Frances Conroy

Movies

Movie Preview: Julianne Moore, Jonathan Rhys-Meyers in Shelter

Since the success of Shutter Island, I'm definitely in the mood for more chilling mysteries, and Shelter, starring Julianne Moore and Jonathan Rhys-Meyers, could possibly be the next quality thriller.

Since the success of Shutter Island, I'm definitely in the mood for more chilling mysteries, and Shelter, starring Julianne Moore and Jonathan Rhys-Meyers, could possibly be the next quality thriller.

Moore plays Dr. Clare Jessup, a forensic psychiatrist who denies the existence of Multiple Personality Disorder until she meets Adam, a mysteriously afflicted patient played by Rhys-Meyers. Adam's condition causes Clare to question both her scientific and religious beliefs when his other personalities turn out to all be murder victims. Naturally, the good doctor is running for her life — and then, protecting her daughter's.

I love a good story, even if I'm terrified in the theater, and Shelter looks even more spine-tingly than Shutter Island. Brace yourself for some gruesome images in the trailer, and don't say I didn't warn you.

To see the preview, just read more

Renée Zellweger

New in Town: Lovin' in the Cold

New in Town is packed with a lot of bad, wrong-headed moves including small-town stereotypes, predictability, conventionality, and in one bizarre scene, hard nipples.

New in Town is packed with a lot of bad, wrong-headed moves including small-town stereotypes, predictability, conventionality, and in one bizarre scene, hard nipples. Despite a talented and likable cast with wonderful character actors like J.K. Simmons and Frances Conroy, this romantic comedy was probably doomed from the start due to a script that can't decide if it wants to be Fargo, Norma Ray, or Working Girl.

That said, there is something in this movie that no script can write in and that's some honest-to-goodness chemistry between the two leads. Maybe I'm a sucker for Harry Connick Jr., maybe it's rare to witness some genuine onscreen sparks, or maybe I've been suffering too long from generic rom-com fatigue. Whatever the reason, I couldn't help but get a moderate case of the warm fuzzies after watching it.

To see some more of my thoughts on New in Townread more

Movies

Movie Preview: Renée Zellweger Is New in Town

The trailer for the romantic comedy New in Town, starring Renée Zellweger and Harry Connick Jr., seems to tell the whole story, and it looks like a predictable story at that.


The trailer for the romantic comedy New in Town, starring Renée Zellweger and Harry Connick Jr., seems to tell the whole story, and it looks like a predictable story at that. As the plot description states, "Renée Zellweger stars as a Miami-based consultant whose latest assignment, to restructure a manufacturing plant in small-town Minnesota, causes her to reconsider her professional and personal objectives once she settles into her new life."

And yet, if it's so predictable, why did I laugh out loud a few times while watching the trailer? There's something kind of adorable and funny about this movie, and I'm actually excited to see it. New in Town (which was previously titled Chilled in Miami) opens Jan. 30. To check out the trailer, read more

TV

Desperate Housewives Rundown Episode Six, "There's Always a Woman"

Lily Tomlin! Frances Conroy! Hooray for some great new blood on Desperate Housewives!

Lily Tomlin! Frances Conroy! Hooray for some great new blood on Desperate Housewives! Overall I think this week's episode is better than the others have been thus far this season, but in particular, it's so awesome to see these new ladies reinvigorating the show. Tomlin plays Mrs. McCluskey's saucy, smart-talking sister while Frances Conroy (known to Six Feet Under fans as Ruth Fisher) is a massage client of Carlos's who has a very, ah, "special" relationship with him.

The theme, of course, is "dangerous women." To chat about the goings-on in this episode, read more

The Hills

Buzz News Roundup, 4/14

Having recently taken on Gossip Girl books and Dancing with the Stars, The New Yorker now turns its attention to The Hills.

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