BuzzSugar

Buzz News Roundup, 6/5

BuzzSugar — Fri, 05 Jun 2009 14:15:24 -0700

Fox will still air an episode of Mental guest-starring David Carradine despite the actor's death this week. - Washington Post
Emilie de Ravin, Pierce Brosnan. and Chris Cooper are set to star alongside Robert Pattinson in Remember Me. - Variety
Screen Gems has set Lisa Kudrow, Patricia Clarkson, Stanley Tucci, Penn Badgley and several others to join Emma Stone and Amanda Bynes in the comedy Easy A. - ComingSoon
He's Just Not That Into You director Ken Kwapis is set to direct Everybody Loves Whales. - Reuters
The Black Eyed Peas' "I Gotta Feeling" is CBS's new promo song. - The Hollywood Reporter
Mary-Kate Olsen and Alex Pettyfer have joined Vanessa Hudgens in the Beauty and the Beast update Beastly. - Zap2It
The Shield has topped the nominations for the Television Critics Association's annual awards. - Variety
Sigourney Weaver has been cast in Disney's You Again and is in talks to join the Greg Mottola-directed comedy Paul. - ComingSoon

Emma Stone Cast in Modern-Day Scarlet Letter, Titled Easy A

BuzzSugar — Mon, 30 Mar 2009 05:30:01 -0700

I feel compelled to write about this movie news largely because it's one of the funnier titles I've come across in a while. This modern-day, high school-set re-imagining of The Scarlett Letter just cast Emma Stone in the Hester Prynne-type lead role. And the movie is titled Easy A. Here's more:

Will Gluck is directing the film, which centers on a [high school] student who sees her life paralleling [Nathaniel] Hawthorne’s heroine Hester Prynne after she pretends to be the school slut in hopes she’ll benefit from the notion she’s promiscuous.

Seriously: Easy A! I kind of love it already, especially since it has Emma Stone who consistently delights me in her comedic roles. And maybe it'll be an awesome modern-day high school retelling of a classic work, like 10 Things I Hate About You or Clueless. What do you think of a Scarlet Letter "re-imagining"?

Source

Buzz News Roundup, 11/14

BuzzSugar — Fri, 14 Nov 2008 13:30:29 -0800

Meryl Streep is in talks to take the lead (human) role in Dewey, a film based on Vicki Myron's book Dewey: The Small-Town Library Cat Who Touched the World. - Variety
Clint Eastwood is in talks to direct the supernatural thriller Hereafter. - ComingSoon
Sarah Silverman has signed a deal for a book of comedic essays. - New York Observer
Will Gluck will direct Easy A, a modern comedic retelling of The Scarlet Letter, set in a high school. - ComingSoon
Whoopi Goldberg will produce a London stage musical version of Sister Act. - Variety
Recently single Bachelorette DeAnna Pappas will be hosting a wedding show on Lifetime. - People
Hilary Duff will star in a new series for NBC. - Variety
Summit Entertainment has acquired the film rights to New Moon, Eclipse, and Breaking Dawn, Stephenie Meyer's three Twilight follow-ups. - Zap2It

Source and Source

Easy Virtue: Sparkling Cast Can't Help the Center Star

BuzzSugar — Tue, 26 May 2009 09:30:30 -0700

Easy Virtue, a film adaptation of Noel Coward's jazzy 1920s-set play, pits the old traditions of Europe's landowning gentry against the brash modernity that America had come to symbolize. The old guard is represented by a wealthy British family led by the brittle matriarch Mrs. Whittaker (Kristin Scott Thomas). When her son, John Whittaker (Ben Barnes), marries a sexy race car driver named Larita (Jessica Biel) several years his elder, the entire family is thrown into a tizzy.

Once Biel's character arrives at the Whittaker home she's meant to represent a vibrant and mesmerizing new way of doing things that is utterly offensive to this family so steeped in tradition. But alas, Ms. Biel doesn't quite have what it takes to hold down the center of a film like this and the whole endeavor suffers. To see why, read more.

The cast includes the kind of immensely talented actors who can take on the old-fashioned, quick and witty dialogue with one hand tied behind their backs. Biel tries to keep up and at times she succeeds, but most of the time she simply appears to be swimming upstream. As you might expect, Kristin Scott Thomas deliciously inhabits her icy character with ease and delivers each line as a stinging backhanded compliment. Colin Firth plays her long-suffering husband still hurting from memories of war, and delivers an incredibly funny yet soulful performance. Even Ben Barnes, who is handsome but stiff in The Chronicles of Narnia: Prince Caspian, displays pizzazz as the prodigal son returning home.

As the movie clicks along, though, more and more is asked of Biel as she navigates the cruel and ruthless landmines set out for her by her new mother-in-law and sisters-in-law, and she's not quite able to rise to the occasion. As the tone shifts in the final act from a comedy of manners to a darker drama, the talented ensemble cast does all it can to prop the movie up, but the center can't hold in the end.

Photos courtesy of Sony Picture Classics

90210 vs. Melrose Place: Which Was More Scandalous?

BuzzSugar — Wed, 18 Nov 2009 09:30:19 -0800

The Tuesday night CW block made a particularly strong showing this week. Personally, I thought 90210 had one of its best episodes of the season - nice character development, a few teary moments, and some "oh no she didn't" disses. And as for Melrose Place, I've got two words for you: Heather Locklear. Yes, Amanda Woodward is back, and it's quickly becoming clear that the residents aren't going to have it easy any time soon.

So with plenty of drama to go around, which show shocked more? Let's break down all the juicy tidbits and decide the victor when you read more.

90210 point: Well, Annie sleeps with Jasper, and she skips into the kitchen in the morning to tell her parents about her new boyfriend. Debbie invites him for dinner - but once Dixon warns about his druggie reputation, Deb and Harry are less than enthused and forbid Annie from seeing him. She, of course, gets defensive, and as for Jasper's reaction? He tries to kill Navid by pushing him down the stairs at school.
Melrose Place counterpoint: Speaking of crazy murderers, did Michael off Sydney? Sure seems like it after David ransacks his car and finds her bloody necklace in a plastic bag. Now, he's determined to clear Auggie's name (who has since been shunned by all of his friends) and get payback by putting Michael behind bars.

90210 point: Richard and his mom walk in on Naomi with Jamie. (How about the Dean sarcastically calling Naomi "classy?" Ouch.) Naomi admits to Jamie that she was dating Richard for the wrong reasons, and he breaks up with her over it. Her guilty conscience getting the best of her, Naomi then confesses to Richard, too. Jamie finds out and asks to get back together, but unfortunately for him, Naomi had an epiphany during their 24 hours apart - she's still not over Liam.
Melrose Place counterpoint: Like I said, Amanda Woodward is back, and she's out to make Ella's life hell. First she fires Caleb, and then she sends in an agent named Melissa to lure Ella away from WPK as a "test." Oh, and did I mention that Melissa comes on to Ella and the two women make out in a back room? That part totally came out of nowhere - talk about scandalous.

90210 point: Last week Silver's mom Jackie wasn't waking up, and this week starts with her being rushed to the hospital. The doctor tells Silver and Kelly to say their goodbyes, but Kelly refuses after all the years her mother mistreated her. She regrets that decision later, so she finally makes amends and tells Jackie that she forgives her. Jackie passes soon after, and I admittedly got a bit choked up.
Melrose Place counterpoint: Things are looking up for Riley - her jeans campaign is all over magazines - but once Amanda Woodward steps in, she concocts a rags-to-riches fake bio for Riley for PR purposes. Once the press starts asking questions, Riley admits to the lie and things blow up in WPR's face. Amanda seeks revenge by asking Ella to rat on Riley for abusing her sick days for the photo shoots. When Ella won't agree, ruthless Amanda does it herself, and Riley gets fired.

90210 point: Adrianna tells Navid that he was easy to get over because she was never really in love with him. Brutal. Then Naomi discovers Adrianna's stash, and she says good riddance to Adrianna, too. This can't be good for her substance problem.
Melrose Place counterpoint: Can we talk about Violet and Auggie's sex scene on the kitchen counter? Lauren's stripteases make me blush enough already, but this may have even topped that.

90210 point: I still can't stand Jen, but we're slowly starting to see her softer side. Ryan suggests going camping, and she packs a fondue set and a Burberry rain coat - not exactly low-maintenance is she? After she complains a lot, Ryan tells her he's disappointed since he's always bending over backwards for her. She takes his words to heart - even builds a fire! - and opens up about being broke . . . and still married.
Melrose Place counterpoint: In other couple news, David woos Lauren by decorating her apartment like Autumn, complete with falling leaves. But just as things get hot and heavy, she puts on the brakes, because of her "issues" with intimacy. How long are they going to drag this out?

While I really enjoyed 90210, we're talking about scandal here, so I'm going to give this week to Melrose Place. Having Amanda Woodward on your side already makes you a lock, but then throw in the borderline porno - Auggie and Violet, Lauren and David, Ella and Melissa - and it's a no-brainer. Plus, we had a great MP cliffhanger - what exactly is Sydney is referencing in her letter to Amanda that says, "You'll never find it?" You'll never find what?!

Tell me your theories (and what you thought about the episodes) in the comments! And don't forget that if you're a 90210 follower, you can always join the 90210 Superfans group in the Buzz Community.

Photos courtesy of The CW

What to Download: New Music Today

BuzzSugar — Tue, 17 Nov 2009 14:30:29 -0800

Time for more Tuesday entertainment! I've already shared a few new DVD releases to give your movie library a shot in the arm, but now, let's amp up your iPod. Big-name albums hit shelves today, so be sure to read up on these three. (And if you want to see your own music reviews featured on Buzz, submit them in the Music Review Group in the community!)

Fan-pleasing pop: American Idol fans rejoice: you've said that you're interested in post-AI albums, and now Kris Allen's anticipated self-titled debut is finally here. The song selections started a bit bland for me, but Allen picks up momentum with "The Truth" and the soft but moving ballad "Bring it Back." Both songs get needed oomph from orchestral accompaniment to create a sweeping sound that's sure to make Allen aficionados swoon. As for the rest of the album, it's predictable, but likable, much like the singer himself.

Why the sad face? Listening to John Mayer's latest, Battle Studies, you've got to wonder who ripped his heart out - Jessica Simpson? Jennifer Aniston? Every song is about a hurt guy who doesn't want to love again. Sensitive crooning isn't anything new to Mayer, but this time, it feels like mundane easy listening. I long for the days of "No Such Thing" when we had a more upbeat Mayer, or the Mayer who can riff on the guitar like nobody's business. But we don't really get either here. Still, it's worth noting his collaboration with Taylor Swift on "Half of My Heart," and my personal fave, "All We Ever Do Is Say Goodbye."

See one more release when you read more.

Diva in training: Leona Lewis burst onto the scene two years ago with "Bleeding Love," and now she returns with her sophomore follow-up to Spirit, Echo. Lewis hits the high notes - and she'll once again draw comparisons to Mariah Carey - but the lyrics don't always pack the same punch, and they often feel like recycled love musings. I was pleasantly surprised, however, to see Lewis branch out of her usual comfort zone with the dance track "Outta My Head" and "Can't Breathe," which goes heavier on the R&B. If you've seen those Precious promos, you've heard another song from the album, "Happy," but it was recently announced that Lewis will be providing the title track for the film Avatar, so listen for her voice to show up there, too.

House Rundown, "Teamwork"

BuzzSugar — Tue, 17 Nov 2009 08:30:00 -0800

Prepare for a changing of the guard: This week's House marks a major shift for the medical team. House is back in charge after reclaiming his license, and the shakeups start. Cameron is out - but we already knew that was coming. In her place, a couple familiar faces return to the fold, which will hopefully distract House from last week's Lucas letdown. Throw in a porn star with a mysterious health issue, and you have a packed episode.

Ready for the breakdown? If you don't mind spoilers, read more.

The episode starts off with a special delivery - House's medical license. The guy was already pulling the strings despite his suspension, so the transition is easy. Still, I'm a little surprised that Foreman goes along with the takeover without making a peep.
After Chase finally came clean to Cameron last week about Dibala, she suggests that they leave the team to work on their marriage. They announce their departure to House - who, of course, spends the rest of the episode manipulating them to stay on board. Do you think he was right to meddle? Or should he have stayed out of it?
Really, writers? A porn star? I know they're trying to sex up the show, but it felt like a cheap ploy to me - not to mention a stretch when they draw parallels between Chase's Dibala dilemma and the porn star's own morality. Were you interested in his medical case? I wasn't that intrigued, but luckily there's plenty of personal drama among the doctors to keep my attention.
Thirteen returns - but not without some coaxing from House. After she tells him no repeatedly, he lures her in with the mysterious porn star case. The excitement of the challenge is enough to get her in House's office again for good. But what do you think will happen with her and Foreman? He implies that he's over her, but I don't buy it.
Guess who else is back? Taub! The doc swaps his plastic surgery practice to rejoin House's crew after some major prodding from House. (Of course his wife isn't happy with the decision, but no surprise there.) Are you glad to see Taub again?
Okay, so I was pulling for House and Cuddy, but the scene with Cuddy and Lucas at her place might have changed my mind - you've got to admit they looked cute on the couch together. Are you pulling for Cuddy and Lucas, or Cuddy and House?
House thinks that Cameron is quick to forgive Chase, because she actually blames House for the murder of Dibala. And she does. So with that, she says sayonara to her job and delivers a speech to House about how he's ruined Chase. She rips into him about how he doesn't care for the "sanctity of a human life" anymore, but she says it with pity - even kissing him on the cheek at the end. Next thing you know, she's packing her bags and leaving Chase, too. It felt sort of rushed, but I thought her monologue was completely riveting to watch. What did you think about her departure?

Plenty to talk about in this week's episode, so sound off in the comments! I'm especially curious to hear your thoughts on Cuddy and Lucas, Thirteen and Taub's return, and Cameron's goodbye. And don't forget you can always head over to the House! group in community to talk about the show there, too.

Photos courtesy of Fox

Talking New Moon With Kellan Lutz and Ashley Greene

BuzzSugar — Mon, 16 Nov 2009 09:15:50 -0800

Robert Pattinson, Kristen Stewart, and Taylor Lautner may be dominating the promotional circuit right now, but they're not the only cast members with something to say about New Moon. I had the opportunity to chat with costars Kellan Lutz and Ashley Greene, aka Emmett and Alice Cullen, during their recent stopover in SF. They chatted about their characters, the vampire craze, and what it's like to be a "Twilight celebrity." Here are highlights:

On why so many people are crazy for the Twilight Saga:
Ashley: I think this film in particular is highly relatable. There are a lot of situations that people can relate to. The love story - everyone can relate to being in love or being in lust. You add the vampire, and it adds that next level fantasy. Vampires are mysterious and sensual and dangerous and unattainable. And everyone wants what they can't have. I think on another level that this came together at the perfect time. All the elements just fit, the casting was spot on, and we're in a difficult time right now with our economy. That's why you never have a drop in ticket sales because everyone wants an escape, and this movie is very much an escape from reality.
Kellan: It's a good escape but also it deals with so many situations, on so many positive notes. Just looking at it from the vampire coven to the wolf pack. It just deals with everyday issues just on bigger levels, in a way. And you have Bella as the keystone in many situations. You can just all relate from different countries to issues within the United States. It's easily relatable.

To read a lot more about working with three different directors and why they feel so lucky, just read more.

On how their portrayals of the Cullens are similar or different from the books:
Kellan: We got the jobs because we brought something new to it. You can interpret the characters each their own, but I think it's what we did alongside. Just like Kristen said - she's playing Bella but she's putting her Kristen spin on it, just like all of us are. And I think that's what's making it unique. We're still following the cheat sheets that Stephenie created by making the books, and there's Wikipedia. We have a lot of information to go off of. But I hope it's what I did in my audition that set it apart from the other guys trying out.

Ashley: I think it's mannerisms too. People do fall in love with this book, but I think part of it is that they always want more. You can't write out every human mannerism. You can imagine it, but seeing the emotion in someone's eyes and seeing them be affected it - it was kind of easy to give something to it, because we were just being people. We kinda just got lucky.
On how much more of the Cullens we can expect in the remaining movies:
Kellan: Realistically, we stick pretty close to the books. Obviously us Cullens would love to be in the books a lot more, which would mean we'd be in the movies a lot more. Talking New Moon, the scenes that the Cullens - except for Ashley, playing Alice who gets to go to Italy and be a main lead in the movie - us Cullens, we have to stick really close to the books, and the scenes that we're in are really crucial to the story, as you know - the birthday scene, the voting scene. I don't know, it was kind of a tease. Chris Weitz is such an amazing director, and for us, for myself - I only worked about a week on that movie. And it didn't even seem like I really got a taste for what it was.

Ashley: In the third film, you'll see a lot more of the Cullens because it's all of us collaborating and then getting ready to fight this war that's coming up. In the second one, my character got a much larger role because Alice is the Cullen, other than Edward, that really embraces Bella and they end up becoming best friends. In the beginning, you see her throw this huge party for Bella, and then Alice is the one who does, in fact, come back for Bella when everyone else decides to skip town. Alice is responsible for dragging Bella over to Italy, and she and I the whole time are fighting to save my brother's life. And then of course we get held up by the Volturi and stuff like that. My character got to grow a lot, which is really cool. You get to actually see the relationship develop between Bella and Alice, where in the first one you didn't. The first one was very much about the romance and showing the audience why these two people are willing to die for each other.
On working with a different director on each film:
Ashley: Each director is going to be very different. They're artists as well, and I don't think any of them are quite the same. The books, when you read them, all have very, very, different tones. So I think it's highly appropriate that we switch directors each go. The first one is very much a romance and is a very scenic, beautiful film. And Catherine's really, really great at capturing that. She's very high energy and works well in chaos and stuff like that. And it was fantastic because we didn't quite know what we were getting ourselves into, and so it was nice to have her to guide us when we were freaking out a little bit. She was just so high energy, and it was really contagious. We were sad to lose her and move on to the second film, but then we got Chris Weitz and he's the complete opposite! But great as well. He's so giving and caring and collaborative and created this atmosphere that was kind of a safe haven for us. And it was really nice because we didn't know, switching directors, if they were gonna embrace us or if they had a completely different vision than what we created in the first one. It was nice that he was right there on the same page with us. And the second one is a warmer film, even from the color scheme. The first one is very blue tones, and the second one is much richer and warmer and I think he did a great job at capturing that. And we just finished shooting with David Slade, and I think he's highly appropriate as well. He just finished shooting 30 Days of Night and Hard Candy, and they're both very dark, edgy films. And Eclipse is very much that. It's all centered around the anticipation and us getting ready to fight this huge war. We just finished filming, we haven't gotten to see much of it, but I think it's gonna be fantastic. He is, technically, the most advanced director. The angles that he shot and how he knows that tweaking something can affect a whole scene and the lenses. He was really nice to work with.
On coping with the fan effect and being a "Twilight celebrity"
Kellan: That's what blows my mind, 'cause I feel like it's really unearned in a way. The fans are making our careers. Without them, we wouldn't be working and doing the saga. There's so many times that trilogy books become a movie and the first one bombs, and then that's it. And you're always hopeful that you get to do them all. Especially since we're all in love with our characters. I love Emmett Cullen to death, he's my favorite character I've ever played. It's just so cool to have made it this far, and I think we all hope that we get to finish this series and do Breaking Dawn. This is such a blessing, it's every actor's dream to be part of something like this. It's not terribly hard either. We don't shoot halfway around the world; we don't shoot for a year of our lives. I know a lot of us have homes, we have pets, we have family. And it's really nice to shoot on the West Coast, either Portland or Vancouver, and have the chance to fly down if we need to. But it's definitely amazing to be part of something like this. And I don't think any of us knew how crazy it would be and how exhilarating it would turn out to be. Going to the premiere, really just, wow. I don't even remember it because I was really just starstruck by how many fans and signs and cameras. It felt like I was just walking through a strobe light room. It's amazing.

Ashley: I still think we can't really wrap our heads around what's going on and what's happening. We're still in the midst of filming and kept very busy from one film until the next. It's only these brief moments where you sit back and are actually able to take a breath where you go "Whoa. Wow. This is crazy." I mean, the amount of tickets they've already sold for New Moon - I'm pretty sure I can't even get a ticket if I tried to see my film in Jacksonville and it's mind boggling. We're just very lucky. I went into this film thinking "Oh my gosh, I got a job" and the it turned into the biggest break of my life. I think we all feel very blessed to be a part of this.
On how it feels to be part of Twilight fan fiction:
Kellan: It's an escape, in a way. We do live in a trivial time period right now. There's so much depression that it's kinda cool to be a part of something where people use it to be an escape. In a way that's kinda what Stephenie did -she had a dream and just elaborated on it. It became a huge success and it's really encouraging that people are doing the same and just making up this journey.

Ashley: That's why people love it so much I think. You can take it and make what you want of it. Before the demographic was teenage girls, but now it's women of every age and guys are starting to get into it, too. It's because there is that element of fantasy. If you're 8 years old you look at it one way; if you're 80 years old you look at it another. I think it's fantastic that we can draw such a huge crowd. The other thing is - it blows my mind but people are making connections over this film and over this book. there are mothers and daughters and grandmas who can all sit and talk about the same story and all fantasize about it and I think that's a really cool thing. I think it's rare.

To see all of our Twilight and New Moon coverage, check out TwilightSugar!

FlashForward Breakdown, "Playing Cards With Coyote"

BuzzSugar — Fri, 13 Nov 2009 12:30:30 -0800

After Al's tragic suicide on last week's episode of FlashForward, this week shows how the idea of "changing the game" has affected all the characters. Mark and Olivia start to find new hope for their relationship, Lloyd teaches Simon a lesson, and Aaron learns more about where his daughter has been for the past two years.

Ready to get into all the details? Just read more.

"The future can be changed": Al's death makes headline news when Celia gets her letter in the mail, instilling hope in Mark and Demetri - for a bit. Mark whisks Olivia off on a romantic getaway and things seem to be much happier between the two. But once they're back to regular life, they both get a reality check: Mark gifts her the lingerie she's wearing in her flash forward, and Aaron's reunion with Tracy makes Mark go back to believing that the visions may be set in stone.

The stars are aligned: Mark thinks he has a big lead when some footage shows up of a man he recognizes from his vision - a woman named Ingrid reports a crime and her phone images reveal a man with a tattoo of three stars on his arm. Thinking it's the same pern who breaks into his office in the future, Mark immediately dedicates himself to finding the guy. Using Ingrid as bait, Mark manages to take kill him, and rushes home to Olivia to tell her that they're going to have a second chance because he changed the game. But then - surprise! There's a whole crew of dudes with that tattoo. Um, seriously Mark? This never occurred to you? It's not like the guy has an unmistakable tattoo of Edward Cullen on his arm.

That was a crazy game of poker: Feeling guilty about that whole deadly experiment thing, Lloyd sends out an email to a few colleagues saying "We have to take responsibility." Of course, Simon isn't pleased about Lloyd's plans to go public and wants to settle their argument over a game of Texas hold 'em. There's plenty of trash talking from Simon, who thinks that he and Lloyd are gods for the impact they've had on the planet. He tosses around ideas of fate (was anyone else thinking about Lost's Charlie and his fate finger tape?) and just when Simon thinks he's sitting pretty, Lloyd turns the tables with a sleight of hand. (Some U2 lyrics come to mind here). Somehow I still don't think Simon is going to make it easy for Lloyd to publicize what they've done.

Reunited and it feels so good? Tracy is back at home with Aaron, but she's not exactly the same girl that went off to war. She's lost her leg in combat and suffering from PTSD, which she's reluctant to discuss with her dad at first. Feeling confident from his flash forward, Aaron encourages Tracy to open up about what happened overseas. She finally reveals that her near-death experience was an ambush from Jericho, a group of military contractors that she ratted out after seeing something she shouldn't. Tracy is paranoid after living a life on the run for two years (and is not at all pleased when Aaron talks to Mark about her situation). Though keeping track of all the different characters and their separate story lines is getting confusing, I'm liking this new development in Aaron's story.

Other plot points:

Janice tries to quit but Stan won't let her. As she continues to contemplate Al's death and her vision, she starts looking into sperm donation - does this mean those are tears of joy in her flash forward?

Ingrid says that she remembers one of the shooters saying "QED," which is also brought up during Simon and Lloyd's poker game.

Ingrid and her bird collection can be added to the list that already includes the crows and the bird crashing into Fiona's window.

So, is that Simon strangling Nicole in her vision? Creepy. I'm wondering if she finds out his secret and tries to intervene.

How'd you feel about this week's episode? Any new theories on what's going to happen over the next few months? Let's get the conversation going!

2012: Apocalyptic Good Times

BuzzSugar — Fri, 13 Nov 2009 05:30:00 -0800

In terms of end-of-the-world movies, 2012 packs it all - a love story, teary family moments, action-packed adventure, over-the-top-CGI, and a ton of recycled film cliches - in a two and a half hour package. That's lengthy by today's standards, but I wasn't bored for a minute. This is pure escapist entertainment.

The film opens in 2009 as a scientist in India and his American associate Adrian Helmsley (Chiwetel Ejiofor) discover that the Earth's core is overheating. His forecast: Tectonic plates will shift, thereby causing a worldwide catastrophe that will wipe out the human race.

Dun, dun, dun! (Doesn't take long to pull you in, does it?) To hear my full assessment, read more.

The real action goes down three years later in 2012 when, according to the Mayan calendar, the Earth will reach its end. The entire So-Cal coast starts crumbling, so our hero Jackson Curtis (John Cusack) and his family begin a journey to China where the governments around the world have supposedly assembled spaceships to carry select humans to safety.

What? You expected this to be plausible?

Of course not, but the film does include tons of cool CGI - volcanos, snow storms, giant tsunamis. It's like every disaster movie you've ever watched combined. (That should come as no surprise seeing as how the director is Roland Emmerich who created The Day After Tomorrow, Independence Day, and Godzilla.)

As for the characters, we've seen them all stereotyped in other films before, but they're still enjoyable here. (Even though I admittedly winced over a Russian family complete with a fur coat, tiny dog, and an employee named Sasha.) This is thanks to the actors who play their parts with believability, even when the scenes feel ridiculous. Ejiofor portrays a great bleeding heart swept up in a governmental plan that's looking out for No. 1, and Cusack pulls off his father role without being over-the-top or sappy. Also, watch for Woody Harrelson as a nutty conspiracy theorist living in Yellowstone National Park.

2012 is purely meant to be fun, and it succeeds. There's a constant barrage of cliff-hanger moments that never let up, and though you pretty much know where things are headed, it's easy to get sucked in.

(Don't forget that if you see a movie that you'd like to review, you can post your write-up in the Movie Review Group in Community - I may even post it here on the site!)

Photos courtesy of Sony Pictures