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Buzz Brainteaser

BuzzSugar — Fri, 21 Sep 2007 04:45:00 -0700

Welcome to Buzz Brainteaser, the trivia feature on BuzzSugar! Every weekday I'll test your knowledge about TV shows, music and movies. If you enter in the correct answer, you win points! What is the name of Doc Brown's dog in Back to the Future?

The Results Are In: Recast Back to the Future

BuzzSugar — Tue, 31 Jul 2007 16:14:09 -0700

Every Wednesday on BuzzSugar, I post a Recast challenge, where I ask you to choose new actors for a classic TV show or movie. The reader who submits the best cast wins a BuzzSugar t-shirt!

This week's recast challenge was a fond favorite for many of you, so I was delighted to see how thoughtful the recast lists were! Some of my favorite ideas include casting Frankie Muniz or Michael Cera as Marty McFly, as both actors have that youthful earnestness.

I also enjoyed many of the suggestions submitted for the character of Doc Brown, such as Steve Buscemi, and emei47's idea of Robert Downey Jr. Finally, selecting who should play the villainous Biff Tannen seemed to be a fun challenge for some of you, and I especially liked BunGirl's pick of Owen Wilson. BunGirl also posted her own cast photo, which I thought was awesome.
However, my favorite recast list this week comes from CocoChic! She wondered if we were casting these characters as teenagers or as adults. Because the actors in the original cast were in their 20s, I went with Coco's younger cast submission. To see who CocoChic picked along some new cast pictures, read more

CocoChic's cast:
Marty McFly - Shia LaBeouf
Doc - Johnny Depp
Lorraine McFly - Rachel McAdams
George McFly - Adam Brody
Biff Tannen - Chris Carmack

The new George, Lorraine and Marty:

The new Biff:

And the new Doc Brown:

Recast Back to the Future and Win a Prize!

BuzzSugar — Wed, 25 Jul 2007 13:32:02 -0700

Every Wednesday on BuzzSugar, I post a Recast challenge, where I ask you to choose new actors for a classic TV show or movie. The reader who submits the best cast wins a BuzzSugar t-shirt!

This 1985 sci-fi comedy should be tons of fun to recast, since the characters are so quirky, and the movie is such a favorite for many children of the '80s (well, and '70s, and '90s...). If you could recast Back to the Future today with new actors, who would you pick?

I have a sneaking suspicion that many of you will be itching to cast Shia LaBeouf in the part of Marty McFly, which might well be fitting, though I wonder who else could do well with the part. And who could play the zany Doc Brown? Or Marty's parents, Lorraine and George? And then, of course, there's Biff the bully.

Leave your entry in the comment section below, and I'll pick one winner to feature Tuesday, July 31, complete with a "new" cast photo. To see a list of characters to recast and a photo of the BuzzSugar t-shirt, read more

Characters to recast:
Marty McFly (Michael J. Fox)
Dr. Emmett ("Doc") Brown (Christopher Lloyd)
Lorraine Baines McFly (Lea Thompson)
George McFly (Crispin Glover)
Biff Tannen (Thomas F. Wilson)

The BuzzSugar t-shirt

FlashForward Breakdown, "Believe"

BuzzSugar — Fri, 20 Nov 2009 11:30:32 -0800

The most central characters of FlashForward take a backseat this week, letting Bryce and Aaron take the spotlight. It's a nice relief from Mark and Demetri's constant agonizing over their own fates (though we still get a dose of that, too).

We learn that Bryce has been keeping a big secret, and Aaron's reunion with his daughter isn't all he had expected it to be. Ready to get into it? Just read more.

I want to believe: We finally get some insight into why Bryce tried to kill himself: he has stage four cancer and has been keeping it a secret from everyone but his therapist. We also get to see his saving grace - in his flashforward, Bryce is laughing and smiling in a restaurant with a pretty Asian woman. Determined to make his fate come true, Bryce takes up Japanese (with Nicole's help) and even heads to Asia when he's supposed to be in Houston testing out a wonder drug. Here's what confuses me: in Bryce's vision, he sees himself saying "you're really here" and he knows it's months into the future. Why does he try to rush fate? I wasn't surprised at all when he and Keiko don't make the connection in Japan (though I did feel a bit disappointed for him). Side note: Nicole is totally falling for Bryce.

Across the pond: Bryce isn't the only one who is featured this week; we get some background info on the (literal) woman of his dreams. Keiko is a young, bright woman living with her parents and working for a robotics firm. Though her life looks perfect on paper, Keiko is bored at work and with her personal life, longing to play her guitar and find her soulmate. She gets a shiny new outlook on life when she sees Bryce in her vision, and we realize that their meeting doesn't take place in Japan after all, but in LA.

Family ties: Aaron is having a hard time adjusting to life with Tracy. Her continual drinking habit causes a fight between them; Aaron can't be around alcohol, and Tracy feels entitled to drink after all she's been through. Tracy storms out and Aaron blames himself for her addiction and her post-war transformation. Mark only makes matters worse when he accuses Aaron of telling Olivia that he was drinking in his flashforward, and Aaron tells Mark he shouldn't be his sponsor anymore. Losing his sponsor can't be good for Mark and his vision.

Other major plot points:

Demetri finally makes strides on figuring out who called him about his murder. The call is traced back to Hong Kong, and though Stan doesn't want Demetri heading overseas, Mark offers to go with him in secret.
The FBI agents discover that suspect zero wears a ring with an alpha symbol on it but aren't sure what to make of it.

Did you like this week's episode, or were you longing for more action? Will Nicole get in the way of Bryce and Keiko?

FlashForward Breakdown, "Playing Cards With Coyote"

BuzzSugar — Fri, 13 Nov 2009 12:30:30 -0800

After Al's tragic suicide on last week's episode of FlashForward, this week shows how the idea of "changing the game" has affected all the characters. Mark and Olivia start to find new hope for their relationship, Lloyd teaches Simon a lesson, and Aaron learns more about where his daughter has been for the past two years.

Ready to get into all the details? Just read more.

"The future can be changed": Al's death makes headline news when Celia gets her letter in the mail, instilling hope in Mark and Demetri - for a bit. Mark whisks Olivia off on a romantic getaway and things seem to be much happier between the two. But once they're back to regular life, they both get a reality check: Mark gifts her the lingerie she's wearing in her flash forward, and Aaron's reunion with Tracy makes Mark go back to believing that the visions may be set in stone.

The stars are aligned: Mark thinks he has a big lead when some footage shows up of a man he recognizes from his vision - a woman named Ingrid reports a crime and her phone images reveal a man with a tattoo of three stars on his arm. Thinking it's the same pern who breaks into his office in the future, Mark immediately dedicates himself to finding the guy. Using Ingrid as bait, Mark manages to take kill him, and rushes home to Olivia to tell her that they're going to have a second chance because he changed the game. But then - surprise! There's a whole crew of dudes with that tattoo. Um, seriously Mark? This never occurred to you? It's not like the guy has an unmistakable tattoo of Edward Cullen on his arm.

That was a crazy game of poker: Feeling guilty about that whole deadly experiment thing, Lloyd sends out an email to a few colleagues saying "We have to take responsibility." Of course, Simon isn't pleased about Lloyd's plans to go public and wants to settle their argument over a game of Texas hold 'em. There's plenty of trash talking from Simon, who thinks that he and Lloyd are gods for the impact they've had on the planet. He tosses around ideas of fate (was anyone else thinking about Lost's Charlie and his fate finger tape?) and just when Simon thinks he's sitting pretty, Lloyd turns the tables with a sleight of hand. (Some U2 lyrics come to mind here). Somehow I still don't think Simon is going to make it easy for Lloyd to publicize what they've done.

Reunited and it feels so good? Tracy is back at home with Aaron, but she's not exactly the same girl that went off to war. She's lost her leg in combat and suffering from PTSD, which she's reluctant to discuss with her dad at first. Feeling confident from his flash forward, Aaron encourages Tracy to open up about what happened overseas. She finally reveals that her near-death experience was an ambush from Jericho, a group of military contractors that she ratted out after seeing something she shouldn't. Tracy is paranoid after living a life on the run for two years (and is not at all pleased when Aaron talks to Mark about her situation). Though keeping track of all the different characters and their separate story lines is getting confusing, I'm liking this new development in Aaron's story.

Other plot points:

Janice tries to quit but Stan won't let her. As she continues to contemplate Al's death and her vision, she starts looking into sperm donation - does this mean those are tears of joy in her flash forward?

Ingrid says that she remembers one of the shooters saying "QED," which is also brought up during Simon and Lloyd's poker game.

Ingrid and her bird collection can be added to the list that already includes the crows and the bird crashing into Fiona's window.

So, is that Simon strangling Nicole in her vision? Creepy. I'm wondering if she finds out his secret and tries to intervene.

How'd you feel about this week's episode? Any new theories on what's going to happen over the next few months? Let's get the conversation going!

SYTYCD's Peter and Pauline Say Farewell Together

BuzzSugar — Thu, 12 Nov 2009 14:30:30 -0800

This week, Peter and Pauline said good-bye to the So You Think You Can Dance stage. The tapper and the jazz dancer who had also been partners took some time this morning to talk about their experiences on the show with a few reporters.

Peter:

On how great of a venue the show is for tap: I think it was time for tap to be on the show, and I definitely think that So You Think You Can Dance needs more of it. I'm just proud that the three of us - Bianca, Phillip, and myself - got to represent tap the way that it needed to be represented.
On whether he worries that future tappers may be discouraged to audition: If anything, I hope that I inspire tappers to audition for the show, because I know that when the show first started, tappers were very rare, because they didn't take [them]. So I hope I inspire tappers to audition for the show, because if I can make it, any other tapper can make it. All it takes is a little bit of belief in yourself.
On his future plans: The one thing I would love to do is start my own tap show. I feel as though there aren't any shows anymore that are primarily tap-based.

To hear Pauline's thoughts, just read more.

Pauline:

On whether she had a sense of dread during rehearsals, after calling the Quickstep "the kiss of death": I did, at first. When I drew quickstep, I already knew in my head instantly, "Oh no, this can be really bad." Coming in to the rehearsal, the choreographer started teaching us, and it wasn't bad at all. The whole movement - it was just really fun, and just really energetic. I didn't feel there was one dull moment in that rehearsal. But I did feel some sort of dread in it, some sort of, "Oh no, this is the quickstep, this is what everyone doesn't want to draw out of a hat."
On the Van Gogh dance: That was my favorite dance. It was so creative and the concept was so good; the way Wade explained it, me and Peter were very excited for it. The whole thing about coming back for Van Gogh because he supposedly erased us from his first draft - that was actually exciting, because we get to play a character that we really aren't. It was considered jazz, but I don't think it was jazz, because Wade's choreography and Wade's style - I don't see an actual name for it. I would call it Wade. He's so different, and his stuff is very unique. I pulled Wade, and not jazz.
On her future plans: I'm going to go back and teach at the studio I grew up at. I do want to tour, dancing and teaching, in other countries and around the US. But at the same time, on the show, I was working with wardrobe, and I've always had this fashion sense in me - I want to be a fashion designer or something in that area. Just as a side thing, aside from dance, so I can get in that industry and be creative with the costumes. But I will still be dancing no matter what.

Photos courtesy of Fox

FlashForward Breakdown, "The Gift"

BuzzSugar — Fri, 06 Nov 2009 09:30:48 -0800

On this week's episode of FlashForward, we get some of those big payoffs that Sonya Walger promised. While the main characters' most important relationships grow more tense, the FBI agents learn more about the blue-hand situation, and the end of the episode has two very big twists.

There's plenty of excitement to discuss, so to get into it, just read more.

Call me Al: We don't learn much about Al in the first handful of episodes of the season, but boy do we get an eyeful and an earful this week. Turns out Al's flash-forward is a lot more jarring than just a dead bird - it's followed up with a phone call revealing that a still-mysterious chain of events ends in Al "accidentally" killing a mother of two. Throughout the episode Al seems to have a laid-back, collected demeanor (even when he opts in for a game of Russian roulette), but inside he's a mess. In the end, Al is so overcome with grief about having a death on his hands, that he decides to "change the game" and commits suicide. I have to admit, as heartbreaking as that scene is, I was kind of glad Al went through with it - just to prove that the flash-forwards aren't necessarily the future. Everything is changed now, the paths can be adjusted, and both Mark and Demetri realize this as they head home to their significant others. Now that they believe the visions can be adjusted, I can't wait to see what else they try to do to throw their visions off course.

My blue heaven: Following up on Demetri and Al's scavenger hunt to find the "blue hands," the fun continues this week as the FBI agents discover that the blue hands are actually a "death club," with meetings set up all over the country for people like Demetri who didn't see a flash-forward ("living ghosts"). It kind of reminded me of Fight Club, though Mark defines it as a "book club with bullets." The guys are hilarious in their street clothes headed to the party, though what they find inside is pretty horrific. After a quick game of Russian roulette, the guys enter what can only be defined as a torture den - people who believe they are going to die doing all kinds of creepy things to each other. I have to say, if I was one of those "living ghosts" I think I'd either be trying to do all the fun things I never got to do before - or I'd just want to get it over with. Why anyone would want to be tortured when he or she is already tormented by the idea of their inevitable death is beyond me.

Blast from the past: Aaron gets a visit from Mike, a friend and solider who served at the same time as Aaron's daughter Tracy. Mike passes on a Swiss Army knife to Aaron, a good-luck charm that Tracy wanted her dad to have should anything happen to her. Aaron is overjoyed since the knife also appeared in his vision, though Mike isn't exactly receptive to the notion that Tracy is still alive. He explains to Aaron that he watched Tracy die (though hello! He didn't even check to see if she was breathing), but surprise! Tracy is sitting in Aaron's kitchen at the end of the episode.

Other plot points:

As tensions rise between Demetri and Zoey, Demetri finally admits to Zoey that he didn't have a flash-forward and is going to die. Zoey refuses to accept it, insisting that should could feel Demetri in her vision and that nothing's been decided yet. Demetri seems skeptical about choosing Zoey's side to "hope" for the best, but after Al's suicide, he seems to have warmed up to the idea that he can change his fate.

Like Demetri, Al's death is a wake-up call for Mark. After suffering problems with Olivia (how sad is it when Charlie catches him crying?) he runs home and embraces her sweetly.

Instead of helping out at the church, Nicole lands a gig volunteering at Olivia's hospital. We learn that she speaks Japanese pretty will, and now is helping Bryce try to find the mysterious Japanese woman from his vision. Will this somehow lead to Nicole's scary vision? Is she sticking her nose where it doesn't belong?

What did you think of this week's episode? Do you think other characters will try to "change the game," too?

The Office, "Double Date": Best Lines of the Night and Video!

BuzzSugar — Fri, 06 Nov 2009 06:30:00 -0800

I knew it was going to be hard to top the koi pond incident (and those Halloween costumes), but I was glad to see this week's The Office return to the storyline with new paramours Michael and Helene. This time, Pam is actually coming around to the idea of her mother dating her boss, but per his usual protocol, Michael is ready with a few blunders to messy things up. We also had a friendly competition between Andy and Dwight and - naked photos? Tsk, tsk Kelly. It's called subtle sexuality, key word being subtle.

Michael provided my favorite quote of the evening, but take a look at my list (spoilers!), and then weigh in with your own favorite zingers.

"If you clench your buttocks together when you're walking, you can really take the pressure off your knees."-Dwight
The who-can-outdo-each-other's-politeness competition between Dwight and Andy was pretty hilarious. Of course neither of their intentions were pure - Dwight wants to be kind so everyone owes him and he can unseat Jim as co-manager; Andy does it...well, pretty much because he has to be better than everybody else.

For more funny lines, plus a video of the parking lot brawl between Michael and Pam, read more.

"The chicken parm is good. It was a big part of my childhood. Oh, maybe Michael will start dating that too."-Pam
Yep, this week saw the return of the Michael and Helene's romance, when he takes his new girlfriend out to a birthday lunch with Pam and Jim. I'm glad the writers reintroduced it, but obviously Pam doesn't share my same enthusiasm.

"The only time you should care about a woman's age is if she's too young for you. And I am not robbing the cradle. If anything, I'm robbing the grave."-Michael
Ah Michael, always so sensitive to a woman's feelings. I loved watching him gradually panic as he realized Helene was older than expected. But dumping her on her birthday, in front of Pam and Jim? That was low, even for him. Such an ageist. Pam exacts her revenge though by beating him up. Check out the video of their showdown:

"What if Dwight dies and I still owe him something? That is the recipe for a ghost."-Andy
Can't blame Andy. I wouldn't want the ghost of Dwight Schrute after me either.

"What a waste of a day. I could've grown poison mushrooms that would've been this high by now."-Dwight

Dwight feels bummed that he couldn't get back at Jim - all that work going to New York just for bagels! - but I'm sure he'll concoct something for the next episode to take Jim down. Perhaps that's what the mushrooms are for?

"I saw my life flash before my eyes. I have four kids, and I have a hover car and a hover house. My wife is a runner and it shows."-Michael
Such a dreamer that Michael. After Pam slaps him across the face for calling things off with her mom, he starts imagining his future. I was really hoping that they'd drag out the coupling between him and Helene for at least a couple more episodes - do you think their romance is really dunzo?

What did you think of this week's installment? Were you sort of pulling for a relationship between Michael and Helene? Tell me (along with your favorite lines) in the comments.

Want to keep swapping opinions on this episode? Check out The Office! group in the BuzzSugar Community!

Photo courtesy of NBC

Glee-ful Highlights and Video From Episode "Mash-Up"

BuzzSugar — Thu, 22 Oct 2009 05:30:00 -0700

The Glee train is chugging right along, and I don't just mean the new episodes. This week we learned that Madonna has given the green light for the show to use her music and the first 13 episodes will be available on DVD in December. Now, on to the good stuff.

This week the tables turned on the glee club's king and queen, as Finn and Quinn learn that they're no longer safe from getting the slushie treatment. Ken tries to make the football guys choose between the team and the club as a retaliation for Will's relationship with Emma, and Sue finds love! For a minute. Oh, and Puck and Rachel team up and Mr. Schue has his own dance dance revolution, so read more.

I was happy that this week's episode is Terri-free but has tons of Emma. Emma singing! Emma dancing! Emma in a wedding dress! I still can't forgive her for agreeing to marry Ken, but she's pret-ty adorable all dolled up staring into Will's eyes. Speaking of which, the tension between them is more palpable than ever. They're almost like the new Jim and Pam.
So, Rachel and Puck? I guess it was only a matter of time, but their little love affair still feels totally random. On the other hand, I guess that's what high school is all about. When Rachel shows a bit of maturity and asks Puck to be friends, Puck pulls a typical jerk move and gives her the cold shoulder. So the real question is - how long before Puck gets Quinn and Rachel gets Finn? Between Emma/Schue and the gleeks, there's just unrequited crushing up the wazoo.
Let's talk about the performances. I know that Mr. Schue is a talented singer and dancer, but I have to admit that I was cringing during "Bust a Move" and almost couldn't watch the "Thong Song." Can't they use those pipes and moves on something a little less embarrassing? Puck's rendition of "Sweet Caroline" is, for lack of a better word, sweet, and I loved Emma's surprise performance of "I Could've Danced All Night."

Need to watch Schue's "Thong Song" serenade again? Check it out!

Emma isn't the only one getting dance lessons, though. Sue swing dancing with Schue is genius. It's by far my favorite moment of the episode, particularly that Sue plays the guy, literally sweeping Will off his feet in the end. Sue finally shows that she's got a mushy side when she falls for the news anchor, but obviously it doesn't last long. However, her lovestruck episode does deliver some memorable moments, like that zoot suit.

Check out a cute behind-the-scenes video of Matthew Morrison and Jane Lynch practicing their dance number:

The episode isn't without a few cheesy after-school special moments, too. Poor Kurt shows Finn the true meaning of friendship, taking a slushie to the face "for the team." Then Finn answers back when he returns to glee with high hopes to pave the way for all the singing, dancing, football players of the future. The week's winning mushy moment goes to the kids happily giving Mr. Schue a slushie facial of his very own.

What'd you think? Should Finn and Quinn just break up already? Will Sue get another shot at love? Did you miss crazy Terri? Don't forget to join the Glee Club in the Buzz Community to keep the conversation going!

Photos courtesy of Fox

FlashForward Breakdown, "Black Swan"

BuzzSugar — Fri, 16 Oct 2009 08:30:00 -0700

It's been two weeks since the blackouts, and in this week's episode of FlashForward, the people of the world are slowing getting back into their old routines. The only problem is, their outlook on the world is a bit marred to say the least. Nicole finally resurfaces, Olivia and Bryce spar over the meaning of the flashforwards, and Demetri and Mark come to blows.

We get a little more insight, a glimpse at Dominic Monaghan and one very big reveal, so just read more.

Can the future really save people?
Olivia and Bryce meet Edward Ned (who hilariously insists on being called "Ned Ned"), a new patient with a constant sense of calm and a conviction that in sixth months he'll have transformed into a black man ("like Oprah black"). At first he just seems nuts, until Bryce uses Ned's vision to diagnose him. Still trying to convince herself that the flashforwards may not come true, Olivia refuses to use Bryce's method and nearly kills Ned before changing her mind. Ned declares that the "future saved him" and Bryce agrees. But what about the people who are afraid of their visions? Can the future save them too, in that they can somehow avoid what they see? (Side note: I almost choked when I recognized Ned as Todd from Wedding Crashers).

Does Nicole deserve to be punished?
Nicole finally picks up her baby-sitting gig again, and it's revealed that she and Aaron are connected through his daughter Tracy. Clearly disturbed by her vision, Nicole seeks out a priest in hopes to start some volunteer work. She eventually reveals to Mark that she's being drowned in her flashforward, and the murder feels deserved. But why? Mark assures her that she did nothing wrong, but we all know it won't be that simple. In the pilot Nicole is gettin' busy on the couch while Charlie is sleeping, so she has a bad girl side. But now that she knows her possible fate, what could she do to warrant a punishment like that? Also, I could be wrong about this - but her attacker looked like he could definitely be Dominic Monaghan, aka Simon.

What's the deal with Alda Herzog?
Referred to as the "female Osama Bin Laden," Alda Herzog is clearly shady - but what does she know about the blackouts? She toys with both Demetri and Mark, sending them on a wild goose chase to the Customer Choice Restaurant Group, and later telling Mark that he's just "a little boy in the dark." She easily gets a rise out of both of them, even prompting Mark and Demetri to start a fist fight. I can't help but wonder if she's got them totally wrapped around her finger, a la Nazi Guyer from last week's episode, or if she's really sent Mark down the right path to get some answers.

How is LLoyd Simcoe involved in the blackout?
Lloyd continues to struggle with caring for Dylan after spending so many years as an absentee father. He continues to try to garner help from Olivia, but she pushes him away in constant fear of her flashforward. Lloyd has a tender moment at Dylan's house as he attempts to learn a little bit about his boy, and the two make a connection back at the hospital. Everything is all puppies and roses until he gets a call from Simon - who implies that the two are responsible for causing the blackouts.

Other points:

I loved the Shakespeare in Love throwback when Mark is being silly with Charlie: "You're the Shakespeare of cheesy dad humor!"

The opening of the episode, set to Bjork's "It's Oh So Quiet" was a very poetic way to look at the blackouts - especially since we can't hear all the catastrophic noise and commotion that usually defines the incident.

There seems to be a long focus on the "Pimp" necklace during the trailer park scene. Is that going to come back to haunt us?

What'd you think of this week's episode? Do you think there's a connection between those who see hopeful visions and those that see hurtful ones?