BuzzSugar

Buzz News Roundup, 4/30

BuzzSugar — Wed, 30 Apr 2008 13:32:15 -0700

According to ComingSoon, America Ferrera will star in the coming-of-age drama An Invisible Sign of My Own, which will be directed by Mad Hot Ballroom's Marilyn Agrelo.
Paramount and Brad Pitt's production company Plan B have picked up the rights to two memoirs, Beautiful Boy and Tweak, Variety reports.
FX has ordered a series about a rebel motorcycle gang from one of the producers of The Shield, reports Zap2it.
Mariah Carey's album remains at the top of the charts for the second week in a row, while Ashlee Simpson is coming in at No. 4, behind Leona Lewis and the Flight of the Conchords album, writes E! Online.
The iTunes store has added three series from BBC America to its catalog, Broadcasting & Cable reports.
Reuters reports that there's already a book and documentary in the works about New York governor Eliot Spitzer.
Spike TV has given the green light to its first comedy series, The Factory, an improvised show from the co-creator of Strangers with Candy, writes the Hollywood Reporter.
Jonah Hill is in talks to provide the comic relief as Shia's sidekick in the Transformers sequel, writes ComingSoon.

What to Download: New Music Today

BuzzSugar — Tue, 20 Oct 2009 14:30:14 -0700

It's one of my favorite days of the week: Tuesday! Which means I get to add DVDs to my Netflix queue, along with some brand new tunes for my iPod. So check out today's music releases for what you should download. (And if you like to review albums, don't forget to take a peek at the Music Review Group in the community.)

A smooth ride: Sufjan Stevens takes a breather from his states project with BQE, an ode to the Brooklyn-Queens Expressway. He originally performed the work to accompany a film about the road, but the music stands on its own as a beautiful orchestral arrangement. Warning if you like Stevens's mellow voice: BQE is all instrumental. Still, it proves that he has what it takes as a composer, and I'd like to see him lend his talents to more of this sort of work. My picks: Movement II: Sleeping Invader, which sounds like a ballet dream sequence, and Traffic Shock, which mixes in clashing electronic sounds like a busy gridlock.

Pretty packs a punch: If you haven't heard of Florence and the Machine, get ready. Florence Welch is the latest spunky Brit singer on the scene, and her debut Lungs already went platinum in the UK. Today, it's available to buy stateside. She's the singer I'd want to be if I had my own band - a woman who wails while banging the tambourine - and her album veers between tough-chick anthems and haunting ballads a la Sarah McLachlan. Make sure you try the hand-clapping, feel-good Dog Days Are Over or the romantic Cosmic Love.

See two more releases when you read more.

Freaky fun: If you're a Flight of the Conchords fan - or even if you're not - you'll want to check out I Told You I Was Freaky, a compilation of music from season two (including three previously unreleased tracks). Sure, half the fun is watching the boys act out each song on the show (and Jemaine's wicked dance moves), but when you listen to the music on its own, you realize just how talented they really are. Each selection could qualify for radio-play - or just a ridiculously fun karaoke night. The album includes favorites like Sugarlumps, Hurt Feelings, and the Emmy-nominated Carol Brown.

Lyrical wanderlust: Jay Farrar of Son Volt and Benjamin Gibbard of Death Cab For Cutie team up on One Fast Move or I'm Gone: Music From Kerouac's Big Sur, an ode to the famous author's work. The two musicians met while working on a documentary about Kerouac and decided to collaborate on this album using words from his novel. It's fitting then that the result feels like a cross-country trip - lazy and laid-back with some twangy country, Americana sound. I'll be adding the title track and California Zephyr to my car playlist.

The Boys Are Back: A Quiet Film With a Few Heart-Tugs

BuzzSugar — Fri, 09 Oct 2009 08:30:26 -0700

Has Clive Owen - a man who's best known for playing con artists, spies, and other brooding alpha males - gone soft? It appears so, and he's surprisingly good at it. In The Boys Are Back Owen plays Joe Warr, a recently widowed sports reporter raising two boys in the Australian wilderness. And thanks to his understated performance, what could've been an overwrought tearjerker worthy of a made-for-cable movie turns into something quietly moving.

Based on the memoir The Boys Are Back in Town by Simon Carr, the film opens with Joe driving on the beach with his son Artie. Did I mention Artie is sitting on the hood of the car with Joe at the wheel?! Parental guidelines haven't been a priority in the Warr household ever since Joe's wife passed away from cancer. Now, he has to explain her death to Artie, while his older son Harry from his first marriage moves into the house. Left to their own devices, the two boys play soccer in the hallway, zip line across the yard, and even defrost a chicken in the bathtub.

Typical parenting? Not so much. For more on the film, read more.

These moments of chaos are fun to watch and add levity to the heavier subject matter, but the movie really shines in the conversations that Joe has with his sons as he helps them grieve - Artie for his mother; Harry for a childhood void of a father. Neither boy really knows how to mourn his loss, but then again, neither does Joe. Instead, he relies on the parental guidance of his deceased wife in the form of visions and voice-overs to help rebuild his family. (This felt very heavy-handed to me, but luckily it was really the only part of the film that crossed over into overly contrived.)

Does it seem out of place to have man's man Owen pillow fight with a 6-year-old and shed tears? A bit. But because he almost seems uncomfortable with the sentimentality, he ends up playing the role with the light touch needed for the part.

The young actors who play his sons are brilliant, even at times stealing the spotlight right out from underneath him. (Not an easy feat when you act - and look - like Owen.) Their performances feel very real despite their ages, and they give us some of the film's most tender moments.

I also must mention the fourth character of the film: the Australian landscape. Oscar-winning director Scott Hicks (Shine) beautifully captures the countryside from sweeping fields to oceanside beaches strewn with rocks, and when paired with music by Icelandic group Sigur Ros, every frame feels almost like a sleepy dream.

All in all, The Boys Are Back is a nicely done portrait of the relationships between fathers and sons. It's not out to be a huge blockbuster, but if you appreciate a good character study kind of film, it's a solid choice for a subdued Saturday afternoon.

Photos courtesy of Miramax Films

Couples Retreat: Not Exactly a Relaxing Getaway

BuzzSugar — Thu, 08 Oct 2009 17:30:11 -0700

Everyone loves a vacation, right? Beautiful scenery, tropical drinks, fun in the sun. Add a few of your closest friends and you could have the trip of a lifetime - or a romantic getaway gone horribly awry.

To be fair, the four pairs in Couples Retreat don't realize what they're agreeing to when they head to Eden East, a swanky resort on a remote island. But once the relationship boot camp begins, the friendships quickly break down, and it's often more depressing than hilarious. To see what I mean, just read more.

The movie's couplings range in age, family size, and personality, with Vince Vaughn and Malin Akerman at the epicenter. As Dave and Ronnie, they are perhaps the most "normal" of the bunch. Between Dave's demanding job making video games (hello, Guitar Hero product placement) and raising two young sons, Dave and Ronnie don't even realize their problems until they are forced into couples skill-building. Vaughn is his typical wise-cracking character, but a touch of sweetness makes his on-screen relationship with Akerman the most enjoyable to watch. You can actually believe that they love each other and aren't using the trip as a band-aid for a bullet hole.

Jason and Cynthia (played by Jason Bateman and Kristen Bell), on the other hand, are a lot harder to relate to as two type-A personalities with an undying love for organization and PowerPoint presentations. Jason and Cynthia present the idea of the group vacation to their friends as a last-ditch effort to save their marriage (promising that the therapy sessions are optional, of course). Bell is her typical adorable self, but Bateman is insufferable. His character is painfully meticulous and overbearing, making the audience feel just as suffocated as Cynthia does.

Joey (Jon Favreau) and Lucy (Kristin Davis) represent the worst of the worst: the couple that's been together so long that they don't even notice each other anymore. The high school sweethearts take the trip not as an opportunity to re-kindle the flame, but to chase skirts (or in this case, bikini bottoms) and muscular yoga instructors. Favreau gets a few laughs with his quest to get to Eden West, the "singles" side of the island, but age-wise, Davis doesn't quite fit in with Bell and Ackerman. It's also hard to laugh at characters that embody one of the biggest fears for young couples, and their ice-cold relationship is almost too realistic to scoff at.

Then there's Shane (Faizon Love), who's newly separated from the wife he still loves, but brings along his 20-year-old girlfriend for the ride instead. As Trudy, Kali Hawk steals a lot of the laughs as she yearns to drink and party all night long while her boyfriend would rather take a nap. One joke that never gets old: Trudy's insistence on calling Shane "Daddy" throughout the entire film.

With such a strong headline cast, it's disappointing that the supporting actors steal the show. I laughed the hardest at Dave and Ronnie's adorable boys (who get very little screen time) and at the motley crew of therapists and other wacky workers at the resort dedicated to making this the trip from hell.

At the end of it all, you'll get a few laughs along with some very beautiful imagery, but you might just want to put your money toward your own vacation instead.

Photos courtesy of Universal Pictures

Zombieland: The Feel-Good Zombie Flick of the Year

TresSugar — Fri, 02 Oct 2009 11:30:23 -0700

A Note From Buzz: With so many new movies this week, my friend Très was nice enough to apply her scary-movie expertise to review the box office's newest zombie flick.

In the United States of Zombieland, zombies outnumber people. A mad-cow tainted burger tipped the population in favor of the drooling, limping, and grunting set, and now zombies roam a crashed-car littered, empty-minimall-blighted zombiescape.

Columbus (Adventureland's Jesse Eisenberg), the virginal antihero of horror-comedy Zombieland, has learned to survive this zombie apocalypse by keeping a list of necessary survival skills. Rule #1? Cardio. If you don't want zombies gnawing on you like an hors d'oeuvre, you'd better be fast and limber. In addition, beware of bathrooms, practice the "double tap" (make sure your zombie's actually dead after you kill him), and don't be a hero. (Regarding this last rule - some rules were made to be broken.)

When Columbus meets up with Tallahassee (Woody Harrelson), a swaggering cowboy type with a penchant for tank-like cars, shotguns, and Twinkies, and the spitfire sister duo of Wichita (Emma Stone) and Arkansas (Little Miss Sunshine's Abigail Breslin), Zombieland takes off like a scary/fun amusement park ride. To find out what happens on this motley crew's wild road trip from hell, read more

There's something funny about zombies and the zombie genre, and in his first feature film, director Ruben Fleischer plays their comic possibilities to the hilt. Zombies don't have what you'd call well-rounded personalities; they're pretty predictable. They have bad attitudes, come out of nowhere, grunt, and see all nonzombies as food to feast on. They're the perfect foil (or straight men, even) to a cast of characters with more than enough personality to make up for the zombies' boorish one dimensionality.

Take nebbishy Columbus. The world changed for him, he tells us in an early voice-over, when a pretty neighbor he calls #406, asks to stay over because a crazed homeless man tries to bite her. Sadly, although she falls asleep on Columbus's shoulder, she wakes up as a rabid zombie and begins chasing him around his apartment, forcing him to repeatedly knock her over the head with a toilet lid. "The first time I let a girl in my life," deadpans Columbus, "and she tries to eat me."

This kind of witty dialogue abounds in Zombieland, and although fans of gore and violence against zombies will be more than satisfied (Tallahassee's scenes of zombie-killing, especially, have a Tarantinoesque choreography to them), it's really the mismatched goofball characters and how they bond and evolve, surprisingly, that hold the film together. A hilarious cameo from Bill Murray in the Beverly Hills sequence of Zombieland, also, is practically worth the price of admission.

Harrelson chews the scenery as Tallahassee, but as we find out, part of the reason he's hell-bent on killing zombies is because they took away his baby boy. As for the sisters, tough-girl Wichita just wants to take care of her little sister Arkansas (who, as a good shot, doesn't seem to need much help), but a beautiful girl has needs, too, and before long she develops feelings for Columbus. Will he or won't he finally be able to live out his nerd-boy fantasy of brushing the hair over a girl's ear?

You probably know the answer to that question, but just because Zombieland adheres to certain formulas doesn't mean that it doesn't revive them in witty ways. Although the zombie-killing gore fest may not be for everyone, Zombieland's amazing visuals, charming characters, and witty dialogue may leave a goofy grin on your face as you leave the theater.

Photos courtesy of Sony Pictures