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The Results Are In: Recast "Family Matters"

BuzzSugar — Tue, 09 Oct 2007 14:30:15 -0700

Every Wednesday on BuzzSugar, I post a Recast challenge, where I ask you to choose new actors for a classic TV show or movie. The reader who submits the best cast wins a BuzzSugar t-shirt!

It's true, "Family Matters" is one of those shows that is difficult to recast, since the performances - especially that of Steve Urkel - have become so iconic. I really liked some of the suggestions put forth by everyone this week, though, like La-Ma's idea of Wanda Sykes playing Harriette Winslow and mrspiven's suggestion of Eddie Murphy dressing in drag to play Mother Winslow (a la The Nutty Professor).

Yet my favorite list this week comes from laneylaney. I like it mostly because without even seeing this cast in action they're making me laugh. To see who laneylaney picked along with a new cast photo, read more

laneylaney's cast:
Harriett Winslow - Chandra Wilson
Carl Winslow - Tracy Morgan
Eddie Winslow - Chris Brown
Laura Winslow - Keke Palmer
Rachel Crawford - Tyra Banks
Richie Crawford - Brandon Ratliff
Mother Winslow - Irma P. Hall
Steve Urkel - Jeremy Suarez

Recast "Family Matters" and Win a Prize!

BuzzSugar — Wed, 03 Oct 2007 16:11:58 -0700

Every Wednesday on BuzzSugar, I post a Recast challenge, where I ask you to choose new actors for a classic TV show or movie. The reader who submits the best cast wins a BuzzSugar t-shirt!

I used to love watching "Family Matters" when I was younger and did you know (possible Buzz Brainteaser here!) that the show stemmed from the sitcom "Perfect Strangers"? It's true! Harriette Winslow was a recurring character on the third and fourth seasons of "Perfect Strangers," and was the character chosen to have her own series.

Anyway, if you could recast "Family Matters" with new actors, who would you pick for Harriette and Carl Winslow? What about their children Eddie and Laura (I'm leaving off Judy, who was on the show for some seasons but not all)? Then there's "Mother" Winslow (Carl's mother), the aunt Rachel and her little boy Richie. Finally, of course, who could properly whine Steve Urkel's catchphrase "Did I do that?"

Leave your entry in the comment section below, and I'll pick one winner to feature Tuesday, October 9, complete with a "new" cast photo. To see a list of characters to recast and a photo of the BuzzSugar t-shirt, read more

Characters to recast:
Harriette Winslow (JoMarie Payton)
Carl Winslow (Reginald VelJohnson)
Eddie Winslow (Darius McCrary)
Laura Winslow (Kellie Shanygne Williams)
Rachel Crawford (Telma Hopkins)
Richie Crawford (Bryton McClure)
Mother Winslow (Rosetta LeNoire)
Steve Urkel (Jaleel White)

The BuzzSugar t-shirt

FlashForward Breakdown, "Believe"

BuzzSugar — Fri, 20 Nov 2009 11:30:32 -0800

The most central characters of FlashForward take a backseat this week, letting Bryce and Aaron take the spotlight. It's a nice relief from Mark and Demetri's constant agonizing over their own fates (though we still get a dose of that, too).

We learn that Bryce has been keeping a big secret, and Aaron's reunion with his daughter isn't all he had expected it to be. Ready to get into it? Just read more.

I want to believe: We finally get some insight into why Bryce tried to kill himself: he has stage four cancer and has been keeping it a secret from everyone but his therapist. We also get to see his saving grace - in his flashforward, Bryce is laughing and smiling in a restaurant with a pretty Asian woman. Determined to make his fate come true, Bryce takes up Japanese (with Nicole's help) and even heads to Asia when he's supposed to be in Houston testing out a wonder drug. Here's what confuses me: in Bryce's vision, he sees himself saying "you're really here" and he knows it's months into the future. Why does he try to rush fate? I wasn't surprised at all when he and Keiko don't make the connection in Japan (though I did feel a bit disappointed for him). Side note: Nicole is totally falling for Bryce.

Across the pond: Bryce isn't the only one who is featured this week; we get some background info on the (literal) woman of his dreams. Keiko is a young, bright woman living with her parents and working for a robotics firm. Though her life looks perfect on paper, Keiko is bored at work and with her personal life, longing to play her guitar and find her soulmate. She gets a shiny new outlook on life when she sees Bryce in her vision, and we realize that their meeting doesn't take place in Japan after all, but in LA.

Family ties: Aaron is having a hard time adjusting to life with Tracy. Her continual drinking habit causes a fight between them; Aaron can't be around alcohol, and Tracy feels entitled to drink after all she's been through. Tracy storms out and Aaron blames himself for her addiction and her post-war transformation. Mark only makes matters worse when he accuses Aaron of telling Olivia that he was drinking in his flashforward, and Aaron tells Mark he shouldn't be his sponsor anymore. Losing his sponsor can't be good for Mark and his vision.

Other major plot points:

Demetri finally makes strides on figuring out who called him about his murder. The call is traced back to Hong Kong, and though Stan doesn't want Demetri heading overseas, Mark offers to go with him in secret.
The FBI agents discover that suspect zero wears a ring with an alpha symbol on it but aren't sure what to make of it.

Did you like this week's episode, or were you longing for more action? Will Nicole get in the way of Bryce and Keiko?

New Moon: Better Than Twilight

BuzzSugar — Fri, 20 Nov 2009 05:45:00 -0800

Let's be honest: for most of you, it doesn't matter what I - or any critics for that matter - have to say about New Moon, the incredibly anticipated sequel to last year's Twilight. The film started breaking box office records before it was even released, and audiences will flock to the theaters for weeks to come. On the plus side, a ticket to New Moon is a win even if you're not a Twihard - provided that you know what you're getting into.

New Moon is not incredibly acted, and it doesn't boast impressive dialogue or larger-than-life special effects. But it's not trying to be the Best Picture of the Year, so I can only critique it for what it is: a fantasy movie about a love triangle between a werewolf, a vampire, and a teenage girl. To see what I mean, just read more.

The movie picks up a few months after where Twilight left off. Bella Swan (Kristen Stewart) is blissfully in love but she can't fight her insecurities about growing older than her perpetually seventeen vampire boyfriend Edward Cullen (Robert Pattinson). All Bella wants for her eighteenth birthday is for Edward to change her into a bloodsucker, but a close call with his brother drives Edward to break up with Bella and leave town instead.

The drama following Bella's abandonment is everything we remember from high school heartbreak, from Bella's night terrors to the glazed over look in her eye. The anguish and pain are easily seen on Stewart's face, and her innermost thoughts are revealed to the audience through letters to Edward's sister Alice that will never be sent. After months of moping, Bella finally starts to open up to Jacob Black (Taylor Lautner), a family friend. As Bella struggles to find hope in a life without Edward, her friendship is complicated by Jacob's romantic feelings for Bella and made worse when Jacob discovers that he's a werewolf (and an enemy to all vampires).

The surprise of the movie is Lautner's performance. We've seen and heard about those muscles countless times before, but he also packs enough charm and charisma into his Jacob that you truly see him as more than just Bella's unrelenting admirer / best friend. He presents himself as a viable suitor for Bella's heart, and it's hard not to root for him against Robert Pattinson's wooden (albeit handsome) Edward. Stewart and Pattinson have chemistry to spare in Twilight, but in New Moon, Bella's relationship with Jacob seems hopeful and comfortable while her scenes with Edward are mostly awkward and frankly not as much fun to watch.

The movie belongs to Stewart and Lautner, but their melodrama is balanced out by the characters who pad out the cast. Yes, we meet the wolf pack and the Volturi, but for the most part the Forks residents and beyond make for some much-needed comic relief. The downside is that while it's funnier than what you'd expect, not all of the laughs are intentional (a scene where Jacob's temper rivals that of The Incredible Hulk comes to mind).

It doesn't take more than a grain of salt to appreciate New Moon for what it is - a film that stays true to its origin and delivers the necessary elements to ensure that you'll be back when the next installment of the franchise comes our way.

Photos courtesy of Summit Entertainment

Glee-ful Highlights and Video From Episode "Wheels"

BuzzSugar — Thu, 12 Nov 2009 05:30:00 -0800

After a few arduous weeks without Glee, the show is back - and thankfully, it doesn't disappoint. Not only are there some fabulous performances (showcasing new voices), but we learn a few secrets about Tina's stutter and Sue's family life.

Meanwhile, Finn and Quinn's relationship is unraveling fast, and Puck is ready to stand up and win his baby mama back. Ready to discuss all the fun? First check out the Glee Club in Community, then read more.

After sitting on the sidelines (no pun intended) for most of the first season, Artie finally gets his time in the spotlight this week. His rendition of "Dancing with Myself" is so good. Dare I say he's got a better voice than Finn? It's heartbreaking when the rest of the team doesn't rally behind him at first to try to raise money for the bus, but I love that Artie sasses Rachel back, saying, "You're irritating most of the time, but don't take that personally." Mr. Schue gives his all to try to teach the Gleeks a lesson, making everyone sit in a wheelchair for 3 hours a day - which leads to a pretty stellar performance of "Proud Mary."

I could watch Artie's solo over and over again:

Artie's not the only supporting character we learn more about this week; Tina finally comes out of her shell a little. She plants a big kiss on Artie (!) before revealing that she's been faking her stutter for years. Unfortunately Artie turns the sweet moment into a dour one, giving Tina the cold shoulder for pretending to be "different" when she's really "just like everyone else." Though Artie is wounded, I felt like he's a bit harsh to Tina - especially since his disability clearly has no bearing on the way she feels towards him. Hopefully he'll give her another chance.
Quinn's also feeling like an outcast now that she's off the Cheerios. Seeing her out of that uniform is so refreshing, though her snotty attitude towards Finn was wearing on me. She does share a sweet moment with Puck though (fun times in the home ec room!), and I have a feeling that it's only a matter of time before she switches boyfriends, leaving Finn available for Rachel.
Mr. Schue gives his singing and dancing skills a rest this week, but his rivalry with Sue continues. Schue is shocked when Sue agrees to take Becky for the Cheerios and thinks she's up to no good. I have to admit I also thought that Sue has an evil plan in mind, but she does have a point when she tells Schue that she's treating handicapped Becky "no different from anyone else." Then, we realize that Sue isn't entirely made of stone after all when she visits her handicapped sister in a home.
It's business as usual for Rachel when Mr. Schue offers her the lead vocals on "Defying Gravity," but Kurt finally takes a stand against her. Though the part is written for a woman, Schue arranges a "diva-off" when Kurt's dad stands up for his son. The relationship between Kurt and his dad makes a lot of progress - especially when Kurt throws the sing-off to protect his dad from attacks about having a gay son.

Check out Kurt laying down the voting rules:

Are you as happy as I am to have Glee back? Are you excited about the new coupling between Artie and Tina? Use the comments to chime in!

Photo courtesy of Fox

Buzz In: What is Your Favorite Old-School TV Show?

BuzzSugar — Mon, 26 Oct 2009 15:30:23 -0700

TV Land, home to classics like The Brady Bunch, Three's Company, and Bonanza, is branching out into original comedies. The network just announced that they're developing two scripted shows, titled Hot in Cleveland and Retired at 35. But will people actually flip to the channel to check out this new programming?

Personally, the older shows are the only reason I'd tune into TV Land. I used to be obsessed with I Love Lucy as a kid - I even had a Lucy calendar hanging up in my room. Thanks to Nick at Nite, I could watch it on a regular basis, along with Bewitched, The Dick Van Dyke Show, and Mary Tyler Moore. (I live for Rhoda!) Now, Nick at Nite plays mainly 90s favorites like Home Improvement and Family Matters, so TV Land has become my vintage channel of choice. Hopefully they won't go the way of MTV with music videos and make the older shows completely obsolete - that would just be sad.

Admittedly, I'm a bit of a dork when it comes to classic TV, but tell me, what is your favorite old-school show?

Desperate Housewives Rundown, "The God-Why-Don't-You-Love-Me Blues"

BuzzSugar — Mon, 19 Oct 2009 08:30:02 -0700

Secrets came to the surface on this week's Desperate Housewives, like Katherine's obsession with sneaking into Mike and Susan's house (cuckoo!), Julie's scandalous affair - and best of all, we learn more about the mysterious Bolen family, which has me totally intrigued.

Ready to break it all down? If you don't mind spoilers, then read more.

Gaby - Gaby catches a break this week. It all starts when her daughters discover Ana's stash of condoms. Gaby confronts Ana, and she admits to her aunt that she's in love with John. (Yeah, like we didn't see that one coming.) Gaby goes to John's restaurant to confront him about the matter, and he comes on to her - right when Ana walks in. I was pretty excited about the battle that was going to go down - will she blackmail Gaby? tell Carlos? - but after Gaby reveals her history with John to Ana, she surprisingly backs off and quits her job. I don't know if I believe that this storyline is 100% over, but looks like John doesn't have a reason to stick around Wisteria Lane. Gaby really seems like she's moved on for good.

Susan - She may have tried to attack Danny last week, but this time around, Julie gets the brunt of Susan's anger. Julie finally wakes up in the hospital (yay!), but on the downside, she comes back right as Susan learns that her daughter had an affair with a married man. In typical Susan behavior, she tries to pry for details - and even searches through Julie's journal to find out that the guy is called "D." - but Julie won't admit anything. We learn who the unknown "D." is soon enough. For that, keep reading.

Angie - Angie means well. She sees that her son Danny is having a hard time at school with making friends, so she bribes Porter to throw him a shindig, so Danny can feel included. At the party, Danny sees his dad flirting with some of his classmates (perv alert), and he confronts him by saying, "I know." His dad's response? "You know what?" But I thought the horrific look on his father's face totally gave it away, didn't you? "D." is Danny's dad, Dominic, as we later discover when he visits Julie at the hospital. Uh-oh. I'm curious to hear what exactly took place in the Bolens's past - especially after seeing those scars on Angie's back.

Bree - This week was a showdown between Bree and Katherine. Katherine starts off the episode by telling Bree that she's in love with Mike still. Seems that Katherine has been sneaking into Mike and Susan's home to find out their sleeping habits, and she's convinced that they're not having sex. Bree tells Katherine to seek help for her obsession, but when Katherine tries to destroy the bride's cake at one of their catered weddings (because it was the same one she designed for her nuptials to Mike), Bree actually fires her. I'm expecting a major Katherine freak out next week. Did you see the menacing look she has at the end of the episode? Bree better lock her windows.

Lynette - Once again, Lynette had one of the funniest subplots this week. Even though no one at work knows about her pregnancy, the signs are starting to show with Lynette's breasts. While Tom likes the results (he calls them "The Supremes!"), Lynette is panicked about how to hide them. Fortunately for her, Carlos thinks she got a boob job, so Lynette goes along with the fib. So much so, that when Carlos asks her to wear a low-cut dress for a client dinner, Lynette concedes. But my favorite part was her talk with Tom when he says "I need you to not be perfect, 'cause I'm not perfect." Sigh, I love those two.

What'd you think about the episode? Where do you think the Dominic and Julie storyline is headed? Do you think Jesse Metcalfe is getting the boot soon, or will his character John stick around?

If you want to talk more Desperate Housewives, take a peek at the Entertainment group in the Buzz Community!

Law Abiding Citizen: Deserves a Death Sentence

BuzzSugar — Fri, 16 Oct 2009 14:30:13 -0700

Oh, Gerard Butler, what were you thinking? You might be able to forgive the 300 actor for starring in this horror flick disguised as a meaningful thriller, but he also served as producer to help finance the train wreck. Did he not even read the script?

Law Abiding Citizen opens with Butler as Clyde Shelton, a devoted father and husband who witnesses the murder of his family by two psychopaths after a break-in. When his lawyer, Nick Rice (Jamie Foxx), strikes a deal in the case that lets one of them free, Shelton begs Rice to reconsider. And that’s where Shelton's deadly resentment - and the slasher flick stuff- begins.

To hear more about what I mean, read more.

Ten years later, Shelton returns to seek vengeance against Rice and the entire Philadelphia legal system through a series of mass killings and car bombs. The man is understandably still distraught over his family’s deaths, but he’s clearly gone cuckoo.

This is when the movie becomes less of a drama and starts resembling the Saw franchise instead. While Shelton starts off as the good guy, he's later partaking in gruesome torture scenes that leave him completely in covered in blood like the prom scene in Carrie. To make matters worse, Shelton throws out bad jokes as he's wreaking havoc for a few cheap laughs. It negates any possibility for the audience to feel sympathy for Shelton, and the attempted shock value also completely ruins the movie's credibility.

The film wants to make us question the inner-workings of law - when dealing with a killer, is it better to leave things to the justice system or take matters into your own hands? Really though, it would’ve worked better as a cheesy horror movie. It has all of the requirements: splattered body parts, a giant chain saw, abandoned warehouses, goofy wigs and costumes, creepy music, the obligatory muffled voice on the end of the phone - and loads of plot holes. Like, why is Shelton rich enough to buy all of his assassin-style supplies and how does he know how to use them all? The film attempts to answer the question for us later in the film, but it feels tacked on and much too late.

In other words, if you do go see this film, don't try to think too much about it. Foxx and Butler do their best with what they're given, but the film is only good for a couple of thrills that make you jump in your seat. As for me, I just wanted to walk out.

P.S. Don't forget to check out the Movie Reviews community group if you want to weigh in about your own weekend film picks.

The Boys Are Back: A Quiet Film With a Few Heart-Tugs

BuzzSugar — Fri, 09 Oct 2009 08:30:26 -0700

Has Clive Owen - a man who's best known for playing con artists, spies, and other brooding alpha males - gone soft? It appears so, and he's surprisingly good at it. In The Boys Are Back Owen plays Joe Warr, a recently widowed sports reporter raising two boys in the Australian wilderness. And thanks to his understated performance, what could've been an overwrought tearjerker worthy of a made-for-cable movie turns into something quietly moving.

Based on the memoir The Boys Are Back in Town by Simon Carr, the film opens with Joe driving on the beach with his son Artie. Did I mention Artie is sitting on the hood of the car with Joe at the wheel?! Parental guidelines haven't been a priority in the Warr household ever since Joe's wife passed away from cancer. Now, he has to explain her death to Artie, while his older son Harry from his first marriage moves into the house. Left to their own devices, the two boys play soccer in the hallway, zip line across the yard, and even defrost a chicken in the bathtub.

Typical parenting? Not so much. For more on the film, read more.

These moments of chaos are fun to watch and add levity to the heavier subject matter, but the movie really shines in the conversations that Joe has with his sons as he helps them grieve - Artie for his mother; Harry for a childhood void of a father. Neither boy really knows how to mourn his loss, but then again, neither does Joe. Instead, he relies on the parental guidance of his deceased wife in the form of visions and voice-overs to help rebuild his family. (This felt very heavy-handed to me, but luckily it was really the only part of the film that crossed over into overly contrived.)

Does it seem out of place to have man's man Owen pillow fight with a 6-year-old and shed tears? A bit. But because he almost seems uncomfortable with the sentimentality, he ends up playing the role with the light touch needed for the part.

The young actors who play his sons are brilliant, even at times stealing the spotlight right out from underneath him. (Not an easy feat when you act - and look - like Owen.) Their performances feel very real despite their ages, and they give us some of the film's most tender moments.

I also must mention the fourth character of the film: the Australian landscape. Oscar-winning director Scott Hicks (Shine) beautifully captures the countryside from sweeping fields to oceanside beaches strewn with rocks, and when paired with music by Icelandic group Sigur Ros, every frame feels almost like a sleepy dream.

All in all, The Boys Are Back is a nicely done portrait of the relationships between fathers and sons. It's not out to be a huge blockbuster, but if you appreciate a good character study kind of film, it's a solid choice for a subdued Saturday afternoon.

Photos courtesy of Miramax Films

Grey's Anatomy Rundown, "Tainted Obligation"

BuzzSugar — Fri, 09 Oct 2009 06:30:58 -0700

The title of this week's episode of Grey's Anatomy says it all. Meredith finds herself between a rock and a hard place when her dad enters Seattle Grace in need of a liver transplant, and she's the only viable donor. Meanwhile, the Chief is still trying to navigate the merger, and Izzie continues to struggle with the transition from patient back to doctor.

Check out the Grey's Anatomy Junkies for more discussion, but for now, just read more.

So, married life isn't exactly typical for Alex and Izzie between brushing their teeth in the kitchen sink and the bears greeting them in the morning. The turning point for Alex comes in one of the episode's funnier scenes: he finds a tick in his ear over lunch. Though Izzie defends trailer life at first, I'm glad she finally comes around by the end of the episode - those two have enough problems as it is.
Thatcher makes a grand entrance into Seattle Grace, immediately puking blood all over Meredith's sneakers. At first Mere is back to her typically gloomy self, half hoping her father will die and continuing to hold her lifelong grudge. I felt for Meredith, but after Lexie's heartfelt begging and pleading, I was happy that Mere finally grows up and casts her selfishness aside. Three seasons ago Meredith would never have dreamed of putting Lexie first, and I was proud of her for giving up part of her liver - her offer to get to know her dad was an even bigger milestone.
Doctor Sloan has a lighter case on his hands, though it's still a family matter. He handles an aging man who desperately wants a penile implant. Appalled, his adult children try everything they can to talk him out of it, but their father wants nothing more than to be with his new love in his life. I loved that some of Lexie's pain transferred over to Mark, as he gets all emotional about the sanctity of life and death. And of course his homage to Lexie: "And there's nothing wrong with dating a younger woman. It keeps you young and that's my professional opinion!"
Cristina spends most of the episode puttering about and trying to do anything she can to scrub in on a surgery. When Owen refuses to play favorites, she tries batting her eyes at any surgeon willing to give her a look. In the end she finally gets to help out - though she's less than thrilled to be part of Sloan's "penis pump" surgery. As her confidence continues to break down, Cristina eventually explodes at the Chief. Personally, I'm enjoying the more vulnerable side of Cristina.
Izzie is back to work, but she understandably can't separate her life as a doctor from her past as a patient. She quickly develops a rapport with another cancer patient and his girlfriend and insists on trying a risky surgery to try to save him. When she loses the patient, it becomes clear to Owen that she's not ready yet - and unfortunately, we already know that this ends in her getting fired (looks like next week). I'm not sure what fate lies for Izzie just yet, but I'm glad the writers are handling her recovery responsibly, rather than having her bounce back from melanoma as if it never happened.

Overall, I'm finding this season of Grey's a bit lackluster, but what about you? Were you surprised that Meredith gave in to Lexie and Thatcher? Are you looking forward to the new influx of doctors next week?