BuzzSugar

Catch Up With All My Posts From Comic-Con!

BuzzSugar — Thu, 31 Jul 2008 05:30:52 -0700

I'm finally recovered(ish) from my busy weekend in San Diego for Comic-Con! A ton of the festival's action took place on Friday and Saturday, so just in case you missed it, here's a handy-dandy guide to all of my write-ups:

Assorted Goodies
BuzzSugar at Comic-Con: Day One!
Comic-Con Round-Up

Song of the Day: Kristin Chenoweth's Comic-Con Performance

BuzzSugar — Tue, 29 Jul 2008 10:34:22 -0700

As I mentioned in my writeup of the Pushing Daisies panel at Comic-Con, one of the greatest moments was getting to hear an impromptu song from Kristin Chenoweth upon the request of one very cute, very young fan.

I was able to pull the song off my recorder, and so now, you can check Chenoweth's gorgeous rendition of "Somewhere Over the Rainbow" for yourself. The audio isn't perfect - I wasn't expecting to be recording a Tony winner (and Emmy nominee and onetime Miss Oklahoma runner-up!) when I woke up on Saturday - but even with some fuzz, you'll get the idea.

The recording starts with the fan's request - then you'll hear some applause (which was even louder in the room!) and then the start of the song. To check it out, just read more.

A Chat With Spaced's Simon Pegg, Edgar Wright, and Jessica Hynes

BuzzSugar — Tue, 29 Jul 2008 09:30:45 -0700

Hands down, one of the highlights of my Comic-Con experience was getting to meet Simon Pegg and his Spaced cohorts, despite the brevity of our interaction. I sat down for a quick roundtable interview with Pegg and his costar on Spaced, Jessica Hynes, along with Edgar Wright, Pegg's frequent partner in crime (Hot Fuzz, Shaun of the Dead) and the director of Spaced.

In the British comedy, Pegg and Hynes play Tim and Daisy, who rent a flat in London under the pretense that they are a couple. The show is filled with pop culture references and surreal experiences, and if you haven't already, you ought to get ahold of the newly available Spaced DVDs. For now, check out some of the highlights from our chat.

Q: There are a lot of horror references in Spaced. How did that come about?

Edgar Wright: I think that really is my default setting of shooting everything like it was a horror film, for no apparent reason. I mean, there were definitely a lot of references in the script already, particularly to The Shining . . . The whole style of the show is very stylized and sort of kinetic because the characters are so drenched in pop culture, it’s almost like, if they ever had to describe their mundane lives, this [a horror movie] is what it would look like. So it’s almost like, you’re watching them recount their lives, rather than the actuality.

Simon Pegg: Yeah, 'cause they’re like, "I went to work in a kitchen and it was like One Flew Over the Cuckoo’s Nest." Or, "I walked into the room that time and it was like the f---ing Evil Dead," you know? And that’s what you actually see. All three of us love the idea of taking very mundane things and turning them into slightly more grand, cinematic things. Which we took forward into Shaun of the Dead as well after having learned that on Spaced. Jess and I certainly wanted to have this world that was defined by popular culture, shaped by it.

The trio expounds on this and other things (like their intense admiration of Arrested Development), so read more.

Q: Was that also a reaction to the way most sitcoms are shot?

Edgar: Yeah, I think so. I think at the time, when we made the show there were some critics in the UK who assumed that we were trying to sort of burn down traditional sitcoms and that isn’t the case, because some traditionally-shot sitcoms are just fantastic. And it was around the time that Friends was huge, and in the UK there were two or three shows that were kind of trying to do a British Friends, so we wanted to go against that, really.

Jessica: [With] Friends. . . however real it is or funny it is, ultimately there's an aspirational quality to it in terms of the lead characters - the way they look, their world - there’s something slightly unreal about it. And I suppose that I would differentiate between the style of Friends as aspirational and would think of Spaced as sort of inspirational . . . It was important to have it reflect absolutely and intimately our world and experiences and our friends and ourselves. And to have that kind of authenticity it needed to be kind of grubby and sort of . . . real. Because that was our world.

Q: In terms of American TV, do you think there are comedic shows that get it right?

Edgar: Arrested Development did. For the two and a half seasons that it was on-air.

Simon: Arrested Development was just so . . .

Edgar: Fantastic.

Simon: It was depressingly good. Sometimes you watch something as a writer and you think, "Aw, what’s the point?" That show was like that.

Edgar: That was great. Larry Sanders, obviously that’s a bit further back, Curb Your Enthusiasm is really good.

Jessica: I always really liked Seinfeld as a sitcom, just in terms of quality of gags, and characters.

Edgar: And Seinfeld had a big influence, particularly on the second series of Spaced, actually the plotting of Seinfeld was very influential for us.

Simon: I love the American Office, I think it’s great. I love the way that they've taken that and they’ve made it their own.

Photo courtesy of Channel 4

EW's Television Visionaries Talk Sci-Fi and Pies

BuzzSugar — Tue, 29 Jul 2008 05:30:36 -0700

Yesterday, I told you about the rowdy panel of filmmaking greats I attended at Comic-Con. Today, I've got some notes from the television "Visionaries" event, which brought together showrunners Josh Schwartz (Chuck and Gossip Girl), Josh Friedman (Terminator: The Sarah Connor Chronicles), Damon Lindelof and Carlton Cuse (Lost), and Bryan Fuller (Pushing Daisies). Here are just a few of the highlights:

A running joke throughout the panel was teasing Josh Schwartz about Gossip Girl in any way possible. At one point, when the show came up in a question, he said he thought that mentioning it was "a little verboten at Comic-Con," which led the - considerable! - GG fans in the audience to make their presence known. Later, in response to a question about so-called "genre" shows getting lots of buzz over the past few years, Schwartz quipped: "Serena is now a cyborg."
On a related note, plenty of people (rightly) saw the Q&A portion of this panel as their best chance to ask questions of the Lost producers before the mad crush of the Lost-specific event the next day, prompting one panelist (I unfortunately couldn't see which one, as I was on the other side of the huge line) to point at the questioners and count them down, saying, "Lost, Lost, Lost, Piemaker, Piemaker, Lost . . . [mooney voice] Gossip Girl!"
Bryan Fuller is just a big bundle of cotton candy and flowers and goodness. Some various quotes summing up the sweetness: "I am a very sensitive soul. I couldn't do a series like CSI or Criminal Minds where you have to be in a negative headspace all the time. I just wanted to cram a show with as many things that make me smile as possible, like puppies and pie." And, later, "I think we need more awe."
Also, why is the piemaker not, say, a cake baker? "Cake is dry," Fuller said.

To find out which of these guys likes Project Runway, just read more.

Poor Josh Friedman was the most overlooked member of the panel, but he acquitted himself well whenever a question did come his way, showing a good sense of humor about the whole thing. My favorite line from him: "I don't think Terminator works in movie form. I think it's either TV or musical."
Friedman also told the story of casting Brian Austin Green the night before his character was scheduled to make his first appearance. At first, Friedman said, he just assumed the audition was going to be awful. But as soon as Green walked into the room, he had a very different reaction: "When did you get to be so hot?"
Could there actually be too many shows with sci-fi elements on TV these days? "The greatest thing that could ever be uttered in the halls of the networks is 'We have too many shows about time travel,'" Lindelof said.

One of the biggest laughs of the session: Cuse, Lindelof, and Schwartz talking about the Chuck episode where Chuck reveals that he might know the whereabouts of Oceanic Flight 815. What was Schwartz trying to establish by having Chuck mention Lost? "Lost is a TV show," he said, "and Chuck is real."
At the end of the session, someone asked what shows the panelists watched. They mostly cited each other's shows - until Fuller admitted to really liking Project Runway.

EW's Filmmakers Panel With Smith, Apatow, Snyder and Miller

BuzzSugar — Mon, 28 Jul 2008 14:30:03 -0700

Entertainment Weekly held a few "Visionaries" panels at Comic-Con that brought together some of the greats in the TV, movies and comic book worlds. At the filmmakers panel, it was mostly a kick to see Kevin Smith, Judd Apatow, Zack Snyder and Frank Miller all at one table. It turned into the Smith-Apatow comedy hour, but that seemed to suit the audience members (myself included) just fine. Check out some of the highlights below.

The whole panel was super bawdy and raunchy, mostly due to Smith and Apatow making dirty jokes about each other. And then there was the smiling, friendly-faced Zack Snyder, who awkwardly bumbled out an answer to a question, after which there were about three beats of silence before Smith said, "Thank God your visuals are so strong, man." Smith later marveled at how awesome Snyder's Watchmen looks, saying he could die once he sees that movie.
Apatow talked about his raunchy comedies: "You have to find out: how much penis can you show in a movie without clearing an entire room?" Meanwhile, Smith nodded, deadpan, like he totally understood.
Smith: "I go with my gut, but my gut has lied to me in the past, like, when my gut said, 'Yeah, Jersey Girl's a great idea!'"
Frank Miller: "Very early on I learned I was incompetent at anything else. So I started to make comic books."

More on comics, geek culture, and how comedians differ from rappers (according to Apatow), if you read more.

Smith said he knew a while ago that it was only a matter of time before the comic book movie trend exploded. "Why not mine some of the most creative material ever, that's already been around for 50, 60 years? I think geek culture is here to stay. Thank God for Quentin Tarantino."
When asked whether he might attempt a different kind of movie than those he’s been making, Apatow answered in the negative, stating "There will be no movie with fairies and goblins. . . who can't get laid."
When asked about their influences, Apatow immediately said - without a trace of irony - Kevin Smith. "He laid down the track. I saw Clerks and I was like, ‘You can do that?!'" Smith reached over and gathered Apatow into a hug.
Apatow, babbling: "Comedians are not like rappers. Rappers kill each other and comedians like each other…" A few beats of baffled silence ensued before Smith asked, "Did you just step out of 1989? When was the last time a rapper killed another rapper?"
Frank Miller, on direct-to-internet content and advice for aspiring filmmakers: "Find the places the censors haven't found yet. Cause as much trouble as you can."

First Look: Chuck Season Two

BuzzSugar — Mon, 28 Jul 2008 12:40:46 -0700

It's one thing to hear all about the twists and turns coming up on the second season of Chuck. But it's another thing entirely to get to see them - and that's exactly what happened over the weekend when Josh Schwartz, Zachary Levi, and the rest took the stage at Comic-Con. While there's no official version of the almost 7-minute trailer, E!'s Kristin Dos Santos, who moderated the panel, got her spies out to capture the video from the big screen. (So what I'm saying is: Agent Casey, blame her, not me!)

Among the wonderful things to be glimpsed in the trailer: a shot of the Nicole Richie shower fight, Tony Hale dressing down the Buy More crew, more than one Chuck/Sarah kiss, and the first appearance of Jill! I'm so psyched, so to see if the season looks like you were hoping, just read more.

Photo courtesy of Warner Bros.

Cows - and Roberto Orci - Promote Fringe in San Diego

BuzzSugar — Mon, 28 Jul 2008 11:30:16 -0700

A herd of cattle grazing in a parking lot probably isn't the weirdest thing I saw during Comic-Con, but it's not too far off. The dozen or so cows had a purpose, though, serving as a clue along the way during a Fringe-related scavenger hunt in San Diego.

If you've seen the Fringe pilot - which several thousand more people now have seen following the San Diego screenings - you'll get the cow thing, which also came up at TCA; if not, stay tuned for Fall. But cute (though smelly) as they were, the cows weren't the best thing I found in the parking lot. Nope, that would be Roberto Orci, Fringe (and Star Trek) writer and executive producer, who chatted with me briefly about what Comic-Con has meant for Fringe. The entire show actually has its roots in the convention, so to hear about that, just read more.

Last year, when Orci, JJ Abrams, and Alex Kurtzman were at Comic-Con to launch Star Trek, they were also kicking around ideas for a new TV series they hoped to do together. "We actually ended up staying an extra night here because we were so close to figuring out the exact story for Fringe," Orci said. "We like to say that the show in a way was conceived here."

The timing wasn't the only reason: The three also combed Comic-Con booths looking for old '50s sci fi comics ("We grabbed a handful of them and realized they all cost like $20 and were like, 'Whoa! Actually, we'll charge it to Warner Bros, it's fine.'"), pulling out images that they could use as inspiration. On their last day in San Diego, they hammered out the outline for the show, writing it down on hotel stationery.

A year later, they were back to screen the completed pilot widely for the first time. They weren't worried about getting the Fringe name out there - the show already has a powerful advertising campaign from Fox, Orci said, along with a plum time slot after House. Instead, they were there for feedback from bloggers and other convention-goers who had seen the pilot and wanted to talk about it. "It used to be called focus groups," Orci said. Far from the types who claim not to read their own press, Orci and the Fringe team devour it. "You can always learn more," he said.

For those who have now seen the pilot, a few teasers from Orci to keep you coming back: We might find out more about Peter (Joshua Jackson) and his childhood - things maybe even Peter doesn't know. We might meet the head of Massive Dynamic, the maybe-good, maybe-evil corporation at the center of the story. And, despite Abrams's promises that Fringe won't be as confusing as, say, Alias, every episode will drop a little clue of some sort for the next.

Comic-Con Round-Up

BuzzSugar — Mon, 28 Jul 2008 07:30:05 -0700

I've been reporting from Comic-Con these past few days, but here's a hodgepodge of random extra bits and pieces from my weekend.

There was a panel I basically happened to attend by accident, which ended up being for this spooky-looking movie The Wolf Man, due in theaters April 3, 2009. Then, to everyone's surprise, the stars of the film, Benicio Del Toro and Emily Blunt, came onstage to talk about it. I'll post the trailer soon, so more on the movie itself later, but for now, how cute is this picture?!
The writers of The Office spoke to a packed house on Saturday, and while the 11 people on the panel (12 if you count moderator Rainn Wilson) felt like a few too many, there were plenty of funny moments, especially from BJ Novak, Michael Schur, and Mindy Kaling. I particularly liked this part of Novak's answer about why he likes writing for Michael Scott: "It's so interesting to see someone with authority be so innocent and so wrong."
Also a winner from that panel: Schur's description of how Dwight would act in the event of an actual robot invasion. "He would cross his arms in the middle of the street as the robots marched down the street, shaking his head and saying 'I told you so!'"
Yeah, the Heroes screening and Hugh Jackman appearance were cool - but one of my other favorite panels of the weekend was much, much smaller. On Friday, I got to hear some of the original voice actors from the classic Peanuts specials talk about what it was like to put together shows like A Charlie Brown Christmas and Bon Voyage, Charlie Brown. Several of the specials will be out on remastered, special-feature-laden DVDs this Fall, and I can't wait! Eventually, they're hoping to bring all the specials (more than 40 of them!) to DVD.
Also, some of the best trivia of the whole weekend came out of that panel: Did you know Fergie was once the voice of Charlie Brown's little sister, Sally? (For more Peanuts trivia, check out today's Brainteaser!)

To find out Seth Rogen's latest dirty comment and to see Zachary Levi's hand in a compromising position, read more.

Friday night’s bawdy session about Zack and Miri Make a Porno was moderated by Kevin Smith and included Seth Rogen, Elizabeth Banks, Traci Lords, and several others. The clip from the movie was pretty funny, mostly because of Rogen’s mugging and sarcasm. He's clearly cut out for Kevin Smith's style of comedy. At the panel, Elizabeth Banks had a funny comment when asked about what it was like to play Laura Bush after doing Zack and Miri: "Playing Laura Bush, it’s really just like playing a porn star. Just the hair is different." Rogen followed up with, "She wouldn’t even have to change her name." Yipes!
At the Chuck panel, moderator Kristin Dos Santos tried to get Zachary Levi and Joshua Gomez to repeat their 2007 feat of demonstrating an, er, compromising sexual position for the audience. They wouldn't do it - but did agree to reenact the moment with hand puppets. (See gallery for the image.)
Simon Pegg, Edgar Wright, and Jessica Hynes from Spaced were all over Comic-Con, doing interviews (stay tuned for mine!), panels, and signings to promote the US release of the complete series on DVD. They screened three beloved episodes on Friday night: "Art," "Epiphanies," and "Gone," the one with the finger gun fights. And, speaking of finger gun fights, they kicked off the screening with a gigantic one - Pegg speculated it was their biggest ever - with about 1,000 people participating.
Another smaller but still very cool moment of the trip came in the panel where several Disney artists showed how they created the storyboards for Bolt, the film about a TV superdog who thinks his powers are real. I'm still not sold on John Travolta as the voice of Bolt, but the drawings were adorable (see gallery) and the writing in the sequence we saw, in which some cats torture Bolt in his trailer, was totally clever.
The panel for It's Always Sunny in Philadelphia was fun, but for some reason I thought it would be more so. One of the coolest parts was that Damon Lindelof, executive producer of Lost moderated the panel, and is apparently a huge fan of Always Sunny. Also, little trivia: Rob McElhenney ("Mac" on the show) once played an Other on Lost.
The final celebrity of my trip: Red Fraggle! She made a special appearance at Sunday's Fraggle Rock DVD panel to lead the crowd in a sing-along of "The Beatle Song" and a recitation of the Solemn Fraggle Oath ("weeba weeba, woppa woppa, garpox gumbidge, whoopee!"). It should be noted that the vast majority of the crowd was not, in fact, parents with children but folks in their mid-20s, gloriously reliving their childhood. (The hand claps on the first runthrough of the Fraggle Rock theme were completely spontaneous and perfectly in sync.)

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Pushing Daisies Delightfully Teases Season Two at Comic-Con

BuzzSugar — Sun, 27 Jul 2008 14:00:00 -0700

Daddy issues, daughter issues, mommy issues, half-brother issues - there's going to be a lot of family drama when Pushing Daisies returns in October, the show's cast and crew revealed over the weekend at Comic-Con. But fans of the whimsical series need not despair: If anything, the Daisies folks promised, the show is overall lighter and even more delightful this year.

Creator Bryan Fuller and executive producer Barry Sonnenfeld also revealed the first footage from season two - after a brief snafu in which the video for the pilot started playing instead, prompting the two to run out to the podium early to apologize - and teased what's going on in the land of Coeur d’Coeurs when we return Oct. 1. To hear about what's coming up (plus some other highlights and a ton of pictures from the panel), just read more.

First, some hints about season two:

There have been a few changes in the living arrangements: Chuck is moving out of Ned's place and into Olive's. Olive, meanwhile, will spend a few episodes at a nunnery for an as-yet-undisclosed reason. (I saw the nunnery set on my Pushing Daisies set tour at TCA, and it's truly spectacular! As soon as Warner Bros. posts its photos, I'll be writing more about that.)
The aunts will be getting out more this season, including a trip to the Pie Hole (which understandably creates a lot of problems for Ned) and to visit Olive nunnery. The season two footage showed some hilarious shots of Aunt Vivian with a new color-coordinated eye patch in the nunnery's official blue.
In case the very thought of Olive at a nunnery raises some Sound of Music thoughts in your mind, you're not alone: Olive does, in fact, sing in the first episode - and from the footage, it looks to be a classic "the hills are alive" moment.
Emerson's quest for his daughter will be a major plot point: Fuller said Emerson wants to publish a pop-up book called Lil' Gumshoe that would essentially deliver the directions for his daughter to find her way back to him.
Among the many new characters we'll be meeting: Emerson's mother, Ned's half-brothers, and Olive's new pet, a potbellied pig named Pigby. The show will also introduce Dwight Dixon, a man who has history with both Chuck's father and Ned's father. While they wouldn't name names, the producers said they're expecting some more stage actors and singers - Broadway friends of Kristin Chenoweth and Ellen Greene - to make an appearance.
Also, we'll get to meet Young Olive and Young Emerson! In general, Fuller said, the second season will really embrace the ensemble nature of the show.
There will be many new contraptions to enable Ned and Chuck to show some affection, including a device that will allow them to spoon! (Aww!)
A special note for Wonderfalls fans: Fuller wants to put some kind of Wonderfalls tie-in in the new season.

And now, some highlights from the panel itself:

First Chi McBride and then Kristin Chenoweth made their entrances by running past the front of the crowd, slapping hands. I was only a few rows back, but I could still just barely see Kristin's blonde head bobbing as she made her run.
I couldn't believe I hadn't heard this story before this weekend, so maybe it'll be new to some of you, too: Bryan Fuller explained that the origins of Pushing Daisies came from an idea he had for Dead Like Me if the show had gotten a third season. That show's main character, George, took people's souls when she touched them, so Fuller thought about introducing a romantic foil for George who could give people their souls back with a touch of his own.
One fan asked Fuller why, after Wonderfalls and Dead Like Me both had cynical main characters, he decided to have Chuck and Ned embody all that's good with the world instead of sarcasm and wisecracks. "We have Emerson Cod for that," Fuller said.
Another fan asked Kristin Chenoweth if she'd indulge the crowd with a little song - and she obliged with a lovely version of "Somewhere Over the Rainbow," to wild cheers and applause. I'll try to post the audio of her performance later on, but for now, just trust me: It was gorgeous. (Barry Sonnenfeld even pulled his own mini video camera out of his pocket to capture it.)
Speaking of singing, Fuller also said he'd like to do a full musical episode at some point. He said he figured out the musical element to the show only after ending up with a cast full of talented singers and said he didn't purposefully look for actors who could sing - but, lucky for us, he got them anyway.
Sonnenfeld still holds a joking grudge against Anna Friel for convincing one director that it would be fine to have Ned and Chuck playing a hand-slapping game in the background of some Pie Hole scenes. "It's basically Russian Roulette!" Lee Pace said.
Sonnenfeld was also getting a kick out of teasing Chenoweth about her popularity. "You all love Kristin," he said at one point. "She's like a perfect short person."

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Lost Producers Say Seasons Five and Six Will Be Rewarding

BuzzSugar — Sun, 27 Jul 2008 12:43:26 -0700

I'd expected the Lost panel here at Comic-Con to be as intense, fan-wise, as the Heroes one was, and there were certainly lots of fans in the audience, but the whole vibe of the thing was a little different - totally playful and fun. Executive producers/writers Damon Lindelof and Carlton Cuse sat onstage fielding questions from the audience and giving out gifts to each person who asked a question. The gifts were chosen based on what the topic was that the fan was asking about, so for example, a young man who looked a lot like Hurley was awarded a large tub of Dharma-issued ranch dressing. The producers also claimed that Dharma was sponsoring the panel here at Comic-Con.

They also chose a few of the people who took the tests at the Dharma recruitment booths on the exhibit floor to come onstage and then leave with a Dharma recruitment guy, Hans von Egan. They gave one of these chosen people a camera with which to "secretly" capture what went on when Egan took the group to a booth where they were shown a scratchy Dharma video of Marvin Candle who revealed that his real name is Pierre Cheng. In the video (which Cheng said was filmed 30 years ago), there was a screaming baby in the background until Cheng instructed someone to take the baby away. He implored the viewer to "complete the research." He said the Dharma Initiative "must be reconstituted" and he mentioned Einstein's field equations.

His most clear message was this: "Time is not just of the essence, it is the essence." In typical Lost form, the person running the camera eventually said that making the video was pointless, and the footage cut out as Cheng protested that they should keep taping.

So, there was that. From all the fan questions, we got a few more tidbits, though nothing too juicy. There was also no real footage to show, of course, since they haven't started shooting yet. Still, it was so much fun to be in a room full of Lost nerds who got every reference and insider joke. To see some of the little things we learned from the panel, read more.

The producers said Jin would still be on the show in some form, with Carlton Cuse adding, "Death is a relative term, really."
Cuse's favorite episode so far has been "The Constant." (I then wanted someone to ask the men who their constants are, but nobody did.) Both producers say the last season, season four, was their favorite season of them all, and promised that in seasons five and six the show would just keep getting better and better. "You guys never lost faith in the show," Damon Lindelof remarked. "You will be rewarded for hanging on all the way to the end of season six."
In addition to flashbacks and flash-forwards, they're going to do something "completely different, to mix it up."
Though they said they wanted to avoid using the word "flashbacks," they promised that we will see Rousseau's story.
Vincent the dog will be in season five.
Cuse, in particular, expressed his continued interest in the Kate-Jack-Sawyer love triangle, and said we'll see more about the triangle in the coming seasons.
They acknowledged that it's pretty silly that Daniel Faraday still hasn't taken off his skinny tie, but now it's kinda become a thing. They even gave out one of the ties that the actor wore on the show as a gift for someone who asked a question about Faraday.
Lindelof promised: "When season five starts, you're not going to know when or where you are." They are going to play (even more) with different places and periods of time.
One woman asked how old Richard Alpert really is, and how many toes he has. The producers just said "very old" and that we'll "see him barefoot in the very near future - and that's pun intended, 'near future.'"

Cryptic as always, but pretty fun, too.