2008 Tribeca Film Festival

I saw Bart Got a Room at last year's Tribeca Film Festival and totally enjoyed it — if you'd like, you can read my review (without getting spoiled). Now there's a trailer for it and it's apparently "coming soon." I highly recommend putting this one on the to-see list for some time when you need a pretty light, easy movie that isn't too taxing, isn't too substantial and leaves you feeling good in the end.

Set in Florida, the movie follows Danny (Steven Kaplan), a teen who wants nothing more than to get some action on prom night. Over the course of the film, we watch the excruciating three weeks leading up to the big night as Danny secures everything (tux, limo, hotel room) — except for the girl. William H. Macy and Cheryl Hines play Danny's divorced parents while Alia Shawkat plays Danny's good friend.

It's a sweet little movie with some great Big Band music throughout. To check out the trailer, read more

I was compelled to see the documentary Lioness at the Tribeca Film Festival because the basis is so intriguing. In the press notes for the film, this is the description: "Despite written policy banning women from direct ground combat, military commanders have been using women in direct ground warfare as an essential part of their operations since 2003. Though official policy forbids this operation and publicly denies its existence, this initiative and company of women have a name: they are called Team Lioness. Lioness. . .tells the story of the first group of Lionesses who went to Iraq as clerks, mechanics and engineers but returned a year later as America's first female combat veterans."

Much of the film deals with that last detail — that these women went abroad with the military, possessing expertise in certain fields but not having much training in direct combat. Mainly, it appears from the film, they were brought into hostile areas to help calm and placate the Iraqi women during raids, but when violence erupted, they were often forced to engage in direct combat, something official policy blatantly forbids. From here, the issues become not that women can't handle violence, but rather that these women simply weren't trained for that kind of action and that they innately handle the experience differently than men. For more about this complicated issue, read more

• I can't tell you how much fun I had at the Tribeca Film Festival this year. In addition to making new friends, I saw some terrific (if quirky) movies, like The Wackness, Trucker, and Bart Got a Room. I also gave a word of warning for the bleak and disturbing Savage Grace which still makes me feel kinda icky.
• I saw The Life Before Our Eyes, a movie adapted from my April book club selection and I found the movie to be visually gorgeous but also puzzling. Ah well, the book was still a lovely read. Which reminds me — check out my May selection for the book club.
• The title Made of Honor confused me and much of the blogosphere this week. Baffling non-puns aside, the movie was, well, boring. All is not lost, though, because it gave me an excellent picture for the Caption It contest.
• Woo-hoo! May is going to be a fun month! I've rounded up some of my must-haves for the month, including the Sex and the City movie. Speaking of which, I put together a slideshow all about the essential episodes to catch before the big movie release on May 30.
• American Idol was shaping up to be a bit of a snoozer with the Neil "Sparkly Tops" Diamond songbook. But then, just when I was about to doze off, PaulaGate came crashing through. What did you think about her little on-air hiccup?
• So now that shows like Gossip Girl and Grey's Anatomy are back in full swing are you still watching as much TV? Or are there some shows you've quit?
• There were some cool and even moving music videos out this week, like this one from R.E.M. and an important message from Radiohead. Coldplay even gave us a glimpse of a song from their upcoming album.
• Finally, if you're looking for entertainment this weekend I highly recommend seeing Iron Man in the theaters and settling in Sunday night for the season premiere of This American Life on Showtime.

OK, that's it. I think I'm tapped out on the ridiculously heartwarming documentaries about elderly folks doing things like singing Coldplay songs or learning hip-hop to perform during basketball games. It's not that I'm sick of them, it's that they reduce me to an overemotional puddle on the floor. And movie theater floors are sticky. Of course, I think other people should seek out these movies. I've just learned that they're like my emotional kryptonite. . . in a good way.

Gotta Dance is similar to the recent documentary Young@Heart in many ways. Both focus on groups of older people doing things that most older people don't do: singing "the young peoples' music" and "dancing the young peoples' dances." The joy this brings them, and the sense of self-worth and aliveness is so inspiring it brings tears to my eyes. Gotta Dance differs, however, in that these people are physically pushing themselves to do the dances, so there is a much heavier emphasis on the subject of growing old and what kinds of limitations one faces. More than merely having a difference in taste (Young@Heart features elderly people who, though it's not necessarily their taste in music, sing rock songs) this kind of activity poses physical challenges that end up making the dancers feel both old and young. To see what else happens and for more of my thoughts, read more

Here's the good thing I can say about Tennessee: The effort behind the film is commendable. "A" for effort. "D" for most everything else. And you know, I wasn't altogether convinced that it would be a terrible movie simply because Mariah Carey was in it. I wanted to give Tennessee the benefit of the doubt, so I did, but now I just want those 95 minutes of my life back.

On paper, maybe a touching drama about road trips and brotherly love looked like cinematic gold. And some of the shots of bronzey Southwest sunsets are quite striking. But that's where the "pros" of this movie end. You know how sometimes a series of slow and quiet scenes can be evocative, tense and rich? Not so much here. In this case it just makes for an incredibly flat, boring film. The story comes out lackluster and cliché, and none of it is helped by Mariah Carey's mumbling, careless shrug of a performance. It’s not even worth it to go into the details of the plot, really, but still, read more

Bart Got a Room isn't high art and it's not fall-down funny, but it's easily the sweetest of all the Tribeca films I caught and the one movie I would wholeheartedly recommend. It's silly and goofy and fun, all the while washed in bright hypercolor Florida shades of pink and turquoise. It trots along quickly to swinging, squealing Big Band tunes, which is a funny juxtaposition of the old timers' Florida retirement community with the painfully hilarious adolescent experience at the center of the plot. At times the film seems to be reaching for something it can't quite grasp, but it still shakes out to be a great indie comedy.

Steven Kaplan plays high school senior Danny Stein, whose life’s challenge has come down to finding a date to the prom. Despite receiving an invitation from his best friend Camille (Alia Shawkat), Daniel wants a girl he can take back to the hotel room after the dance. And the hotel room has become the most important factor of all now that word has gotten around that "even Bart got a room.” The significance of this — and the elusive Bart's identity — is a mystery until the very end, but it’s clear that if even Bart's getting a room, then Danny Stein surely must have a prom to remember. So he goes on a quest for a prom date with the support of his divorced parents (William H. Macy and Cheryl Hines) who are each experiencing their own romantic adventures.

To see what else I thought of Bart Got a Room, read more

As is the case with many movies, you can kinda tell how you'll feel about Savage Grace from how you feel watching the trailer. For me, I thought the trailer was tense, dark and disturbing. Julianne Moore looked powerfully off-kilter, exhibiting that magnificent control she utilizes with every role she takes on, but ultimately the trailer left me with a bleakly ominous feeling. Physically, it was like I'd swallowed cement.

The full movie left me with that feeling times a thousand. Julianne Moore's character is appalling in this story, and yet Moore makes us sympathize with her. But aside from that, this supremely messed up film is just hard to watch. Moore portrays the real-life American socialite Barbara Daly Baekeland whose hostile marriage with plastics heir Brooks (Stephen Dillane) Baekeland produced one son, Antony (Eddie Redmayne). After the dissolution of Barbara and Brooks' marriage, Antony became Barbara's closest friend and confidant. Barbara and Antony's relationship was really close, if you know what I mean. If you don't (even if you do), read more

Trucker largely reminded me of another indie movie titled Come Early Morning, which was written and directed by Chasing Amy's Joey Lauren Adams (who, incidentally, also stars in Trucker). The tone of both movies features a kind of weary, weathered fondness for the southern American landscape (in Come Early Morning it's the South, in Trucker it's the dusty deserts of southern California). At the heart of both movies, too, are hard-edged, tough-talking women in jobs that others in the movie ridicule for not being "women's jobs": Ashley Judd's character in Early Morning worked in construction, while the main character of Diane in Trucker, played by Michelle Monaghan, is a truck driver.

On the surface these two films might blur together in my mind as one unrecognizable narrative of the rough-around-the-edges woman learning to soften and accept love as well as give it. Trucker stands out a bit, though, as a more interesting story, more layered with higher stakes. And while it's not the most memorable movie in general, it's captivating enough and ultimately sends a heartwarming message. To see what I mean, read more

Many of you want Hilary Duff to star in the 90210 spinoff but for now she's busy showing off her acting skills at the Tribeca Film Festival. We were hoping for a red carpet walk with her man, Mike who is in NYC with her, but, as expected, it was Haylie, who escorted her down the line. Buzz was there and she said Hilary was whisked away too quickly to ask about that crazy scorpion scene and unfortunately, the rain probably helped the quick appearance move right along but luckily there were some other fabulous folks to check out from War, Inc. including Marisa Tomei who Buzz said was gorgeous up close and in person. Click here to check out her details from the big night and more going on at the festival.

To see more from the premiere including Hilary Duff, Haylie Duff, Montel Williams, Marisa Tomei and others just read more

The Tribeca Film Festival rolls on and last night was another fabulous party, this time hosted by Chanel. Not too shabby. Mary-Kate Olsen actually looked pretty cute (yay) and more good news is that Buzz enjoyed her movie at the festival, The Wackness. Zoe Kravitz looked beautiful as usual alongside fellow frequent party-goers Ed Burns and Christy Turlington. Blake Lively's Serena had her life shaken up on Gossip Girl last night, which kinda made it more awesome, in my opinion. Also, my girl Buzz is in NYC for all the Tribeca fun, check out all her coverage here.

To see more from the party including Zoe Kravitz, Mary-Kate Olsen, Blake Lively and others just read more