I'll admit that I can be susceptible to the appeal of a red-band trailer (a trailer made for mature audiences, often including profanity or racy content) when it comes to certain movies. For instance, when I saw that Kevin Smith's upcoming comedy Zack and Miri Make a Porno had a red-band trailer, I was super excited. It's not so much about shock value as it is the chance to see what this movie, in all its raunchy Smith glory, is truly going to be like.
But not all of these trailers have that effect on me. I haven't been rushing to watch the red-band trailer for the little indie flick Good Dick, for example.
I think the first red-band trailer I was interested in was for Superbad last year. Nowadays it's becoming an increasingly popular tactic, as marketers look to generate buzz with a little online provocation. Do you find that the appeal of a movie goes up with these trailers?
This year's Emmys were among the lowest-rated in history, and ever since Sunday night, industry types have been trying to figure out what went wrong. Was it the five reality hosts? The low-rated nature of many of the winners and nominees? The fact that fewer people are watching live TV at all these days?
Obviously, it's too late to save this year's broadcast — but I'm looking toward the future. From what I saw, both behind the scenes and on TV, I think the Emmys can still be salvaged. Here are the top five ways I'd do it:
No. 5: Give out more awards. I'm not saying to make the show longer. Believe me, I would never say that. But there are approximately a gazillion Emmy categories, and most of them don't even make the TV broadcast. Why not stage the Outstanding Choreography routines live? Or do some sort of costume gallery like the Oscars broadcast often does? And the guest stars — such a big part of so many shows — should absolutely get their awards on the big night. There are some cool things that most of us never get to see, and putting them in the show would cut down on all that filler.
No. 4: Pay tribute to TV the right way. I really enjoyed the classic TV lines montage that opened this year's Emmys, and seeing the famous sets like Seinfeld's diner recreated on the Nokia Theatre stage was pretty cool. But the Laugh-In montage was a bust, and all the reality TV blather just highlighted what annoys so many of us about TV these days. When I'm watching a celebration of the best of television, I shouldn't leave feeling embarrassed for the medium.
The story of Big Brother watching and controlling all of the helpless citizens in Eagle Eye might be more effective if it weren't quite so preposterous. That said, this movie intends to thrill and entertain, and it succeeds on all counts. It holds your attention with all the plot twists and the bombardment of explosions, the kind of explosions that make a certain audience cheer. Eagle Eye will probably not be an award-winner, but it's great for when you want to totally escape with a loud, ridiculous, big ol' Hollywood popcorn flick.
For starters, the two leads are seriously likable. I so enjoy watching Michelle Monaghan in pretty much anything (even crap like Made of Honor) because she seems so comfortable on screen. She's like someone we all might know. Not average, really, but familiar in a comforting way — smart, nurturing, sweet, tough. And Shia LaBeouf is utterly adorable in this film. It doesn't ask much of him, but he delivers nicely nonetheless. He plays Jerry Shaw, a slacker living in Chicago and having trouble making ends meet. The sudden death of his estranged twin brother Ethan sets off a series of baffling occurrences for Jerry, starting with a strange woman contacting him on the phone just as he's being set up to look like a terrorist. Oh, this is only the beginning, though, so read more
Welcome to Buzz Brainteaser, the trivia feature on BuzzSugar! Every weekday I'll test your knowledge about TV shows, music, and movies. If you enter in the correct answer, you win points!
In the Scrubs episode "My Best Friend's Wedding," what Beatles song does Ted's band end up playing at Turk and Carla's reception?
All major networks will have live coverage of the 2008 Presidential Debate
Fox is new with Are You Smarter Than a 5th Grader?
NBC is new with America's Toughest Jobs and may have baseball coverage in some areas
CBS has repeats of The Mentalist
ABC is new with 20/20
The CW is new with Friday Night SmackDown
MTV has Real World/Road Rules Challenge
VH1 has 40 Greatest Pranks
E! has The Soup
Late-night highlights include Lance Armstrong, Kristen Wiig, and TV on the Radio on Late Show With David Letterman on CBS; Jimmy Kimmel and Jennifer Hudson on The Tonight Show With Jay Leno on NBC; Drew Carey, Tony Parker, and Lady Antebellum on Late Late Show With Craig Ferguson on CBS; and Brooke Shields, Robert Reich, and Amos Lee on Late Night With Conan O'Brien on NBC
Last week when I tried out my version of Do, Dump or Marry, Team member luckyme suggested having a TV option in addition to "Watch," "Pass" or "Rent." I like that idea a lot, seeing as there are plenty of movies I wouldn't ever rent, but will probably watch on TV if I happen upon it. Hence, the TiVo option, which doesn't necessarily mean you'd TiVo it (though it could; I often TiVo movies), but includes catching the movie on TBS or something someday (having "Watch on TV" as an option would make the title so cumbersome!).
This week's movie in question: the Nicholas Sparks weepie Nights in Rodanthe starring Richard Gere and Diane Lane.
If you were thinking of picking up either Mad Men or Breaking Bad after their big Emmy wins on Sunday, AMC is making it easy. Over the next week, they're rerunning a big chunk of Mad Men and all of Breaking Bad in two marathon sessions.
The first comes tonight starting at 4 p.m. EDT (check your local listings if you're elsewhere), when the network will air the first eight episodes of the second season of Mad Men all in a row. (Once you're done, come back for my recaps!)
Then next Wednesday, Oct. 1, the entire first season of Breaking Bad will air starting at 8 p.m. EDT. It's only seven episodes total, so it's not a huge time commitment. I didn't manage to catch every episode of that one myself, so I'll definitely be setting my DVR to capture the ones I missed this time around.
Jenna Dewan walked down the street in Beverly Hills looking extremely chic and poised. Her structured white blazer framed her body perfectly, and paired well over her draped fringe Haute Hippie halter which she wore with denim leggings and over-the-knee brown boots.