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A Good Year for Robert Downey Jr

BuzzSugar — Wed, 31 Dec 2008 15:15:57 -0800

Why was 2008 so good for Robert Downey Jr.? Because we just couldn't get enough of him. The man's had a lot of career ups and downs, but this just might have been his biggest year ever.

How so? Well, let's see. There was a little thing called Iron Man, which shot to the top of the box office as the Summer's first true blockbuster and was basically just the most fun ever. It didn't take long for Marvel to decide that Downey's man-robot deserved another go-round, with Iron Man 2 already scheduled to open in May 2010 and Iron Man 3 in development, too. Oh, and Tony Stark's also going to be showing up in The Avengers, making RDJ one of the busiest superheroes on the block.

But that's not all. He also took on a role that could have been incredibly controversial or just bad, an awards-obsessed actor who physically changed his skin to play a back man - and pulled it off perfectly. Tropic Thunder became Downey's second box office winner of the Summer - and this time, the role nabbed him a Golden Globe nomination and your votes as the best comedic male actor of the year.

And Downey shouldn't be falling off the radar anytime soon. Besides the Iron Man and Avengers films, he's also signed on to play Sherlock Holmes, will be a cowboy who battles aliens, and will be back in theaters this Spring in The Soloist. It's so good to see him back at the top of his game; here's hoping that 2008 is just the start.

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A Good Year For Elizabeth Banks

BuzzSugar — Tue, 30 Dec 2008 14:00:39 -0800

Among all the great entertainment in 2008, a few people clearly stood out, including the beautiful and funny Elizabeth Banks. Why was this year good for Elizabeth Banks? Because she was everywhere.

The woman was in six - count 'em, six! - movies that were released this year. Some were ridiculous and silly (Meet Dave with Eddie Murphy, Meet Bill with Aaron Eckhart, Role Models with Paul Rudd) while one was ridiculous and raunchy (Zack and Miri Make a Porno alongside Seth Rogen). She got to be in the sweet movie Definitely, Maybe with Ryan Reynolds, and she did a serious Laura Bush impersonation, with Josh Brolin as her George, in Oliver Stone's W. And in just a few weeks we'll see her play a freaky stepmother in the scary movie The Uninvited.

She's got range and beauty and crazy comedic skills, and I wish every year could bring us this much Elizabeth Banks.

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A Good Year For Tina Fey

BuzzSugar — Mon, 29 Dec 2008 15:15:31 -0800

Among all the great entertainment in 2008, a few people clearly stood out. One of them was Tina Fey, the 30 Rock comedienne, Baby Mama star, and Sarah Palin impersonator extraordinaire. Why was this year so great for Fey? Let me count the ways:

She dropped the hint that she wanted Oprah to come hang out on 30 Rock, and just a few months later, it totally happened - in one of the show's funniest episodes to date. Now that's power.
With Baby Mama, she was part of a movie that was not just sweet and funny but also a box office winner.
She got herself some hot onscreen dates, hooking up with Steve Carell for the forthcoming comedy Date Night and hiring Jon Hamm as a possible love interest on 30 Rock.
With her Palin-esque "I can see Russia from my house," she became a great reason to watch SNL again.
She's a Vanity Fair covergirl and a sought-after comedic author, the AP's entertainer of the year, and your favorite comedic actress of '08. A pretty good year, indeed!

Movie Preview: Amy Adams in Leap Year

BuzzSugar — Sat, 14 Nov 2009 10:30:04 -0800

You can rarely accuse a romantic comedy of being original, and the set up for Leap Year is no different. Amy Adams stars as Anna, a woman who's waiting for her boyfriend (Adam Scott) to propose when she learns that according to Irish tradition, women are "allowed" to propose to men on February 29, leap day. She chases him to Dublin and when she's diverted to Wales, meets a handsome stranger (Matthew Goode) who makes her rethink her scheme and relationship. Stop groaning.

I know the movie sounds cliche and sexist, yet I can't dismiss anything with Adams in it - her charm is just too powerful! Seriously, though, amid the mildly offensive plot details and too-familiar setting (how many times have we seen that stuck-in-the-road-while-cows-cross scene?), Adams still shines along with her freakishly dreamy foil, Matthew Goode. Take a look at the trailer to see for yourself, and watch out for a small bit from It's Always Sunny in Philadelphia's Kaitlin Olson, when you read more.

Leap Year comes out January 8, 2010.

Bad Lieutenant: Good Cop Gone Nuts

BuzzSugar — Fri, 20 Nov 2009 14:30:49 -0800

Nicolas Cage has said, "There's a very fine line between Method actor and schizophrenic." In Werner Herzog's Bad Lieutenant: Port of Call New Orleans, he teeters that line maniacally, with an ever-increasing slur and crooked swagger. Cage plays Terence McDonagh, a detective in post-Katrina New Orleans investigating a drug-related murder and his personal threshold for cocaine and heroin.

The first news of Bad Lieutenant was puzzling: famously extreme director Werner Herzog re-imagining a 1992 cult movie, also called Bad Lieutenant, but shifting the action to New Orleans and casting Nic Cage in the Harvey Keitel role opposite his Ghost Rider costar Eva Mendes. Weird.

But in fact, Bad Lieutenant is Herzog's second surprisingly accessible movie in as many years, following 2007's Rescue Dawn. And Cage is brilliant in a role seemingly made for him, so read more.

The noirish, pulpy, desperate, and often hilarious film opens with a good deed: McDonagh dives into a Katrina-flooded jail cell to save a prisoner's life, in the process injuring his back and subsequently getting hooked on Vicodin and then far harder drugs.

As a degenerate cop in a washed-out city, Cage makes Denzel Washington's Training Day villain look like a Boy Scout. He slithers through the streets, confiscating drugs to snort with his prostitute girlfriend (Mendes), hooking up with a drug kingpin played by Alvin "Xzibit" Joiner, and fending off a rising tide of self-created trouble. "Being courteous is really getting in the way of my progress," he croaks before one of his more disturbing moral lapses.

In post-Katrina New Orleans, Herzog has found the perfect setting. He never lets the city look pretty or even charmingly decayed, and he populates it with iguanas and alligators and snakes and fish. At every turn, McDonagh is confronted by cold-blooded animals, as he careens between the call of duty and the cold-blooded instinct of his addiction. It's impossible to ignore the reptilian symbolism, and the effect is perfectly bizarre. Despite its darkest moments, Bad Lieutenant is a remarkably good trip.

Photos Courtesy First Look Studios

Grey's Anatomy Rundown, "Holidaze"

BuzzSugar — Fri, 20 Nov 2009 07:00:00 -0800

As evidenced in my holiday TV sneak peek, this week's episode of Grey's Anatomy puts the doctors on a fast track that starts on Thanksgiving eve and runs through New Year's Eve. As we all know by now, the Seattle Grace surgeons aren't always big on merriment, but the holidays are always the perfect time to bring out the truth in feelings and relationships.

Meredith bonds with the Chief while Mark learns that he has a teenage daughter. Bailey has a confrontation with her father and Teddy and Owen's sexual tension comes to a head. To read all about it, just read more.

As the episode opens, the Chief is trying to justify his drinking to Meredith - explaining that his alcoholism was "misdiagnosed" and that he was actually suffering from situational depression. (Um, right.) It's unclear whether Mere takes his word for it because she believes him or feels like she has to, but she accepts his mentorship. Later she bites off Thatcher's head when he suggests that the Chief shouldn't be drinking, and by NYE realizes that he does have a problem, but continues to keep it a secret. There is one good thing that comes from it: Derek and the Chief finally make amends after duking it out all season.
Bailey does her best to avoid acknowledging the holidays because she's afraid to tell her parents about her divorce. Instead, she gladly dives into work - until her father makes a surprise visit on Christmas Eve. After watching Miranda perform surgery, he delivers a way harsh speech about being ashamed of her decision to "break" her family and put work first. At Christmas dinner (with the whole Seattle Grace crew, no less), Miranda finally puts her foot down and tells her dad that she's not willing to settle for a bad relationship. Did anyone else want to slow clap, at this point? Because I did.
Mark gets a blast from the past when a buxom blonde appears at the hospital claiming to be his daughter. (I kind of love that her name is Sloan). Mark isn't exactly thrilled with feeling old, joking that "death has come to call." Lexie is also troubled by the news at first, and I couldn't blame her for slicing her finger when Mark drops the bomb that Sloan is moving in. Two months later, he hasn't made any progress, and it's clear that his daughter isn't exactly a cup of tea. Just when Mark finally gets the nerve to kick her out, Sloan reveals that she's pregnant with a baby of her own. Instead of contemplating his potential grandpa status (talk about feeling old), Mark's paternal instincts kick into gear with impeccable timing and he comforts her. Sidenote: I find it interesting that Mark handles the situation exactly how Quinn wished her parents had on Glee this week - stroking her hair, assuring her that everything would be okay.
Teddy is already coming between Cristina and Owen's relationship, even if just with pages. Still loving her new cardio god, Cristina is happy to be Teddy's bitch (as Alex calls her) and work as a team - until she catches Owen giving Teddy meaningful glances. Owen confronts Teddy and reveals that he had feelings with her when they were overseas together, and in turn Teddy confesses that she's always been in love with him. They are literally this close to kissing, but Owen says he loves Cristina and runs to her instead. Despite their passionate makeout sesh at the end of the episode, I still have an ominous feeling about Cristina's kiss with Avery (who is still giving her flack about her relationship with Owen).

What's your verdict on this week's episode? Are you sad to put Grey's aside for six weeks? Did it put you in the holiday spirit or did it all seem a bit premature? Don't forget to keep the conversation rolling in the Grey's Anatomy McAddicts group in the Buzz Community!

90210 vs. Melrose Place: Which Was More Scandalous?

BuzzSugar — Wed, 18 Nov 2009 09:30:19 -0800

The Tuesday night CW block made a particularly strong showing this week. Personally, I thought 90210 had one of its best episodes of the season - nice character development, a few teary moments, and some "oh no she didn't" disses. And as for Melrose Place, I've got two words for you: Heather Locklear. Yes, Amanda Woodward is back, and it's quickly becoming clear that the residents aren't going to have it easy any time soon.

So with plenty of drama to go around, which show shocked more? Let's break down all the juicy tidbits and decide the victor when you read more.

90210 point: Well, Annie sleeps with Jasper, and she skips into the kitchen in the morning to tell her parents about her new boyfriend. Debbie invites him for dinner - but once Dixon warns about his druggie reputation, Deb and Harry are less than enthused and forbid Annie from seeing him. She, of course, gets defensive, and as for Jasper's reaction? He tries to kill Navid by pushing him down the stairs at school.
Melrose Place counterpoint: Speaking of crazy murderers, did Michael off Sydney? Sure seems like it after David ransacks his car and finds her bloody necklace in a plastic bag. Now, he's determined to clear Auggie's name (who has since been shunned by all of his friends) and get payback by putting Michael behind bars.

90210 point: Richard and his mom walk in on Naomi with Jamie. (How about the Dean sarcastically calling Naomi "classy?" Ouch.) Naomi admits to Jamie that she was dating Richard for the wrong reasons, and he breaks up with her over it. Her guilty conscience getting the best of her, Naomi then confesses to Richard, too. Jamie finds out and asks to get back together, but unfortunately for him, Naomi had an epiphany during their 24 hours apart - she's still not over Liam.
Melrose Place counterpoint: Like I said, Amanda Woodward is back, and she's out to make Ella's life hell. First she fires Caleb, and then she sends in an agent named Melissa to lure Ella away from WPK as a "test." Oh, and did I mention that Melissa comes on to Ella and the two women make out in a back room? That part totally came out of nowhere - talk about scandalous.

90210 point: Last week Silver's mom Jackie wasn't waking up, and this week starts with her being rushed to the hospital. The doctor tells Silver and Kelly to say their goodbyes, but Kelly refuses after all the years her mother mistreated her. She regrets that decision later, so she finally makes amends and tells Jackie that she forgives her. Jackie passes soon after, and I admittedly got a bit choked up.
Melrose Place counterpoint: Things are looking up for Riley - her jeans campaign is all over magazines - but once Amanda Woodward steps in, she concocts a rags-to-riches fake bio for Riley for PR purposes. Once the press starts asking questions, Riley admits to the lie and things blow up in WPR's face. Amanda seeks revenge by asking Ella to rat on Riley for abusing her sick days for the photo shoots. When Ella won't agree, ruthless Amanda does it herself, and Riley gets fired.

90210 point: Adrianna tells Navid that he was easy to get over because she was never really in love with him. Brutal. Then Naomi discovers Adrianna's stash, and she says good riddance to Adrianna, too. This can't be good for her substance problem.
Melrose Place counterpoint: Can we talk about Violet and Auggie's sex scene on the kitchen counter? Lauren's stripteases make me blush enough already, but this may have even topped that.

90210 point: I still can't stand Jen, but we're slowly starting to see her softer side. Ryan suggests going camping, and she packs a fondue set and a Burberry rain coat - not exactly low-maintenance is she? After she complains a lot, Ryan tells her he's disappointed since he's always bending over backwards for her. She takes his words to heart - even builds a fire! - and opens up about being broke . . . and still married.
Melrose Place counterpoint: In other couple news, David woos Lauren by decorating her apartment like Autumn, complete with falling leaves. But just as things get hot and heavy, she puts on the brakes, because of her "issues" with intimacy. How long are they going to drag this out?

While I really enjoyed 90210, we're talking about scandal here, so I'm going to give this week to Melrose Place. Having Amanda Woodward on your side already makes you a lock, but then throw in the borderline porno - Auggie and Violet, Lauren and David, Ella and Melissa - and it's a no-brainer. Plus, we had a great MP cliffhanger - what exactly is Sydney is referencing in her letter to Amanda that says, "You'll never find it?" You'll never find what?!

Tell me your theories (and what you thought about the episodes) in the comments! And don't forget that if you're a 90210 follower, you can always join the 90210 Superfans group in the Buzz Community.

Photos courtesy of The CW

Buzz Interview: Eric Stonestreet on Playing Modern Family's New Dad Cam

BuzzSugar — Wed, 18 Nov 2009 06:30:49 -0800

Freshman comedy Modern Family has filled a void in my life - I find myself laughing out loud each week, and I'm not the only one digging it. A huge part of the show's greatness can be attributed to its amazing cast; one of my favorites is Cameron - one half of a same-sex couple adjusting to life with a new baby. Eric Stonestreet, who plays Cam, sat down with me to talk about the show's crazy success and the real-life experience he used to portray a clown in next week's episode, "Fizbo."

On whether he expected the show to be so successful: No. I had a very, very good idea that based on the writers’ history and their very extensive careers that we had a really, really good shot at being something great. Anybody that tells you in this business they knew it was going to be this well-received is crazy. Actually, being this well-received makes you a little nervous.
On whether the success is a surprise: It’s a bit of a surprise with how outwardly supportive the critics have been, but by the same token, how outwardly supportive and sort of in love with the show fans have been. I think that’s the thing that really feels like lightning in a bottle - when you have both of those things in place. Typically, you have huge fan support and the critics tell you it’s the worst thing they’ve ever seen, or you have critical acclaim and the fans are like, 'what is this show, we don’t get it.' So I think the fact that we have both is rare and exciting.

To hear Eric spilling about upcoming episodes of Modern Family and his clown college rejection, just read more.

On his real-life clown experience: I, as a kid, have early documented pictures of me being very intrigued by clowns. The circus came to town in Kansas City every year around my birthday, so naturally my parents took me for my birthday. Once I saw that clowns were people with makeup and funny wigs and costumes, I was in. By nine, I was getting clown suits made for me by my Grandma Louise, at 11 there were articles written about me in Kansas City about how I wanted to become a one-man show performing for senior citizens and kids forever. You’ll see that article in the episode "Fizbo" that was written about me then. I didn’t want to be an actor; I always wanted to be a clown, and acting sort of found me when I was in college. So to be able to bring back what inspired me to act as a kid to prime time is more than I would have ever imagined possible for myself.
On whether he'd be a clown now if he weren't an actor: No. I auditioned for Barnum and Bailey Clown College and they denied me twice. They did not let me in, those clowns.
On what's next for Cameron, Mitchell, and baby Lily: We have an episode coming up where we’re Ferberizing the baby when she won’t go to sleep, and Mitchell is very much committed to letting her cry it out, and Cameron of course can’t for the life of him imagine why you would let a baby cry it out like that, so there’s drama there. It’s what’s great about the show - yeah, they’re a couple of guys raising a baby, but the focus really on that relationship is the challenges of a relationship, the challenges of parenthood, and just trying to find the happy medium of keeping up a relationship while raising a kid.
On the holiday episode: We have the Christmas episode coming up, where you find out that Cameron had created a choir group, a caroling group, a few years back and he was removed and kicked out of his own caroling group by one of the carolers. That episode is really about forgiveness and the Christmas spirit. It’s a very sweet episode.
On his dream guest stars: I can’t imagine who else they’re going to get. That’s the brilliance and awe-inspiring aspect of this show, that people are watching it and people are enjoying it and willing to participate. I can’t wait to see who they find for Cameron’s parents. I have some ideas of who I want, but I’ll be excited to see who’s coming.

What to Netflix: New DVD Tuesday

BuzzSugar — Tue, 17 Nov 2009 06:30:00 -0800

There's a silver lining to TV shows going into reruns, and it's more time to watch movies! Happily, today there are a few highly-anticipated flicks, and I've gone through them to tell you What to Netflix. In addition to the three movies mentioned below, you can also catch Robert Pattinson's pre-Twilight dramedy How to Be.

Star Trek

This year's updated version of Star Trek turned the franchise on its head. With hot young things Chris Pine and Zachary Quinto in the beloved roles of Captain Kirk and Mr. Spock, the film completely changed the series' history so they could start over with a fresh new story.

It worked like gangbusters: the space-set action movie is clever, entertaining, and tons of fun. It manages to make a sex symbol out of a pointy-eared geek, whom I personally drooled over. The movie manages to pay respect to the original, so those fans are still happy, while pleasing folks who weren't fans of the first (like myself).

The DVD's got lots of extras, including deleted scenes, a special feature on casting and a gag reel.
95%

See two more movies releasing today when you read more.

Bruno

Sacha Baron Cohen's mockumentary follow up to 2006's wildly successful Borat, Bruno is more of the same: cringe-worthy setups that make for laughs. This time, though, the envelope that was pushed in the former is torn to pieces in the latter. It's not for the faint of heart or easily offended, but if you like Baron Cohen's humor, you'll appreciate the awkward-beyond-words situations.

I was torn - I wanted to laugh as hard as I did at Borat, but most of the time I was just wincing.

DVD extras include alternate and deleted scenes, as well as enhanced commentary.

67%

My Sister's Keeper

Need a good cry? Rent the tearjerker My Sister's Keeper. The drama stars Cameron Diaz as a mother presiding over her Leukemia-stricken daughter Kate, and the child they had in order to provide a kidney donor for Kate, Anna - who's played wonderfully by Abigail Breslin. When Anna sues her own parents for the rights to decide what to do with her own body, Diaz and her husband Jason Patric try to figure out what's really going with her.

I was definitely moved by the film, but you'd have to be made of stone not to, considering the subject matter. If you read the book, take heed: the ending in the film isn't exactly the same.

47%

Talking New Moon With Kellan Lutz and Ashley Greene

BuzzSugar — Mon, 16 Nov 2009 09:15:50 -0800

Robert Pattinson, Kristen Stewart, and Taylor Lautner may be dominating the promotional circuit right now, but they're not the only cast members with something to say about New Moon. I had the opportunity to chat with costars Kellan Lutz and Ashley Greene, aka Emmett and Alice Cullen, during their recent stopover in SF. They chatted about their characters, the vampire craze, and what it's like to be a "Twilight celebrity." Here are highlights:

On why so many people are crazy for the Twilight Saga:
Ashley: I think this film in particular is highly relatable. There are a lot of situations that people can relate to. The love story - everyone can relate to being in love or being in lust. You add the vampire, and it adds that next level fantasy. Vampires are mysterious and sensual and dangerous and unattainable. And everyone wants what they can't have. I think on another level that this came together at the perfect time. All the elements just fit, the casting was spot on, and we're in a difficult time right now with our economy. That's why you never have a drop in ticket sales because everyone wants an escape, and this movie is very much an escape from reality.
Kellan: It's a good escape but also it deals with so many situations, on so many positive notes. Just looking at it from the vampire coven to the wolf pack. It just deals with everyday issues just on bigger levels, in a way. And you have Bella as the keystone in many situations. You can just all relate from different countries to issues within the United States. It's easily relatable.

To read a lot more about working with three different directors and why they feel so lucky, just read more.

On how their portrayals of the Cullens are similar or different from the books:
Kellan: We got the jobs because we brought something new to it. You can interpret the characters each their own, but I think it's what we did alongside. Just like Kristen said - she's playing Bella but she's putting her Kristen spin on it, just like all of us are. And I think that's what's making it unique. We're still following the cheat sheets that Stephenie created by making the books, and there's Wikipedia. We have a lot of information to go off of. But I hope it's what I did in my audition that set it apart from the other guys trying out.

Ashley: I think it's mannerisms too. People do fall in love with this book, but I think part of it is that they always want more. You can't write out every human mannerism. You can imagine it, but seeing the emotion in someone's eyes and seeing them be affected it - it was kind of easy to give something to it, because we were just being people. We kinda just got lucky.
On how much more of the Cullens we can expect in the remaining movies:
Kellan: Realistically, we stick pretty close to the books. Obviously us Cullens would love to be in the books a lot more, which would mean we'd be in the movies a lot more. Talking New Moon, the scenes that the Cullens - except for Ashley, playing Alice who gets to go to Italy and be a main lead in the movie - us Cullens, we have to stick really close to the books, and the scenes that we're in are really crucial to the story, as you know - the birthday scene, the voting scene. I don't know, it was kind of a tease. Chris Weitz is such an amazing director, and for us, for myself - I only worked about a week on that movie. And it didn't even seem like I really got a taste for what it was.

Ashley: In the third film, you'll see a lot more of the Cullens because it's all of us collaborating and then getting ready to fight this war that's coming up. In the second one, my character got a much larger role because Alice is the Cullen, other than Edward, that really embraces Bella and they end up becoming best friends. In the beginning, you see her throw this huge party for Bella, and then Alice is the one who does, in fact, come back for Bella when everyone else decides to skip town. Alice is responsible for dragging Bella over to Italy, and she and I the whole time are fighting to save my brother's life. And then of course we get held up by the Volturi and stuff like that. My character got to grow a lot, which is really cool. You get to actually see the relationship develop between Bella and Alice, where in the first one you didn't. The first one was very much about the romance and showing the audience why these two people are willing to die for each other.
On working with a different director on each film:
Ashley: Each director is going to be very different. They're artists as well, and I don't think any of them are quite the same. The books, when you read them, all have very, very, different tones. So I think it's highly appropriate that we switch directors each go. The first one is very much a romance and is a very scenic, beautiful film. And Catherine's really, really great at capturing that. She's very high energy and works well in chaos and stuff like that. And it was fantastic because we didn't quite know what we were getting ourselves into, and so it was nice to have her to guide us when we were freaking out a little bit. She was just so high energy, and it was really contagious. We were sad to lose her and move on to the second film, but then we got Chris Weitz and he's the complete opposite! But great as well. He's so giving and caring and collaborative and created this atmosphere that was kind of a safe haven for us. And it was really nice because we didn't know, switching directors, if they were gonna embrace us or if they had a completely different vision than what we created in the first one. It was nice that he was right there on the same page with us. And the second one is a warmer film, even from the color scheme. The first one is very blue tones, and the second one is much richer and warmer and I think he did a great job at capturing that. And we just finished shooting with David Slade, and I think he's highly appropriate as well. He just finished shooting 30 Days of Night and Hard Candy, and they're both very dark, edgy films. And Eclipse is very much that. It's all centered around the anticipation and us getting ready to fight this huge war. We just finished filming, we haven't gotten to see much of it, but I think it's gonna be fantastic. He is, technically, the most advanced director. The angles that he shot and how he knows that tweaking something can affect a whole scene and the lenses. He was really nice to work with.
On coping with the fan effect and being a "Twilight celebrity"
Kellan: That's what blows my mind, 'cause I feel like it's really unearned in a way. The fans are making our careers. Without them, we wouldn't be working and doing the saga. There's so many times that trilogy books become a movie and the first one bombs, and then that's it. And you're always hopeful that you get to do them all. Especially since we're all in love with our characters. I love Emmett Cullen to death, he's my favorite character I've ever played. It's just so cool to have made it this far, and I think we all hope that we get to finish this series and do Breaking Dawn. This is such a blessing, it's every actor's dream to be part of something like this. It's not terribly hard either. We don't shoot halfway around the world; we don't shoot for a year of our lives. I know a lot of us have homes, we have pets, we have family. And it's really nice to shoot on the West Coast, either Portland or Vancouver, and have the chance to fly down if we need to. But it's definitely amazing to be part of something like this. And I don't think any of us knew how crazy it would be and how exhilarating it would turn out to be. Going to the premiere, really just, wow. I don't even remember it because I was really just starstruck by how many fans and signs and cameras. It felt like I was just walking through a strobe light room. It's amazing.

Ashley: I still think we can't really wrap our heads around what's going on and what's happening. We're still in the midst of filming and kept very busy from one film until the next. It's only these brief moments where you sit back and are actually able to take a breath where you go "Whoa. Wow. This is crazy." I mean, the amount of tickets they've already sold for New Moon - I'm pretty sure I can't even get a ticket if I tried to see my film in Jacksonville and it's mind boggling. We're just very lucky. I went into this film thinking "Oh my gosh, I got a job" and the it turned into the biggest break of my life. I think we all feel very blessed to be a part of this.
On how it feels to be part of Twilight fan fiction:
Kellan: It's an escape, in a way. We do live in a trivial time period right now. There's so much depression that it's kinda cool to be a part of something where people use it to be an escape. In a way that's kinda what Stephenie did -she had a dream and just elaborated on it. It became a huge success and it's really encouraging that people are doing the same and just making up this journey.

Ashley: That's why people love it so much I think. You can take it and make what you want of it. Before the demographic was teenage girls, but now it's women of every age and guys are starting to get into it, too. It's because there is that element of fantasy. If you're 8 years old you look at it one way; if you're 80 years old you look at it another. I think it's fantastic that we can draw such a huge crowd. The other thing is - it blows my mind but people are making connections over this film and over this book. there are mothers and daughters and grandmas who can all sit and talk about the same story and all fantasize about it and I think that's a really cool thing. I think it's rare.

To see all of our Twilight and New Moon coverage, check out TwilightSugar!