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Play These Face Off Games and Win Up to $5,000!

BuzzSugar — Tue, 01 Jul 2008 05:00:27 -0700

The Breakfast Club vs. Juno. Damages vs. Boy Meets World. Sex and the City vs. Lipstick Jungle. Who's to say one TV show or movie is better than another? You are! Start playing my highly addictive Face Off games, in which you guess which TV shows and movies are better when presented with two titles.

What's that? Oh, the $5,000? Right! Here's the deal: By playing any Face Off game on the Sugar Network during July, you're eligible to win some cold hard cash. A $200 prize will be awarded every day to a randomly selected player and a $5,000 prize will be given to a player at the end of the month. Yes, you heard right, $5,000 for playing our fun Face Off games. The more you play, the more chances you have to win! Here are the official rules - have fun!

To play the TV shows Face Off, click here.

To play the movies Face Off, click here.

New Moon: Better Than Twilight

BuzzSugar — Fri, 20 Nov 2009 05:45:00 -0800

Let's be honest: for most of you, it doesn't matter what I - or any critics for that matter - have to say about New Moon, the incredibly anticipated sequel to last year's Twilight. The film started breaking box office records before it was even released, and audiences will flock to the theaters for weeks to come. On the plus side, a ticket to New Moon is a win even if you're not a Twihard - provided that you know what you're getting into.

New Moon is not incredibly acted, and it doesn't boast impressive dialogue or larger-than-life special effects. But it's not trying to be the Best Picture of the Year, so I can only critique it for what it is: a fantasy movie about a love triangle between a werewolf, a vampire, and a teenage girl. To see what I mean, just read more.

The movie picks up a few months after where Twilight left off. Bella Swan (Kristen Stewart) is blissfully in love but she can't fight her insecurities about growing older than her perpetually seventeen vampire boyfriend Edward Cullen (Robert Pattinson). All Bella wants for her eighteenth birthday is for Edward to change her into a bloodsucker, but a close call with his brother drives Edward to break up with Bella and leave town instead.

The drama following Bella's abandonment is everything we remember from high school heartbreak, from Bella's night terrors to the glazed over look in her eye. The anguish and pain are easily seen on Stewart's face, and her innermost thoughts are revealed to the audience through letters to Edward's sister Alice that will never be sent. After months of moping, Bella finally starts to open up to Jacob Black (Taylor Lautner), a family friend. As Bella struggles to find hope in a life without Edward, her friendship is complicated by Jacob's romantic feelings for Bella and made worse when Jacob discovers that he's a werewolf (and an enemy to all vampires).

The surprise of the movie is Lautner's performance. We've seen and heard about those muscles countless times before, but he also packs enough charm and charisma into his Jacob that you truly see him as more than just Bella's unrelenting admirer / best friend. He presents himself as a viable suitor for Bella's heart, and it's hard not to root for him against Robert Pattinson's wooden (albeit handsome) Edward. Stewart and Pattinson have chemistry to spare in Twilight, but in New Moon, Bella's relationship with Jacob seems hopeful and comfortable while her scenes with Edward are mostly awkward and frankly not as much fun to watch.

The movie belongs to Stewart and Lautner, but their melodrama is balanced out by the characters who pad out the cast. Yes, we meet the wolf pack and the Volturi, but for the most part the Forks residents and beyond make for some much-needed comic relief. The downside is that while it's funnier than what you'd expect, not all of the laughs are intentional (a scene where Jacob's temper rivals that of The Incredible Hulk comes to mind).

It doesn't take more than a grain of salt to appreciate New Moon for what it is - a film that stays true to its origin and delivers the necessary elements to ensure that you'll be back when the next installment of the franchise comes our way.

Photos courtesy of Summit Entertainment

90210 vs. Melrose Place: Which Was More Scandalous?

BuzzSugar — Wed, 18 Nov 2009 09:30:19 -0800

The Tuesday night CW block made a particularly strong showing this week. Personally, I thought 90210 had one of its best episodes of the season - nice character development, a few teary moments, and some "oh no she didn't" disses. And as for Melrose Place, I've got two words for you: Heather Locklear. Yes, Amanda Woodward is back, and it's quickly becoming clear that the residents aren't going to have it easy any time soon.

So with plenty of drama to go around, which show shocked more? Let's break down all the juicy tidbits and decide the victor when you read more.

90210 point: Well, Annie sleeps with Jasper, and she skips into the kitchen in the morning to tell her parents about her new boyfriend. Debbie invites him for dinner - but once Dixon warns about his druggie reputation, Deb and Harry are less than enthused and forbid Annie from seeing him. She, of course, gets defensive, and as for Jasper's reaction? He tries to kill Navid by pushing him down the stairs at school.
Melrose Place counterpoint: Speaking of crazy murderers, did Michael off Sydney? Sure seems like it after David ransacks his car and finds her bloody necklace in a plastic bag. Now, he's determined to clear Auggie's name (who has since been shunned by all of his friends) and get payback by putting Michael behind bars.

90210 point: Richard and his mom walk in on Naomi with Jamie. (How about the Dean sarcastically calling Naomi "classy?" Ouch.) Naomi admits to Jamie that she was dating Richard for the wrong reasons, and he breaks up with her over it. Her guilty conscience getting the best of her, Naomi then confesses to Richard, too. Jamie finds out and asks to get back together, but unfortunately for him, Naomi had an epiphany during their 24 hours apart - she's still not over Liam.
Melrose Place counterpoint: Like I said, Amanda Woodward is back, and she's out to make Ella's life hell. First she fires Caleb, and then she sends in an agent named Melissa to lure Ella away from WPK as a "test." Oh, and did I mention that Melissa comes on to Ella and the two women make out in a back room? That part totally came out of nowhere - talk about scandalous.

90210 point: Last week Silver's mom Jackie wasn't waking up, and this week starts with her being rushed to the hospital. The doctor tells Silver and Kelly to say their goodbyes, but Kelly refuses after all the years her mother mistreated her. She regrets that decision later, so she finally makes amends and tells Jackie that she forgives her. Jackie passes soon after, and I admittedly got a bit choked up.
Melrose Place counterpoint: Things are looking up for Riley - her jeans campaign is all over magazines - but once Amanda Woodward steps in, she concocts a rags-to-riches fake bio for Riley for PR purposes. Once the press starts asking questions, Riley admits to the lie and things blow up in WPR's face. Amanda seeks revenge by asking Ella to rat on Riley for abusing her sick days for the photo shoots. When Ella won't agree, ruthless Amanda does it herself, and Riley gets fired.

90210 point: Adrianna tells Navid that he was easy to get over because she was never really in love with him. Brutal. Then Naomi discovers Adrianna's stash, and she says good riddance to Adrianna, too. This can't be good for her substance problem.
Melrose Place counterpoint: Can we talk about Violet and Auggie's sex scene on the kitchen counter? Lauren's stripteases make me blush enough already, but this may have even topped that.

90210 point: I still can't stand Jen, but we're slowly starting to see her softer side. Ryan suggests going camping, and she packs a fondue set and a Burberry rain coat - not exactly low-maintenance is she? After she complains a lot, Ryan tells her he's disappointed since he's always bending over backwards for her. She takes his words to heart - even builds a fire! - and opens up about being broke . . . and still married.
Melrose Place counterpoint: In other couple news, David woos Lauren by decorating her apartment like Autumn, complete with falling leaves. But just as things get hot and heavy, she puts on the brakes, because of her "issues" with intimacy. How long are they going to drag this out?

While I really enjoyed 90210, we're talking about scandal here, so I'm going to give this week to Melrose Place. Having Amanda Woodward on your side already makes you a lock, but then throw in the borderline porno - Auggie and Violet, Lauren and David, Ella and Melissa - and it's a no-brainer. Plus, we had a great MP cliffhanger - what exactly is Sydney is referencing in her letter to Amanda that says, "You'll never find it?" You'll never find what?!

Tell me your theories (and what you thought about the episodes) in the comments! And don't forget that if you're a 90210 follower, you can always join the 90210 Superfans group in the Buzz Community.

Photos courtesy of The CW

House Rundown, "Teamwork"

BuzzSugar — Tue, 17 Nov 2009 08:30:00 -0800

Prepare for a changing of the guard: This week's House marks a major shift for the medical team. House is back in charge after reclaiming his license, and the shakeups start. Cameron is out - but we already knew that was coming. In her place, a couple familiar faces return to the fold, which will hopefully distract House from last week's Lucas letdown. Throw in a porn star with a mysterious health issue, and you have a packed episode.

Ready for the breakdown? If you don't mind spoilers, read more.

The episode starts off with a special delivery - House's medical license. The guy was already pulling the strings despite his suspension, so the transition is easy. Still, I'm a little surprised that Foreman goes along with the takeover without making a peep.
After Chase finally came clean to Cameron last week about Dibala, she suggests that they leave the team to work on their marriage. They announce their departure to House - who, of course, spends the rest of the episode manipulating them to stay on board. Do you think he was right to meddle? Or should he have stayed out of it?
Really, writers? A porn star? I know they're trying to sex up the show, but it felt like a cheap ploy to me - not to mention a stretch when they draw parallels between Chase's Dibala dilemma and the porn star's own morality. Were you interested in his medical case? I wasn't that intrigued, but luckily there's plenty of personal drama among the doctors to keep my attention.
Thirteen returns - but not without some coaxing from House. After she tells him no repeatedly, he lures her in with the mysterious porn star case. The excitement of the challenge is enough to get her in House's office again for good. But what do you think will happen with her and Foreman? He implies that he's over her, but I don't buy it.
Guess who else is back? Taub! The doc swaps his plastic surgery practice to rejoin House's crew after some major prodding from House. (Of course his wife isn't happy with the decision, but no surprise there.) Are you glad to see Taub again?
Okay, so I was pulling for House and Cuddy, but the scene with Cuddy and Lucas at her place might have changed my mind - you've got to admit they looked cute on the couch together. Are you pulling for Cuddy and Lucas, or Cuddy and House?
House thinks that Cameron is quick to forgive Chase, because she actually blames House for the murder of Dibala. And she does. So with that, she says sayonara to her job and delivers a speech to House about how he's ruined Chase. She rips into him about how he doesn't care for the "sanctity of a human life" anymore, but she says it with pity - even kissing him on the cheek at the end. Next thing you know, she's packing her bags and leaving Chase, too. It felt sort of rushed, but I thought her monologue was completely riveting to watch. What did you think about her departure?

Plenty to talk about in this week's episode, so sound off in the comments! I'm especially curious to hear your thoughts on Cuddy and Lucas, Thirteen and Taub's return, and Cameron's goodbye. And don't forget you can always head over to the House! group in community to talk about the show there, too.

Photos courtesy of Fox

Vampire Diaries "History Repeating": The Good, The Bad and The Bloody

BuzzSugar — Fri, 13 Nov 2009 06:30:00 -0800

Dear The Vampire Diaries, I see your master plan now: it's to bring it every week now. Please continue to do so. Moving on, this week we learned more about Bonnie and her family ties, revealed Damon's master plan, and met the new mysterious, history teacher.

But that's not even half of the amazing things that went down, so to see the good, the bad, and the bloody from this week's episode, just read more.

The Good

Bonnie's talisman/necklace is bringing her nightmares and visions of her ancestor Emily, who we learn was definitely Katherine's handmaiden back in the day. Her appearances are so creepy, but I was kind of digging that the scares were coming from a non-vampire source.
Damon and Stefan's interactions this week are brilliant. The role reversal, where Stefan takes on Damon's persona and Damon mocks Stefan in kind, are priceless. There even seems to be some genuinely affectionate times between the brothers, but was it just Damon's vulnerability/lack of strength due to avoiding human blood?
New characters for this show have tended to be pretty intriguing, and new teacher Alaric Saltzman is no exception. The dreamy Alaric, played by Legally Blonde's Matt Davis, has a shady past (dead wife who was almost certainly murdered) and every sign points to him being a vampire: the sun-protecting ring, the lingering exchange of Jenna not inviting him in. It's almost too obvious. If he is a vamp and not some other supernatural being, then what role does he play? I'm sure he must know the Salvatores.
Gratification! In one episode, we get two mysteries solved: why Damon came back to Mystic Falls and what's up with Emily and her necklace. The master plan - and Damon's reason for return - is Katherine. Specifically, to rouse her from the spell that left her trapped but unharmed (well, relatively unharmed, considering she was already dead) underneath the church 100 plus years ago. It's news to Stefan that Katherine didn't perish in the fire, but that's not the only revelation about her; the boys trade barbs about their last encounters with their shared first love, and they both end up wounded. I think Stefan is lying when he insists that Katherine compelled the brothers into loving her and that it wasn't real; why else would he have come out of hiding to pursue Elena?
One seed-planting I appreciated: The Gilbert family history. You know Jeremy's on the verge of discovering something big. I have my theories.

The Bad

Right about now I feel the need to introduce something I'd like to call Twilight Corner. It'll be where I bring up any glaring similarities The Vampire Diaries has to that other vampire story. This week, it's Stefan leaving Elena, telling her it's for the best. I smirked early on, when Stefan tells Elena that he's backing off from school, that it's the right thing to do; but I pretty much spit my water out at the end of the episode when Stefan tells Elena he's leaving to protect her while they're in the woods. Shades of New Moon! Generally, the show has distinguished itself from Twilight but that's waaay too close for comfort.

The Bloody

Damon swears off drinking human blood in a demonstration of goodwill to Stefan after killing Lexie last week. My my. Damon, showing repentance? What is this crazy fake world coming to? However, he doesn't maintain his new diet for long: he takes a big bite out of a possessed Bonnie after she, as Emily, destroys the amulet and Katherine over the Fells Church ruins.
OK, let's talk past bloody: We got more of the story of the history of Mystic Falls, including what sounds like an epic, ongoing battle between vampires and humans. It was no accident that Katherine was in that church, having been rounded up by the townspeople to be killed. And she wasn't alone; Emily sealed up the whole church, full of other vampires, who potentially could have been freed upon the town this week. Stefan accuses Damon of not wanting to free Katherine out of love, but revenge, rather; he nearly introduces an army of angry, ancient vampires on the ancestors of the people who exterminated them. Personally I think it was a little bit of both for Damon - love and revenge. He almost has his soul mate and a group of allies back in his life.
I'm counting Damon's broken heart as a casualty this week, as cheesy as that sounds. I just can't ignore how wrecked his face looks at the end of the episode. We went from seeing how inhumane Damon is just last week, to being confronted by an emotional man who faces a final loss of love. Ian Somerhalder, you're rocking it.

What did you think of "History Repeating"? Are you disappointed at all that Katherine didn't rise from the grave tonight, along with a crew of her nearest and bloodthirstiest? Do you even believe she's totally gone? And what about Jenna's situation - are both Logan and Alaric out to suck her blood? For more chatting beyond this week, join the Hooked on Vampire Diaries group in the Buzz Community!

Photos courtesy of The CW

Rob, Kristen, and Taylor Are This Week's Entertainment

BuzzSugar — Thu, 12 Nov 2009 07:56:22 -0800

Robert Pattinson, Kristen Stewart, and Taylor Lautner have been posing for photo ops all over town - check out Pop's favorite promo tour moments - and it wouldn't be complete without an interview with Entertainment Weekly. In the cute interview, the costars quip about everything from Rob's attachment to his signature hair to Kristen's confession that she'd like to quit smoking to Taylor's obsession with hitting the gym for New Moon. There're also tidbits about Rob and Kristen's off-screen relationship and how Robert handles fandom. They're clearly a tight-knight trio, so check out the highlights below. If you can't get enough Twilight, keep the convos going in the Twilight Saga community group, and be sure to check back next week for my own interview with Ashley Greene and Kellan Lutz!

Robert Pattinson on his hair in Eclipse: I swear to you I’ve never experienced anything like this. It's every single day. In Twilight, they wanted me to have extensions down to my hips.
Kristen Stewart: He's a liar. He doesn't remember. He's remembering how they made him feel, but they were just, like, down to here [pointing to her shoulders].
Pattinson: So I told them, "Look, that's just not going to happen." I said, "It looks like this already – I'll come to set like this." I sound so stupid, but in a lot of ways the hair is 75 percent of my performance, so in the second one I said, "Listen, I need to tone down the hair. Let's make it a little more real, a little bit more . . . Method.” [Laughs] And then in the third one, I'm doing fight scenes and there's a strand going down my forehead and they're like, "We need to do it again because no one will recognize you! No one will know who it is!" I'm like, really, is my face that generic?
Stewart: They want proof that you're doing your own stunts, man!
Pattinson: I have to look like the poster at all times. Just in case they want to use any clip for the trailer. Any clip at all! There were about five people in different departments who, because of my forelock, ended up in tears.

For tons of more quotes, just read more.

EW: How are you all coping with living in a fishbowl?
Pattinson: It really depends on the mood. When I met you last year [before Twilight came out], I was doing interviews very sporadically and I never got recognized. Now it's like anywhere I go there's immediate recognition. So there's more of a responsibility . . .
Stewart: I don't mind working every day. It's just, suddenly, I have this other role. And that's really disappointing. All I'd like to do is go outside with a book and figure out what to do with the day. And if I can't do that, then I'm just going to sit in my hotel room on my balcony and chain smoke. [Pauses] I'm going to stop smoking. I'm not such a good smoker, anyway. It's not in my bones. I'm gonna drop it.
Pattinson: The three of us have been working for two years [straight]. It does feel like your day has a shape just as soon as you wake up. I just forget what it's like when you're free.
EW: Taylor, you're the only one who almost lost a shot at the sequels. Do you have a different relationship with fame because you had to fight for your job?
Lautner: No, I kept my eye on the prize 100 percent of the time. I was motivated. I wasn't even thinking about anything else.
Stewart: Thank God you got the job. I wouldn't have wanted to deal with you if you didn’t. After all those months of working out!
Lautner: I just wanted to focus on what I could control, and I worked really hard.
EW: You mean in the gym? Because I see your abs everywhere these days.
Lautner: Yeah, the gym was a major part, but I really studied the books and the character, too. And it all turned out good.
EW: Kristen, it must be nice to watch the guys' appearances get obsessed over for a change.
Stewart: Seriously, it's a trip to sit back and look at the sexual objectification of these dudes. I've never been asked to do any of this stuff.
EW: You guys are lucky. You clearly all dig each other.
Lautner: The amount of time we have to spend with each other – if I didn't like these two, it would be exhausting.
EW: Rob, you made Remember Me this summer, between sequels. Was that the set in New York, where you were knocked into a cab by hordes of fans?
Pattinson: That was completely made up. I was walking across the street, and there was one cab going about one mile an hour and it nudged my leg. The story ended up being how I got hit by a cab because of a mob of screaming fans, [but] it was 4 o'clock in the morning and there was one person there – a paparazzi. . . . And then there was another time – apparently they said on the news that I had a drug overdose. The security guy saw it on TV, and I wasn't in my room, and he was like, "Uh-oh!" It's just so weird. I wake up and my room is too messy to order room service, and so I end up eating a pack of M&M’s for breakfast – and it takes me about five hours to find it. That's my first five hours of the day. [Laughing] And then you see the news and think, "Who cares if he had a drug overdose? It would probably make him more interesting!"
EW: Kristen and Rob, why do you think people are so obsessed with the state of your off-screen relationship?
Pattinson: Good question. That's a little thing I have to think about every day.
Stewart: Maybe it's just my personality, but I'm never going to answer it. I probably would've answered it if people hadn't made such a big deal about it. But I'm not going to give the fiending an answer. I know that people are really funny about "Well, you chose to be an actor, why don’t you just f---ing give your whole life away? Can I have your firstborn child?"
EW: You don’t think just saying, for example, "Listen, we dated for a few months, it was weird, we're better off as friends" would end the speculation?
Pattinson: No way.
Stewart: People are deeply judgmental and I'm not strong enough. I would love to be like, "I don't care what anybody thinks." But I'm a very private person. And think about every hypothetical answer: "Okay, we are. We aren't. I’m a lesbian." I've thought about this a lot. There's no answer that's not going to tip you one way or the other. I'm just trying to keep something. If people started asking me if I was dating Taylor, I'd be like, "F--- off." I would answer the exact same way."

Buzz-Worthy Video: January Jones Plays Beer Pong on Fallon

BuzzSugar — Wed, 11 Nov 2009 14:30:40 -0800

A friendly game of beer pong is nothing new for Jimmy Fallon's celebrity guests, but I was particularly interested to see January Jones show off her skills last night. Jones is anything but prim and proper Betty Draper off the set, and I can't wait to see more of that side on SNL this weekend. The self-proclaimed champion brought plenty of trash talking, but you'll have to see the video to find out if her bite's as bad as her bark.

To watch Jimmy and January face off, just read more.

House Rundown, "Known Unknowns"

BuzzSugar — Tue, 10 Nov 2009 07:30:00 -0800

Finally, after a two-week break and a World Series, House is back! And lucky for us, the writers packed in several juicy plot points to make up for the hiatus. This week's case involves a young teenybopper with an ego and compulsive lying streak to boot. Sounds intriguing, but personally, I was more wrapped up in all of the personal drama going on with House and a certain fellow female doctor.

Ready to cover the highlights? There's a major twist with a big reveal, so prepare for some spoilers when you read more.

Right off the bat, the sexual tension between Cuddy and House is turned on full volume, what with Cuddy's low-cut shirt and House's leering looks. I found it to be a bit over the top, but I still have to give Cuddy props for this awesome comeback after House references her breasts as "Patty" and "Selma": "I feel bad I haven't named your testicles." Touche, Cuddy. Although, I sort of feel like she wears those revealing clothes for House, don't you?
I knew this episode had to be good when I heard it involved a Wilson and House road trip and an '80s party, but House in an 1880's costume walking among guys in Devo hats is brilliant. And then, when things can't get any better, he dances with a Flashdance Cuddy to "Time After Time" and finally admits to her that he's always had feelings for her. What a fantastic scene! That is, until she walks out.
Another high point of the evening for me: When House drugs a pants-less Wilson to keep him from giving a potentially career-ruining speech on euthanasia. Now, that's a solid friend. Were you shocked over Wilson's confession of delivering euthanasia himself? We always think that House is the one with all the secrets, but I guess Wilson isn't 100 percent on the up and up either.
I definitely laughed when Wilson uses the term "friend-zoned" while talking about Cuddy. House is surprisingly open about his feelings for her instead of his usual denial, which I think is nice to see - do you agree? Or is House becoming too soft?
Surprise! Were you taken aback by Lucas? (Lucas is the private investigator that Cuddy hired last season.) When House goes to Cuddy's room to prove to her that she can "count" on him (as she puts it), Lucas is there playing with her baby daughter. I think House and I both had the same look when that happened - huh??!
Didn't this episode's diagnosis seem even more roundabout than usual? The doctors came across completely clueless - not to mention they did extra damage by giving the patient supplements. Perhaps it's just because House wasn't on the premises to pull the strings.
Lucas's mention of House's sex hallucination with Cuddy = painfully awkward. But I don't think Cuddy is over House. Did you look at her face?!
We can all breathe a sigh of relief, because Chase finally breaks down and tells Cameron the truth about the murder of Dibala. She's obviously stunned, but we didn't get her response before the episode ends. We already know that she's leaving the show, but what do you think will happen between them next week?

Please, please weigh in on the Cuddy and House saga! Do you think those two are ever going to get together? Or is Lucas's arrival going to muck things up for good? Tell me your thoughts in the comments, or click on over to the House! group in community.

Photos courtesy of Fox

Desperate Housewives Rundown, "Careful the Things You Say"

BuzzSugar — Mon, 09 Nov 2009 09:30:07 -0800

It's another typical week on Wisteria Lane in the latest episode of Desperate Housewives. It's not the most scandalous episode thus far, but there are still plenty of lies, secrets, betrayals -and it all ends up with Susan behind bars.

To discuss what else went down with the ladies, just read more.

Susan: After Angie's warning, Susan is now dedicated to making sure Katherine is investigated for Julie's attack. Unfortunately the cops seem less interested with Susan than with their sandwiches and pickles, but a female officer named Debbie offers to take the case. Of course, nothing is ever that simple with Susan, and it turns out that she made Denise's life hell back in high school by giving her the nickname of "Moose." Naturally, Moose still wants revenge and she gets it - by throwing Susan behind bars for shooting Katherine.

Lynette: Lynette's pregnancy is put on the back burner this week, and instead she finds herself deeper in the midst of Julie and Nick's drama. She tries to tell Nick to back of Susan's daughter, but when Nick threatens Lynette, she decides it's time to go to the police - against Julie's will. I was glad that she didn't let Nick scare her into silence with Tom, but I still think Susan won't be pleased when she discovers that Lynette has kept another secret from her.

Gaby: Gaby's life as a tutor quickly comes to an end. When Juanita refuses to learn from her mom, their new housekeeper Ivana steps in to help. Gaby is thrilled with her new life that doesn't involve teaching or scrubbing floors, though it's pretty amazing when Gaby has to do a few chores to get Ivana out of a bind. In the end she explains to Carlos that tutoring is ruining her relationship with Juanita, and Carlos lets her off the hook. Meanwhile, where are Celia and Ana? Suddenly behaving like perfect little angels?

Bree: Bree is put into an awkward situation when a dinner date with the Bolens turns out to be an audition for Angie to take Katherine's spot with Bree's catering company. Clearly put off with Angie's demeanor, Bree blows her off - until a client comes in wanting some old-fashioned Italian food. Bree tries to manipulate Angie into giving up the recipes, but Angie finds Bree out. The ladies learn they have more in common than they thought, and Bree agrees to give Angie a job. I'm enjoying this new partnership, especially since Bree is so uncomfortable around Angie. Meanwhile, Orson continues to try to unravel Bree's lie about the brooch, but doesn't make much progress.

Angie: I have to say that I kinda fell in love with Angie this week. Though she's clearly the hardass of Wisteria Lane, she seems genuinely sweet trying to impress Bree with her cooking skills and offering Lynette a glass of wine. She even takes Nick back after admitting that she knew about his affair with Julie all along - though not without a swift punch in the face first. She may have a checkered past, but Angie seems to be able to take care of herself just fine.

Did you like this week's episode? Are you starting to root for Angie or do you still think she can't be trusted?

Mad Men, "Shut the Door. Have a Seat": This Week's 5 Maddest Moments

BuzzSugar — Mon, 09 Nov 2009 05:30:53 -0800

Wow. The biggest surprise of the third season finale of Mad Men isn't actually a plot point, but how light and almost exciting it manages to be. For a show that's normally so tense and tightly wound, this week's episode has a quick pace, and at times, a sense of humor. Of course, there is still disappointment and heartache; some of our predictions for the finale come true, but some go sadly unfulfilled.

Without further ado, let's talk about the door that closes and the one that opens this week, and as usual, the finale's five maddest moments, when you read more.

So long, Connie: It's eccentric hotelier Conrad Hilton that breaks the news to Don that rival agency McCann is buying PPL, and Sterling Cooper along with it. Don's plenty irate, as it's Hilton's fault that he was signed into a three-year contract and is thus, trapped. However, Don's bitterness quickly turns to ambition, when he rallies Burt, then Roger, to buy back Sterling Cooper from PPL. Pryce is unhelpful in even supplying the purchase price for the men, quashing the buyback plans, but then another scheme is launched: Pryce fires Don, Roger, and Burt so they can form a new agency.
Draper Dissolution: While an exciting change is happening for Don in his career, back at home a bleak change is coming. Betty informs Don that she's seen a divorce lawyer and advises him to do the same. It's painful watching these two spar, and I wanted so much for them to figure out how to fix it - but the ball is clearly in Don's court and he does nothing to sway Betty to call off the divorce. Sure, he tells her to, and even suggests that she might need psychiatric help. Oh, and he tells her that he gave her everything she wanted materially, insinuating that should be enough. Don may know what his clients want, but in his marriage, he has no idea what Betty wants.
Irreconcilable differences: Don sheepishly tolerates the divorce talk until he's having drinks with Roger, who spills the beans about Betty taking up with Henry Francis (I do have to say, it is rather nice to see these two getting along, acting like buds). This sends a drunken Don home to wake up Betty for a confrontation about her indiscretion, and things get nasty and uncomfortably physical. Again, Don manages to push Betty into even more resolve, and she tells him that she's going to Reno to initiate the divorce. Don and Betty devastate the kids with the news of their separation, and Betty makes good on her threat to go to Reno after Don softens a tiny bit - to tell her that he won't fight her.
Don, at your service: One of my favorite parts of this episode? Seeing Don put through the paces by Pete and Peggy. He's always treated them like underlings, and they finally have the opportunity to assert themselves. Don obliges them both and tells them how valuable they are, but not before Peggy pushes back. Her backbone straightens when she's first told of the new company and assures Don that she's had "other offers." Luckily, Don doesn't take no for an answer, and visits Peggy at home, telling her he'd spend the rest of his life trying to hire her if she turned him down now. It's so touching to see Don put aside his ego to acknowledge these others, and it makes me sad that he can't do something similar for Betty.
Sterling Cooper Draper Pryce: The gang's back together! It's thrilling good fun watching the new company assemble - Roger and Don get the agency's most prized employees one by one, plus my favorite: Joan! She's a necessity to help find all the files and materials in the office, and, they realize, a force that had been holding the company together. Her role in Sterling Cooper Draper Pryce (can you say "Michael Scott Paper Company"? I told you these two shows have a lot in common!) is a given. With everything coming together so perfectly, though, I wondered why Sal isn't also called in. I suppose we have next season to look forward to for that. Speaking of, next Summer can't come fast enough.

It's interesting that the finale also weaves in flashbacks of Don's early childhood, as this season's premiere did. What Don is remembering now, though, is how his father died. The elder Whitman was faced with losing his home, and after breaking free of the cooperative, readies a trip to the city to sell his crop. His spooked horse kicks him in the head, killing him, with the young Don as witness. It's an obvious parallel to Don's circumstances, who's losing his home, as in his marriage; and, losing his home, as in his life's work. Of course, he only manages to take control of one of those.

So what did you think? Did this season wrap up the way you wanted it to? And even though we won't see the Draper family or the worker bees of Sterling Cooper Draper Pryce until the fourth season returns, you can still join the Mad Men group in the community to chat about the show year-round.

Photo courtesy of AMC