Dixon that she's pregnant, but when Debbie gets wind of it, she questions Sasha even further to catch her in her baby lies. But the best part? When Debbie says the line, "It starts with you're not pregnant, and it ends with stay away from my son." Oh, snap! Congrats Debbie, you just went up a notch on the list of cool TV moms. Sasha backs off, telling Dixon she had a "miscarriage."
Melrose Place counterpoint: Did David kill Sydney? They sure try to make it seem that way. David tells Ella that he was blackout drunk that night after finding out that Syd was sleeping with his father - and then he has a flashback where he wakes up with blood all over himself and a knife in his hand. I gasped a little over the big reveal, but I'm not entirely convinced that David wasn't set up by someone else.

90210 point: Annie is getting in way over her head with Jasper, and unfortunately, she seems much too insecure to dig herself out. When Navid hears that Jasper is a dealer, he tells Annie and she confronts Jasper about it. Jasper wigs out, making Annie cry and beg forgiveness. Later, we see Jasper selling drugs to someone, so we know the rumors are true. For more on his buyer, keep reading.
Melrose Place counterpoint: Jonah makes out with Kendra, the hot movie producer, literally within the first five minutes of the episode. (That didn't take long.) He stops things from going further, but when he comes clean to Riley, he gets on her case again for her kiss with Auggie. She apologizes profusely, but the damage has already been done. By the end of the episode, I was thinking, Wait, did they actually just break up?! I don't think so, but if you stuck around for next week's promo, things do not look good for the engaged couple.

90210 point: Jen is back, throwing around her prima donna wicked attitude. She walks in on Ryan during his date with the bartender from the previous episode and goes into attack mode with the verbal jabs. ("You look older closer up.") Ryan is actually turned on by her jealousy, and the two become exclusive. But what I can't understand is why, after he knows that she lies, does he actually trust her story about Liam coming on to her? He totally buys it!
Melrose Place counterpoint: Auggie finally gives his a-hole boss Marcello a piece of his mind, er, fists. Marcello passes off one of Auggie's recipes as his own, and then he makes a few lewd comments about Riley - and you know how Auggie feels about Riley. He starts swinging, knocking Marcello out. Back at the apartment later, Violet shows up, and in a moment of what I can only blame on Auggie's emotional distress, the two finally knock boots. I'm guessing this means we'll be seeing Violet's worst kind of crazy very soon (right before she and Auggie say sayonara).

90210 point: Adrianna is inching closer to her previous life of drug use. It starts when she plays a song asking for Navid's forgiveness. (So cheesy!) He turns her down, so she continues sulking in bed, sobbing. Silver and Naomi want her to go to a meeting so she can stay clean, and with due concern - at the end of the episode, we see her buying from none other than Jasper.
Melrose Place counterpoint: Ella's squeaky-clean client, Jessie, is hospitalized with major cocaine in his system, so she begs Lauren to write a fake report citing an allergy as the cause of his stay. Lauren refuses. (Anyone else confused about why Lauren continues to take the high road, despite her side prostitution gig?) Ella then discovers a wad of cash in Lauren's room and realizes her Pretty Woman secret. Of course Lauren denies the accusations, but no matter - Ella decides to let her star take the fall anyway and promises to never question Lauren again.

90210 had way more melodramatic outbursts, but those ladies were so crazy that it kind of turned me off. (You girls give women a bad name. Even Violet seemed normal this week compared to you.) So I'm giving this week to Melrose by default: I was genuinely shocked at David's bloody flashback and the fact that Jonah has suddenly broken out of his perfect-fiance persona. I expect scandal from someone like Auggie or Ella, but from Jonah? Come on!

Do you disagree? Were you actually loving all of the melodrama on 90210?

Don't forget that you can also keep the conversation going over in the 90210 Superfans group in the Buzz Community. Check it out!

Photos courtesy of The CW

Amelia: Never Really Takes Flight

BuzzSugar — Fri, 23 Oct 2009 06:30:00 -0700

I love the way a biopic makes me feel - like I'm treated to a back-in-time look at an amazing life. They're epic, and that's why I'm willing to sit through the slow moments (and often for more than two hours) for the payoff. This is the experience I hoped for from Amelia, directed by Mira Nair and starring Hilary Swank as the pioneering aviator who was the first woman to fly solo across the Atlantic Ocean.

There's plenty of opportunity for grandness, even though Nair chose not to focus much on the circumstances of Earhart's disappearance during her flight around the world. Earhart had an extraordinary life, eschewing social conventions for her gender and never giving up her one true love: flying.

Unfortunately, Amelia misses the epic mark and lands instead somewhere in the mediocre, underusing its cast's talents and history's treasury. However, it's not an altogether unpleasant journey, so to see my thoughts on the film, just read more.

First, the film is beautiful - Mira Nair knows how to shoot a gorgeous scene (she was behind the richly-styled films Monsoon Wedding and The Namesake), and she really takes advantage of the oceans, the landscapes of jungles, beaches, and moors. Much of it is seen through Amelia's eyes as she's soaring over it, and occasionally you feel the same freedom in flying that she so desires.

Along with the scenery, the minor success the film does achieve is ascribed to Hilary Swank's acting. I was expecting the two-time Oscar winner to be fantastic, and she didn't let me down. From transforming her looks to match the androgynous icon's to altering her voice to a Katherine Hepburn-ish gravel, she captures the pre-feminist aviatrix in all her glory.

The problem is that intriguing parts of Earhart's life are introduced but merely glossed over. For instance, Earhart's marriage to publisher George Putnam (played by Richard Gere) is complicated by the fact that she carries on an affair with Gene Vidal (Ewan McGregor). However, this affair is only briefly touched on (they meet, they kiss, it's suddenly over). For his part, Ewan McGregor is given little more than a cameo role, which is an unsatisfying tease for any fan of the actor.

While I'm on unsatisfying, if you've ever been fascinated by the mysterious circumstances of Earhart's death (she disappeared over the Pacific on a round-the-world-flight), you'll get no gratification here. Understandably, there's no speculation about what happened, but there's no closure either.

That seemed justified, because when this project was announced, it was reported that Nair wouldn't focus on the mystery, but Earhart's remarkable life instead. Unfortunately, there's not enough focus on that remarkable life to do the woman's memory justice.

Photos courtesy of Fox Searchlight

90210 vs. Melrose Place: Which Was More Scandalous?

BuzzSugar — Wed, 21 Oct 2009 09:30:45 -0700

Tuesday night's soapy dramas packed several surprises into this week's episodes - 90210 introduces a whole new character to love (or hate) and Sasha drops a bomb on Dixon; while over on Melrose, Riley and Jonah's seemingly perfect relationship is quickly unraveling. But the biggest surprise of all? Ella was nice. I know, crazy stuff.

Ready to pick apart a few plot lines (spoiler alert!) to determine which show was this week's juiciest? Let the battle begin when you read more.

90210 point: Annie steals a car! In her defense, she was talked into doing it by Jasper, because he wants to film the heist for his "movie." (I purposely put movie in airquotes, because who knows if this guy is for real. I don't trust him.)
Melrose Place counterpoint: Lauren finds out that David has been doing some stealing of his own when diamonds spill out of his bag. She makes a deal with him that she won't turn him in, if he stops. Not that Lauren should be doling out moral advice...

90210 point: A new surfer girl named Ivy arrives, and after accidentally hitting Liam's car, the two get competitive on and off land. He cuts her off at a surf contest, and she fakes a cramp to win. (This is also known as foreplay.) Their flirty antics grab Naomi's attention, who answers back by ditching her relationship with Richard - and her chances at college - for his roommate Jamie.
Melrose Place counterpoint: Violet gives the evil eye to anyone who comes near Auggie. When she sees his concern for Riley, she hints to Jonah about their questionable friendship to help break things up. And those sparrows in the complex that Riley and Auggie seem so smitten with? I doubt it's a coincidence that their nest was later smashed. Watch out Riley - my bet is Violet's gunning for you next.

90210 point: Dixon gets frustrated that he can never be seen with Sasha and dumps her. When she shows up later, he thinks that she's making amends, but actually, she's pregnant. This isn't necessarily new teen territory, but pregnant when you're in an underage relationship? Now that's scandalous.
Melrose Place counterpoint: Where do I begin with Jonah and Riley? First Auggie lets it spill that Riley kissed him, then Riley doesn't 'fess up the truth to Jonah, then Jonah grabs a drink with the hot new film exec who's helping him with his script (Step Up's Jenna Dewan!). We all know where this is headed...
90210 point: Debbie is still fuming over Harry calling her Kelly by accident, but matters worsen when Harry plans to have lunch with her and then cancels to comfort Kelly. Deb shows up to Harry's office with some food, and surprise - Kelly is there. Later, he teases Kelly about how Deb thinks she has a crush on him, but when Kelly doesn't respond right away, Harry realizes it's true. Do you think they're going to have an affair?
Melrose Place counterpoint: Riley models for another fashion shoot, and is asked to get topless by the photographer (Jo from the original Melrose!) In an even bigger shocker, Ella stands up for Riley when Jo starts throwing a few verbal punches at her from behind the camera. She even calls Jo a sell out. Awww, Ella, you do care.

I'm going to have to give this week's round to 90210 yet again. The guys from Melrose weren't bringing that much new drama to the table, but how can you compete with an illegal pregnancy and a car-napping? Do you agree, or should the Jonah and Riley storyline earn Melrose more points?

On a side note, is 90210 setting up Silver and Teddy? Looks so, but I hope not!

Don't forget that you can keep talking about these questions and the rest of the episode over in the 90210 Superfans group in the Buzz Community. Check it out!

Photos courtesy of The CW

Grey's Anatomy Rundown, "Invasion"

BuzzSugar — Fri, 16 Oct 2009 11:23:13 -0700

Seattle Grace has been invaded, and this time it's with new doctors in addition to fresh patients and injuries. It doesn't take very long for the surgeons to butt heads with the Mercy West newbies - in fact, Izzie is ready to throw down after one of the doctors takes George's locker in the locker room. Eventually, Izzie is the only one who warms up to the Mercy Westers, only to get burned first by a new friend and then by the chief.

Ready to talk about all of the drama with the new kids on the block? Just read more.

The docs are on the defensive from the minute they are "invaded" by Mercy West. New guy Jackson (aka hot guy from The Sisterhood of the Traveling Pants 2) immediately gets on Owen's good side by suggesting a new method of appointing patients. Throughout the episode, Jackson proves to be most likable of the new doctors, which makes Cristina hate him even more.
For the second week in a row, Cristina has beef with Owen because he doesn't play favorites. Her self-assurance continues to plummet, and by the end of the episode she has a breakdown in Meredith's hospital room about how much she misses heart surgeries. It was interesting that she mentions Burke after all these seasons of silence (though at this point it feels like he's been gone forever), and I loved that she jumps right into Mere's bed even though they are both in a "dark and twisty" place.
Callie's father returns, though it's not exactly the joyful reunion she's been hoping for. He brings a priest along for the trip, prompting Callie to protest that you can't "pray away the gay." Later they square off again, citing religious quotes, but ultimately he begins to accept his daughter for who she is. This is a major breakthrough for Callie's relationship with Arizona, as she's the one who gets through to Callie's dad, even admitting that she loves Callie. Aww.
Lexie tries to be welcoming to the new doc she's working with, though it doesn't take long for her to see that the newbie is one-upping her photographic memory. Prompted by the patient she's working with (who happens to be a thief), Lexie turns the tables and uses the newbie's diary to get the upper hand. In true Lexie fashion, she feels bad in the end and apologizes. Am I the only one who thinks the new doctor is kind of like Lexie 2.0? Their dynamic reminded me of when Lexie first started and tries really hard to make nice with Mere, but gets the cold shoulder in return. Maybe Lexie and Meredith are growing more alike as they get to know each other.
The most dramatic moments of the night are wrapped up in Izzie. Though wary at first, Izzie quickly bonds with and embraces her new friend Charles - until she overhears him referring to her as his "own surgical bitch." (Ouch). It obviously gets to her, and Izzie lets her emotions get in the way of her work, nearly killing a patient waiting for a transplant. It's clear that the other doctors aren't willing to give her a free pass because she's a cancer survivor; Bailey hands her a heavy reprimand and ultimately the Chief lets her go.
Alex continues to try to defend Izzie to the chief, though this week his pleas are starting to sound desperate. He gets so fiercely competitive with newbie Reid that a patient's family member is forced to step in. At the end of his stressful day, he gets the biggest bomb of all - Izzie breaks the news that she's leaving him a note. We all knew the firing was coming, but I didn't think her relationship with Alex would end so quickly. He has a rare emotional moment breaking the news to Mere and Cristina, and even they don't know how to comfort the usually cocky Karev. (Gotta love the moment of comic relief when Meredith is trying to prompt Cristina to give him a hug).

Now that Izzie's gone, what do you think will happen when she gets back? Is it really over for her and Karev? Did you like seeing the fresh meat at Seattle Grace or were you just as irritated as the doctors?

For more on everything Grey's, check out the Grey's Anatomy Junkies group in the BuzzSugar Community!

House Rundown, "Instant Karma"

BuzzSugar — Tue, 13 Oct 2009 08:30:00 -0700

This week's House continued to stick to the tried-and-true show recipe, and our favorite doctor was there pulling the strings - even if he isn't technically in charge. The episode answered one or two of my previous questions, and while the writers quickly tied up the dilemma involving last week's death of the dictator (breathe a collected sigh of relief), I highly doubt that Chase and Foreman's shared secret is just going to be swept under the rug for good.

I'm curious to see how everything plays out, but for now, take a look at my questions (some spoilers!) from this week's episode and share your thoughts when you read more.

Foreman brings up a good point, when will House get back his license? I'm interested to see how long they drag it out for, although I do kind of like to see him play the annoying backseat driver to poor Foreman.
Why isn't Chase a little more nervous about the M&M presentation at the beginning? He seems a bit too cocky about getting away scot-free.
Thirteen! Man, I love seeing her and House spar. Wilson is right - she's the only one who doesn't get sucked into the "House vortex." I know she's boarding a plane at the end, but I think she'll be back, don't you? Once Jennifer Morrison leaves, it would be strange to have just Chase and Foreman debate the odd medical scenarios.
Speaking of Cameron's departure, it definitely seems like the writers are going to use Chase's secret to cause a rift in their relationship. First, they keep showing her alone in bed night after night, but then she asks him what was going on, and he continues to dig himself even deeper into the lie. When she does learn the truth - I'm thinking soon - there's going to be a huge blow-up.
Why is it that House's pervy comments always make me laugh?! I love this one that he said to Thirteen: "I wasn't talking to you; I was spying on the MILF in the running shorts." Ha!
I think this episode really shows a softer side to House. It started when he tells Foreman, "You're going to be a good boss, Boss." Awww, is that an actual tender moment from the crotchety doctor?! And then he goes on to save Chase and Foreman from their M&M review, and he tries to bring back Thirteen? House may say his heart is "three sizes to small," but he is spreading good will all over the hospital - well, good will for House at least.
Anyone else find the "Midas" dad kind of annoying? I don't dig his cocky attitude, and I was actually more interested in how things were playing out between the doctors than the actual medical case in this episode.
Here's a real philosophical question for you: Do you think that in some karmic way, that the father getting rid of his fortune really does help his son? House seems to be deep in thought over it at the end of the episode - or maybe he's questioning taking over the team again?
I love the moment where Chase tells House that he will always be in the guy in charge, but perhaps House is doubting his leadership. He does tell Cuddy that the combination of puzzles and power proved to be a bad mix for him. Still, I'm ready to see him running the place again, even if he pretty much already does.

What'd you think of the episode? Do you think House may be turning into a softie? Will he take over the reins from Foreman? And how will Thirteen finally make her return (if she does)? I want to hear all your hypotheses!

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Photo courtesy of Fox