The Duchess: Oh, the (Beautifully Costumed) Drama!

BuzzSugar — Thu, 02 Oct 2008 06:30:41 -0700

Of course The Duchess is dramatic. Georgiana Cavendish, the Duchess of Devonshire, led a dramatic life and she herself was a dramatic - and smart, and charismatic - woman. I really liked this movie, but I might have liked it more if it were a slightly broader examination of the Duchess. I don't mean that they should have included more years in her life (I think that would have been a mistake) but the vast majority of the film is about her romantic and reproductive woes. She was a daring, intelligent, and remarkably influential woman during a time when women were expected to be anything but those things. While I liked this sweeping period drama, I might have enjoyed less soap opera and a tad more substance.

The costumes, however, cannot be disputed, for they are devastatingly gorgeous. I would watch this movie over and over with the sound off just to feast my eyes on the clothes. Dressed to perfection in every scene, Keira Knightley plays Georgiana, who marries William Cavendish, the Duke of Devonshire when she is just a teenager. The marriage is soon strained as it appears that Georgiana will only bear daughters. While the relationship grows bitter in private, Georgiana starts to become quite popular in public and immerses herself in the world of politics and high society. She's a natural charmer and trend-setter, though her husband puts more and more distance between them, choosing other women over his wife. Before long, Georgiana finds herself falling in love with a young politician, Charles Grey (Dominic Cooper), but the threat of scandal proves too great for the Duke and Duchess and a relationship with Charles is forbidden. There's much more to the story, but I won't spoil things for you. I can still share some thoughts, though, so read more.

Knightley strongly carries the film with her focused, honest portrayal of the brightly alluring yet unfortunate Duchess of Devonshire, and if she veers into melodrama it’s because the material clearly calls for it. She’s still a relatively young actress, which I think people sometimes forget, and while she still appears young onscreen (with that permanently youthful bounce in her step, a fresh energy to even her most morose scenes), there is so much potential there for her to mature into a truly phenomenal performer. She acts with her entire body, conveying emotion in the tiniest details: her whole frame rigid with rage, a coquettish tip of her head and a sidelong glance, the utterly distraught balling up of one fist . . . these things inform our understanding of Georgiana's emotional landscape.

Most of the time I cringed and tsk-tsked at the wretchedness of this poor young woman’s life, as the story is basically a long string of relationship issues and anxiety over pregnancies. There are countless historical movies that, if they center on a woman at all, focus on the pressure to conceive a male heir, the havoc this wreaks on a marriage, and the power plays that arise between the women who can conceive and those who cannot. This is understandable, given the nature of society back then, and yet here’s a story with some built-in political drama as well, with a fearless, deeply inspiring female protagonist. I would have appreciated more of that story. That said, I was riveted to this movie, intoxicated by the costumes and just as smitten with the Duchess as the rest of England seems to be. It’s a beautiful and sad film that is well worth seeing.

Photos courtesy of Paramount Vantage

An Education: A Wonderful, World Weary Coming of Age Tale

BuzzSugar — Fri, 09 Oct 2009 05:30:00 -0700

There's very little time left for Carey Mulligan to be an unknown. She plays the central character in An Education, and it's a mesmerizing, star-making turn.

Nick Hornby is behind the screenplay, which follows 16-year-old schoolgirl Jenny as she navigates her strict school-minded parents and the affections of a man twice her age in '60s London. Though some might be turned off by the Lolita-esque premise, this isn't a movie about a May-December romance but the story of Jenny's discovery of the world and adulthood.

To see what I liked about the movie, just read more.

Peter Sarsgaard is the older man, whom he plays with the seductive blandness the role calls for. It's not Sarsgaard's character, David, who tempts Jenny; it's the idea of him. Before David shows up, Jenny has a path set forth by her parents and her English teacher: Oxford.

When David enters the picture by chance, Jenny suddenly has a choice: Oxford or the glamorous life David exposes her to that doesn't require a college degree. She declares her first date with David as the best night of her life. It's easy to see why: fabulous dinners and concerts in London with David's friends, played by Rosamund Pike and Dominic Cooper. Pike is really too worldly looking to be playing such a dim bulb, but she's luminous as a representation of Jenny's possible future.

Jenny soon learns that David’s seemingly easy life may not be what she truly wants, and she finds herself at a crossroads. The movie does an excellent job at making you live the conflict too - it's not obvious what life Jenny will choose, even though a traditional Hollywood movie would make it clear what the "right" thing to do is. Instead, you find yourself in Jenny's shoes thanks to the engrossing performance of Mulligan, whose angelic face and throaty voice shift easily from dedicated student to London sophisticate.

Mulligan's likability is matched only by her Oxford-pushing father, played by Alfred Molina. Some of the most entertaining scenes are those in which Molina is either brusquely insulting one of Jenny's suitors or being entranced by David himself. At first I wondered why Jenny's parents would let her go off so easily with David when I watched the trailer, but it plays out plainly: David is irresistible. Like a snake-oil salesman, that is. He feeds Jenny and her parents what they want to hear, and when things go awry, Jenny angrily confronts her father about how he could have been so seduced by David. This is one of the lessons Jenny learns from her affair with David; that despite education, maturity, and age, authority figures are fallible.

The other authority figures of this movie are compelling as well: Olivia Williams plays Jenny's encouraging teacher (whose radiance can't be hidden by a pair of horn-rimmed glasses) and Emma Thompson has a cameo as a rigid headmistress who seems to take pleasure in threatening Jenny about her future.

However, no one shines brighter than Mulligan. Her Jenny is a strong, bright young woman who never completely loses her way, despite the situation she gets caught up in. It's her performance in An Education you'll be talking about when you leave the theater - and maybe in a few months when awards season begins.

Photos courtesy of Sony Pictures