BuzzSugar

Away We Go: Happy to Come Along

BuzzSugar — Fri, 12 Jun 2009 14:15:09 -0700

Away We Go starts with a sex scene. There's no nudity, it's not overtly graphic, but it's unexpected and a bit jarring. It's certainly not the overture I was predicting. But just as I was starting to get uncomfortable, the moment becomes quite humorous. The hilarity of the scene is grounded in the screenplay (which was written by Dave Eggers and his wife Vendela Vida), but brought to life by John Krasinski and Maya Rudolph. Known for their respective work on The Office and Saturday Night Live, the duo's comedic chops may not come as a surprise, but here these two are playing it pretty straitlaced. It's this juxtaposition that makes the film so good - seeing funny people playing serious roles with serious situations that end up being funny.

It's a formula that's worked before. As I guessed from the trailer, the film is very similar in tone to Garden State and Juno. All three are quirky little gems with heavy subject matters and great soundtracks (seriously, check out Alexi Murdoch if you haven't already). If I had to fault the film with anything, it would be that it didn't feel particularly fresh, but that doesn't make it any less enjoyable.

To learn more about the film, and its cool costars, read more.

The story follows Burt and Verona (Krasinski and Rudolph) on their quest to find a place to call home. They're about to have a baby and because Burt's proximately close parents (played by Jeff Daniels and the always hilarious Catherine O'Hara) are moving to Belgium, the two find themselves looking for someplace to live. Verona's parents are dead, so they decide to visit friends and relatives in various parts of North America and Canada where they could potentially set down roots. What ensues is a road story that finds the couple in Phoenix, Tucson, Madison, Montreal, and Miami.

Along the way we meet a variety of characters who run the gamut from looney and hilarious (specifically Allison Janney and Maggie Gyllenhaal's characters) to more subtle and subdued. And this goes back to the overall tone of the film: serious sprinkled with a dash of silly. It works most of the time, but occasionally the antics of Janney, Gyllenhaal, or O'Hara seem a little too far-fetched for what is ultimately a dramatic film. But these missteps are mostly forgivable as the actresses are so hysterically funny.

Then again, maybe these women's characters aren't supposed to be realistic or relatable. Maybe we're supposed to identify solely with Burt and Verona as they navigate through their journey. I certainly did. I also identified with the film's key message - that home is truly where the heart is. It's a refreshing idea coming from the director of the great but depressing American Beauty and Revolutionary Road.

Bottom Line: If you're looking to escape the typical Summer fare, Away We Go is a solid option.

Photo courtesy of Focus Features

Buzz News Roundup, 10/3

BuzzSugar — Fri, 03 Oct 2008 13:32:35 -0700

Frasier's John Mahoney is joining the cast of Burn Notice. - Entertainment Weekly
Liev Schreiber and Helen Hunt will play a couple in a troubled marriage in the upcoming drama Every Day. - Variety
David Strathairn and Catherine O'Hara are among the new additions to HBO's Temple Grandin film, which already stars Claire Danes. - Hollywood Reporter
Feist is turning her Fall tour into a charity drive. - Pitchfork
AMC is developing a TV series about a human colony on Mars. - TV Guide
Salma Hayek will reportedly guest-star on 30 Rock. - New York Post
Tyler Perry's in trouble with the Writers' Guild for firing four writers. - Variety
Live tracks from Ben Folds' tour will be available almost immediately on iTunes. - Billboard

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Buzz News Roundup, 5/2

BuzzSugar — Fri, 02 May 2008 13:30:02 -0700

Catherine O'Hara and Andie MacDowell have signed on for ABC pilots, Zap2it reports: O'Hara will play the mom in Good Behavior from Rob Thomas, while MacDowell's plot is described as a Hamlet-like drama set in the auto industry.
Maggie Gyllenhaal will replace Toni Collette in the Sam Mendes relationship comedy that also stars John Krasinski and Maya Rudolph, Variety writes.
According to ComingSoon, comedian Demetri Martin will be joining Ang Lee's next project, Taking Woodstock.
Billboard writes that The Cure has announced the date of their next album release: September 13, with a new single coming out every month until then, starting on May 13.
Variety reports that iTunes will now offer movies to be purchased and downloaded on the day of DVD release.
If you liked the Christian Siriano-designed blouse that Amanda wore on Ugly Betty last night, you can bid on it now; details on how are at The Futon Critic.
E! reports that Leighton Meester will be reprising her role on Entourage as a Britney-esque pop star.
Pitchfork has new details on the new album from The Hold Steady, which will be released in July.

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Penelope: Fanciful But Not Fantastic

BuzzSugar — Fri, 29 Feb 2008 10:45:03 -0800

There are some intriguing issues buried within the story of Penelope: what it means for a woman to love and accept herself the way she is, the way beauty ideals are - sometimes cruelly - passed down from mother to daughter, society's eagerness to vilify those who are different and then, just as quickly, to embrace them as "cute" upon discovering that they're harmless. These things are touched on, but mostly with a glazing brush, leaving the pretty film with adorable people lacking anything resembling "oomph."

The story follows Penelope Wilhern who, due to a curse put on her wealthy socialite family long ago, was born with a pig nose. In order to break the curse, she must find "one of her own" (i.e. a "blue blood") to love her just as she is and marry her. Only then will the spell break and her nose take on a normal shape. Desperate to break the curse and have a normal daughter, Penelope's mother (Catherine O'Hara) devotes her life to finding Penelope a husband, but the men who meet Penelope keep jumping out the window at the sight of her. Meanwhile, a one-eyed journalist determined to get a photo of "the pig-faced girl" and a selfish blue-blooded young man pay a down-on-his-luck musician (James McAvoy) to try and woo Penelope. For more about the movie than just this plot - some spoilers ahead - read more.

Visually, the fanciful made-up world providing the backdrop for this modern fairy tale is endearing and at times quite lovely. The performances are mostly great - I especially enjoy Reese Witherspoon in her funny, tough girl role as Penelope's friend, a wonderful departure from Witherspoon's bright and sometimes two-dimensional rom-com stuff. James McAvoy is lovable as always, and Catherine O'Hara as Penelope's hysterical mother sometimes steals the show.

My favorite performance comes from Peter Dinklage who plays the desperate journalist. Not only is he a master of deadpan humor, but he's perhaps the only person in the film who goes on any kind of identifiable emotional arc. We're supposed to be on Penelope's journey, but Ricci has a hard time fluctuating the tone of her performance beyond a steady whine. Thus, the few good performances can't make up for Ricci's low-octane delivery and a disappointing cop-out ending.

This tired, predictable ending features Penelope learning to accept herself and being rewarded with what she's always wanted. The message within this is frustrating. Penelope's final, hard-won self-acceptance, once found, is rendered useless and thrown out the window because that's when she becomes "normal." Phew! Now she no longer needs to like being different. Normal is still best. How refreshing.

Bottom line: It's a modern fairy tale that still supports age-old beauty ideals and doesn't really try anything new or interesting.

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Where the Wild Things Are: A Passionate Ode to Childhood

BuzzSugar — Fri, 16 Oct 2009 04:30:00 -0700

There's been a bit of a controversy over how to market Spike Jonze's adaptation of Maurice Sendak's classic children's book, Where The Wild Things Are. Is it for kids? Adults? Adult hipsters?

The answer is anyone who wants to feel what it's like to be a child, and not in the fun-loving, no-responsibilities way. As adults, we tend to forget the insecurity and fears we had as kids, which the film's young character Max is in the throes of. There's just enough exposition before the fantasy begins: Max has a single mom (Catherine Keener) and an older sister who has recently outgrown him. His first few acts at home show his innocence and the savage emotions under the surface. He knows it as being "wild."

Where the Wild Things Are isn't a heavy-handed allegory, or an edgy children's movie; it's a loyal tribute to the way kids think and feel. To see what else I thought of the film, just read more.

Max reaches the world of the wild things after throwing a particularly heinous fit, prompting his mother to yell, "You're out of control!" After running away, Max finds himself on a boat that finally brings him to a strange land. This is where the wild things are. The creatures Jonze has created are aesthetic wonders: creepy, hostile, and huggable at once. These aren't Jim Henson's Muppets, but real characters, led by Carol (voiced by James Gandolfini). The rest of the group is comprised of Lauren Ambrose as aloof KW, Catherine O'Hara as prickly Judith, Paul Dano as timid Alexander, Chris Cooper as Douglas, and Forest Whitaker as Ira.

Each creature has a fully realized personality, with flaws and varying temperaments; their faces are so emotive and their dialogue so human that their scenes with Max are as real as those with his mother. This group is not easily classified as friend or foe - they're dysfunctional in their relationships and don't always treat each other well. One of the most successful elements of the movie is the dialogue of the wild things, which is rooted in Max's head.

In many ways, screenwriter Dave Eggers's job was tougher than Spike Jonze's, because it's imperative to remember the way children think. Max's interactions with Carol and his new clan are made up of the kind of things a kid would hear from his parents and peers and then internalize. In fact, in the wild world, Max declares himself king to bring order, and he summons up speeches from the authority figures that he's pulling away from in his real life. Naturally, he's too young to recognize how his subverted position is significant.

Max's relationship with Carol is most telling. As the de facto leader of the group who can't handle sadness, loneliness, or jealousy, he acts out as a mirror of Max while still being his own character. The richness of Carol and the creature cast stays with you; when Max has to say goodbye to his friends, your heart breaks.

Jonze impressed me with his non-conformity; in another movie, Max would have demonstrated the grand lessons he learned from his time on the island, but in this one, he doesn't have to learn anything. He just gets to feel and experience and appreciate his emotionally fragmented new friends. It's devastating as a viewer, especially if you can put yourself back in that childlike place when your feelings were so raw and simple.

Photos courtesy of Warner Bros.

What to Netflix: New DVD Tuesday

BuzzSugar — Tue, 29 Sep 2009 05:30:24 -0700

All of the new DVD releases hit stores (and Netflix) on Tuesdays. So each week in What to Netflix: New DVD Tuesday, I sort through the best of the batch and tell you what to add to your queue. In addition to the movies below, there's also Steven Soderbergh's The Girlfriend Experience and Madonna's directorial debut Filth and Wisdom. Check out this week's picks!

Away We Go

John Krasinski and Maya Rudolph star as an expecting, road-tripping couple in this indie comedy drama directed by Sam Mendes. I loved the quirky humor that came from not only the leads, but a star-studded cast of supporting characters played by Maggie Gyllenhaal, Jeff Daniels, Alison Janney, and Catherine O'Hara. It may not be as laugh-out-loud as the two leads' usual work, but if you're looking for a sweetly funny flick you may like Away We Go. The DVD and Blu-ray have a making-of featurette, a commentary track, and a behind-the-scenes feature about how the filmmakers tried to make the production more environmentally friendly.

66%

See two more new releases when you read more.

Management

Jennifer Aniston stars as an everyday gal in the comedy Management. Steve Zahn is the shy hotel manager who meets and falls in love with her immediately, and Woody Harrelson is the has-been boyfriend he's trying to woo her away from. It's not the straightforward romantic comedy you'd expect from Aniston, which I don't mind at all, and Zahn's so adorable he can make stalker-like behavior seem OK. On the DVD are a commentary track, a gag reel, and deleted scenes.

44%

Monsters vs. Aliens

Monsters vs. Aliens boasts the vocal stylings of Reese Witherspoon as Susan Murphy, a woman who's hit by a meteor and turns into a giant as a result. The 3D movie from Dreamworks is definitely kid-friendly fare, but I tend to enjoy modern animated movies like this, especially when they also have the voices of Seth Rogen, Paul Rudd, Will Arnett, Rainn Wilson, Hugh Laurie, and Stephen Colbert. The DVD and Blu-ray discs have tons of special features, like music videos, deleted scenes, and the technology behind the movie.

72%